Contents

Yamaha Clavinova CLP-120 Piano Owner's Manual PDF

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Summary of Content for Yamaha Clavinova CLP-120 Piano Owner's Manual PDF

Owner's Manual Bedienungsanleitung Mode d'emploi Manual de instrucciones Before using the Clavinova, be sure to read PRECAUTIONS on pages 6-7. Achten Sie darauf, vor Einsatz des Clavinova die VORSICHTSMASSNAHMEN auf Seite 6-7 durchzulesen. Avant d'utiliser le Clavinova, lire attentivement la section PRECAUTIONS D'USAGE aux pages 6- 7. Antes de utilizar el Clavinova, lea las PRECAUCIONES que debe tener en cuenta en las pginas 6- 7.

IMPORTANT Check your power supply Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.

WICHTIG berprfung der Stromversorgung Vergewissern Sie sich vor dem Anschlieen an das Stromnetz, da die rtliche Netzspannung den Betriebsspannungswerten auf dem Typenschild an der Unterseite des Instruments entspricht. In bestimmten Verkaufsgebieten ist das Instrument mit einem Spannungswhler an der Unterseite neben der Netzkabeldurchfhrung ausgestattet. Falls vorhanden, mu der Spannungswhler auf die rtliche Netzspannung eingestellt werden. Der Spannungswhler wurde werkseitig auf 240 V voreingestellt. Zum Verstellen drehen Sie den Spannungsregler mit einem Schlitzschraubendreher, bis der Zeiger auf den korrekten Spannungswert weist.

IMPORTANT Contrler la source d'alimentation Vrifiez que la tension spcifie sur le panneau infrieur correspond la tension du secteur. Dans certaines rgions, l'instrument peut tre quip d'un slecteur de tension situ sur le panneau infrieur du clavier proximit du cordon d'alimentation. Vrifiez que ce slecteur est bien rgl en fonction de la tension secteur de votre rgion. Le slecteur de tension est rgl sur 240 V au dpart d'usine. Pour modifier ce rglage, utilisez un tournevis lame plate pour tourner le slecteur afin de mettre l'indication correspondant la tension de votre rgion vis vis du repre triangulaire situ sur le panneau.

IMPORTANTE Verifique la alimentacin de corriente Asegrese de que tensin de alimentacin de CA de su rea corresponde con la tensin especificada en la placa de caractersticas del panel inferior. En algunas zonas puede haberse incorporado un selector de tensin en el panel inferior de la unidad del teclado principal, cerca del cable de alimentacin. Asegrese de que el selector de tensin est ajustado a la tensin de su rea. El selector de tensin se ajusta a 240V cuando la unidad sale de fbrica. Para cambiar el ajuste, emplee un destornillador de cabeza "recta" para girar el selector de modo que aparezca la tensin correcta al lado del indicador del panel.

Clavinova Web site (English only) http://www.yamahaclavinova.com/ Yamaha Manual Library http://www2.yamaha.co.jp/manual/english/

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation C 2002 Yamaha Corporation V856070AP???.?-0?B0 Printed in Indonesia

DIC 338

Introduction

92-469 1

(bottom)

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS:

Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

See bottom of Keyboard enclosure for graphic symbol markings.

The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servic- ing) instructions in the literature accompanying the product.

The lightning ash with arrowhead symbol, within the equilateral trian- gle, is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclo- sure that may be of sufcient magni- tude to constitute a risk of electrical shock.

IMPORTANT NOTICE:

All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specically authorized by Yamaha. Product perfor- mance and/or safety standards may be diminished. Claims led under the expressed warranty may be denied if the unit is/has been modied. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specications without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES:

Yamaha strives to pro- duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non- rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ve years. When replacement becomes necessary, contact a qualied service representative to perform the replacement.

Warning:

Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is consid- ered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

NOTICE:

Service charges incurred due to lack of knowl- edge relating to how a function or effect works (when the unit is operating as designed) are not covered by the man- ufacturers warranty, and are therefore the owners respon- sibility. Please study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION:

The graphic below indi- cates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

CAUTION RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

CLP-130

Model

Serial No.

Purchase Date

CLP-120

CLP-130/120

About this Owners Manual

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Thank you for purchasing the Yamaha Clavinova! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the Clavinova. We also recommend that you keep this manual in a safe and handy place for future reference.

About this Owners Manual

This manual consists of three main sections: Introduction, Reference and Appendix.

Introduction (page 2):

Please read this section rst.

Reference (page 13):

This section explains how to make detailed settings for the Clavinovas various functions.

Appendix (page 69):

This section introduces reference material.

* The models CLP-130/120 will be referred to as the CLP/Clavinova in this Owners Manual. * The illustrations and LED displays shown in this owners manual are for instructional purposes only and may appear

somewhat different from those on your instrument.

Trademarks:

Apple and Macintosh are trademarks of Apple Computer, Inc. Windows is a registered trademark of Microsoft Corporation. All other trademarks are the property of their respective holders.

COPYRIGHT NOTICE

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, MIDI les, WAVE data. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DIS- TRIBUTE OR USE ILLEGAL COPIES.

The Clavinova-Computer Connection,

is a supplementary guidebook that describes, for beginners, what you can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system (the manual is not written for any specic models). The document is available as a PDF le (in English) at the following Internet address:

Clavinova Web site (English only):

http://www.yamahaclavinova.com/

Yamaha Manual Library:

http://www2.yamaha.co.jp/manual/english/

CLP-130/120

Table of Contents

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Table of Contents

Introduction

SPECIAL MESSAGE SECTION ...................... 2

About this Owners Manual........................ 3

Application Index........................................ 5

PRECAUTIONS............................................. 6

Accessories .................................................. 8

Maintenance ............................................... 8

Features....................................................... 9

Before Using the Clavinova ...................... 10

Key Cover ...........................................................10 Music Rest ..........................................................10 Turning the Power On.......................................11 Setting the Volume.............................................11 Using Headphones .............................................12 Using the Speaker Switch...................................12

Reference

Part Names................................................ 14

Listening to the Demonstration Tunes .... 16

Listening to 50 Piano Preset Songs .......... 17

Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function) .......................18

A-B Repeat for 50 Preset Songs .........................20

Selecting & Playing Voices........................ 21

Selecting Voices ..................................................21 Using the Pedals .................................................21 Adding Variations to the Sound

[VARIATION] (CLP-130)/[BRILLIANCE]/ [REVERB]/[EFFECT]....................................22

Touch Sensitivity [TOUCH] ..........................24 Transposition [TRANSPOSE]........................25 Combining Two Voices (Dual mode)...............26 Splitting the Keyboard Range and Playing Two

Different Voices (Split mode) (CLP-130) ....27 Using the Metronome........................................29

Recording Your Performance ................... 30

Recording to [TRACK1]....................................30 Re-recording TRACK1 ......................................32 Recording to [TRACK2]....................................32 Changing the Initial Settings (Data recorded at

the beginning of a song) ................................34

Playing Back Recorded Songs................... 35

Playing Back a Song ...........................................35 Useful Playback Functions.................................36

Detailed Settings [FUNCTION]...............37

Basic Procedure in Function Mode .................. 38 About Each Function......................................... 40

F1. Fine Tuning of the Pitch ....................... 40 F2. Selecting a Scale..................................... 41 F3. Dual Mode Functions ........................... 42 F4. (CLP-130) Split Mode Functions ......... 43 F5. (CLP-130) / F4. (CLP-120)

Other Functions.................................... 44 F.6 (CLP-130) / F.5 (CLP-120)

Metronome Volume............................. 45 F7. (CLP-130) / F6. (CLP-120)

Preset Song Part Cancel Volume ......... 45 F8. (CLP-130) / F7. (CLP-120)

MIDI Functions .................................... 45 F9. (CLP-130) / F8. (CLP-120)

Backup Functions ................................. 48

About MIDI................................................49

Connections ..............................................50

Connectors......................................................... 50 Connecting a Personal Computer .................... 52

Troubleshooting........................................56

Options......................................................56

CLP-120: Keyboard Stand Assembly .........57

CLP-130: Keyboard Stand Assembly .........60

Preset Voice List ........................................63

Demo Song List .........................................66

Index..........................................................67

Appendix

Factory Setting List ...................................70

MIDI Data Format .....................................71

MIDI Implementation Chart .....................75

Specifications ............................................76

CLP-130/120

Application Index

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Application Index

Use this index to nd reference pages that may be helpful for your particular application and situation.

Listening

Listening to demo songs with different voices....................................... Listening to the Demonstration Tunes on page 16

Listening to songs from 50 Greats for the Piano ...................................... Listening to 50 Piano Preset Songs on page 17

Listening to my recorded performance .................................................................Playing Back Recorded Songs on page 35

Playing

Using the three performance control pedals.............................................................................. Using the Pedals on page 21

Playing an accompaniment that matches pitch ................................................Transposition [TRANSPOSE] on page 25

Selecting a touch sensitivity type......................................................................... Touch Sensitivity [TOUCH] on page 24

Fine tuning the pitch of the entire instrument when you play the Clavinova along with other instruments or CD music. ............................................................................ Fine tuning of the pitch on page 40

Changing voices

Viewing the list of voices..............................................................................................................Preset Voice List on page 63

Simulating a concert hall ..................................................................................................................... [REVERB] on page 22

Combining two voices............................................................................... Combining Two Voices (Dual mode) on page 26

Playing different sounds with left and right hands ................................ Splitting the Keyboard Range and Playing Two Different Voices (Split mode) (CLP-130) on page 27

Making the sound more brilliant or mellower ........................................................................... [BRILLIANCE] on page 22

Adding spread or swell to the sound .................................................................................................... [EFFECT] on page 23

Enhancing the sound with effects............................................................................... [VARIATION] (CLP-130) on page 22

Practicing

Muting the right- or left-hand part ...................................................... Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function) on page 18

Practicing a specied phrase repeatedly..............................................................A-B Repeat for 50 Preset Songs on page 20

Practicing with an accurate and steady tempo .................................................................Using the Metronome on page 29

Practicing using your recorded song ..................................................................... Recording Your Performance on page 30

Recording

Recording your performance................................................................................. Recording Your Performance on page 30

Settings

Adjusting the Clavinova settings ................................................................... Detailed Settings [FUNCTION] on page 37

Connecting the Clavinova to other devices

What is MIDI? ....................................................................................................................................About MIDI on page 49

Recording your performance....................................................................................................... AUX OUT jacks on page 50

Raising the volume....................................................................................................................... AUX OUT jacks on page 50

Outputting other instruments sound from the Clavinova............................................................ AUX IN jacks on page 51

Connecting a computer ..................................................................................Connecting a Personal Computer on page 52

Assembling

Assembling and disassembling the Clavinova ................. CLP-130/120: Keyboard Stand Assembly on pages page 5762

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(1)B-7 1/2

PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:

Only use the voltage specied as correct for the instrument. The required voltage is printed on the name plate of the instrument.

Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

Use only the supplied power cord/plug. Do not place the power cord near heat sources such as heaters

or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

Do not open the instrument or attempt to disassemble the inter- nal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.

Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liq- uids which might spill into any openings.

Never insert or remove an electric plug with wet hands.

Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.

If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qual- ied Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

When removing the electric plug from the instrument or an out- let, always hold the plug itself and not the cord. Pulling by the cord can damage it.

Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.

Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.

Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury.

Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel dis- guration or damage to the internal components.

Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.

Do not place the instrument in an unstable position where it might accidentally fall over.

Before moving the instrument, remove all connected cables. Do not place the instrument against a wall (allow at least 3 cm/

one-inch from the wall), since this can cause inadequate air cir- culation, and possibly result in the instrument overheating.

Power supply/Power cord

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/Power cord

Assembly

Location

LP-130/120 PRECAUTIONS

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Before connecting the instrument to other electronic compo- nents, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to mini- mum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use paint thinners, solvents, cleaning uids, or chemical-impregnated wiping cloths.

Take care that the key cover does not pinch your ngers, and do not insert a nger or hand in any gaps on the key cover or instrument.

Never insert or drop paper, metallic, or other objects into the gaps on the key cover, panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualied Yamaha service personnel.

Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.

Do not rest your weight on, or place heavy objects on the instru- ment, and do not use excessive force on the buttons, switches or connectors.

Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

Do not place the bench in an unstable position where it might accidentally fall over.

Do not play carelessly with or stand on the bench. Using it as a tool or step-ladder or for any other purpose might result in acci- dent or injury.

Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury.

If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool.

Saving and backing up your data Depending upon the Backup Settings (page 48), internal data is

retained for about 1 week after the power is turned off. If the period is exceeded, the data will be lost. Be sure to turn the power switch on for a few minutes at least once a week. The data could be lost due to malfunction or incorrect operation. Save important data to external media such as the Yamaha MDF3 MIDI data ler.

Backing up the external media To protect against data loss through media damage, we recom-

mend that you save your important data onto two external media.

Always turn the power off when the instrument is not in use.

Connections

Maintenance

Handling caution

Using the bench (If included)

Saving data

Yamaha cannot be held responsible for damage caused by improper use or modications to the instrument, or data that is lost or destroyed.

(1)B-7 2/2

CLP-130/120 PRECAUTIONS 7

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Accessories 50 Greats for the Piano (Music Book)

Owners Manual This manual contains complete instructions for operating your Clavinova.

Bench A bench may be included or optional, depending on your locale.

Maintenance Clean the instrument using a dry or slightly damp soft cloth (wring well).

CAUTION Do not use benzene, thinner, detergent, or chemically-treated cloth for cleaning. Do not place vinyl, plastic or rubber products on the instrument. Otherwise, the panel or keys may become discolored or degraded.

CAUTION Before using the Clavinova, be sure to read Precautions on pages 6 7.

Tuning Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune.

Transporting If you move to another location, you can transport the Clavinova along with your other belongings. You can move the unit as it is (assembled) or you can disassemble the unit. Transport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the instrument to excessive vibration or shock.

LP-130/120 Accessories / Maintenance

Features

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Features

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CLP130(E).book Page 9 Thursday, October 31, 2002 2:45 PM

CLP-130/120

The Yamaha Clavinova CLP-130/120 digital piano offers unmatched sonic realism and natural grand-piano type pl ity as well as Yamahas original AWM Dynamic Stereo Sampling (CLP-130)/AWM Stereo Sampling (CLP-120) ton generation technology for rich, musical voices, and a special Graded Hammer keyboard that provides graded key weight and response throughout the keyboard range. The CLP-130/120 Grand Piano 1 and 2 voices feature totally new samples painstakingly recorded from a full conce grand piano. The CLP-130 Grand Piano 1 voice features three velocity-switched samples (Dynamic Sampling), spe Sustain Sampling (page 88) that samples the unique resonance of an acoustic grand pianos soundboard and stri when the damper pedal is pressed, and Keyoff Samples that add the subtle sound produced when the keys are rel The CLP-130/120 comes much closer to the sound of a true acoustic piano.

PEDAL

AUX INAUX OUT

L/L+RRL/L+RRL LEVEL FIXED R

TO HOST HOST SELECT

MIDI

THRU

MIDI PC-2

Mac PC-1

OUT IN

PHONES

SPEAKER

NORMAL

OFF

ON

HP. SW

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP

TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

POWER

This jack and selector switch allow direct con- nection to a personal computer for sequencing and other music applications (pages 5255).

A set of standard stereo headphones can be plug- ged in here for private practice (page 12).

Delivers the output of t Clavinova for connecti to an instrument ampli mixing console, PA sys tem, or recording equip ment (page 51).

[MASTER VOLUME] Adjust the volume level using this slider (page 11).

[METRONOME] Control the metronome functions (page 29).

The Clavinova includes 50 preset songs. This section enables you to listen to these songs, practice using a convenient practice function, and record and play back your performance (pages 1720, 3036).

TEMPO [] [] You can change the song tempo (speed) and select useful functions using this buttons (pages 3748).

Voice buttons Select voices from 14 internal sounds including Grand Piano 1 and 2 (page 21). You can also combine two voices at the same time (page 26).

[REVERB] / [EFFECT] Add reverb (reverberation) and effects to the sound (pages 22, 23).

[SPLIT] You can play different voices on the left- and right- sections of the keyboard (CLP-130) (page 27).

[TRANSPOSE] You can shift the p of the entire keybo up or down so tha pitch will match th another instrumen singer, while you p the same, unshifte keys (page 25).

[TOUCH] Fine-tune the touch response (page 24).

[DEMO] Demonstration play- back is available for each voice (page 16).

[BRILLIANCE] Adjust the brightness of the tone using this slider (page 22).

Connect a MIDI device here to us various MIDI functions (pages 45 (About MIDI page 49)

This switch turns the internal speakers on or off (page 12).

(CLP-130)

Connect recording equipment (such as a cassette tape recorder) here to record your per- formance (page 50).

Connect the pedal cord he to use the Clavinovas pedals (page

Before Using the Clavinova

care-

ver tric

CLP-130/120 Before Using the Clavinova

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Key Cover To open the key cover:

Lift the cover slightly, then push and slide it open.

To close the key cover: Slide the cover toward you and gently lower the cover over the keys.

CAUTION Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be ful to avoid catching ngers (yours or others, especially childrens) between the cover and main unit.

CAUTION Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key co may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause elec shock, short circuit, re or other serious damage to the instrument.

Music Rest To raise the music rest: 1. Pull the music rest up and toward yourself as far as it will go. 2. Flip down the two metal supports at the left and right on

the rear of the music rest. 3. Lower the music rest so that it rests on the metal supports.

To lower the music rest: 1. Pull the music rest toward yourself as far as it will go. 2. Raise the two metal supports (at the rear of the music rest). 3. Gently lower the music rest backward until it is all the way

down.

CAUTION Do not try to use the music rest in a half-raised position. When lowering the music rest, do not release your hands from the music rest until it is all the way down.

Be careful to avoid catching your fingers when opening or closing the cover.

CAUTION

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Turning the Power On 1. Connect the power cord.

Insert the plugs at the ends of the cord, one into the AC INLET on the Clavinova, and the other into a standard AC outlet. In some areas, a plug adaptor may be provided to match the pin conguration of the AC wall outlets in your area.

(The shape of plug differs depending on locale.)

2. Turn the power on. Press the [POWER] button. The display located in the center of the front panel and the power indicator located below the left end of the key-

board lights up.

When youre ready to turn off the power, press the [POWER] button again. The display and the power indicator turn off.

Setting the Volume Initially set the [MASTER VOLUME] control about halfway between the MIN and MAX settings. Then, when you start playing, re-adjust the [MASTER VOLUME] control to the most comfortable listening level.

CAUTION Do not use the Clavinova at a high volume level for a long period of time, or your hearing may be damaged.

TIP Power indicator If you close the key cover without turning the power off, the power indicator remains lit, indicating that the power is still on.

(bottom surface)

1 2

Power indicator

[POWER]

Normally indicates tempo.

Display

TERMINOLOGY MASTER VOLUME: The volume level of the entire keyboard sound

TIP You can also adjust the [PHONES] output level and the AUX IN input level using the [MASTER VOLUME] slider.

MASTER VOLUME

MIN MAX

The level decreases. The level increases.

CLP-130/120 Before Using the Clavinova 11

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Using Headphones Connect a pair of headphones to one of the [PHONES] jacks. Two [PHONES] jacks are provided. You can connect two sets of standard stereo headphones. (If you are using only one pair of headphones, you can plug them into either jack.)

Using the Headphone Hanger A headphone hanger is included in the CLP-130/120 package so that you can hang the headphones on the Clavinova. Install the headphone hanger using included two screws (4 10mm) as shown in the gure.

CAUTION Do not hang anything other than the headphones on the hanger. Otherwise, the Clavinova or the hanger may be damaged.

Using the Speaker Switch This switch turns the internal speakers on or off. NORMAL (HP. SW) ......... The speakers produce sound as long as a pair of headphones is not con-

nected. ON ....................................... The speakers always produce sound. OFF ...................................... The speakers produce no sound.

PHONES

SPEAKER

NORMAL

OFF

ON

HP. SW

standard stereo phone plug

bottom surface

PHONES

SPEAKER

NORMAL

OFF

ON

HP. SW

LP-130/120 Before Using the Clavinova

CLP-130/120

13

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nctions..... 44 e Volume .. 45 ng

................... 45 nctions ..... 45 Functions.. 48

................ 49

................ 50 ................... 50 ................... 52

................ 56

................ 56

................ 57

................ 60

................ 63

................ 66

................ 67

ings for the

Reference Part Names................................................................ 14

Listening to the Demonstration Tunes ................... 16

Listening to 50 Piano Preset Songs.......................... 17 Practicing a One-Hand Part Using 50 Preset Songs

(Part Cancel Function)............................................ 18 A-B Repeat for 50 Preset Songs .................................. 20

Selecting & Playing Voices ....................................... 21 Selecting Voices ........................................................... 21 Using the Pedals .......................................................... 21 Adding Variations to the Sound [VARIATION]

(CLP-130)/[BRILLIANCE]/[REVERB]/ [EFFECT]................................................................. 22

Touch Sensitivity [TOUCH].................................... 24 Transposition [TRANSPOSE] ................................. 25 Combining Two Voices (Dual mode)......................... 26 Splitting the Keyboard Range and Playing Two

Different Voices (Split mode) (CLP-130)............... 27 Using the Metronome................................................. 29

Recording Your Performance................................... 30 Recording to [TRACK1] ............................................. 30 Re-recording TRACK1................................................ 32 Recording to [TRACK2] ............................................. 32 Changing the Initial Settings (Data recorded at the

beginning of a song)................................................ 34

Playing Back Recorded Songs .................................. 35 Playing Back a Song .................................................... 35 Useful Playback Functions.......................................... 36

Detailed Settings [FUNCTION]........................... 37 Basic Procedure in Function Mode............................ 38 About Each Function .................................................. 40 F1. Fine Tuning of the Pitch ....................................... 40 F2. Selecting a Scale..................................................... 41 F3. Dual Mode Functions ........................................... 42 F4. (CLP-130) Split Mode Functions........................ 43

F5. (CLP-130) / F4. (CLP-120) Other Fu F.6 (CLP-130) / F.5 (CLP-120) Metronom F7. (CLP-130) / F6. (CLP-120) Preset So

Part Cancel Volume ........................... F8. (CLP-130) / F7. (CLP-120) MIDI Fu F9. (CLP-130) / F8. (CLP-120) Backup

About MIDI..............................................

Connections ............................................. Connectors ............................................... Connecting a Personal Computer ...........

Troubleshooting .......................................

Options.....................................................

CLP-120: Keyboard Stand Assembly.......

CLP-130: Keyboard Stand Assembly.......

Preset Voice List........................................

Demo Song List........................................

Index .........................................................

This section explains how to make detailed sett Clavinovas various functions.

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Part Names Top panel (CLP-130)

A B C D

1

2

3

4 5 6 87

9

0

C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7B-1A-1

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2

TRACK 1

TRACK 2

START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASS

USER 3

VOICE REVERB EFFECT TOUCH TRANSPOSE

SONG

PHONES

SPEAKER

NORMAL

OFF

ON

HP. SW

PEDAL

AUX INAUX OUT

L/L+RRL/L+RRL LEVEL FIXED R

E

TO HOST HOST SELECT

MIDI

THRU

MIDI PC-2

Mac PC-1

OUT IN

F G

H I J

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP

TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/ STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

POWER

M N

O

K

L

1 [POWER] ....................................... P11 2 [MASTER VOLUME] ....................... P11 3 [BRILLIANCE] ................................ P22 4 [DEMO] ........................................ P16 5 METRONOME [START/STOP] ........ P29 6 [TEMPO/FUNCTION #] ..... P29, 38 7 LED display ................................... P15 8 [/NO] / [+/YES]

[PRESET] [USER1] [USER2] [USER3] (CLP-130) [TRACK1] [TRACK2] SONG [START/STOP] [REC].......................... P1720, P3036

9 Voice buttons................................ P21 0 [SPLIT] (CLP-130).......................... P27

A [REVERB] ....................................... P22

B [EFFECT] ....................................... P23

C [TOUCH]....................................... P24

D [TRANSPOSE]................................ P25

E [PEDAL]......................................... P51

F AUX OUT...................................... P50

G AUX IN ......................................... P51

Connectors (CLP-130)

LP-130/120 Part Names

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Top panel (CLP-120)

Display

Check the operation on the display in the center of the top panel as you proceed. The display indicates different values, as shown below, depending on the operation.

A B C D

1

2

3

4 5 6 87

9

C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7B-1A-1

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN1

CHURCH ORGAN2

E.PIANO 1

E.PIANO 2

HARPSI- CHORD1

HARPSI- CHORD2

VIBRA- PHONE

CHOIR GUITAR

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

GRAND PIANO 2

JAZZ ORGAN

STRINGS 1

STRINGS 2

REVERB EFFECT TOUCH TRANSPOSE

SONG

PHONES

SPEAKER

NORMAL

OFF

ON

HP. SW

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN 1

E.PIANO 1

E.PIANO 2

HARPSI- CHORD 1

HARPSI- CHORD 2

VIBRA- PHONE

CHOIR GUITAR

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

GRAND PIANO 2

CHURCH ORGAN 2

STRINGS 1

STRINGS 2

JAZZ ORGAN

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

POWER

AUX OUT AUX IN L/L+R

LEVEL FIXED

R L/L+RRLR

PEDALTO HOST HOST SELECT

MIDI THRU

MIDIMac PC-2PC-1

OUT IN

EF G H I J

M N

O

K

L

VOICE

Connectors (CLP-120)

H [TO HOST] ...............................P4955

I HOST SELECT...........................P4955

J MIDI [IN] [OUT] [THRU]...........P4955

K [SPEAKER] ..................................... P12

L [PHONES] ..................................... P12

M Soft (Left) Pedal ............................ P22

N Sostenute (Center) Pedal............... P22

O Damper (Right) Pedal ................... P21

Tempo (Normal indication)

A song number of 50 Greats for the Piano

Function number Parameter value

CLP-130/120 Part Names 15

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16

Listening to the Demonstration Tunes Demonstration tunes are provided that effectively demonstrate each of the CLP-130/120s voices.

1. Turn the power on. (In case the power is not turned ON) Press the [POWER] button. When the power is turned ON, one of the voice button LEDs will light. Initially set the [MASTER VOLUME] control about half way between the MIN and MAX settings. Then, when you start playing, re-adjust the [MASTER VOLUME] control to the most comfortable listening level.

2. Engage Demo mode. Press the [DEMO] button to engage Demo mode. The voice button indicators will ash in sequence.

3. Play a Voice demo. Press one of the voice buttons to start playback of all songs starting from the corresponding voice demo tune featuring the voice normally selected by that voice button. (If you press the SONG [START/STOP] button instead of a voice button, the GRAND PIANO 1 demo tune will begin playback.)

Adjust the volume/brilliance

Use the [MASTER VOLUME] control to adjust the volume and the [BRIL- LIANCE] control to adjust the brilliance (page 22).

4. Stop the Voice demo. Press the SONG [START/STOP] button or the voice button of the currently- playing demo to stop playback.

5. Exit from Demo mode. Press the [DEMO] button to exit from Demo mode and return to normal play mode. The voice button indicators will stop ashing in sequence.

342 5

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

Procedure

TIP For a list of the demo songs, see page 66.

NOTE MIDI reception is not possible in Demo Song mode. Demo song data is not transmit- ted via the MIDI connectors.

NOTE Demo mode cannot be engaged while a user song recorder (page 30) or user song playback (page 35) is in use.

TERMINOLOGY Mode: A mode is a status under which you can execute a certain func- tion. In Demo mode, you can play back demonstration tunes.

NOTE You cannot adjust the tempo of demo songs. You cannot use the part cancel function (page 45) or the song AB repeat function (page 20) in Demo mode.

NOTE On the CLP-130, you can demo the piano voices with various effects by pressing the [VARIA- TION] button, then pressing the desired voice button. Refer to the Piano Voice Demo Descrip- tion on page 66 for the com- plete list of demo sounds for the piano voices with various effects.

LP-130/120 Listening to the Demonstration Tunes

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Listening to 50 Piano Preset Songs The Clavinova provides performance data of 50 piano songs. You can simply listen to these songs (page 17) or use them for practice (page 18). You can also refer to the included 50 Greats for the Piano that contains scores for 50 piano preset songs.

1. Engage Preset Song mode. Press the [PRESET] button to engage Preset Song mode. The [PRESET], [TRACK1] and [TRACK2] indicators will light.

2. Play any of the 50 preset songs.

2-1 Press the [/NO], [+/YES] buttons to select the number of the tune you want to play (the number will appear on the LED display). 1 50: Select a preset song number and play only

the song. ALL: Play all preset songs in sequence. rnd: Play all preset songs continuously in random order.

2-2 Press the SONG [START/STOP] button to start playback.

Adjust the Volume

Use the [MASTER VOLUME] control to adjust the volume.

Adjust the tempo

You can use the [TEMPO/FUNCTION# ] buttons to adjust the playback tempo as required. The default tempo can be recalled by simultaneously pressing the [] and [] buttons.

3. Stop playback. Playback will stop automatically when the selected preset song has nished. To stop the song during playback (or continuous playback), press the SONG [START/STOP] button. To play back another song continuously, see procedure 2 above.

1 4-1 22 3-2

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

Procedure

NOTE Preset Song mode cannot be engaged while the unit is in Demo Song mode (page 16), while a song is playing back (page 35), or when the user song recorder (page 30) is in use.

TERMINOLOGY Song: On the CLP-130/120, perfor- mance data is called a Song. This includes demonstration tunes and piano preset tunes.

TIP You can play the keyboard along with the preset song. You can change the voice playing on the keyboard.

TIP You can adjust the Brilliance control (page 22) and Reverb type (page 22) that is applied to the voice you play on the key- board and for the preset song playback. You can change the Effect type (page 23) and Touch sensitivity (page 24) for the keyboard voice.

NOTE The default tempo --- is auto- matically selected whenever a new preset song is selected, or when playback of a new preset song begins during ALL or rnd playback.

NOTE When you select a different song (or a different song is selected during chained playback), an appropriate reverb type will be selected accordingly.

song number

This produces a relative tempo vari- ation, with a range from 50 through --- to 50 at maximum; the range will differ depending on the selected song.

CLP-130/120 Listening to 50 Piano Preset Songs 17

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18

4. Exit from Preset Song mode. Press the [PRESET] button to exit Preset Song mode. The indicator turns off, and the unit returns to normal play mode.

How to use the practice functions You can turn the left- and right-hand parts on or off as required so you can practice the corresponding part (part cancel function) and continuously repeat a specied phrase within a song (song A-B repeat function). For more information, see pages 1820.

Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function)

The 50 preset songs have separate left- and right-hand parts on individual tracks. You can turn the left- and right-hand parts on or off as required so you can practice the corresponding part (the part that is turned off) on the keyboard. The right-hand part is played by [TRACK1] and the left-hand part is played by [TRACK2].

1. Turn off the playback part you wish to practice. After you select a song to practice, press the [TRACK1] or [TRACK2] button to turn off the corresponding part. When you rst select a song, both [TRACK1] and [TRACK2] indicators light up, indicating that you can play back both parts. When you press one of the buttons to turn off playback, the corresponding button indicator turns off and the cor- responding part playback is muted. Pressing the buttons repeatedly toggles playback between on and off.

2. Start playback and playing. Press the SONG [START/STOP] button to start playback. Play the part you just

turned off.

NOTE MIDI reception is not possible in Piano Song mode. Piano song data is not transmit- ted via the MIDI connectors.

1 2 3

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

Procedure

NOTE The Preset Song Part Cancel function cannot be used during ALL or rnd (page 17) play- back.

TIP The parts can be turned on or off even during playback.

TIP The Preset Song Part Cancel Volume function described on page 45 can be used to set the canceled part so that it plays at a volume from 0 (no sound) to 20. The normal setting is 5.

LP-130/120 Listening to 50 Piano Preset Songs

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Starting playback automatically as you start playing the keyboard (Synchro Start)

When the Synchro Start function is engaged, play- back of the selected preset song will begin automati- cally as soon as you start playing on the keyboard. To engage the Synchro Start function press the

SONG [START/STOP]

button while holding the part button for the ON part. A dot will appear in the lower right corner of the display. (Repeat the previous operation to disengage the Synchro Start function.) Playback will then start as soon as you begin playing on the keyboard.

Left Pedal Start/Stop

The left pedal can be assigned to start and stop preset song playback via the Left Pedal Mode function described on page 44.

3.

Stop playback.

When playback is complete, it automatically stops and the Clavinova locates the top of the song. If you wish to stop playback in the middle of a song, press the

SONG[START/STOP]

button.

NOTE

If you hold a track button that is OFF while pressing the

SONG [START/STOP]

button, that track will be turned ON and the unit will engage Synchro Start mode.

NOTE

Both parts are automatically turned ON whenever a new song is selected.

synchro start mark

song number

CLP-130/120 Listening to 50 Piano Preset Songs 19

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A-B Repeat for 50 Preset Songs

The A-B Repeat function can be used to continuously repeat a specied phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difcult phrases.

1.

Specify the beginning (A) and the end (B) of the phrase, and start practicing.

Select and play a preset song, then press the

[TEMPO/ FUNCTION#]

button at the beginning of the phrase you want to repeat.

This sets the A point ( will appear on the dis- play).

To specify the end (B) of the phrase, press the

[TEMPO/ FUNCTION#]

button a second time at the end of the phrase.

This sets the B point ( will appear on the dis- play). At this point, repeat playback will begin between the specied A and B points.

2.

Stop playback.

Press the

SONG [START/STOP]

button to stop playback while retaining the specied A and B points. A-B repeat playback will resume if you press the

SONG [START/STOP]

button again.

To cancel the A and B points, press the

[TEMPO/FUNCTION#]

button once.

1 2

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

Procedure

NOTE

The A-B Repeat function cannot be used during ALL or rnd (page 17) playback.

NOTE

To set the A point at the very beginning of the song, press the

[TEMPO/FUNC- TION#]

button before start- ing playback.

To set the B point at the songs end, press the

[TEMPO/FUNCTION#]

but- ton after song playback is complete and before disappears from the display.

TIP

An automatic lead-in (to help guide you into the phrase) starts at the A point of the song. However, when the A point is set at the beginning of the song, the automatic lead-in is not played.

NOTE

The A and B points are auto- matically canceled when a new song is selected.

LP-130/120 Listening to 50 Piano Preset Songs

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Selecting & Playing Voices

Selecting Voices

Select the desired voice by pressing one of the

[VOICE]

buttons.

Then, when you start playing, re-adjust the

[MASTER VOLUME]

control for the most comfortable listening level.

Using the Pedals

The Clavinova has three foot pedals that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano.

Damper (Right) Pedal

The damper pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is pressed, notes sustain longer. Releasing the pedal immediately stops (damps) any sustained notes. When you select the

GRAND PIANO 1

voice on the CLP- 130, pressing the damper pedal activates the instruments special Sustain Samples to accurately recreate the unique resonance of an acoustic grand pianos sound- board and strings.

Voice buttons

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

Procedure

TIP

To learn characteristics of the voices, listen to demo songs for each voice (page 16). Refer to Preset Voice List on page 63 for more information on the characteristics of each preset voice.

TERMINOLOGY

Voice:

On the Clavinova, a voice means a tone or tonal color.

TIP

You can control the loudness of a voice by adjusting the force with which you strike the keys, although different playing styles (touch sensitivities) have little or no effect with certain musical instruments.

Refer to Preset Voice List on page 63.

NOTE

If the damper pedal doesnt work, make sure that the pedal cord is properly plugged into the main unit (page 61: CLP-130, page 58: CLP-120).

TIP

The depth of the effect pro- duced by the Sustain Samples can be adjusted via the Pedal Functions (page 44) in Func- tion mode.

When you press the damper pedal here, the notes you play before you release the pedal have a longer sustain.

CLP-130/120 Selecting & Playing Voices 21

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Sostenuto (Center) Pedal

If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will sustain as long as you hold the pedal (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played staccato.

Soft (Left) Pedal

The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes that are already playing when it is pressed.

Adding Variations to the Sound [VARIATION] (CLP-130)/[BRILLIANCE]/[REVERB]/[EFFECT]

[VARIATION] (CLP-130) Lets you alter another aspect of the effect, depending on the selected type. Refer to Preset Voice List on page 63 for more information on the characteristics of each variation.

Pressing the [VARIATION] or selected voice button toggles the variation on and off. The indicator lights (ON) each time the [VARIATION] button is pressed.

[BRILLIANCE] This control can be used to change the tonality or timbre of the sound output. The control range is from MELLOW to BRIGHT.

[REVERB] This control enables you to select various digital reverb effects that would add extra depth and expression to the sound to create a realistic acoustic ambience.

OFF: When no reverb effect is selected, no REVERB indicator is lit. ROOM: This setting adds a continuous reverb effect to the sound, similar to the

acoustic reverberation you would hear in a room. HALL 1: For a bigger reverb sound, use the HALL 1 setting. This effect simulates

the natural reverberation of a small-size concert hall. HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simu-

lates the natural reverberation of a large concert hall. STAGE: Simulates the reverb of a stage environment.

TIP Organ, string and choir voices will continue to sound for as long as the sostenuto pedal is depressed.

When you press the sostenu- to pedal here while holding the note, the note will sustain as long as you hold the pedal.

TIP The left pedal can be assigned to song start/stop operation or variation function (CLP-130) via the Left Pedal Mode described on page 44.

[BRILLIANCE] [/NO] [+/YES] [EFFECT][REVERB][VARIATION]

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

TIP Normal setting = OFF

TERMINOLOGY Normal setting: The Normal setting refers to the default setting (factory set- ting) obtained when you rst turn on the power to the Clavi- nova.

TIP The left pedal can be assigned to ON or OFF the variation via the Left Pedal Mode function described on page 44 (CLP- 130).

NOTE When the BRILLIANCE is set to BRIGHT, the overall sound will be slightly louder. If the MAS- TER VOLUME is set at a high level the sound may become distorted. If so, lower the MAS- TER VOLUME level.

TIP The default reverb type (includ- ing OFF) and depth settings are different for each voice.

Procedure

LP-130/120 Selecting & Playing Voices

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Pressing the [REVERB] button repeatedly toggles the reverb on and off. The indicators light in sequence each time the [REVERB] button is pressed. No effect is produced when all indicators are off.

Even if the REVERB effect is OFF, a Soundboard Reverb effect will be applied when the GRAND PIANO 1 voice is selected.

Adjusting Reverb Depth Adjust the reverb depth for the selected voice by using the [/NO] [+/YES] buttons while holding the [REVERB] but- ton. The depth range is from 0 through 20. The current depth setting appears on the LED display while the [REVERB] button is held.

[EFFECT] The [EFFECT] button allows you to select an effect to give your sound greater depth and animation.

OFF: When no effect is selected, no EFFECT indicator is lit. CHORUS: A shimmering, broadening effect PHASER: Adds a sweeping effect to the sound. TREMOLO: Tremolo effect DELAY: Echo effect

To select an effect type press the [EFFECT] button a few times until the indicator corre- sponding to the desired type lights (the indicators light in sequence each time you press the [EFFECT] button). No effect is produced when all indicators are off.

Adjusting Effect Depth You can adjust the effect depth for the selected voice by using the [/NO] and [+/YES] buttons while holding the [EFFECT] button. The depth range is from 0 through 20. The current depth setting appears on the LED display while the [EFFECT] button is held.

Procedure

TIP Releasing the [REVERB] but- ton changes the reverb type. If you are changing the reverb depth by holding the [REVERB] button, pressing the [REVERB] button will not change the reverb type.

TIP depth 0: no effect

depth 20: maximum reverb depth

TIP Default depth settings are differ- ent for each voice.

TIP The default effect type (includ- ing OFF) and depth settings are different for each voice.

Procedure

depth

TIP Releasing the [EFFECT] button changes the effect type. If you are changing the depth settings by holding the [EFFECT] button, pressing the [EFFECT] button will not change the effect type.

TIP depth 0: no effect

depth 20: maximum effect depth

TIP Default depth settings are differ- ent for each voice.

depth

CLP-130/120 Selecting & Playing Voices 23

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Touch Sensitivity [TOUCH] You can select four different types of keyboard touch sensitivity HARD, MEDIUM, SOFT or FIXED to match different playing styles and preferences.

HARD: Requires that the keys be played quite hard to produce maximum loud- ness.

MEDIUM: Produces a fairly standard keyboard response. SOFT: Allows maximum loudness to be produced with relatively light key pres-

sure. FIXED: All notes are produced at the same volume no matter how hard the key-

board is played. You can adjust the volume.

To select a touch sensitivity type press the [TOUCH] button a few times until the indica- tor corresponding to the desired type lights (the indicators light in sequence each time the [TOUCH] button is pressed). No indicator is lit when FIXED is selected.

Changing the volume when FIXED is selected

When you select FIXED, you can set the volume for notes played in FIXED mode by using the [/NO] and [+/YES] but- tons while you hold the [TOUCH] button. The current vol- ume level appears on the display. The volume range is from 1 through 127. The default setting is 64.

TIP This setting does not change the weight of the keyboard.

TIP Normal setting = MEDIUM

TIP The touch sensitivity type will become the common setting for all voices. However, the touch sensitivity settings may have lit- tle or no effect with certain voices that are not normally responsive to keyboard dynam- ics. (Refer to the Preset Voice List on page 63.)

[TOUCH][/NO] [+/YES]

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

Procedure

TIP 1: minimum volume 127: maximum volume

TIP The touch volume set in FIXED mode will become the common setting for all voices.

TIP Releasing the [TOUCH] button changes the touch type. If you are changing the volume by holding the [TOUCH] button, pressing the [TOUCH] button will not change the touch sensi- tivity type. (FIXED mode will remain selected.)

volume range

LP-130/120 Selecting & Playing Voices

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Transposition [TRANSPOSE] The Clavinovas Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difcult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to 5, playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the Clavinova will transpose it to the key of F.

Use the [/NO] and [+/YES] button while holding the [TRANSPOSE] button to transpose down or up as required. The amount of transposition appears on the LED display while the [TRANSPOSE] button is held. The default transpose setting is 0.

The [TRANSPOSE] button indicator remains lit when a transpose setting other than 0 is selected. Every time the [TRANSPOSE] button is pressed after that switches the transpose function ON or OFF.

[TRANSPOSE][/NO] [+/YES]

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

Procedure

TERMINOLOGY Transpose: Changing the key signature of a song. On the Clavinova, trans- posing shifts the pitch of the entire keyboard.

TIP The transposition range:

12: 12 semitones (down one octave)

0: normal pitch

12: 12 semitones (up one octave)

TIP Notes below and above the A-1 . C7 range of the CLP-130/ 120 sound one octave higher and lower, respectively.

transposition

CLP-130/120 Selecting & Playing Voices 25

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Combining Two Voices (Dual mode) You can play two voices simultaneously across the entire range of the keyboard. In this way, you can simulate a melody duet or combine two similar voices to create a thicker sound.

1. Engage Dual mode. Press two voice buttons at the same time (or press one voice button while hold- ing another). The voice indicators of both selected voices will light when Dual mode is active.

According to the voice numbering priority shown in the diagram on the right, the lower value voice number will be designated as Voice 1 (the other voice will be desig- nated as Voice 2).

The CLP-130/120 Function mode provides access to a number of other Dual mode functions, such as volume balance setting or octave setting (page 42). (If you do not set Dual mode functions, the appropriate setting will be set in each voice by default.)

2. Exit Dual mode and return to normal play mode. To return to the normal single-voice play mode, press any single voice button.

1 2

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

Procedure

NOTE (CLP-130) Dual and Split (page 27) modes cannot be engaged at the same time.

TIP [VARIATION] in Dual Mode (CLP-130) The [VARIATION] buttons indi- cator will light if the variation is engaged for either or both of the Dual mode voices. While Dual mode is engaged, the [VARIA- TION] button can be used to turn the variation for both voices on or off. To turn the variation on or off for only one of the voices, hold the voice button for the other voice and press the button of the voice for which you want to change the variation.

TIP [REVERB] in Dual Mode The reverb type assigned to Voice 1 will take priority over the other. (If the reverb is set to OFF, Voice 2 reverb type will be in effect.) Reverb depth setting via the panel controls (i.e., pressing the [/NO] or [+/YES] buttons while holding the [REVERB] but- ton see page 22) will be applied only to Voice 1.

TIP [EFFECT] in Dual Mode Depending on the conditions, one effect type may take priority over the other. Depth will be decided according to the depth default value of the voice combi- nation. However, using function F3 (page 42) you can adjust the depth value for each voice to your liking. Effect depth setting via the panel controls (i.e., pressing the [/ NO] or [+/YES] buttons while holding the [EFFECT] button see page 23) will be applied only to Voice 1.

1 2

12 13 14

3 4 5 6 7

8 9 10 11

Voice numbering priority

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS

GRAND PIANO 2

JAZZ ORGAN

WOOD BASS

VOICE

LP-130/120 Selecting & Playing Voices

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Splitting the Keyboard Range and Playing Two Dif- ferent Voices (Split mode) (CLP-130)

Split mode enables you to play two different voices on the keyboard one with the left hand and another with the right hand. For example, you can play a bass part using the Wood Bass or Electric Bass voice with the left hand, and a melody with the right hand.

1. Engage Split mode. Press the [SPLIT] button so that its indicator lights. The default setting (WOOD BASE) will be selected for the left-hand voice at rst. The Function mode provides access to a number of other Split mode functions (page 43). (If you make no settings for Split mode functions, the appropriate setting will be set in each voice by default.)

2. Specify the split point (the border between the right-and left-hand range). You can change the split point to any other key by pressing the key while hold- ing the [SPLIT] button (the name of the current split-point key appears on the LED display while the [SPLIT] button is held).

The split point is initially set at the F 2 key by default.

If you do not need to change the split point, skip this procedure.

Voice buttons [SPLIT]

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

Procedure

NOTE Dual (page 26) and Split (page 26) modes cannot be engaged simultaneously.

TIP A specied split point key is included in the left-hand range.

TIP The split point can also be set via Function 4 (page 43).

An example of split-point key display

(F 2)

followed by a high bar if sharp

(G2) (A 2)

followed by a low bar if flat

CLP-130/120 Selecting & Playing Voices 27

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28

3. Select a voice for the right hand. Press a voice button.

4. Select a voice for the left hand. Press the corresponding voice button while holding the [SPLIT] button. (The indicator of the Left Voice button will light while the [SPLIT] button is pressed.) To turn the variation on or off for the split voice, hold the [SPLIT] button and press the [VARIATION] button or the currently-selected voice button.

5. Exit Split mode and return to normal play mode. Press the [SPLIT] button again so that its indicator goes out.

TIP [VARIATION] in Split Mode

You can turn the variation on or off for Split mode voices. Nor- mally, the voice indicator of the right voice lights in Split mode. The [VARIATION] can be used to turn the variation for the right voice on or off as required. While the [SPLIT] button is held, however, the voice indica- tor of the left voice lights. In this state the [VARIATION] button turns the variation for the left voice on or off.

TIP [REVERB] in Split Mode

The reverb type assigned to the right voice will take priority over the other. (If the reverb is set to OFF, the left voices reverb type will be in effect.) Reverb depth setting via the panel controls (i.e. pressing the [/NO] or [+/ YES] buttons while holding the [REVERB] button see page 22) will be applied to the right voice only.

TIP [EFFECT] in Split Mode

Depending on the conditions, one effect type will take priority over the other. The depth will be decided according to the depth default value of the voice combi- nation. However, using function F4 (page 43) you can change the depth value for each voice as you like. Effect depth setting via the panel controls (i.e. pressing the [/NO] or [+/YES] buttons while holding the [EFFECT] button see page 23) will be applied to the right voice only.

LP-130/120 Selecting & Playing Voices

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Using the Metronome The Clavinova features a built-in metronome (a device that keeps an accurate tempo) that is conve- nient for practicing.

1. Start the metronome. The metronome sound is turned on by pressing the METRONOME [START/STOP] button.

Adjusting the tempo

The tempo of the metronome and user song recorder playback (the recorder is described in the next section) can be set from 32 to 280 beats per minute by using the [TEMPO/FUNCTION# , ] buttons (when the [TEMPO/FUNC- TION# , ] buttons [TEMPO] indicator is lit).

Adjusting the time signature

The time signature (beat) of the metronome can be set by using the [/NO] and [+/YES] buttons while holding the METRONOME [START/STOP] button. You can set the beat to 0, 2, 3, 4, 5 or 6. The current setting appears on the LED display while you are holding the METRONOME [START/STOP] button.

2. Stop the metronome. Turn off the metronome by pressing the METRONOME [START/STOP] button.

[TEMPO/FUNCTION# ] [/NO] [+/YES]1 2

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

Procedure

The beat indicator flashes at the current tempo.

TIP If the [TEMPO/FUNCTION#] buttons [FUNCTION#] indicator is lit, press the [TEMPO/FUNC- TION#] button to light the [TEMPO] indicator.

TIP The volume of the metronome can be adjusted via the Metro- nome Volume function in Func- tion mode (page 45).beat

CLP-130/120 Selecting & Playing Voices 29

Recording Your Performance

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CLP130(E).book Page 30 Thursday, October 31, 2002 2:45 PM

CLP-130/120 Recording Your Performance

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The ability to record and play back what youve played on the CLP- 130/120 keyboard can be an effective practice aid. You can, for exam- ple, record just the left-hand part, and then practice the right-hand part while playing back the recorded left-hand part. Or, since you can record up to two tracks separately, you could record the left- and right- hand parts separately, or record both parts of a duet and hear how they sound when played back. The CLP-130/120s two-track Song Recorder allows the recording of up to three User Songs (one User Song on the CLP-120).

Recording to [TRACK1]

CAUTION Notes on recording All user song recorder data will be retained in memory for about one week after the power is turned off. If you want to keep your recorded data for longer periods of time, turn the power on for a few minutes at least once a week. It is also possible to store the data to an external MIDI storage device such as the Yamaha MIDI Data Filer MDF3 by using the Bulk Data Dump function described on page 47.

1. Select a song for recording. (CLP-130) Press the [USER 1/2/3] button to select a song for recording. The indicator of the selected song will light. (No song is selected if none of the indicators are lit.)

2. Make all the initial settings. Before you begin to record, select the voice you want to record (or voices if you will be using Dual or Split mode). Make any other desired settings (tempo, reverb, etc.) as well. You might also want to set the volume. You can also adjust the playback volume using [MASTER VOLUME].

TIP You can record your perf mance (audio data) to a sette tape recorder or oth recording device via the OUT connector (page 50

TERMINOLOGY Recording vs. Saving:

The format of performanc recorded on a cassette t fers from that of data rec on the Clavinova. A cass tape records audio signa Clavinova saves inform regarding note timing, vo and a tempo value, but n audio signals. When you back recorded songs, the nova produces sound ba the saved information. Th fore, recording on the Cla may be more accurately saving information. How this book often uses the recording because it se make more sense.

2541 6 7 3

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT O

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSSONG

NOTE (CLP-130 When the unit is in Demo mode, the [USER 1/2/3] cannot be used to select

NOTE When the unit is in Demo or Preset Song mode, R mode cannot be engage

NOTE To avoid erasing data f the track:

CLP-130 If the track contains data track indicator lights up g when you press the [USE 3] button. Note that reco new data on this track wi the existing data.

CLP-120 Press the [TRACK1/2] b the indicator lights up gre track already contains da Note that the existing da be erased if you record n data on the track.

Procedure

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3. Engage Record Ready mode. Press the [REC] button to engage Record Ready mode. Recording does not actually start yet. The [TRACK1] or the [TRACK2] indicator ashes in red. The amount of memory available for recording will be shown on the LED display in approximate kilo- bytes, and the right-most dot on the LED display will ash at the current METRONOME tempo setting.

Record Ready mode can be disengaged before recording by pressing the [REC] button a second time.

4. Select the record track. When Record mode is engaged in the previous step, the last-recorded track will automatically be selected for recording and its indicator i.e. the [TRACK1] or [TRACK2] button indicator will glow red. If you want to record on a different track, press the appropriate track button so that its indicator glows red.

5. Start recording. Recording will begin automatically as soon as you play a note on the keyboard or press the SONG [START/STOP] button. The current measure number will appear on the display while recording.

6. Stop recording. Press either the [REC] or SONG [START/STOP] button to stop recording. The indicator of the recorded track will glow green to indicate that it now con- tains data. (Record mode is disengaged automatically.)

7. Play back the recorded performance. Press the SONG[START/STOP] button to play back the recorded performance. To stop playback in the middle of a song, press the SONG[START/STOP] but- ton.

NOTE The amount of memory avail- able for recording:

This value in KiloBytes (a unit used of measurement for data) indicates how much space remains available for recording on the Clavinova. You can record up to a maximum of about 9,400 notes on the CLP- 130/120 depending on pedal usage and other factors.

TIP (CLP-130) If a user song ([USER 1/2/3]) is not selected (the lamp is not lit), pressing the [REC] button will result in the [USER 1] songs [TRACK1] being selected and Record Ready mode engaged. At this time, [TRACK2] play- back will be turned off if the track contains data.

TIP If the metronome was on when you started recording, youll be able to keep time with the met- ronome while recording, but the metronome sound will not be recorded.

TIP For more recording information, see page 33.

TIP The left pedal can be assigned to start and stop recording via the Left Pedal Mode function described on page 44.

NOTE The record track indicator will begin to ash when the recorder memory is almost full. If the memory becomes full during recording, FUL will appear on the display and recording will stop automatically. (All recorded data up to that point will be retained.)

NOTE Pressing the SONG [START/ STOP] button to start recording, then pressing it again to stop recording will erase all previ- ously-recorded data on the selected track.

flash

CLP-130/120 Recording Your Performance 31

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Re-recording TRACK1 This section explains how to record again in case your performance was not satisfactory.

1. Select a voice or voices (and other settings) for recording, if necessary. Repeat Step 1 on page 30 if you wish to change the previous settings.

2. Re-engage Record Ready mode. Press the [REC] button, again. The selected tracks indicator ashes in red.

Follow the procedure from Step 5 on page 31 to re-record.

Recording to [TRACK2] This section explains how to record another part on the second track.

1. Select a voice or voices (and other settings) for the recording. Select a voice (or voices) for recording. Select other settings, if necessary.

2. Re-engage Record Ready mode. Press the [REC] button again. The selected tracks indicator ashes in red.

3. Select a recording track. Select a track that you have not already used for recording. The selected tracks indi- cator lights up red. (The indicator of a track that contains previously-recorded data will glow green.)

You can record new sounds and notes on each pass while listening to the recorded track.

Follow the procedure from Step 5 on page 31 to record.

TIP If you want to change the tempo, time signature, reverb type, or effect type when re- recording a track or when recording to another track, do so after you engage Record Ready mode (step 3).

NOTE You cannot re-record in the mid- dle of a song.

TIP If you want to change the tempo, time signature, reverb type, or effect type when re- recording a track or when recording to another track, do so after entering Record Ready mode (step 3).

NOTE If you dont want to hear the previously-recorded track while you record (for example, when you want to record a song differ- ent from what you recorded on the previous track), press the playback track button before pressing the [REC] button (step 2, above) so that its indicator is turned off.

LP-130/120 Recording Your Performance

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The user song recorder records the following data: Data in addition to the notes and voices you play is recorded. This data includes Individual Tracks and Entire Song. See below.

Individual Tracks Notes played Voice selection [VARIATION] ON/OFF (CLP-130) Pedal (Damper/Soft/Sostenuto) [REVERB] depth [EFFECT] depth Dual mode voices Dual balance (F3) Dual detune (F3) Dual octave shift (F3) Split mode voices (CLP-130) Split balance (F4: CLP-130) Split octave shift (F4:CLP-130)

Entire Song Tempo Time signature (beat) [REVERB] type (including OFF) [EFFECT] type (including OFF)

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Changing the Initial Settings (Data recorded at the beginning of a song)

The initial settings (data recorded at the beginning of a song) can be changed after the recording. For example, after recording, you can change the voice to create a different ambience or adjust the song tempo to your taste.

You can change the following initial settings.

Individual Tracks Voice selection [VARIATION] ON/OFF (CLP-130) [REVERB] depth [EFFECT] depth Dual mode voices Split mode voices (CLP-130)

Entire Song Tempo Time signature (beat) [REVERB] type (including OFF) [EFFECT] type (including OFF)

1. Engage Record mode and select a track to change the initial settings. The indicator glows red. (Data shared by two tracks can be changed via either track.)

2. Change the settings via the panel controls. For example, if you wish to change the recorded voice from [E. PIANO 1] to [E. PIANO 2], press the [E. PIANO 2] button. Be careful not to press the SONG [START/STOP] button or a key on the keyboard, either of which will start recording and erase all previously-recorded data on the selected track.

3. Press the [REC] button to exit Record mode. Be careful not to press the SONG [START/STOP] button or a key on the keyboard, either of which will start recording and erase all previously-recorded data on the selected track.

NOTE You can cancel changes made to the initial settings by select- ing a different track after Step 2, then exiting Record mode dur- ing Step 3 without pressing the [REC] button. (Changes made to the data shared by two tracks are also canceled.)

LP-130/120 Recording Your Performance

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Playing Back Recorded Songs You can play back songs recorded using the Record function (pages 3034). You can also play the keyboard along with the play- back.

Playing Back a Song

1. Select the desired song. (CLP-130) Press the [USER 1/2/3] button to select a song for recording. The indicator of the selected song will light. (No song is selected if none of the indicators are lit.)

2. Start playback. Press the SONG [START/STOP] button. The current measure number appears on the display during playback.

You can play the keyboard while the Clavinova is playing back a song. You can also play the notes in a voice different from the playback voice by select- ing a voice from the panel.

Adjust the volume

Use the [MASTER VOLUME] control to adjust the volume.

Adjust the tempo

You can use the [TEMPO/FUNCTION# , ] buttons to adjust the playback tempo as required before or during playback. The default tempo (the songs original tempo) is set when you press the [] and [] buttons simultaneously.

3. Stop playback. When playback is complete, the Clavinova automatically stops and locates the top of the song. To stop playback in the middle of a song, press the SONG [START/STOP] button.

NOTE Song data is not transmitted via the MIDI connectors.

21 3

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/STOP TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

NOTE (CLP-130) When the unit is in Demo Song mode, you cannot use the [USER 1/2/3] button to select a song.

NOTE When the unit is in Demo Song or Preset Song mode, you can- not play back recorded songs.

NOTE The track indicators will not light up green automatically when the power is turned on to the CLP- 120, even if the user song recorder contains data. Make sure that you press the track but- tons before you start playback.

NOTE Playback cannot be started when the recorder contains no data.

TIP You can also enjoy playing duets with yourself by record- ing one part of a duet or a song for two pianos, then playing the other part while the recorded part plays back.

TIP If the metronome is being used during playback, the metro- nome will automatically stop when playback is stopped.

TIP If the REVERB type is changed via the panel controls during playback, both the playback and keyboard reverb effects will be changed.

TIP If the EFFECT type is changed via the panel controls during playback, the playback effect may be switched off in some cases.

Procedure

CLP-130/120 Playing Back Recorded Songs 35

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Useful Playback Functions

Turning track playback on and off When you select a song on the Clavinova, the indicators for tracks that contain data (one of [TRACK1] [TRACK2] or both) are lit in green. While the Clavinova is play- ing or stopped, pressing these track buttons turns off the indicators, and the data on those tracks is not played. Pressing the track buttons toggles track playback on and off.

Starting playback automatically when you start playing the keyboard (Synchro Start) You can start playback as soon as you start playing the keyboard. This is called the Synchro Start function. To engage the Synchro Start function, press the SONG [START/STOP] button while holding a track button that is ON. The right-most dot on the display will ash at the current tempo.

(Repeat the previous operation to disengage the Synchro Start function.)

Playback will then start as soon as you begin playing on the keyboard.

This function is useful when you wish to match the timing of the beginning of the play- back sound and the start of your own performance.

Assigning the START/STOP function to the left pedal The left pedal can also be assigned to song start/stop operation via the Pedal Start/ Stop (page 44). This is convenient for starting playback of the recorded part anytime after you have started playing.

TIP Tracks can be turned on or off before or during playback. If both tracks are turned off on the CLP-120, playback will not start (or the playback will stop).

TIP You can adjust the volume of a part of a song from 50 Greats for the Piano for which play- back is turned off (pages 18, 45). During recorder playback, the volume of a track that is turned off will always be 0.

NOTE If you press the SONG [START/ STOP] button while holding down a track button that is OFF, track playback is turned on and the Synchro Start function is placed on stand-by.

TERMINOLOGY Synchro:

Synchronous; occurring at the same time

Flash

LP-130/120 Playing Back Recorded Songs

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Detailed Settings [FUNCTION] You can set various parameters to make the best use of Clavinova functions, such as ne tuning the pitch, selecting a voice for the metronome, repeating playback, etc.

The following parameters are available. The CLP-130 has nine main functions, and the CLP-120 has eight main functions. Some of these main functions consist of a set of sub-modes.

Parameter List

Function Sub-Mode CLP-130 CLP-120 Reference page

Fine tuning of the pitch F1 F1 40

Selecting a scale Scale F2.1 F2.1 41

Base Note F2.2 F2.2 41

Dual mode functions Dual Balance F3.1 F3.1 42

Dual Detune F3.2 F3.2 42

Voice 1 Octave Shift F3.3 F3.3 42

Voice 2 Octave Shift F3.4 F3.4 42

Voice 1 Effect Depth F3.5 F3.5 42

Voice 2 Effect Depth F3.6 F3.6 42

Reset F3.7 F3.7 42

Split mode functions Split Point F4.1 43

Split Balance F4.2 43

Right Voice Octave Shift F4.3 43

Left Voice Octave Shift F4.4 43

Right Voice Effect Depth F4.5 43

Left Voice Effect Depth F4.6 43

Damper Pedal Range F4.7 43

Reset F4.8 43

Other Functions Left Pedal Mode F5.1 F4.1 44

Soft Pedal Effect Depth F5.2 F4.2 44

Sustain Sample Depth F5.3 44

Keyoff Sample Volume F5.4 44

Metronome volume F6 F5 45

Preset Song Part Cancel Volume

F7 F6 45

MIDI Functions MIDI Transmit Channel Selection F8.1 F7.1 45

MIDI Receive Channel Selection F8.2 F7.2 46

Local Control ON/OFF F8.3 F7.3 46

Program Change ON/OFF F8.4 F7.4 46

Control Change ON/OFF F8.5 F7.5 46

MIDI Transmit Transpose F8.6 F7.6 47

Panel/Status Transmit F8.7 F7.7 47

Bulk Data Dump F8.8 F7.8 47

Backup Functions Voice F9.1 F8.1 48

MIDI F9.2 F8.2 48

Tuning F9.3 F8.3 48

Others F9.4 F8.4 48

CLP-130/120 Detailed Settings [FUNCTION] 37

Basic Procedure in Function Mode

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CLP-130/120 Detailed Settings [FUNCTION]

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Follow the steps below to use the functions. (If you become lost while using a function, return to this page and read the basic procedure.)

1. Engage Function mode. Press the [TEMPO/FUNCTION#] button so that its [FUNCTION#] indicator lights.

will appear on the display. (The indication of varies depending on the status of the unit and usage.)

2. Select a function. Use the [TEMPO/FUNCTION# , ] buttons to select the desired function from F1F9 (CLP-130) / F1F8 (CLP-120).

3. Use the [/NO] [+/YES] buttons. If the function does not include sub-modes, start setting the parameters. If the function includes sub-modes, press the [+/YES] button once to enter the respective sub-mode.

4. Operate the desired function using the following two buttons. 1 [TEMPO/FUNCTION# , ]

Selects the desired function/sub-mode. 2 [/NO] or [+/YES]

After you select the desired function or sub-mode, set the ON/OFF, select the type, or change the value, accordingly. Depending on the setting, the default setting (which is used when you rst turn on the power to the Clavinova) is recalled by pressing the [/ NO] and [+/YES] buttons simultaneously.

31 2 4 45

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/ STOP

TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/ STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSONG

Procedure

NOTE Functions cannot be sele during Demo/Preset Son mode or when the user s recorder is in operation.

NOTE To cancel the function in 3, or 4, press the [TEMP FUNCTION# , ] butto time to exit Function mod

TEMPO/ FUNCTION

TEMPO FUNCTION

TIP After you select the funct current setting will be dis when the [/NO] or [+/YE ton is pressed for the rs

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Operation Example 1 (F1. Fine tuning of the pitch)

Operation Example 2 (F3.1 Dual Balance)

5. Do the following when you nish using the func- tion. To exit Function mode, press the [TEMPO/FUNCTION#] button so that its [TEMPO] indicator lights.

Change the value.

Engage Function mode. Select a desired function.

TEMPO/ FUNCTION

TEMPO FUNCTION

TEMPO/ FUNCTION

TEMPO FUNCTION

/NO +/YES

LCD indication

LCD indication

Engage the respective sub-mode.

Engage function mode. Select a desired function.

Select a desired sub-mode.

Change the value.

TEMPO/ FUNCTION

TEMPO FUNCTION

TEMPO/ FUNCTION

TEMPO FUNCTION

TEMPO/ FUNCTION

TEMPO FUNCTION

/NO +/YES

+/YES

LCD indication

LCD indication

LCD indication

CLP-130/120 Detailed Settings [FUNCTION] 39

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About Each Function

You can ne tune the pitch of the entire instru- ment. This function is useful when you play the Clavinova along with other instruments or CD music.

1. Engage Function mode and select .

2. Use the [/NO] and [+/YES] buttons to lower or raise the pitch of the A3 key in approxi- mately 0.2 Hz increments.

..... ..... Tenths of a hertz are indicated on the LED display by the appearance and position of one or two dots, as in the following example:

Refer to Part Names on page 14 for information on the key and key name assignment.

(During the procedure described above, the display indi-

cates a value in Hz < >. After the proce- dure, the display returns to the previous indication.)

(During the procedure described above, the display indi-

cates a value in Hz < >. After the proce- dure, the display returns to the previous indication.)

F1. Fine Tuning of the Pitch

Display Value

440.0 Setting range:

440.2 427.0453.0 (Hz)

440.4 Normal setting:

440.6 440.0 (Hz)

440.8

TERMINOLOGY Hz (Hertz):

This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second.

TIP You can also use the keyboard to set the pitch (in any mode other than Function mode).

To tune up (in about 0.2Hz steps): Hold the A-1 and B-1 keys (two white keys at the left end) simultaneously and press any key between C3 and B3.

To tune down (in about 0.2Hz steps): Hold the A-1 and A- 1 keys (a white and a black key at the left end) simulta- neously and press any key between C3 and B3.

To restore standard pitch: Hold the A-1, A -1 and B-1 (two white keys and one black key at the left end) simultaneously and press any key between C3 and B3.

TIP You can also tune in about 1Hz steps (in any mode other than Function mode).

To tune down or up, respectively, in approximately 1 Hz increments: Hold the A-1 and A-1 keys (a white and a black key at the left end) or A-1 and B-1 keys (two white keys at the left end) simultaneously and press the [/NO] or [+/YES] but- ton.

To restore standard pitch: Hold the A-1 and A-1 keys (a white and a black key at the left end) or A-1 and B-1 keys (two white keys at the left end) simultaneously and press the [/NO] [+/YES] buttons simultaneously.

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You can select various scales. Equal Temperament is the most common con- temporary piano tuning scale. However, his- tory has known numerous other scales, many of which serve as the basis for certain genres of music. You can experience these tunings with the Clavinova.

Equal

One octave is divided into twelve equal intervals. Cur- rently the most popular piano tuning scale.

PureMajor/PureMinor

Based on natural overtones, three major chords using these scales produce a beautiful, pure sound. They are sometimes used for chorus parts.

Pythagorean

This scale, designed by Pythagoras, a Greek philosopher, is based on the interval of a perfect 5th. The 3rd produces swells, but the 4th and 5th are beauti- ful and suitable for some leads.

MeanTone

This scale is an improvement of the Pythagorean in that the swell of the 3rd has been eliminated. The scale became popular during the late 16th century through the late 18th century, and was used by Handel.

WerckMeister/KirnBerger

These scales combine Mean Tone and Pythagorean in different ways. With these scales, modulation changes the impression and feel of the songs. They were often used in the era of Bach and Beethoven. They are often used today to reproduce the music of that era on harpsichords.

1. Engage Function mode and select .

2. Press the [+/YES] button to engage the scale functions sub-mode, then use the [TEMPO/ FUNCTION# , ] buttons to select the desired sub-mode. Press the [/NO] and [+/YES] buttons to select the number of the desired tuning.

Sub-mode

F2.1: Scale

Setting range: 1: Equal Temperament 2: Pure Major 3: Pure Minor 4: Pythagorean 5: Mean Tone 6: Werckmeister 7: Kirnberger

Normal setting: 1: Equal Temperament

F2.2: Base Note

If you select a scale other than Equal Temperament, you need to specify the root. (You can specify the root note with Equal Temperament selected, but it is not effective. The base note setting is effective for tunings other than the Equal Temperament tuning.)

Setting range:

Normal setting:

Root indication example

F2. Selecting a Scale

(F) (G)

followed by a high bar if sharp

(A) followed by a low bar if flat

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You can set various parameters for Dual mode to optimize the settings for the songs you play, such as adjusting the volume balance between two voices. Dual mode function settings are set individu- ally for each voice combination.

1. Select the voices in Dual mode and engage Function mode and select .

2. Press the [+/YES] button to engage the Dual mode functions sub-mode, then use the [TEMPO/FUNCTION# , ] buttons to select the desired sub-mode. Press the [/NO] [+/ YES] button to assign values.

Sub-mode

F3.1: Dual Balance

Setting range: 0 20 (A setting of 10 produces an equal balance between the two Dual mode voices. Settings below 10 increase the volume of Voice 2 in relation to Voice 1, and settings above 10 increase the volume of Voice 1 in relation to Voice 2.)

Normal setting: Different for each voice combina- tion.

You can set one voice as the main voice, and another voice as a softer, mixed voice.

F3.2: Dual Detune

Setting range: -10 0 10 (With positive values, the pitch of Voice 1 is raised and the pitch of Voice 2 is lowered. With neg- ative values, the pitch of Voice 1 is lowered and the pitch of Voice 2 is raised.)

Normal setting: Different for each voice combina- tion.

Detune Voice 1 and Voice 2 for Dual mode to create a thicker sound.

F3.3: Voice 1 Octave Shift

F3.4: Voice 2 Octave Shift

Setting range: 1, 0, 1 Normal setting: Different for each voice combina-

tion. You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which voices you combine in Dual mode, the combination may sound better if one of the voices is shifted up or down an octave.

F3.5: Voice 1 Effect Depth

F3.6: Voice 2 Effect Depth

Setting range: 0 20 Normal setting: Different for each voice combina-

tion. These functions make it possible to individually set the depth of the effect for Voices 1 and 2 for Dual mode. (The effect depth settings cannot be changed unless the [EFFECT] is ON. Function mode must be exited before the [EFFECT] can be turned ON.)

Voice 1 and Voice 2 are explained on page 26.

F3.7: Reset

This function resets all Dual mode functions to their default values. Press the [+/YES] button to reset the val- ues.

F3. Dual Mode Functions

NOTE If Dual mode is not engaged, will appear instead of

and you will be unable to select Dual mode functions. You can switch from Function mode to Dual mode.

TIP The available setting range is wider in the lower range ( 60 cents for A-1), and narrower in the higher range ( 5 cents for C7). (100 cents equal one semitone.)

TIP SHORTCUT: You can jump directly to the Dual mode functions by pressing the [TEMPO/FUNCTION#] button while holding the two Dual mode voice buttons.

To exit Function mode, you still need to press the [TEMPO/ FUNCTION#] button so that the TEMPO indicator lights up.

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This menu enables you to make various detailed settings for Split mode. By changing the split point or other setting, you can optimize the settings for the songs you play. You can make these settings for each combi- nation of voices individually.

1. Select the voices in Split mode and engage Function mode and select .

2. Press the [+/YES] button to engage the Split mode functions sub-mode, then use the [TEMPO/FUNCTION# , ] buttons to select the desired sub-mode. Press the [/NO] [+/ YES] button to assign values.

Sub-mode

F4.1: Split Point

Setting range: The entire keyboard Normal setting: F

2

Set the point on the keyboard that separates the right and left-hand sections (split point). The pressed key is included in the left-hand range. Instead of pressing the [/NO] [+/YES] buttons, you

can engage the split point by pressing the appropriate key on the keyboard.

If Function mode is not engaged, you can change the split point to any other key by pressing the key while holding the [SPLIT] button (page 27).

An example of a key name indication for a split point

F4.2: Split Balance

Setting range: 0 20 (A setting of 10 produces an equal balance between the two Split mode voices. Settings below 10 increase the volume of the left voice in relation to the right voice, and set- tings above 10 increase the volume of the right voice in relation to the left voice.)

Normal setting: Different for each voice combina- tion.

The volume level of the two voices combined in Split mode can be adjusted as required.

F4.3: Right Voice Octave Shift

F4.4: Left Voice Octave Shift

Setting range: 1, 0, 1 Normal setting: Different for each voice combination You can shift the pitch up and down in octave steps for the Right Voice and Left Voice independently. Make a set- ting depending on the note range of the songs you play.

F4.5: Right Voice Effect Depth

F4.6: Left Voice Effect Depth

Setting range: 0 20 Normal setting: Different for each voice combination These functions make it possible to individually set the depth of the effect for the left and right Split mode voices. The effect depth settings cannot be changed unless the [EFFECT] is ON. You must exit Function mode before you can turn on an [EFFECT].

F4.7: Damper Pedal Range

Setting range: ALL (for both voices) 1 (for the right Voice) 2 (for the left Voice)

Normal setting: ALL The Damper Pedal Range function determines whether the damper pedal affects the right voice, the left voice, or both the left and right voices in Split mode.

F4.8: Reset

This function resets all Split mode functions to their default values. Press the [+/YES] button to reset the val- ues.

F4. (CLP-130) Split Mode Functions

NOTE If Split mode is not engaged, will appear instead of

and you will be unable to select Split mode functions. Also note that you must exit Function mode before you can engage Split mode.

(F2) (G2)

followed by a high bar if sharp

(A2)

followed by a low bar if flat

TIP SHORTCUT:

You can jump directly to Split mode functions by press- ing the [TEMPO/FUNCTION#] button while holding the [SPLIT] button.

To exit Function mode, you still need to press the [TEMPO/ FUNCTION#] button so that the TEMPO indicator lights up.

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This function conveniently lets you set opera- tion of the left pedal to one of the modes listed below.

1. Engage Function mode and select (CLP- 130)/ (CLP-120).

2. Press the [+/YES] button to engage the other functions sub-mode, then use the [TEMPO/ FUNCTION# , ] buttons to select the desired sub-mode. Press the [/NO] or [+/YES] button to select the desired pedal function or assign the val- ues.

Sub-mode

F5.1 (CLP-130)/F4.1 (CLP-120)

Left Pedal Mode

Setting range: 1. Soft Pedal

The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes that are already playing.

2. Song Start/Stop This mode allows you to start or stop song playback. In this mode, the Left Pedal functions in the same manner as the SONG [START/STOP] button on the panel.

3. Variation (CLP-130) This mode enables you to switch the Voices variation on or off. In this mode, the left pedal functions in the same manner as the [VARIATION] button on the panel.

Normal setting: 1(Soft Pedal)

F5.2 (CLP-130)/F4.2 (CLP-120) Soft Pedal Effect Depth

Setting range: 1 15 Normal setting: 3

This function sets the depth of the soft pedal effect.

F5.3 (CLP-130) Sustain Sample Depth

Setting range: 0 20 Normal setting: 12 The GRAND PIANO 1 voice features special Sustain Samples that recreate the unique resonance of an acous- tic grand pianos soundboard and strings when the damper pedal is pressed. This function lets you adjust the depth of this effect.

F5.4 (CLP-130) Keyoff Sample Volume

Setting range: 0 20 Normal setting: 10 You can adjust the volume of the keyoff sound (the sub- tle sound produced when the keys are released) for voices [GRAND PIANO1], [HARPSICHORD], [E.CLAVICHORD] (including their variations).

F5. (CLP-130) / F4. (CLP-120)

Other Functions

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You can change the volume of the metronome sound. Use this function to adjust the metronome vol- ume.

1. Engage Function mode and select (CLP- 130)/ (CLP-120).

2. Use the [/NO] and [+/YES] buttons to set the metronome volume as required.

Setting range: 1 20 Normal setting: 10

This function sets the volume at which a can- celed part is played during preset song play- back. Adjust the part volume to a comfortable level and use the canceled part as a guide with which to play along.

1. Engage Function mode and select (CLP- 130)/ (CLP-120).

2. Use the [/NO] and [+/YES] buttons to set the volume as required.

Setting range: 0 20 Normal setting: 5

You can make detailed adjustments to MIDI settings. For more information about MIDI, see the About MIDI section (page 49).

1. Engage Function mode and select (CLP- 130)/ (CLP-120).

2. Press the [+/YES] button to engage the MIDI functions sub-mode, then use the [TEMPO/ FUNCTION# , ] buttons to select the desired sub-mode. Press the [/NO] or [+/YES] button to set a selected parameter.

Sub-mode

F8.1: (CLP-130)/F7.1: (CLP-120) MIDI Transmit Channel Selection

In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. This parameter enables you to specify the channel on which the Clavinova transmits MIDI data. Setting range: 1 16, OFF (not transmitted) Normal setting: 1

F.6 (CLP-130) / F.5 (CLP-120) Metronome Volume

TIP SHORTCUT:

You can jump directly to the metronome functions (CLP-130)/ (CLP-120) by pressing the [TEMPO/FUNC- TION#] button while holding the METRONOME [START/ STOP] button.

To exit Function mode, you still need to press the [TEMPO/ FUNCTION#] button so that the TEMPO indicator lights up.

F7. (CLP-130) / F6. (CLP-120)

Preset Song Part Cancel Volume

F8. (CLP-130) / F7. (CLP-120) MIDI Functions

TIP The HOST SELECT switch on the bottom surface must be set to MIDI to enable the MIDI connectors. When you use the TO HOST connector, set the HOST SELECT switch to the appropriate position for the type of computer you are using (pages 4955). In this situation, all MIDI settings described below will affect the MIDI signal in and out of the TO HOST connector.

NOTE In Dual mode, Voice 1 data is transmitted on its specied channel. In Split mode (CLP-130), right voice data is trans- mitted on its specied channel. In Dual mode, Voice 2 data is transmitted on the next greater channel number relative to the specied channel. In Split mode (CLP-130), left voice data is transmitted on the next greater channel number rela- tive to the specied channel. In either mode, no data is trans- mitted if the transmit channel is set to OFF.

NOTE Demo/preset song data and recorder playback data are not transmitted via MIDI.

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F8.2: (CLP-130)/F7.2: (CLP-120) MIDI Receive Channel Selection

In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. This parameter enables you to specify the channel on which the Clavinova receives MIDI data. Setting range: ALL, 1&2, 1 16 Normal setting: ALL

F8.3: (CLP-130)/F7.3: (CLP-120) Local Control ON/OFF

Local Control refers to the fact that, normally, the CLP-130/120 keyboard controls its internal tone genera- tor, allowing the internal voices to be played directly from the keyboard. This situation is Local Control On, since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the CLP-130/120 keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone genera- tor responds to MIDI information received via the MIDI IN connector. Setting range: ON/OFF Normal setting: ON

F8.4: (CLP-130)/F7.4: (CLP-120) Program Change ON/OFF

Normally the CLP-130/120 will respond to MIDI pro- gram change numbers received from an external key- board or other MIDI device, causing the correspondingly-numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The CLP-130/120 will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly-num- bered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the CLP-130/120 without affecting the external MIDI device.

Setting range: ON/OFF Normal setting: ON

F8.5: (CLP-130)/F7.5: (CLP-120) Control Change ON/OFF

Normally the CLP-130/120 will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding chan- nel to be affected by pedal and other control settings received from the controlling device (the keyboard voice is not affected). The CLP-130/120 also transmits MIDI control change information when the pedal or other appropriate con- trols are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the CLP-130/120s pedal and other controls can be operated without affecting an external MIDI device.

Setting range: ON/OFF Normal setting: ON

TIP ALL:

A Multi-timbre Receive mode is available. It allows simulta- neous reception of different parts on all 16 MIDI channels, enabling the Clavinova to play multi-channel song data received from a music computer or sequencer.

1&2:

A 1&2 Receive mode is available. It allows simultaneous reception on channels 1 and 2 only, enabling the Clavinova to play 1 and 2 channel song data received from a music com- puter or sequencer.

TIP Program change and other like channel messages received will not affect the CLP-130/120s panel settings or the notes you play on the keyboard.

NOTE No MIDI reception occurs when Demo/Preset Song mode is engaged.

TIP For information on program change numbers for each of the CLP-130/120s voices, refer to page 71 in the MIDI Data For- mat section.

TIP For information on control changes that can be used with the CLP-130/120, refer to the MIDI Data Format on page 71.

LP-130/120 Detailed Settings [FUNCTION]

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F8.6: (CLP-130)/F7.6: (CLP-120) MIDI Transmit Transpose

This function allows the MIDI note data transmitted by the CLP-130/120 to be transposed up or down in semi- tone increments by up to plus or minus 12 semitones. The pitch of the CLP-130/120 itself is not affected. Setting range: -12 0 12 (in semitones) Normal setting: 0

F8.7: (CLP-130)/F7.7: (CLP-120) Panel/Status Transmit

This function causes all the current CLP-130/120 panel settings (selected voice, etc.) to be transmitted via the MIDI OUT terminal. This is particularly useful if you will be recording performances to a MIDI sequence recorder, such as the Yamaha MIDI Data Filer MDF3, which will be used to control the CLP-130/120 on play- back. By transmitting the CLP-130/120 panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the CLP-130/120 will be automatically restored to the same settings when the performance is played back.

Procedure 1. Set up the panel controls as desired. 2. Connect the Clavinova to a sequencer via MIDI, and

set up the sequencer so it can receive the setup data.

3. Engage Function mode and select (CLP-130)/

(CLP-120). 4. Press the [+/YES] button to transmit the panel/status

data.

will appear on the LED display when the data has been successfully transmitted.

F8.8: (CLP-130)/F7.8: (CLP-120) Bulk Data Dump

You can save current song data on the Clavinova as MIDI bulk data by transferring it to a connected MIDI data ler (such as an MDF3) or a sequencer. To play back the saved song data, send the bulk data back from the storage device to the Clavinova and follow the usual playback procedure.

Procedure 1. Record your performance on the Clavinova. 2. Connect the Clavinova to MDF3, a MIDI data ler via

MIDI, and set up the MDF3 so it will receive bulk data.

3. Engage Function mode and select (CLP-130)/

(CLP-120). 4. Press the [+/YES] button to begin bulk transmission.

will appear on the LED display when the data has been successfully transmitted.

TERMINOLOGY Setup Data:

Data that contains a set of panel settings for the Clavinova.

TIP See page 72 for a list of the Panel Data Contents transmit- ted by this function.

TIP Receiving the transmitted data:

1. Connect the Clavinova via MIDI to the device to which the setup data was transmitted previously.

2. Start sending the setup data from the device.

The Clavinova automatically receives the setup data, which will be reected in the panel settings.

(For the data to be accepted, the Clavinova that receives the setup data should be the same model as the one that trans- mitted the setup data to the sequencer.)

TIP For more information on transmitting and receiving setup data via MIDI, refer to the owners manual for the connected MIDI device.

TERMINOLOGY bulk data:

A complete set or extended sequence of data

NOTE No MIDI note/panel data transmission or data reception occurs during a bulk data dump transmit operation.

TIP Receiving (returning) the transmitted data:

1. Connect the CLP-130/120 via MIDI to the device to which the data was previously transmitted.

2. Start sending the data from the device.

The CLP-130/120 automatically receives the data from the unit. (At this time, any data previously stored in the Clavinova will be erased.)

Then, follow the usual playback procedure.

(For the data to be accepted, the Clavinova that receives the data should be the same model as the one from which the data was once transmitted to the MIDI data ler.)

NOTE The reload operation cannot be executed when Demo/Preset Song mode or the user song recorder is in operation, or when Function mode is engaged.

TIP For more information on transmitting and receiving bulk data via MIDI, refer to the owners manual for the connected MIDI device.

CLP-130/120 Detailed Settings [FUNCTION] 47

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However, the backup settings themselves, and the con- tents of the user song recorder memory, are always backed up.

CAUTION Even if the backup function is turned on via one of the functions described below, the data will be retained in memory for only about one week if the power is not turned on during this time. If the backup period is exceeded, all settings will be reset to their default values. If you want to retain the backup settings for longer peri- ods, be sure to turn the power on for a few minutes at least once a week.

You can turn the backup function on or off for each function group (each of the following sub-mode functions).

1. Engage Function mode and select (CLP- 130)/ (CLP-120).

2. Press the [+/YES] button to engage the backup functions sub-mode, then use the [TEMPO/FUNCTION# , ] buttons to select the desired sub-mode. Press the [/NO] or [+/YES] button to turn the backup function on or off.

Sub-mode

F9.1: (CLP-130)/F8.1: (CLP-120) Voice

F9.2: (CLP-130)/F8.2: (CLP-120) MIDI

F9.3: (CLP-130)/F8.3: (CLP-120) Tuning

F9.4: (CLP-130)/F8.4: (CLP-120) Others

Setting range: ON/OFF Normal setting: OFF (all groups)

Description of sub-modes

F9.1: (CLP-130)/F8.1: (CLP-120) Voice

Voice (Keyboard, Dual, and Split ) Dual (ON/OFF, Voice, and Dual Functions for each

voice combination) Split (CLP-130) (ON/OFF, Voice, and Split Functions

for each voice combination) Reverb (ON/OFF, Type, and Depth for each voice) Effect (ON/OFF, Type, and Depth for each voice) Variation (CLP-130) (for each voice) Touch Sensitivity (including the FIXED volume) Metronome (Beat, Volume < (CLP-130)/

(CLP-120) settings>) Preset Song Part Cancel Volume ( /

settings)

F9.2: (CLP-130)/F8.2: (CLP-120) MIDI

The MIDI functions ( / settings)

(expect for the / )

F9.3: (CLP-130)/F8.3: (CLP-120) Tuning

Transpose Tuning ( settings) Scale (including base note) ( settings)

F9.4: (CLP-130)/F8.4: (CLP-120) Others

Other functions ( / settings)

Factory Preset Recall

All Dual mode, Split mode, reverb, effect, touch sensitiv- ity, tuning settings, and the settings affected by the Backup Functions can be restored to their original fac- tory preset values by holding the C7 key (right-most key on the keyboard) while turning the [POWER] button ON. This also erases all user song recorder data, and sets all backup on/off settings (F9) to OFF. (The factory set- ting list is found on page 70.)

F9. (CLP-130) / F8. (CLP-120)

Backup Functions

TERMINOLOGY Backup:

You can back up some settings, such as voice selection and reverb type, so that they will not be lost when you turn off the power to the Clavinova.

If the backup function is turned on, the settings at power off are effective. If the backup function is turned off, the settings in memory are erased when you turn off the power. In this case, when you turn on the power to the unit, the default set- tings (the initial settings) will be used. (The factory setting default list is found on page 70.)

LP-130/120 Detailed Settings [FUNCTION]

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About MIDI MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/reception. It enables the transfer of performance data and commands between MIDI devices and personal computers.

Using MIDI, you can control a connected MIDI device from the Clavi- nova, or control the Clavinova from a connected MIDI device or com- puter.

MIDI connectors

MIDI [IN]: Receives MIDI data. MIDI [OUT]: Transmits MIDI data. MIDI [THRU]: Transmits data received at the MIDI [IN] connector as it is.

MIDI cables Prepare dedicated MIDI cables.

[TO HOST] connector Use this connector to connect the Clavinova to a computer.

TIP MIDI performance data and commands are transferred in the form of numeric values.

TIP Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the MIDI Imple- mentation Chart to nd out what MIDI data and commands your devices can transmit or receive. The Clavinovas MIDI Implementation Chart appears on page 75.

HOST SELECT

MIDI

THRU

MIDI PC-2

Mac PC-1

OUT IN (CLP-130)

NOTE When you are using the MIDI connectors, set the [HOST SELECT] switch to MIDI (page 54).

NOTE When you are using the [TO HOST] connector, set the [HOST SELECT] switch, according to the type of com- puter you are using (page 54).

TIP You can also obtain detailed information about MIDI from various music books and other publications.

TO HOST HOST SELECT

MIDI PC-2

Mac PC-1

CLP-130/120 About MIDI 49

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Connections

Connectors

CAUTION Before connecting the Clavinova to other electronic components, turn off the power to all the components. Before turn- ing the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may result.

1 AUX OUT [R] [L] Pin jacks (LEVEL FIXED), [R] [L/L+R] Phone jacks You can connect these jacks to a stereo system to amplify the Clavinova or to a cas- sette tape recorder to record your performance. Refer to the diagram below and use audio cables to make the connections.

CAUTION Do not route the output from the AUX OUT jacks to the AUX IN jacks. That is, when you connect an external audio device to the AUX OUT jacks, do not connect the audio device to the Clavinovas AUX IN jacks. If you make this connection, the signal input at the AUX IN jacks will be output from AUX OUT. This creates an audio loop, causing audio oscillation and abnormal playback, and leading to malfunction of both pieces of equipment.

CAUTION When the Clavinovas AUX OUT jacks are connected to an external audio system, rst turn on the power to the Clavinova, then to the external audio system. Reverse this order when you turn the power off.

PEDAL

AUX INAUX OUT

L/L+RRL/L+RRL LEVEL FIXED R

TO HOST HOST SELECT

MIDI

THRU

MIDI PC-2

Mac PC-1

OUT IN

1 23 4 5

6 CLP-130

AUX OUT AUX IN L/L+R

LEVEL FIXED

R L/L+RRLR

PEDALTO HOST HOST SELECT

MIDI THRU

MIDIMac PC-2PC-1

OUT IN

1 2 3 4 5 6

CLP-120

NOTE Use audio cables and adaptor plugs with no resistance.

NOTE The Clavinovas [MASTER VOLUME] and [BRILLIANCE] slider setting does not affect the signal output from the AUX OUT (LEVEL FIXED) jacks.

Clavinova Stereo

RCA pin plug

To powered speakers

RCA pin plug

AUX IN

When these are connected (with stan- dard phone plugs), you can use the [MASTER VOLUME] control to adjust the volume of the sound output to the external device.

AUX OUT

L/L+RRL LEVEL FIXED R

When these are connected (with RCA pin plug; LEVEL FIXED), the sound is output to the external device at a fixed level, regardless of the [MASTER VOLUME] control setting.

phone plug (standard)

audio cable

LP-130/120 Connections

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2 AUX IN [R], [L/L+R] jacks The stereo outputs from another instrument can be connected to these jacks, allowing the sound of an external instrument to be reproduced via the Clavinovas speakers. Refer to the diagram below and use audio cables to make the connec- tions.

CAUTION When the Clavinovas AUX IN jacks are connected to an external device, rst turn on the power to the external device, then to the Clavinova. Reverse this order when you turn the power off.

3 TO HOST jack This jack allows direct connection to a personal computer. (Refer to Connecting a personal computer on page 52 for more information.)

4 HOST SELECT switch This switch should be set according to the type of connected MIDI device or per- sonal computer. (Refer to Connecting a personal computer on page 52 for more information.)

5 MIDI [IN], [OUT], [THRU] connectors Use MIDI cables to connect external MIDI devices to these connectors. Make sure you set the HOST SELECT switch to MIDI when you use these connec- tors. (Refer to About MIDI on page 49 for more information.)

6 PEDAL jack Connect the pedal cord from the pedal box. (Refer to Keyboard Stand Assembly on pages 57-62.)

NOTE The Clavinovas [MASTER VOLUME] and [BRILLIANCE] slider settings affect the input signal from the AUX IN jacks, but the [REVERB] and [EFFECT] settings do not.

NOTE If you connect the Clavinova to a monaural device, use only the AUX IN [L/L+R] jack or AUX OUT [L/L+R] jack.

AUX IN

audio cable Tone Generator

AUX OUT

Clavinova

phone plug (standard)

phone plug (standard)

AUX IN

L/L+RR

CLP-130/120 Connections 51

Connecting a Personal Computer

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CLP-130/120 Connections

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You can enjoy computer music data on the Clavinova by connecting a computer to the TO HO (or MIDI) jack.

There are three methods by which to connect the Clavinova to a personal computer: 1. Connect the serial port on the computer to the Clavinovas TO HOST jack (page 53). 2. Use a MIDI interface and the Clavinovas MIDI connectors (page 54). 3. Use the USB port on the computer and the UX256, UX96, or UX16, a USB interface (page 55).

For more information, refer to the specied pages.

NOTE When the Clavinova is used as a tone module, performance data with voices that are not found on the Clavinova be played correctly.

The Clavinova-Computer Connection, is a supplementary guidebook that describes, for beginners, what can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system (the manu not written for any specic models). The document is available as a PDF le (in English) at the following Interne address:

Clavinova Web site (English only): http://www.yamahaclavinova.com/

Yamaha Manual Library: http://www2.yamaha.co.jp/manual/english/

NOTE When connecting the Clavinova to a personal computer, rst turn off the power to both the Clavinova and the co before you connect any cables or set the HOST SELECT switch. After making the connections and switch setting on the power to the computer rst, then to the Clavinova.

NOTE If you do not use the [TO HOST] jack of the Clavinova, make sure you disconnect the cable from the jack. If the c left connected, the Clavinova may not function properly.

NOTE will appear in the display if the host computer is not turned on, the connecting cable is not properly conne the HOST SELECT switch is not in the proper position, or the MIDI driver or MIDI application is not active. In this tion, turn the power off to both the Clavinova and the computer, and check the cable connection and the position HOST SELECT switch. Once the connection and HOST SELECT switch position is veried, turn the power of th puter on rst, then the Clavinova, and check whether the MIDI driver and MIDI application function properly.

NOTE When the [HOST SELECT] switch is set to PC-1, PC-2, or Mac, you can use the [TO HOST] jack, but the MI nectors are disabled since no data transfer occurs via the MIDI connectors. On the other hand, when the [HOST SELECT] switch is set to MIDI, you can use the MIDI connectors, but not the [TO HOST] jack since no data is ferred via the [TO HOST] jack.

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1. Connecting the serial port on the computer to the Clavinovas TO HOST jack

Connect the computers serial port (RS-232C or RS-422) to the Clavinovas TO HOST jack. With this connection, the Clavinova functions as a MIDI interface. Therefore, you do not need a special MIDI interface.

Connection

Use a special serial cable (page 53) to connect the computers serial port (RS-232C or RS-422) to the Clavinovas TO HOST jack.

Type of serial cables and connection pin assignments Depending on the type of computer you connect, use one of the following serial cables.

Note for Windows users (regarding the MIDI driver) To transfer data via the computers serial port and the Clavinovas TO HOST jack, you need to install a specic MIDI driver (the Yamaha CBX driver for Windows). You can download this driver from the fol- lowing XG Library on the Yamaha web site: http://www.yamaha-xg.com

Clavinova

TO HOST

TO HOST HOST SELECT

MIDI PC-2

Mac PC-1

Windows Windows Macintosh

modem portRS-232C (D-sub 9-pin) RS-232C (D-sub 25-pin)

Windows (with a serial port of D-sub 9-pin) 8-pin mini DIN plug D-sub 9-pin plug

(Yamaha CCJ-PC2 or equivalent)

Macintosh System peripheral plug 8-pin plug

(Yamaha CCJ-MAC or equivalent)

Windows (with a serial port of D-sub 25-pin) 8-pin mini DIN plug D-sub 25-pin plug

(Yamaha CCJ-PC1NF or equivalent)

Pin assignment The following diagram shows the pin assignments for each cable.

8 (CTS) 7 (RTS) 2 (RxD) 5 (GND)

3 (TxD)

1 2 3 4 8 5

mini DIN 8-pin

D-sub 9-pin

2 (HSK i) 1 (HSK O) 5 (RxD-) 4 (GND) 3 (TxD-) 8 (RxD+) 7 (GP-) 6 (TxD+)

1 2 3 4 5 6 7 8

mini DIN 8-pin

mini DIN 8-pin

5 (CTS) 4 (RTS) 3 (RxD) 7 (GND)

2 (TxD)

1 2 3 4 8 5

mini DIN 8-pin

D-sub 25-pin

mini DIN 8-pin D-sub 25-pin

Pin numbers (view from front)

D-sub 9-pin

CLP-130/120 Connections 53

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Clavinova HOST SELECT switch setting

Set the Clavinova HOST SELECT switch properly according to the type of connected computer.

Macintosh: Mac (data transfer rate: 31,250bps, 1MHz clock) Windows: PC-2 (data transfer rate: 38,400bps)

2. Using a MIDI interface and the Clavinovas MIDI connectors

Connection Use a MIDI interface device to connect a computer to the Clavinova using special MIDI cables.

Clavinova HOST SELECT switch setting

Set the Clavinova HOST SELECT switch to MIDI.

TIP If your system does not work properly with the connections and settings listed above, your software may require differ- ent settings. Check your software operation manual and set the HOST SELECT switch to the proper data transfer rate. (Data transfer rate of PC-1 is 31,250bps.)

MIDI OUT

MIDI OUT

MIDI IN

MIDI IN

MIDI OUT

MIDI IN

HOST SELECT

MIDI

THRU

MIDI PC-2

Mac PC-1

OUT IN

Windows Macintosh

Clavinova

(CLP-130)

MIDI interface

MIDI interface

LP-130/120 Connections

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3. Connecting the computers USB port to the Clavinova via a USB interface, such as the UX256, UX96, or UX16

Connect the computers USB port to the USB interface (such as the UX256, UX96, or UX16) using a USB cable. Install the driver (that came with the USB interface) on the computer, and connect the USB interface to the Clavinova using a serial cable or MIDI cables. For more information, refer to the instruction manual for the USB interface.

An example of connecting the USB interface to the Clavinova using a serial cable

An example of connecting the USB interface to the Clavinova using MIDI cables

TO HOST HOST SELECT

PC-1 Mac

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/ STOP

TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/ STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

POWER

USB interface

Clavinova

USB cable

computer

or

Standard Machintosh 8-pin system peripheral cable

HOST SELECT

MIDI

MIDI

OUT IN

MASTER VOLUME

BRILLIANCE DEMO METRONOME TEMPO/ FUNCTION

TEMPO/OTHER VALUE

MELLOW BRIGHT START/ STOP

TEMPO FUNCTION

MIN MAX

/NO +/YES PRESET

USER 1 USER 2 TRACK

1 TRACK

2 START/ STOP REC

GRAND PIANO 1

CHURCH ORGAN

E.PIANO 1

STRINGS

E.PIANO 2

HARPSI- CHORD

E.CLAVI- CHORD

VIBRA- PHONE

CHOIR GUITAR E.BASS SPLIT

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT ON

VARIATION GRAND PIANO 2

JAZZ ORGAN

WOOD BASSUSER 3

VOICE REVERB EFFECT TOUCH TRANSPOSESONG

POWER

USB cable

MIDI cables

Clavinova

USB interface

computer

CLP-130/120 Connections 55

Troubleshooting

into ).

ose the

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CLP-130/120 Troubleshooting

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Options BC-100 Bench

A comfortable bench styled to match your Yamaha Clavinova. HPE-160 Stereo Headphones

High-performance lightweight dynamic headphones with extra-soft ear pads.

Problem Possible Cause and Solution

The Clavinova does not turn on. The Clavinova has not been plugged in properly. Securely insert the female plug the socket on the Clavinova, and the male plug into a proper AC outlet (page 11

A click or pop is heard when the power is turned on or off.

This is normal when electrical current is being applied to the instrument.

Noise is heard from the speakers or head- phones.

The noise may be due to interference caused by the use of a mobile phone in cl proximity to the Clavinova. Turn off the mobile phone, or use it further away from Clavinova.

The overall volume is low, or no sound is heard.

The Master Volume is set too low; set it to an appropriate level using the [MAS VOLUME] control.

Make sure a pair of headphones is not connected to the headphones jack (whe SPEAKER switch is set to the NORMAL position). If the SPEAKER switch is the OFF position, set it to NORMAL or ON (page 12).

Make sure that Local Control (page 46) is ON.

The speakers do not switch off when a pair of headphones is connected.

The SPEAKER switch may be switched ON. Set the SPEAKER switch to the N MAL position (page 12).

The damper pedal has no effect, or the sound continuously sustains even when the damper pedal is not pressed.

The pedal cable/plug may not be properly connected. Make sure to securely inse pedal plug into the proper jack (pages 5762).

TIP If appears on the display, an internal malfunction has occurred. In this case, contact your Yamaha dealer.

/Options

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CLP-120: Keyboard Stand Assembly CAUTION

Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accor- dance with the sequence given below.

Assembly should be carried out by at least two persons. Be sure to use the correct screw size, as indicated below. Use of incorrect screws can cause damage. Be sure to tighten up all screws upon completing assembly of each unit. To disassemble, reverse the assembly sequence given below.

Remove the following parts from the package. 1. Attach the side panels to the pedal box.

2. Attach the rear panel.

Have a Phillips-head (+) screwdriver ready.

TIP A headphone hanger is included in the CLP-120 package. You can attach a headphone hanger on the Clavinova to hang the headphones (page 12).

Assembly Parts

6 25 mm long screws 4 1

4 12 mm thin screws 2 3

Cord holders 26 16 mm short screws 4 2

4 20 mm tapping screws 4 4

Pedal box

Rear panel

Main unit

Side panel (left)

Side panel (right)

Bundled pedal cord inside

AC power cord

Side panel (left)

Side panel (right)

(1) Untie and straighten out the bundled cord attached to the bot- tom of the pedal box. Dont discard the vinyl tie, youll need it later in step 5.

(2) Use the four 625 mm long screws 1 to attach the pedal box. First attach one side panel, then attach the other side panel.

(2) Secure the top of the rear panel to the side panel brackets using two 412 mm thin screws 3.

(3) Secure the bottom of the rear panel to the pedal box using four 420 mm tap- ping screws 4.

(1) Place the bot- tom edges of the rear panel on the feets pro- truding edges, with the panel slightly angled as shown in the illus- tration. Then, align the top part of the panel with the side panels.

CLP-130/120 CLP-120: Keyboard Stand Assembly 57

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3. Mount the main unit.

CAUTION Fingers can become pinched between the main

unit and the rear or side panels, be extra careful so as not to drop the main unit.

Do not hold the keyboard in any position other than the position shown in the illustration.

4. Fix the main unit.

5. Connect the pedal cord.

6. Set the voltage selector and connect the power cord.

Voltage Selector Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a minus screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC INLET and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin conguration of the AC wall outlets in your area.

WARNING An improper voltage setting can cause serious damage to the Clavinova or result in improper operation.

R

Be sure to place your hands at least 10 cm from either end of the main unit when positioning it.

At least 10 cm

(1) Center the main unit to pro- duce equal clearance on the left and right sides.

(2) Use 6x16 mm short screws 2 to secure the main unit from the front.

PEDAL (1) Insert the pedal cord plug to the

pedal connector from the front.

(3) Use a vinyl tie to take up any slack in the pedal cord.

(2) Attach the cord holders to the rear panel as shown, then clip the cord into the holders.

PC-1PC-2 Mac

MIDI

240

127

11 0220

LP-130/120 CLP-120: Keyboard Stand Assembly

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7.

Set the adjuster.

CLP130(E).book Page 59 Thursday, October 31, 2002 2:45 PM

CLP-130/120 CLP-120: Keyboard Stand

After completing the assembly, please check the following.

When moving the instrument after assembly, always hold the bottom of the main unit.

CAUTION Do not hold the key cover or top portion. Improper handling can result in damage to the instrument or personal injury.

Are there any parts left over? Review the assembly procedure and correct any

errors. Is the Clavinova clear of doors and other mov-

able xtures? Move the Clavinova to an appropriate location.

Does the Clavinova make a rattling noise when you shake it? Tighten all screws.

Does the pedal box rattle or give way when you step on the pedals? Turn the adjuster so that it is set rmly against

the oor. Are the pedal and power cords inserted securely

into the sockets? Check the connection.

If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.

Rotate the adjuster until it comes in rm contact with the oor surface.

Key cover

Top portion

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CLP-130: Keyboard Stand Assembly CAUTION

Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accor- dance with the sequence given below.

Assembly should be carried out by at least two persons. Be sure to use the correct screw size, as indicated below. Use of incorrect screws can cause damage. Be sure to tighten up all screws upon completing assembly of each unit. To disassemble, reverse the assembly sequence given below.

Remove the following parts from the package. 1. Attach the side panels to the pedal box.

2. Attach the rear panel.

Have a Phillips-head (+) screwdriver ready.

TIP A headphone hanger is included in the CLP-130 package. You can attach a headphone hanger on the Clavinova to hang the headphones (page 12).

Assembly Parts

6 25 mm long screws 4 1

4 12 mm thin screws 2 3

Cord holders 26 16 mm short screws 4 2

4 20 mm tapping screws 4 4

Pedal box

Rear panel

Main unit

Side panel (left)

Side panel (right)

Bundled pedal cord inside

AC power cord

Side panel (left)

Side panel (right)

(1) Untie and straighten out the bundled cord attached to the bot- tom of the pedal box. Dont discard the vinyl tie, youll need it later in step 5.

(2) Use the four 625 mm long screws 1 to attach the pedal box. First attach one side panel, then attach the other side panel.

(2) Secure the top of the rear panel to the side panel brackets using two 412 mm thin screws 3.

(3) Secure the bottom of the rear panel to the pedal box using four 420 mm tap- ping screws 4.

(1) Place the bot- tom edges of the rear panel on the feets pro- truding edges, with the panel slightly angled as shown in the illus- tration. Then, align the top part of the panel with the side panels.

LP-130/120 CLP-130: Keyboard Stand Assembly

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3. Mount the main unit.

CAUTION Fingers can become pinched between the main

unit and the rear or side panels, be extra careful so as not to drop the main unit.

Do not hold the keyboard in any position other than the position shown in the illustration.

4. Fix the main unit.

5. Connect the pedal cord.

6. Set the voltage selector and connect the power cord.

Voltage Selector Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a minus screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC INLET and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin conguration of the AC wall outlets in your area.

WARNING An improper voltage setting can cause serious damage to the Clavinova or result in improper operation.

R

Be sure to place your hands at least 10 cm from either end of the main unit when positioning it.

At least 10 cm

(1) Center the main unit to pro- duce equal clearance on the left and right sides.

(2) Use 6x16 mm short screws 2 to secure the main unit from the front.

PEDAL (1) Insert the pedal cord plug to the

pedal connector from the front.

(3) Use a vinyl tie to take up any slack in the pedal cord.

(2) Attach the cord holders to the rear panel as shown, then clip the cord into the holders.

240

127

11 0220

CLP-130/120 CLP-130: Keyboard Stand Assembly 61

7.

Set the adjuster.

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CLP-130/120 CLP-130: Keyboard Stand Assembly

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After completing the assembly, please check the following.

When moving the instrument after assembly, always hold the bottom of the main unit.

CAUTION Do not hold the key cover or top portion. Improper handling can result in damage to the instrument or personal injury.

Are there any parts left over? Review the assembly procedure and correct any

errors. Is the Clavinova clear of doors and other mov-

able xtures? Move the Clavinova to an appropriate location.

Does the Clavinova make a rattling noise when you shake it? Tighten all screws.

Does the pedal box rattle or give way when you step on the pedals? Turn the adjuster so that it is set rmly against

the oor. Are the pedal and power cords inserted securely

into the sockets? Check the connection.

If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.

Rotate the adjuster until it comes in rm contact with the oor surface.

Key cover

Top portion

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Preset Voice List CLP-130

Voice Name Stereo

Sampling Touch

Response Dynamic

Sampling*1 Key-Off

Sampling*2 Voice Descriptions

GRANDPIANO 1

Recorded samples from a full concert grand piano. Also includes three levels of dynamic sampling, sustain samples, and key-off samples for exceptionally realistic acoustic grand piano sound. Perfect for classical compositions as well as any other style that requires acoustic piano.

VARIATION Warm and mellow piano. Good for classical compositions.

GRANDPIANO 2 Spacious and clear piano with bright reverb. Good for popu- lar music.

VARIATION Bright, spacious piano. Good for popular or rock music.

E.PIANO 1 An electronic piano sound created by FM synthesis. Extremely musical response with varying timbre according to keyboard dynamics. Good for standard popular music.

VARIATION A synth-generated type electronic piano sound often heard in popular music. Used in the DUAL mode it blends well with an acoustic piano voice.

E.PIANO 2 The sound of an electric piano using hammer-struck metallic tines. Soft tone when played lightly, and an aggressive tone when played hard.

VARIATION A slightly different electric piano sound often heard in rock and popular music.

HARPSICHORD

The denitive instrument for baroque music. Since harpsi- chord uses plucked strings, there is no touch response. There is, however, a characteristic additional sound when the keys are released.

VARIATION Mixes the same voice an octave higher for a more brilliant tone.

E. CLAVICHORD

A hammer-struck keyboard instrument that utilizes an elec- tric pickup that is often heard in funk and soul music. Its tone is noted for the unique sound produced when the keys are released.

VARIATION Includes a unique preset effect.

VIBRAPHONE Vibraphone played with relatively soft mallets. The tone becomes more metallic the harder you play.

VARIATION Stereo-sampled, spacious, and realistic marimba.

CHURCH ORGAN This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period.

VARIATION This is the organ's full coupler sound often associated with Beachs Toccata and Fugue.

JAZZ ORGAN The sound of a tonewheel type electric organ. Often heard in jazz and rock idioms.

VARIATION Uses a rotary speaker effect with a different speed. The vari- ations speed is faster. If the variation is selected while hold- ing a chord, the speed of the effect will gradually change.

STRINGS Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining this voice with piano in the DUAL mode.

VARIATION Spacious strings ensemble with a slow attack. Try combining this voice with a piano or electric piano in the DUAL mode.

CHOIR A big, spacious choir voice. Perfect for creating rich harmo- nies in slow pieces.

VARIATION A choir voice with a slow attack. Try combining this voice with a piano or electric piano in the DUAL mode.

CLP-130/120 Preset Voice List 63

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64

GUITAR Warm and natural-sounding nylon guitar. Enjoy the quiet ambience of nylon strings.

VARIATION Bright, brilliant steel guitar. Suitable for popular music.

WOOD BASS An upright bass played ngerstyle. Ideal for jazz and Latin music.

VARIATION Adds a cymbal voice to the bass sound. Ideal for walking bass lines in jazz tunes.

E.BASS Electric bass for a wide range of music styles, jazz, rock, popular, and more.

VARIATION A fretless bass good for styles such as jazz, fusion, etc.

*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic instrument.

*2. Contains a very subtle sample that is produced when the keys are released.

Voice Name Stereo

Sampling Touch

Response Dynamic

Sampling*1 Key-Off

Sampling*2 Voice Descriptions

LP-130/120 Preset Voice List

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CLP-120

Voice Name Stereo

Sampling Touch

Response Dynamic

Sampling*1 Key-Off

Sampling*2 Voice Descriptions

GRANDPIANO 1 Recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic piano.

GRANDPIANO 2 Spacious and clear piano with bright reverb. Good for popu- lar music.

E.PIANO 1 An electronic piano sound created by FM synthesis. Good for standard popular music.

E.PIANO 2 The sound of an electric piano using hammer-struck metallic tines. Soft tone when played lightly, and an aggressive tone when played hard.

HARPSICHORD 1

The denitive instrument for baroque music. Since harpsi- chord uses plucked strings, there is no touch response. There is, however, a characteristic additional sound when the keys are released.

HARPSICHORD 2 Mixes the same voice an octave higher for a more brilliant tone.

VIBRAPHONE Vibraphone played with relatively soft mallets. The tone becomes more metallic the harder you play.

CHURCH ORGAN 1 This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period.

CHURCH ORGAN 2 This is the organ's full coupler sound often associated with Beachs Toccata and Fugue.

JAZZ ORGAN The sound of a tonewheel type electric organ. Often heard in jazz and rock idioms.

STRINGS 1 Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining this voice with piano in the DUAL mode.

STRINGS 2 Spacious strings ensemble with a slow attack. Try combining this voice with a piano or electric piano in the DUAL mode.

CHOIR A big, spacious choir voice. Perfect for creating rich harmo- nies in slow pieces.

GUITAR Warm and natural-sounding nylon guitar. Enjoy the quiet ambience of nylon strings.

*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic instrument.

*2. Contains a very subtle sample that is produced when the keys are released.

CLP-130/120 Preset Voice List 65

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Demo Song List

The demonstration pieces listed above are short rearranged excerpts the original compositions. All other songs are original (2002 Yamaha Corporation).

Piano Voice Demo Description (CLP-130)

Voice Name CLP-130 CLP-120 Title Composer

GRAND PIANO1 Consolation No.3 F. Liszt

HARPSICHORD Gavotte

J.S. BachHARPSICHORD1

HARPSICHORD2 Invention No.1

Voice Name Piano Voice Demo

GRAND PIANO1 Stereo sampling

GRAND PIANO2 Monaural sampling

E.PIANO1 Dynamic sampling; mezzo piano

E.PIANO2 Dynamic sampling; mezzo forte

HARPSICHORD Dynamic sampling; forte

E.CLAVICHORD With sustain sampling

VIBRAPHONE Without sustain sampling

CHURCH ORGAN With key-off sampling

JAZZ ORGAN Without key-off sampling

LP-130/120 Demo Song List

0

Index

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Index

.......70

.......40

.......31

4048 .......38

.......70

51, 54

.......52

.......10

.......14

22, 44

.......66

.......70

.......37

.6365

. 11, 14

.14, 29

.......45

.......49

.15, 51

54, 55

.49, 54

.......71

.......53

.......45

.......10

.......22

CLP-130/12

Numerics

50 Greats for the Piano ...................................................17

50 Piano Preset Songs .....................................................17

A

A-B Repeat for 50 Preset Songs ......................................20

Accessories .........................................................................8

Adding Variations ...........................................................22

Adjust Brilliance ..............................................................16, 22 Tempo (50 Piano Preset Songs) ...............................17 Tempo (Recorded Songs) .........................................35 Volume (50 Piano Preset Songs) ..............................17 Volume (Demo) ........................................................16 Volume (Metronome) ..............................................45

ALL (LED display) ..........................................................17

Assembly ....................................................................5762

AUX IN ......................................................................14, 51

AUX OUT..................................................................14, 50

B

Backup Functions............................................................48

BRILLIANCE.............................................................14, 22

C

Center Pedal ..............................................................15, 22

Combining Two Voices (Dual mode)............................26

Connecting a Personal Computer ..................................52

Connections.....................................................................50

Connectors ......................................................................50

D

Damper Pedal ......................................................15, 21, 43

DEMO........................................................................14, 16

Demo Song List ...............................................................66

Detailed Settings (FUNCTION).....................................37

Dual mode .................................................................26, 42

E

EFFECT......................................................................14, 23

F

Factory Setting List ..................................................

Fine Tuning of the Pitch..........................................

FUL (LED display) ...................................................

FUNCTION ........................................................14, Basic Procedure..................................................

Function Parameter List ..........................................

H

HOST SELECT.................................................... 15,

HST (LED display)...................................................

K

Key Cover .................................................................

L

LED display ..............................................................

Left Pedal ............................................................. 15,

List Demo Song ......................................................... Factory Setting.................................................... Functions ............................................................ Preset Voice ........................................................

M

MASTER VOLUME.................................................

METRONOME ........................................................

Metronome Volume ................................................

MIDI .........................................................................

MIDI [IN] [OUT] [THRU] ....................................

MIDI cables ......................................................... 49,

MIDI connectors......................................................

MIDI Data Format...................................................

MIDI driver ..............................................................

MIDI Functions .......................................................

Music Rest ................................................................

N

Normal setting .........................................................

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P

PEDAL jack................................................................14, 51

PHONES....................................................................12, 15

Piano Voice Demo Description......................................66

Pitch Fine Tuning of the Pitch...................................40

POWER......................................................................11, 14

Practicing a One-Hand Part Using 50 Preset Songs......18

Precautions ....................................................................67

PRESET......................................................................14, 17

Preset Song Part...............................................................45

Preset songs 50 Piano Preset Songs ...........................17

Preset Voice List ........................................................6365

R

REC Recording .....................................................14, 31

Recording.........................................................................30 Initial Settings ............................................................34

Re-recording....................................................................32

REVERB.....................................................................14, 22

Right Pedal.................................................................15, 21

rnd (LED display)............................................................17

S

Scale..................................................................................41

Scn (LED display)............................................................56

Serial cable .................................................................53, 55

Soft Pedal .............................................................15, 22, 44

Sostenute Pedal..........................................................15, 22

SPEAKER...................................................................12, 15

Specifications...................................................................76

SPLIT (CLP-130).................................................14, 27, 43

START/STOP (Demo)....................................................16

START/STOP (METRONOME)..............................14, 29

Start/Stop (Pedal)............................................................36

START/STOP (SONG) ...................................................14

Start/Stop playback 50 Piano Preset Songs................................................17 Demonstration Tunes ...............................................16 Recorded Songs .........................................................35 Useful Playback Functions........................................36

Start/Stop recording........................................................31

Sustain Pedal....................................................................44

Synchro Start 50 Piano Preset Songs................................................19 Recorded Songs .........................................................36

T

TEMPO................................................................ 14, 17, 35

TEMPO (METRONOME) .............................................29

TO HOST .................................................................. 15, 49

TOUCH..................................................................... 14, 24

Touch Sensitivity.............................................................24

Track Playback On and Off ............................................36

TRACK1/2 (50 Piano Preset Songs) ..............................18

TRACK1/2 (Recording)..................................................31

Transporting .....................................................................8

TRANSPOSE ............................................................. 14, 25

Troubleshooting..............................................................56

Tuning Fine Tuning of the Pitch...............................40

U

USB ..................................................................................55

USER 1/2/3 (CLP-130) ...................................................30

V

VARIATION (CLP-130) ................................................22

VOICE ....................................................................... 14, 21

LP-130/120 Index

-130/120

69

..... 70

..... 71

..... 75

..... 76

CLP130(E).book Page 69 Thursday, October 31, 2002 2:46 PM

CLP

Appendix This section introduces reference material. In diesem Abschnitt nden Sie Referenzmaterial. Cette section prsente le matriel de rfrence. En esta seccin se incluye material de referencia.

Factory Setting List / Liste der Vorgabeeinstellungen / Liste des rglages / Lista de ajustes de fbrica.........

MIDI Data Format / MIDI-Datenformat / Format des donnes MIDI / Formato de datos MIDI ..............

MIDI Implementation Chart / MIDI Implementierung stabelle / Feuille dimplantation MIDI / Grca de implementacin MIDI ..............................................................

Specications / Technische Daten / Caractristiques techniques / Especicaciones .....................................

C70

Factory Setting List / Liste der Vorgabeeinstellungen / Liste des rglages / Lista de ajustes de fbrica

Function

Backup Group

CLP-130 CLP-120

Voice GRAND PIANO 1

F9.1 F8.1

Variation (CLP-130) OFF

Dual Mode OFF

Split Mode (CLP-130) OFF

Split Mode Left Voice (CLP-130) WOOD BASS

Reverb Type Preset for each voice

Reverb Depth Preset for each voice

Effect Type Preset for each voice

Effect Depth Preset for each voice

Touch Sensitivity MEDIUM

Volume in the FIXED Mode 64

Metronome OFF

Metronome Time Signature 0 (no accent) F9.1 F8.1

Tempo 120

Transpose 0 F9.3 F8.3

CLP-130 CLP-120 Function Default Backup Group

CLP-130 CLP-120

F1 F1 Tuning A3=440Hz

F9.3 F8.3F2.1 F2.1 Scale 1 (Equal Temperament)

F2.2 F2.2 Base Note C

F3.1 F3.1 Dual Balance Preset for each voice combination

F9.1 F8.1

F3.2 F3.2 Dual Detune Preset for each voice combination

F3.3, F3.4 F3.3, F3.4 Dual Octave Shift Preset for each voice combination

F3.5, F.3.6 F3.5, F.3.6 Dual Effect Depth Preset for each voice combination

F4.1 Split Point F2 F4.2 Split Balance Preset for each voice combination

F4.3, F4.4 Split Octave Shift Preset for each voice combination

F4.5, F4.6 Split Effect Depth Preset for each voice combination

F4.7 Damper Pedal Range ALL

F5.1 F4.1 Left Pedal Mode 1 (Soft Pedal)

F9.4 F8.4 F5.2 F4.2 Soft Pedal Effect Depth 3

F5.3 Sustain Sample Depth 12

F5.4 Keyoff Sample Volume 10

F6 F5 Metronome Volume 10 F9.1 F8.1

F7 F6 Preset Song Part Cancel Volume 5

F8.1 F7.1 MIDI Transmit Channel 1

F9.2 F8.2

F8.2 F7.2 MIDI Receive Channel ALL

F8.3 F7.3 Local Control ON

F8.4 F7.4 Program Change Send & Receive ON

F8.5 F7.5 Control Change Send & Receive ON

F8.6 F7.6 MIDI Transmit Transpose 0

F9 F8 Backup All OFF Always backed up

LP-130/120 Appendix

MIDI Data Format / MIDI-Datenformat / Format des donnes MIDI / Formato de datos MIDI

If youre already very familiar with MIDI, or are using a computer to control your music hardware with computer- gener-ated MIDI messages, the data provided in this section can help you to control the CLP-130/120.

Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI-Steuermeldungen fr die Instrumente verwenden, knnen Sie sich zur Steuerung des CLP-130/120 nach den im folgenden Abschnitt aufgefhrten Spezikationen richten.

Si vous tes trs familier avec linterface MIDI ou si vous utilisez un ordinateur pour commander votre matriel de musique au moyen de messages MIDI gnrs par ordinateur, les donnes suivantes vous seront utiles et vous aideront commander le CLP-130/120.

SI usted est ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos musicales con mensajes MIDI generados por computadora, los datos proporcionados en esta seccin le ayudarn a controlar la CLP-130/120.

1. NOTE ON/OFF Data format: [9nH] -> [kk] -> [vv]

9nH = Note ON/OFF event (n = channel number) kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /

Receive: 00H ~ 7FH = C-2 ~ G8)* vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)

Data format: [8nH] -> [kk] -> [vv] (reception only) 8nH = Note OFF event (n = channel number) kk = Note number: 00H ~ 7FH = C-2 ~ G8 vv = Velocity * If received value exceeds the supported range for the

selected voice, the note is adjusted by the necessary num- ber of octaves.

2. CONTROL CHANGE Data format: [BnH] -> [cc] -> [vv]

BnH = Control change (n = channel number) cc = Control number vv = Data Range

(1) Bank Select ccH Parameter Data Range (vvH) 00H Bank Select MSB 00H:Normal 20H Bank Select LSB 00H...7FH Bank selection processing does not occur until receipt of next Program Change message.

(2) Main Volume (reception only) ccH Parameter Data Range (vvH) 07H Volume MSB 00H...7FH

(3) Expression ccH Parameter Data Range (vvH) 0BH Expression MSB 00H...7FH

(4) Damper ccH Parameter Data Range (vvH) 40H Damper MSB 00H...7FH

(5) Sostenuto ccH Parameter Data Range (vvH) 42H Sostenuto 00H-3FH:off, 40H-7FH:on

(6) Soft Pedal ccH Parameter Data Range (vvH) 43H Soft Pedal 00H-3FH:off, 40H-7FH:on

(7) Effect1 Depth (Reverb Send Level) ccH Parameter Data Range (vvH) 5BH Effect1 Depth 00H...7FH Adjusts the reverb send level.

(8) Effect4 Depth (Variation Effect Send Level) ccH Parameter Data Range (vvH) 5EH Effect4 Depth 00H...7FH

3. MODE MESSAGES Data format: [BnH] -> [cc] -> [vv]

BnH = Control event (n = channel number) cc = Control number vv = Data Range

(1) All Sound Off ccH Parameter Data Range (vvH) 78H All Sound Off 00H Switches off all sound from the channel. Does not reset Note On and Hold On conditions established by Channel Messages.

(2) Reset All Controllers ccH Parameter Data Range (vvH) 79H Reset All Controllers 00H Resets controllers as follows. Controller Value Expression 127 (max) Damper Pedal 0 (off) Sostenuto 0 (off) Soft Pedal 0 (off)

(3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on)

(4) All Notes Off ccH Parameter Data Range (vvH) 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the spec- ied channel. Any notes being held by the damper or soste- nuto pedal will continue to sound until the pedal is released.

(5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Off.

(6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Off.

(7) Mono (reception only) ccH Parameter Data Range (vvH) 7EH Mono 00H Same processing as for All Sound Off.

(8) Poly (reception only) ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off.

When control change reception is turned OFF in the Function mode, control change data will not be transmitted or received except for Bank Select and Mode messages.

Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with All Note Off transmission).

When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received.

The Multi-timbre and Poly modes are always active. No change occurs when OMNI ON, OMNI OFF, MONO, or POLY mode messages are received.

CLP-130/120 Appendix 71

C72

4. PROGRAM CHANGE Data format: [CnH] -> [ppH]

CnH = Program event (n = channel number) ppH = Program change number

P.C.#=Program Change number

When program change reception is turned OFF in the Func- tion mode, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received.

5. SYSTEM REALTIME MESSAGES [rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing

Caution: If an error occurs during MIDI reception, the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs.

6. SYSTEM EXCLUSIVE MESSAGES (Yamaha MIDI Format) Panel Data Transmit

Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H] F0H, 43H, 0nH, 7CH (n: channel number) 00H, 2DH (data length) 43H, 4CH, 20H, 20H (CL) 43H, 4CH, 50H, 27H, 30H, 32H (CLP02) 30H, 30H (version x, y) [PANEL DATA] [CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end) F7H

Panel Data Contents

Panel data send requests cannot be received.

7. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive) (1) Universal Realtime Message

Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H]

MIDI Master Volume

Simultaneously changes the volume of all channels. When a MIDI master volume message is received, the volume

only has affect on the MIDI receive channel, not the panel master vol-ume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When n is received n=0~F, whichever is received.

X = dont care 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive

CLP-130 CLP-120 MSB LSB P.C.#

GRANDPIANO 1 GRANDPIANO 1 0 122 0

VARIATION 0 123 0

GRANDPIANO 2 GRANDPIANO 2 0 112 0

VARIATION 0 112 1

E.PIANO 1 E.PIANO 1 0 122 5

VARIATION 0 122 88

E.PIANO 2 E.PIANO 2 0 122 4

VARIATION 0 123 4

HARPSICHORD HARPSICHORD 1 0 122 6

VARIATION HARPSICHORD 2 0 123 6

E. CLAVICHORD 0 122 7

VARIATION 0 123 7

VIBRAPHONE VIBRAPHONE 0 122 11

VARIATION 0 122 12

CHURCH ORGAN CHURCH ORGAN 1 0 123 19

VARIATION CHURCH ORGAN 2 0 122 19

JAZZ ORGAN JAZZ ORGAN 0 122 16

VARIATION 0 123 16

STRINGS STRINGS 1 0 122 48

VARIATION STRINGS 2 0 122 49

CHOIR CHOIR 0 122 52

VARIATION 0 123 52

GUITAR GUITAR 0 122 24

VARIATION 0 122 25

WOOD BASS 0 122 32

VARIATION 0 124 32

E.BASS 0 122 33

VARIATION 0 122 35

Data Transmission Reception

F8H Transmitted every 96 clocks

Received as 96-clock tempo timing when MIDI clock is set to External

FAH Recorder start Recorder start Not received when the MIDI clock is set to Internal.

FCH Recorder stop Recorder stop Not received when the MIDI clock is set to Internal.

FEH Transmitted every 200 milliseconds

If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received.

(1) 1'st Voice (2) Dual On/Off (3) Dual Voice (4) Dual Balance (5) Dual Detune (6) Dual Voice1 Octave (7) Dual Voice2 Octave (8) Dual Voice1 Effect Depth (9) Dual Voice2 Effect Depth (10) Split On/Off (11) Split Voice (12) Split Point (13) Split Balance (14) Split Voice1 Octave (15) Split Voice2 Octave (16) Split Voice1 Effect Depth (17) Split Voice2 Effect Depth

(18) Split Dumper Mode (19) Reverb Type 1 (20) Reverb Type 2 (21) Reverb Depth 1 (22) Reverb Depth 2 (23) Effect Type 1 (24) Effect Type 2 (25) Effect Depth (26) Variation On/Off (27) Touch Sensitivity (28) Fixed Data (29) Left Pedal (30) Soft Pedal Depth (31) Absolute tempo low byte (32) Absolute tempo high byte (33) Key-Off Sampling Depth

LP-130/120 Appendix

(2) Universal Non-Realtime Message (GM On)

General MIDI Mode On

Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H]

F0H = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive or F0H = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0~F.

X = dont care 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When the General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so suf-cient time should be allowed before the next message is sent.

8. SYSTEM EXCLUSIVE MESSAGES (XG Standard) (1) XG Native Parameter Change

Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [llH] -> [ddH] -> [F7H]

F0H = Exclusive status 43H = YAMAHA ID 1nH = When received, n=0~F.

When transmitted, n=0. 4CH = Model ID of XG hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | F7H = End of Exclusive Data size must match parameter size (2 or 4 bytes). When the XG System On message is received, the MIDI sys- tem will be reset to its default settings. The message requires approximately 50ms to execute, so sufcient time should be allowed before the next message is sent.

(2) XG Native Bulk Data (reception only)

Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...-> [ccH] -> [F7H]

F0H = Exclusive status 43H = YAMAHA ID 0nH = When received, n=0~F.

When transmitted, n=0. 4CH = Model ID of XG aaH = ByteCount bbH = ByteCount hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | | | | ccH = Check sum F7H = End of Exclusive

Receipt of the XG SYSTEM ON message causes reinitializa- tion of relevant parameters and Control Change values. Allow sufcient time for processing to execute (about 50 msec) before sending the CLP-130/120 another message.

XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size).

For information about the Address and Byte Count values, refer to Table 1 below. Note that the tables Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address.

9. SYSTEM EXCLUSIVE MESSAGES (Clavinova MIDI Format) Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H]

F0H = Exclusive status 43H = Yamaha ID 73H = Clavinova ID 01H = Product ID (CLP common) or 7F= Extended Product ID xxH = Product ID (CLP-130: 26H / CLP-120: 25H) nnH = Substatus

nn Control 02H Internal MIDI clock 03H External MIDI clock 06H Bulk Data (the bulk data follows 06H)

F7H = End of Exclusive * When nn=02H or 03H, Clavinova common ID (01H) is

rec-ognized as well as 75H.

BULK DUMP FORMAT F0H, 43H, 73H 75F, xxH = Product ID (CLP-130: 26H /

CLP-120: 25H) 06H = Bulk ID 05H = Sequence data 0nH, 0nH, 0nH, 0nH, 0nH, 0nH, 0nH, 0nH = Data length [BULK DATA] = [CHECK SUM (1byte)] = 0-sum (BULK DATA) F7H = End of Exclusive

10. SYSTEM EXCLUSIVE MESSAGES (Special Control) Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] ->

[0nH] -> [ccH] -> [vvH] -> [F7H] F0H = Exclusive status 43H = Yamaha ID 73H = Clavinova ID 7FH = Extended Product ID xxH = Product ID (CLP-130: 26H / CLP-120: 25H) 11H = Special control 0nH = Control MIDI change (n=channel number) cc = Control number vv = Value F7H = End of Exclusive

Control 0n ccH vvH Split Point Always 00H 14H 14H : Split Key Number Metronome Always 00H 1BH 00H : off

01H : 02H : 2/4 03H : 3/4 04H : 4/4 05H : 5/4 06H : 6/4 7FH : No accent

Damper Level ch: 00H-0FH 3DH(Sets the Damper Level for each channel) 00H-7FH

Channel Detune ch: 00H-0FH 43H (Sets the Detune value for each channel) 00H-7FH

Voice Reserve ch: 00H-0FH 45H 00H : Reserve off 7FH : on*

* When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal.

11. SYSTEM EXCLUSIVE MESSAGES (Others) Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]

-> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H] Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H = Exclusive Status 43H = Yamaha ID 1nH = When received, n=0~F.

When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H = 00H = mmH = Master Tune MSB llH = Master Tune LSB ccH = dont care (under 7FH) F7H = End of Exclusive

CLP-130/120 Appendix 73

C74

MIDI Parameter Change table (SYSTEM)

Address (H) Size (H) Data (H) Parameter Description Default value (H) 00 00 00 4 020C - 05F4(*1) MASTER TUNE -50 - +50[cent] 00 04 00 00 01 1st bit 3 - 0 bit 15 - 12 400 02 2nd bit 3 - 0 bit 11 - 8 03 3rd bit 3 - 0 bit 7 - 4

4th bit 3 - 0 bit 3 - 0 04 1 00 - 7F MASTER VOLUME 0 - 127 7F 05 1 06 1 34 - 4C(*2) TRANSPOSE -12 - +12[semitones] 40 7E 00 XG SYSTEM ON 00=XG sytem ON 7F 00 RESET ALL PARAMETERS 00=ON (receive only) TOTAL SIZE 07

*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents. *2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12.

MIDI Parameter Change table (EFFECT 1)

Refer to the Effect MIDI Map for a complete list of Reverb, Chorus and Variation type numbers.

Address (H) Size (H) Data (H) Parameter Description Default value (H) 02 01 00 2 00-7F REVERB TYPE MSB Refer to Effect MIDI Map 01(=HALL1)

00-7F REVERB TYPE LSB 00 : basic type 00

02 01 40 2 00-7F VARIATION TYPE MSB Refer to Effect MIDI Map 00(=Effect off) 00-7F VARIATION TYPE LSB 00 : basic type 00

VARIATION refers to the EFFECT on the panel.

MIDI Parameter Change table (MULTI PART)

Address (H) Size (H) Data (H) Parameter Description Default value (H) 08 nn 11 1 00 - 7F DRY LEVEL 0 - 127 7F nn = Part Number

Effect MIDI Map REVERB

MSB LSB ROOM 02H 10H HALL 1 01H 10H HALL 2 01H 11H STAGE 03H 10H Sound board 03H 12H

EFFECT MSB LSB

CHORUS 42H 10H PHASER 48H 10H TREMOLO 46H 10H DELAY 05H 10H

LP-130/120 Appendix

ppendix

75

MIDI Implementation Chart

: Yes : No

ly

YAMAHA [ Clavinova ] Date : 24,Oct 2001 Model CLP-130/120 MIDI Implementation Chart Version : 1.0

h h

CLP130(E).book Page 75 Thursday, October 31, 2002 2:46 PM

CLP-130/120 A

TransmittedFunction... Recognized Remarks

Basic Channel

Note Number : True voice

Velocity

After Touch

Pitch Bend

Control Change

Prog Change : True #

System Exclusive

Common : Song Pos. : Song Sel. : Tune

System : Clock Real Time : Commands

: All Sound Off Aux : Reset All Cntrls : Local ON/OFF Mes- : All Notes OFF sages: Active Sense : Reset

Notes: *1= Recieve Mode is always multi timbre and Poly mode.

Mode

Default Changed

Note ON Note OFF

Key's Ch's

0,32 7 11 64 66 67 91 94

1 1 - 16

9nH,v=1-127 9nH,v=0

**************

3 **************

9 - 120 **************

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO

1 1 - 16

9nH,v=1-127 9nH,v=0 or 8nH

(120,126,127) (121) (122) (123-125)

1

*1

0 - 127 0 - 127

Default Messages Altered

Poly Mode on

Bank Select Volume Expression Damper Sostenuto Soft pedal Reverb Dept Effect Dept

Specications / Technische Daten /

change the

lt sich en. Da

mit

se ait que eur

aha in pre-

acin

ard/ ON/

nchro

pend-

CLP-130/120 Appendix76

Caractristiques techniques / Especicaciones

* Specications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to or modify products or specications at any time without prior notice. Since specications, equipment or options may not be same in every locale, please check with your Yamaha dealer.

* Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. beh das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankndigung zu verndern oder zu modizier die technischen Daten, das Gert selbst oder Sonderzubehr nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte Ihrem Yamaha-Hndler in Verbindung.

* Les caractristiques techniques et les descriptions du mode demploi ne sont donnes que pour information. Yamaha Corp. rserve le droit de changer ou modier les produits et leurs caractristiques techniques tout moment sans aucun avis. Du f les caractristiques techniques, les quipements et les options peuvent diffrer dun pays lautre, adressez-vous au distribut Yamaha le plus proche.

* Las especicaciones y descripciones de este manual del propietario tienen slo el propsito de servir como informacin. Yam Corp. se reserva el derecho a efectuar cambios o modicaciones en los productos o especicaciones en cualquier momento s vio aviso. Puesto que las especicaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite inform a su distribuidor Yamaha.

Item CLP-130 CLP-120

Keyboard 88 keys (A-1 - C7)

Sound Source AWM Dynamic Stereo Sampling AWM Stereo Sampling

Polyphony 64 Notes Max.

Voice Selection 14 2 variations for each voice 14

Effect Reverb, Effect, Brilliance

Volume Master Volume

Controls Dual, Split, Metoronome, Transpose, Touch (Hard/Midium/Soft/Fixed), Functions, Speaker ON/OFF

Dual, Metoronome, Transpose, Touch (H Midium/Soft/Fixed), Functions, Speaker OFF

Recording/Playback 2-track recording/playback (CLP-130: 3/CLP-120: 1 user songs), Tempo Adjustment, Sy Start

Pedal Damper, Sostenuto, Soft

Demo Songs 14 voice Demo Songs, 50 preset Songs

Jacks/Connectors MIDI (IN/OUT/THRU), PHONES 2, AUX IN, AUX OUT(L/L+R,R), AUX OUT (LEVEL FIXED)(L,R), TO HOST

Main Ampliers 40W 2 20W 2

Speakers 16cm 2, 5cm 2 16cm 2

Dimensions (W D H) (with music rest)

1370mm 518mm 850mm [53 15/16" 20 3/8" 33 7/16"] (1370mm 518mm 1020mm) [53 15/16" 220 3/8" 40 1/8"]

1370mm 518mm 850mm [53 15/16" 20 3/8" 33 7/16"] (1370mm 518mm 1022mm) [53 15/16" 220 3/8" 40 1/4"]

Weight 54kg (119lbs., 1oz) 51kg (112lbs., 7oz)

Accessories Owners Manual, 50 greats for the Piano (Music Book), Bench (included or optional de ing on locale)

IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions, Spe-

cial Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, includ- ing connection to the main supply.

2. Main Power Supply Verication: Yamaha products are

manufactured specically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verication and (if applicable) instruc- tions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual.

3. This product may be equipped with a polarized plug (one

blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug.

4. Some electronic products utilize external power supplies

or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specically recommended by Yamaha.

5. WARNING: Do not place this product or any other

objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connect- ing cords of any kind. The use of an extension cord is not recom- mended! If you must use an extension cord, the minimum wire size for a 25 cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.

6. Ventilation: Electronic products, unless specically

designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required.

7. Temperature considerations: Electronic products should

be installed in locations that do not signicantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided.

8. This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product.

10. The power supply cord (plug) should be disconnected

from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightning and/or electrical storm activity.

11. Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

12. Electrical/electronic products should be serviced by a

qualied service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change

in performance; or e. The product has been dropped, or the enclosure of the

product has been damaged.

13. Do not attempt to service this product beyond that

described in the user-maintenance instructions. All other servic- ing should be referred to qualied service personnel.

14. This product, either alone or in combination with an

amplier and headphones or speaker/s, may be capable of pro- ducing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

15. Some Yamaha products may have benches and/or accessory

mounting xtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional xtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

PLEASE KEEP THIS MANUAL 92-469-2

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

(2 wires) This applies only to products distributed by Yamaha-Kemble Music

(U.K.) Ltd.

(polarity) This applies only to products distributed by Yamaha Canada Music

Ltd. Ceci ne sapplique quaux produits distribus par Yamaha Canada

Musique Lte.

FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instruc- tions contained in this manual, meets FCC require- ments. Modications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to acces- sories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Fail- ure to follow instructions could void your FCC authori- zation to use this product in the USA.

3. NOTE: This product has been tested and found to com- ply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/ uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of

other electronic devices. Compliance with FCC regula- tions does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line lter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfac- tory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corpo- ration of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:

BLUE : NEUTRAL BROWN : LIVE

As the colours of the wires in the mains lead of this appa- ratus may not correspond with the coloured makings iden- tifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth ter- minal of the three pin plug.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR VITER LES CHOCS LEC- TRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQUAU FOND.

Introduction

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS:

Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these

Battery Notice:

This product MAY contain a small non- rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is

ecomes tative to

mble, or es away

For details of products, please contact your nearest Yamaha or the authorized distributor listed below.

Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous gurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich.

Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

FRANCE

Yamaha Musique France, S.A. Division Professionnelle

BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A. Combo Division

Viale Italia 88, 20020 Lainate (Milano), Italy

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

NORTH AMERICA ASIA

graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

approximately ve years. When replacement b necessary, contact a qualied service represen perform the replacement.

Warning: Do not attempt to recharge, disasse incinerate this type of battery. Keep all batteri

ptly and as reas, the tive parts. e servicer

damaged e is consid- tate, and f products

k of knowl- (when the

by the man- ers respon- consult

ow indi- el number, cated on r, serial

s provided ecord of

-120

6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

MEXICO Yamaha de Mexico S.A. De C.V., Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33

BRAZIL Yamaha Musical do Brasil LTDA. Av. Rebouas 2636, So Paulo, Brasil Tel: 011-853-1377

ARGENTINA Yamaha de Panam S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021

PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES

Yamaha de Panam S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: +507-269-5311

THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

IRELAND Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177

GERMANY Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990

AUSTRIA Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900

THE NETHERLANDS Yamaha Music Central Europe GmbH, Branch Nederland Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040

BELGIUM/LUXEMBOURG Yamaha Music Central Europe GmbH, Branch Belgium Rue de Geneve (Genevastraat) 10, 1140 - Brussels, Belgium Tel: 02-726 6032

Tel: 02-935-771

SPAIN/PORTUGAL Yamaha-Hazen Msica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-201-0700

GREECE Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160

SWEDEN Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Gteborg, Sweden Tel: 031 89 34 00

DENMARK YS Copenhagen Liaison Ofce Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00

FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511

NORWAY Norsk lial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 67 16 77 70

ICELAND Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

OTHER EUROPEAN COUNTRIES Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312

TURKEY/CYPRUS Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030

OTHER COUNTRIES Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: +971-4-881-5868

PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577

KOREA Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0661

MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-703-0900

PHILIPPINES Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

SINGAPORE Yamaha Music Asia Pte., Ltd. 11 Ubi Road #06-00, Meiban Industrial Building, Singapore Tel: 65-747-4374

TAIWAN Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688

THAILAND Siam Music Yamaha Co., Ltd. 121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951

THE PEOPLES REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317

AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111

NEW ZEALAND Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

OCEANIA

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273

[CL] 26

92-469 1 (bottom)

See bottom of Keyboard enclosure for graphic symbol markings.

The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servic- ing) instructions in the literature accompanying the product.

The lightning ash with arrowhead symbol, within the equilateral trian- gle, is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclo- sure that may be of sufcient magni- tude to constitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specically authorized by Yamaha. Product perfor- mance and/or safety standards may be diminished. Claims led under the expressed warranty may be denied if the unit is/has been modied. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specications without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES: Yamaha strives to pro- duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

from children. Dispose of used batteries prom regulated by applicable laws. Note: In some a servicer is required by law to return the defec However, you do have the option of having th dispose of these parts for you.

Disposal Notice: Should this product become beyond repair, or for some reason its useful lif ered to be at an end, please observe all local, s federal regulations that relate to the disposal o that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lac edge relating to how a function or effect works unit is operating as designed) are not covered ufacturers warranty, and are therefore the own sibility. Please study this manual carefully and your dealer before requesting service.

NAME PLATE LOCATION: The graphic bel cates the location of the name plate. The mod serial number, power requirements, etc., are lo this plate. You should record the model numbe number, and the date of purchase in the space below and retain this manual as a permanent r your purchase.

CAUTION RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

CLP-130

Model

Serial No.

Purchase Date

CLP

Owner's Manual Bedienungsanleitung Mode d'emploi Manual de instrucciones Before using the Clavinova, be sure to read PRECAUTIONS on pages 6-7. Achten Sie darauf, vor Einsatz des Clavinova die VORSICHTSMASSNAHMEN auf Seite 6-7 durchzulesen. Avant d'utiliser le Clavinova, lire attentivement la section PRECAUTIONS D'USAGE aux pages 6- 7. Antes de utilizar el Clavinova, lea las PRECAUCIONES que debe tener en cuenta en las pginas 6- 7.

IMPORTANT Check your power supply Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.

WICHTIG berprfung der Stromversorgung Vergewissern Sie sich vor dem Anschlieen an das Stromnetz, da die rtliche Netzspannung den Betriebsspannungswerten auf dem Typenschild an der Unterseite des Instruments entspricht. In bestimmten Verkaufsgebieten ist das Instrument mit einem Spannungswhler an der Unterseite neben der Netzkabeldurchfhrung ausgestattet. Falls vorhanden, mu der Spannungswhler auf die rtliche Netzspannung eingestellt werden. Der Spannungswhler wurde werkseitig auf 240 V voreingestellt. Zum Verstellen drehen Sie den Spannungsregler mit einem Schlitzschraubendreher, bis der Zeiger auf den korrekten Spannungswert weist.

IMPORTANT Contrler la source d'alimentation Vrifiez que la tension spcifie sur le panneau infrieur correspond la tension du secteur. Dans certaines rgions, l'instrument peut tre quip d'un slecteur de tension situ sur le panneau infrieur du clavier proximit du cordon d'alimentation. Vrifiez que ce slecteur est bien rgl en fonction de la tension secteur de votre rgion. Le slecteur de tension est rgl sur 240 V au dpart d'usine. Pour modifier ce rglage, utilisez un tournevis lame plate pour tourner le slecteur afin de mettre l'indication correspondant la tension de votre rgion vis vis du repre triangulaire situ sur le panneau.

IMPORTANTE Verifique la alimentacin de corriente Asegrese de que tensin de alimentacin de CA de su rea corresponde con la tensin especificada en la placa de caractersticas del panel inferior. En algunas zonas puede haberse incorporado un selector de tensin en el panel inferior de la unidad del teclado principal, cerca del cable de alimentacin. Asegrese de que el selector de tensin est ajustado a la tensin de su rea. El selector de tensin se ajusta a 240V cuando la unidad sale de fbrica. Para cambiar el ajuste, emplee un destornillador de cabeza "recta" para girar el selector de modo que aparezca la tensin correcta al lado del indicador del panel.

Clavinova Web site (English only) http://www.yamahaclavinova.com/ Yamaha Manual Library http://www2.yamaha.co.jp/manual/english/

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation C 2002 Yamaha Corporation V856070AP???.?-0?B0 Printe

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