Contents

Yamaha DTX-PRO Module Reference Manual V2 PDF

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1 of 145

Summary of Content for Yamaha DTX-PRO Module Reference Manual V2 PDF

1DTX-PRO DTX-PROX Reference Manual

EN

Drum Trigger Module

Reference Manual

Manual Development Group 2021 Yamaha Corporation Published 09/2021 PO-B0

Differences Between the DTX-PRO and the DTX-PROX 5

DTX-PRO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

DTX-PROX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Reference Manual Notations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Links from the Owners Manuals 7

DTX-PRO Owners Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

DTX-PROX Owners Manual. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

How the Triggers Generate Sounds 9

The Relationship Between Trigger Input Jacks, Trigger Inputs, and Trigger Input Sources . . . . 9

Trigger Input Jack Input Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Sounds that are played by trigger (Inst and Voice) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Voices and Layers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

User Voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Importing to User Voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Changing the way a user voice is played (one-shot or Loop) . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Editing and auditioning user voices. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Selecting the Trigger Input or Trigger Input Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Individual Trigger Input Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Individual Trigger Input Source Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Pad Selection (DTX-PROX) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Effect Processor Design 15

Effects applied to each kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

System Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

PRO Series Modules Internal Memory 18

Contents

2DTX-PRO DTX-PROX Reference Manual

Contents

MENU Button 19

Basic Screen Operations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Function List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Parameter Descriptions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Kit Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Trigger (DTX-PRO) TRIGGGER/SETTING (DTX-PROX) . . . . . . . . . . . . . . . . . . . . . . . 38

Training (DTX-PROX) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Utility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Master EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Phones EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Job. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

File. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Bluetooth (DTX-PROX) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Factory Reset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

KIT Mode 92

Playing imported audio files as Inst sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

CLICK Mode 95

SETTING ([F3]) Function List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

SETTING ([F3]) Parameter Descriptions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Playing imported audio files as Click sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

RECORDER Mode 99

SETTING ([F3]) Function List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

SETTING ([F3]) Parameter Descriptions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Practicing with the Training Feature 101

Starting and Ending Training. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Details on Training Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

SETTING ([F3]) Parameter Descriptions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

3DTX-PRO DTX-PROX Reference Manual

Contents

4DTX-PRO DTX-PROX Reference Manual

Fader Select FX 120

Changing the Amount of Effect Applied To Each Inst . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Fader Select CUSTM 122

Configuring Custom Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

LIVE SET Mode 123

LIVE SET. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

LIVE SET Function List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

LIVE ([F1]) Function Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

SETTING ([F3]) Function Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Editing Live Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Selecting the Step You Want to Edit from LIVE SET . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Registering Steps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Matching Click to the Tempo of the Audio File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Deleting Steps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Sorting Steps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Saving a Customized Live Set under a New Name. . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Using the stored Live Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Settings for live performances 133

Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Connecting a Computer 135

Installing the Yamaha Steinberg USB Driver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Using DAW Software. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Troubleshooting 137

Reference 143

Effect Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

PROX

PROX

PROX

Differences Between the DTX-PRO and the DTX-PROX

5DTX-PRO DTX-PROX Reference Manual

DTX-PRO The DTX-PRO provides basic functionality such as Click (metronome), Recorder, and Training features. Moreover, by using the KIT MODI- FIER knobs, you can intuitively control the AMBIENCE, COMP and EFFECT settings. Various Training menus can be accessed from the [TRAINING] button.

Descriptions in this document are based on version 1.02 of the DTX-PRO firmware. If you are using an older version, we recommend updating the firmware.

https://download.yamaha.com/

DTX-PROX The DTX-PROX provides Live Set functions and [INDIVIDUAL OUTPUT] jacks, in addition to the same functionalities as those of the DTX- PRO. The same Training menus as those on the DTX-PRO can be accessed from the [MENU] button.

120

CLICK (Metronome)

KIT MODIFIER TRAINING RECORDER

120

Mode select knob

Fader select knob LED rotary faders Sliders

Controllers that allow for intuitive editing (such as sliders and LED Rotary faders).

Live Set function and various input and output jacks (INDIVIDUAL OUTPUT and AUX IN), useful for live performance.

Set and save multiple trigger setups

Bluetooth audio support (on Bluetooth-equipped models)

Differences Between the DTX-PRO and the DTX-PROX

6DTX-PRO DTX-PROX Reference Manual

Model name This document refers to the DTX-PRO and DTX-PROX collectively as the PRO series modules.

The following icons and background colors are used to distinguish between each model.

NOTICE and NOTE

Applies only to the DTX-PRO

Applies only to the DTX-PROX

Applies only to the DTX-PROX (Bluetooth-equipped models)

NOTICE Descriptions of issues which may cause failure or damage to the device, malfunction, or data loss

Supplementary descriptions

Reference Manual Notations

PRO

PROX

PROX-with-Bluetooth

NOTE

Links from the Owners Manuals

7DTX-PRO DTX-PROX Reference Manual

The following is a list of links from the Owners Manuals.

DTX-PRO Owners Manual

Page Description Link

4 NOTICE System settings PRO Series Modules Internal Memory (page 18)

4 NOTICE Saving data to a USB flash drive or a computer MENU/File/Save

11 [MENU] button MENU Button (page 19)

13 Using a computer Connecting a Computer (page 135)

16 Headphone EQ MENU/Phones EQ

17 Changing the trigger setup MENU/Job/Trigger

20 Saving data MENU/File/Save

22 Formatting the USB flash drive MENU/File/Format

29 Recall function MENU/Job/Kit/Recall

31 Adjusting the volume of each pad or each section of the pad MENU/Kit Edit/Volume

35 Changing the drum set sound MENU/Kit Edit

37 Importing audio files KIT mode: Playing imported audio files as Inst sounds (page 92)

40 Changing other click settings CLICK/SETTING

42, 43 Changing other recorder settings RECORDER/SETTING

42 Exporting your performance recorded to the DTX-PRO as an audio file MENU/Job/Recorder/Export Audio

46 Training song selection, training duration (timer settings), difficulty levels and other settings

TRAINING/SETTING

57 Setting separate trigger inputs MENU/Trigger/Input Mode

58 Pad type settings MENU/Trigger/Pad Type/PadType

61 Connecting to a computer Connecting a Computer (page 135)

64, 65 Troubleshooting Pad type settings MENU/Trigger/Pad Type/PadType

65 Troubleshooting Double triggering, crosstalk Double triggering: MENU/Trigger/Pad Type/RejectTime

Crosstalk: MENU/Trigger/Crosstalk

65 Troubleshooting Checking the available memory in the USB flash drive MENU/File/Memory Info

Links from the Owners Manuals

8DTX-PRO DTX-PROX Reference Manual

DTX-PROX Owners Manual

Page Description Link

4 NOTICE System settings PRO Series Modules Internal Memory (page 18)

4 NOTICE Saving data to a USB flash drive or a computer MENU/File/Save

11 Trigger input Trigger input source

How the Triggers Generate Sounds (page 9)

11 [MENU] button MENU Button (page 19)

13 [AUX IN] (auxiliary input) jack MENU/Utility/Input Output

13 Using a computer Connecting a Computer (page 135)

20 Saving data MENU/File/Save

22 Formatting the USB flash drive MENU/File/Format

25 Switching the Bluetooth function on or off MENU/Bluetooth

32 Recall function MENU/Job/Kit/Recall

34 Changing the drum set sound MENU/Kit Edit

35 Adjusting the volume of each pad or each section of the pad MENU/Kit Edit/Volume

36 Selecting the pad with the [PAD SELECT] button Pad Selection (page 14)

37 Importing audio files KIT mode: Playing imported audio files as Inst sounds (page 92)

39 Changing the amount of effect applied to each Inst Fader Select FX (page 120)

39 Master EQ, Phones EQ gain, volume of the individual click timing, send set- tings on MIDI control change and other custom settings

Fader Select CUSTM (page 122)

43 Changing other click settings CLICK/SETTING

45 Changing the Trigger Settings TRIGGER/SETTING

46, 47 Changing other recorder settings RECORDER/SETTING

46 Exporting your performance recorded to the DTX-PROX as an audio file MENU/Job/Recorder/Export Audio

49 Changing the routing settings of the [INDIVIDUAL OUTPUT] jacks MENU/Utility/Indiv Out

51 Setting separate trigger inputs TRIGGER/SETTING/Input Mode

54 Connecting to a computer Connecting a Computer (page 135)

57, 58 Troubleshooting Pad type and trigger settings TRIGGER/SETTING

57 Troubleshooting MENU/Utility/Output Gain MENU/Utility/Output Gain

58 Troubleshooting Double triggering, crosstalk Double triggering: TRIGGER/SETTING/Pad Type/RejectTime

Crosstalk: TRIGGER/SETTING/Crosstalk

59 Troubleshooting Checking the available memory in the USB flash drive MENU/File/Memory Info

How the Triggers Generate Sounds

9DTX-PRO DTX-PROX Reference Manual

The word trigger refers to the trigger signals (information on the strength of the strike and the location in the pad it was struck) generated each time a pad is struck. The drum trigger modules play sounds when trigger signals are received via the trigger input jacks.

This section explains the relationship between the trigger input jacks, trigger inputs, and trigger input sources.

Trigger input jacks Trigger input jacks on the PRO series modules include [qSNARE] through [!4]. By switching the input mode on the [!2KICK/!3] jack, [yTOM3/u] jack, [rTOM2/t] jack, and [wTOM1/e] jack, you can change between the trigger input and trigger input source. The [qSNARE] jack and the [!4] jack can be used for a single-piezo 3-zone pad or a multi-piezo 2-zone pad. (The setting is changed automat- ically when the PadType is selected.)

Trigger input sources Trigger input source is a trigger signal transmitted from each zone of a pad. When the PRO series modules receive a trigger signal from a pad, they play the trigger input source.

The Relationship Between Trigger Input Jacks, Trigger Inputs, and Trigger Input Sources

Trigger Input Jack

Trigger Input Name

Trigger Input Source Name

q Snare

SnareHd

SnareOp

SnareCl

w Tom1 Tom1Hd

Tom1Rm

e Pad3 Pad3

r Tom2 Tom2Hd

Tom2Rm

t Pad5 Pad5

y Tom3 Tom3Hd

Tom3Rm

u Pad7 Pad7

i Ride

RideBw

RideEg

RideCp

o Crash1

Crash1Bw

Crash1Eg

Crash1Cp

!0 Crash2

Crash2Bw

Crash2Eg

Crash2Cp

!1 HiHat

HhOpBw

HhOpEg

HhClBw

HhClEg

HhFtCl

HhFtSp

!2 Kick Kick

KickRm

!3 Pad13 Pad13

!4 Pad14

Pad14Hd

Pad14Rm1

Pad14Rm2

Trigger Input Jack

Trigger Input Name

Trigger Input Source Name

How the Triggers Generate Sounds

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1DTX-PRO DTX-PROX Reference Manual

You can set the input mode for the [!2KICK/!3] jack, [yTOM3/u] jack, [rTOM2/t] jack and the [wTOM1/e] jack. Input modes avail- able include separate and paired.

separate With the separate setting, the trigger input jack is separated into two single inputs to be used with two Insts. For example, the trigger signal received by the [!3] jack is connected to the trigger input source Pad13. The KickRm sound is not produced.

paired With the paired setting, the trigger input jack is used with one Inst. For example, the trigger signal received by the [!3] jack is connected to the trigger input source KickRm. The Pad13 signal is not produced.

Trigger input sources that are not set to be played from the pads connected to the trigger input jacks can be played from the external MIDI device. Alternately, you can press the [F3] button on the screen for changing the Trigger input source to audition the trigger input source. When using the DTX-PROX, you can open the screen for changing the trigger input by pressing the [Pad Select] button.

For the [!2KICK/!3] Jack Trigger Input Name Trigger Input Source

Name

!2 Kick Kick

KickRm

!3 Pad13 Pad13

For the [!2KICK/!3] Jack Trigger Input Name Trigger Input Source

Name

!2 Kick Kick

KickRm

!3 Pad13 Pad13

Trigger Input Jack Input Mode

Use a Y-cable (commercially available)

How the Triggers Generate Sounds

1

1DTX-PRO DTX-PROX Reference Manual

You can assign an Inst or voice to each trigger input or trigger input source to play sounds.

Inst Inst refers to each of the percussion instruments (snare, tom, cymbal, and kick) used in a drum set for the kit. With the PRO series modules, you can use a different inst on each trigger input.

Voice Voice refers to a sound that makes up an Inst. With the PRO series modules, you can use a different voice on each trigger input source. For example, on an acoustic snare drum you can play a head shot sound, open rim shot sound, and a closed rim shot sound all from the same pad. Each one of these different sounds is called a voice, and the PRO series modules have internal voices that include various percussion instru- ments, sound effects, electronic sounds, and more. In addition to the internal voices, you can import audio files and play them as user voices.

Four layers (A to D) are provided for each trigger input source. You can set a voice to each layer, making it possible to assign up to four differ- ent voices to each trigger input source. You can play all four voices simultaneously, or in sequential order. Also, you can set the velocity range to each layer so that you can play a different voice in response to the strength of each strike.

Example: Using a single-piezo 3-zone pad as Crash1:

You can use imported audio files when you select User from the Voice category. The file imported into the PRO series modules is called a Wave. Before importing, these files are referred to as audio files.

Trigger Input Source

Layer Voice Inst

Crash1Bw

A Voice

Inst

B Voice

C Voice

D Voice

Crash1Eg

A Voice

B Voice

C Voice

D Voice

Crash1Cp

A Voice

B Voice

C Voice

D Voice

Sounds that are played by trigger (Inst and Voice)

NOTE

Voices and Layers

How the Triggers Generate Sounds

2

1DTX-PRO DTX-PROX Reference Manual

In addition to the internal voices, you can import audio files and play them as user voices. There are different ways of importing audio files.

Importing audio files to trigger inputs Import an audio file by specifying a pad. All input sources play the same wave.

Importing audio files to trigger input sources Import an audio file by specifying an input source. Each input source plays a different wave. You can also specify the desired layer: A, B, C, or D.

Importing audio files to click timings You can assign the audio files you like for click timings such as accents and quarter notes.

With these operations covered above, the waves are automatically assigned to an empty user voice, creating a user voice that produces sound. The user voice can be used for other kits and user click sets.

You can import up to 10 audio files into each user voice. However, multiple waves cannot be played simultaneously. Set the velocity range to each wave so that you can play a different wave in response to the strength of each strike.

If the velocity range overlaps for multiple waves, the wave with the lower number will be played.

Generally, the user voice stops after being played once. To repeat playing the user voice, set MENU/Kit Edit Voice/VoiceHoldMode to on. With this setting, the wave starts or stops playing each time the pad is struck.

When auditioning sounds with the [ ] button on the MENU/Job/UserVoice/VoiceEdit screen, only one-shot play is possible and the sound is played at a fixed speed. No effects will be applied. By assigning a user voice to the kit, you can change the playback speed, apply effects or play sounds by striking the pad.

User Voices

Importing to User Voices

Changing the way a user voice is played (one-shot or Loop)

Editing and auditioning user voices

How the Triggers Generate Sounds

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1DTX-PRO DTX-PROX Reference Manual

On the screen for the parameters in which the trigger input or trigger input source setting is required, the trigger input name or trigger input source name and its layer (A, B, C, or D) is displayed on the upper right.

Individual Trigger Input Settings In MENU/Kit Edit/Inst or MENU/Trigger/Pad Type on the DTX-PRO, for example, or in any setting screen in which the trigger input setting is required, press the TRG ([F3]) button to open the screen for changing the trigger input. With the DTX-PROX, you can use the [PAD SELECT] button to open the screen.

Selecting the Trigger Input or Trigger Input Source

Trigger Input

Example: For MENU/Kit Edit/Inst

Trigger Input Source

Example: For MENU/Kit Edit/Voice

Trigger input name Trigger input source name and layer (A, B, C, or D)

Proceed to the screen for changing the trigger input

Proceed to the screen for changing the trigger input source

Screen for Changing the Trigger Input

: shown only when the pad lock is on : Volume level : Velocity

Input mode for trigger input

paired:

separate: Name of the currently selected trigger input

Pad selection Pad lock

Prevents pad selection from being switched when other pads are struck.

Auditioning sounds

The trigger input can be changed with the [][+] controllers.

How the Triggers Generate Sounds

4

1DTX-PRO DTX-PROX Reference Manual

Individual Trigger Input Source Settings In MENU/Kit Edit/Voice or MENU/Utility/Pad, for example, or in any setting screen in which the trigger input source setting is required, press the TRG ([F3]) button to open the screen for changing the trigger input source.

Pad Selection (DTX-PROX)

Screen for Changing the Trigger Input Source

Trigger input source

The trigger input source can be changed with the [][+] controllers.

Name of the currently selected trigger input source

Currently selected layer

Layer selection Pad lock Auditioning sounds

Pad Selection By pressing the [PAD SELECT] button, different screens appear depending on the situation.

When you change the Inst using the fader select knob and LED rotary faders, use the [PAD SELECT] button to switch between Tom1, Tom2, and Tom3, or between Crash1 and Crash2.

For other situations, pressing the [PAD SELECT] button shows the screen for changing the trigger input, or the screen for changing the trigger input source.

PROX

Effect Processor Design

5

1DTX-PRO DTX-PROX Reference Manual

The DTX-PRO and DTX-PROX have the same effect block design. Effects are divided into two groups: the effects applied to each kit and the effects applied to the entire system.

Effect Block Diagram

WAVE

Ambi WAVE

RealAmbi InstDpt

Transient

Master EQ

Phones EQ

Comp Insertion

Inst Effect

Kit Modifier Ambience

Kit Modifier Effect Kit Modifier Comp

RealAmbi Depth

toAmbi

Send

InstSend

EQ

Ambi

FX1

FX2

Ambi InstDepth

Ambi Depth

Kit Edit

System Setting

MFX Comp

Effect Processor Design

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1DTX-PRO DTX-PROX Reference Manual

KIT MODIFIER is comprised of three blocks (Ambience, Comp, and Effect), and the amount of effects on these blocks can be adjusted with the corresponding knobs.

Ambience There are two types of Ambience effects as shown below.

RealAmbi This is the acoustical characteristics recorded in an actual studio setting. Note that this is not available for some Inst sounds. The depth can be set for each Inst.

Ambi This is a reverb effect added through digital processing. The Ambi Type and the depth can be set for each Inst.

The curve settings for the [AMBIENCE] knob determines how the overall depth for RealAmbi and for Ambi are controlled. You can increase the amount of RealAmbi first and then increase the amount of Ambi later. When using an Inst that does not support RealAmbi, select the curve in which Ambi becomes effective from the start.

Comp Comp is applied to the entire sound of your performance.

Effect This is comprised of the following three blocks.

MFX (Master Effect) This block is for the effects applied to the entire sound of your performance. The type and the depth of the effect can be set.

FX1 (Effect 1) This block is for the effects applied to each Inst by setting the send level. You can use the [EFFECT] knob to adjust the overall send level.

FX2 (Effect 2) This is an additional block that acts in the same way as FX1. You can set the effect type and the send level, separately from the settings for FX1.

Effects applied to each kit

Effect Processor Design

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1DTX-PRO DTX-PROX Reference Manual

Inst Effect These effects can be set to each Inst (or pad). The following four effects are connected in series.

EQ This is a three-band EQ that allows different gain, frequency, and other settings to be made for each band.

Transient Adjusts the attack and release.

Comp Finely adjusts the comp settings.

Insertion The same effect types as those of MFX can be used. Note however that these effects cannot be applied to Pad3, Pad5, Pad7, or Pad13.

Master EQ This is a five-band EQ that adjusts the sound of your performance and the tone of training songs. Note that this effect is not applied to sounds from the auxiliary input or click sounds.

Phones EQ This is a four-band EQ that adjusts the tone of the headphones sound.

System Effects

PRO Series Modules Internal Memory

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Edited content saved to the internal memory lets you hold the data even after the power has been turned off. Trigger set- tings (MENU/Trigger on the DTX-PRO, or TRIGGER mode on the DTX-PROX) and other general settings (MENU/Util- ity) as well as system settings can be saved.

Data That Can Be Saved to the PRO series modules The following types of data can be saved to the PRO series modules.

Saving and Loading Data Files All data saved in the PRO series modules can be saved to a USB flash drive. Files saved to a USB flash drive can be loaded back into the PRO series modules. However, the DTX-PROX files saved on a USB flash drive cannot be loaded to the DTX-PRO. For more information, see MENU/File (page 76).

DTX-PRO DTX-PROX

User kits 200

User click sets 30

User songs 1

User voices 100

Waves Up to 1,000 Up to 10 per user voice

Trigger settings System settings: 1 User triggers: 10

Live Sets 10

Other general settings 1

NOTICE Recording data in the PRO series modules will be lost when the power is turned off.

Up to 1,000 waves can be imported, as long as you dont exceed the total capacity limit.

MENU Button

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1DTX-PRO DTX-PROX Reference Manual

The screen appears when you press the [MENU] button.

Navigating the MENU

Changing the Setting Values

Bookmark feature

On some of the screens, you can use bookmarks for easier access to the parameters you often call up and use. Select a bookmark, and then press the button below ENTER ([F3]) to display the relevant parameter settings screen. You can use the buttons below and ([F1] and [F2]) on the parameter settings screen to move the cursor between bookmarks. Press the [EXIT] button to return to the bookmark.

Basic Screen Operations

([F1]) and ([F2]) Move the cursor up and down

ENTER ([F3]) Opens the screen

Changes the value of the item selected with the cursor

or

Bookmark

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2DTX-PRO DTX-PROX Reference Manual

Function List

Menu

Kit Edit Kit Modifier

Ambience RealAmbi Depth Ambi Depth RealAmbiInstDpt Ambi InstDepth

Ambi Type Ambi TIME Ambi EQ LoGAIN Ambi EQ HiGAIN Ambi F.M. (Frequency Modulation)

Ambi KnobVal RealAmbiKnob Ambi Knob

Comp Comp Knob

Effect MFX

MFX Type MFX Depth

FX1 FX1 Type FX1 Send FX1 InstSend FX1 toAmbi

FX2 FX2 Type FX2 Send FX2 InstSend FX2 toAmbi

Other EffectKnobVal EffectKnobMFX EffectKnobFX1 EffectKnobFX2

Inst Category InstNumber Import Wav

Tuning/Size Muffling/Sustain/Clutch/Decay Pan

MENU

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Inst Effect EQ Gain

EQ LoGAIN EQ MdGAIN EQ HiGAIN

EQ Freq EQ LowFreq EQ MidFreq EQ HiFreq EQ MidWidth

Transient TranAttack TranRelease TranSens

Comp CompType CompAttack CompRelease CompThres CompRatio

OutputLevel

Insertion InsertionType InsertionDepth

Voice Category VoiceNumber Import Wav

VoiceTune VoiceDecay VoicePan

VoiceFilter VoiceQ

VoiceLayerSw VoiceHoldMode

MessageType note AMBI/COMP/EFFECT/CC01CC95 Note.14 MinValue MIDI Ch MaxValue GateTime MIDI Ch (CC only) VelLo VelHi TrgVel

Volume Kit Volume Inst Volume Voice Volume

Other Tempo TrgSetupLink (PROX)

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Trigger (PRO) TRIGGER/SETTING (PROX) Input Mode Input Mode Curve Curve Pad Type Pad Type Crosstalk Crosstalk

Preset

Training (PROX)

Utility General

AutoPowerOff LCD Contrast L&R Vol (PRO) MIDI LocalCtrl Humanize

AUX In Volume USB In Volume Rec Volume Song Volume Bluetooth Vol (PROX)

Pad PadFunction

Xstick Adjust Snare Position Ride Position FootClosePos FootSplashSens

Output Gain L&R Phones USB Audio Indiv 1&2 (PROX) Indiv 3&4 (PROX) Indiv 5&6 (PROX) Indiv 7&8 (PROX)

Input Output AUX In

Input Mode Phones Output USB Audio Backing Output Level

USB Audio In Input Mode Phones Output USB Audio Backing Output Level

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Bluetooth In (PROX) Input Mode Phones Output USB Audio Backing Output Level

AUX In Gain AUX In Gain

Indiv Out (PROX)

Master EQ MEQ Gain

Lo LoMid Mid HiMid Hi

MEQ Freq Low LowMid Mid HighMid High

MEQ Q Low LowMid Mid HighMid High

MEQ Shape Low High

Phones EQ HPEQ Gain

Lo LoMid HiMid Hi

HPEQ Freq Low LowMid HighMid High

HPEQ Q Low LowMid HighMid High

HPEQ Shape Low High

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Job Kit

Recall Sort Exchange Clear

Trigger Trigger Setup

Click Sort Clear

User Voice Voice Edit Sort Wave Import All Delete All Optimize Wave Wave Info

Training Import SMF Clear

Recorder Export Audio

LiveSet (PROX) Sort Clear

File Save

(Type) (File)

Load (Type) (File)

Rename (Type) (File) (Name)

Delete (Type) (File)

Format

Memory Info

Bluetooth (PROX)

Factory Reset

Version

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2DTX-PRO DTX-PROX Reference Manual

This section explains the Kit Edit settings in the menu. In Kit Edit, you can configure kit modifiers, Insts, Inst effects, voices, volume and other settings. With kit modifiers, you can customize the Ambience, Comp, and Effect settings to your liking. The settings that can be changed are the param- eters for each Inst, effects that can be set for each Inst, voice settings (set by input source or layer), volume settings (master volume, Inst vol- ume, voice volume), and others.

Kit Block Diagram

NOTICE Save (Store) the kit once it has been customized to your liking (Owners Manual). Customized kit data will be lost when you select another kit without first storing the settings.

MENU/Kit Edit

Parameter Descriptions

Kit Edit

Inst/Voice Inst Effect Kit Modifier

Trigger input

Volume

Inst

Voice

EQ

Transient

Comp

Insertion

Ambience

Comp

Effect MFX FX1 FX2

Voice Vol Inst Vol KitVol

Kit Modifier

Inst

Inst Effect

Voice

Volume

Other

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Kit Modifier The Kit modifier parameters allow you to change the advanced settings for the KIT MODIFIER knobs. A diagram of the relationship between the knobs and parameters is provided below.

Parameters associated with the knobs

Ambi KnobVal

RealAmbiKnob (curve)

Ambi Knob (curve)

RealAmbi Depth Ambi Depth Comp Knob MFX Depth FX1 Send FX2 Send

EffectKnobMFX EffectKnobFX1 EffectKnobFX2

EffectKnobVal

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MENU/Kit Edit/Kit Modifier

Screen Parameter Settings Description

Ambience

RealAmbi Depth 0127 Adjusts the overall depth of RealAmbi to be applied. You can also control this parameter with the [AMBIENCE] knob. The Inst sounds for which RealAmbi can be applied are limited. For more information, refer to the Data List (PDF).

Ambi Depth 0127 Adjusts the overall depth of Ambi to be applied. You can also control this parameter with the [AMBIENCE] knob.

RealAmbiInstDpt 0100 Adjusts the depth of RealAmbi to be applied to each Inst.

Ambi InstDepth 0127 Adjusts the depth of Ambi to be applied to each Inst.

Ambi Type Effect Type (page 143)

Sets the Ambi type.

Ambi TIME 0.3s30.0s Adjusts the Ambi length.

Ambi EQ LoGAIN -12 0 +12 Adjusts the gain of the low band for Ambi to be adjusted with the EQ.

Ambi EQ HiGAIN Adjusts the gain of the high band for Ambi to be adjusted with the EQ.

Ambi F.M. (Frequency Modula- tion)

The range varies depending on the Ambi Type.

Adjusts the frequency modulation of effects such as chorus and flanger to be applied to Ambi.

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Ambi KnobVal 0127 This setting is adjusted with the [AMBI- ENCE] knob. You can use this parameter to finely adjust the value controlled with the [AMBIENCE] knob.

RealAmbiKnob Ambi Knob

Choose the curve for controlling the RealAmbi Depth or Ambi Depth to be applied when the [AMBIENCE] knob is turned.

off RealAmbi Depth or Ambi Depth will not change when the [AMBIENCE] knob is turned.

curve1

curve2

curve3

curve4

Screen Parameter Settings Description

D ep

th

Knob Value

D ep

th

Knob Value

D ep

th

Knob Value

D ep

th

Knob Value

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curve5

curve6

curve7

Comp

Comp Knob 0127 Sets the level of Comp to be applied. You can use this parameter to finely adjust the value controlled with the [COMP] knob.

Effect

MFX

MFX Type Effect Type (page 145)

Selects the type of Master Effect to be applied.

MFX Depth 0127 Sets the depth of Master Effect to be applied. You can use this parameter to finely adjust the value controlled with the [EFFECT] knob.

Screen Parameter Settings Description

D ep

th

Knob Value

D ep

th

Knob Value

D ep

th

Knob Value

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FX1

FX1 Type Effect Type (page 144)

Select the type of Effect 1 to be applied.

FX1 Send 0127 Adjusts the send level for the entire sound to be sent to Effect 1.

FX1 InstSend 0127 Adjusts the send level for the Inst sound to be sent to Effect 1.

FX1 toAmbi 0127 Adjusts the send level for Effect 1 to be sent to Ambi.

FX2

FX2 Type Effect Type (page 144)

Select the type of Effect 2 to be applied.

FX2 Send 0127 Adjusts the level of the entire sound to be sent to Effect 2.

FX2 InstSend 0127 Adjusts the level of the Inst sound to be sent to Effect 2.

FX2 toAmbi 0127 Adjusts the level of Effect 2 to be sent to Ambi.

Other

EffectKnobVal 0127 This value is adjusted with the [EFFECT] knob. You can use this parameter to finely adjust the value controlled with the [EFFECT] knob.

EffectKnobMFX off on

Sets whether to control MFX Depth when turning the [EFFECT] knob.

EffectKnobFX1 Sets whether to control FX1 Send when turning the [EFFECT] knob.

EffectKnobFX2 Sets whether to control FX2 Send when turning the [EFFECT] knob.

Screen Parameter Settings Description

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Inst

MENU/Kit Edit/Inst

Screen Parameter Settings Description

Category Refer to the Data List (PDF)

Specifies the Inst category.

With the DTX-PRO, the Inst can also be selected by pressing the button below INST ([F1]) on the KIT screen.

With the DTX-PROX, the Inst can also be selected by setting the fader select knob to INST, and then turning the LED rotary faders.

InstNumber Refer to the Data List (PDF)

Specifies the Inst number.

With the DTX-PRO, the Inst can also be selected by pressing the button below INST ([F1]) on the Kit screen.

With the DTX-PROX, the Inst can also be selected by setting the fader select knob to INST, and then turning the LED rotary faders.

Import Wav Imports audio files. When you press the button below ENTER ([F3]), the IMPORT screen appears.

Different parameters will be shown depending on the Inst category.

Tuning -12.00 0.00 +12.00

Adjusts the pitch in units of 25 cents. 0.01 corre- sponds to 1 cent.

A cent is a unit of pitch defined as one hundredth of a semitone. (100 cents = 1 semitone)

Size -32 0 +32 Simulates the effect of changing the cymbal size.

Muffling 0 +16 Simulates the effect of changing the degree of muf- fling (or how much the drum head is muted)

Sustain -32 0 Determines the cymbals sustain time (i.e., how quickly the sound decays to silence).

Clutch -32 0 +32 Simulates the effect of changing the hi-hats clutch position. The smaller the setting, the quicker an open hi-hat sound will decay to silence.

Hi-Hat Clutch setting is applied to all Kits.

Decay -16 0 Determines how quickly the sound decays to silence.

Pan L64CR63 Sets the position in the stereo field (pan).

NOTE

NOTE

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Inst Effect

MENU/Kit Edit/Inst Effect

Screen Parameter Settings Description

EQ Gain

EQ LoGAIN -12 0 +12 (dB) Adjusts the gain of the low band to be adjusted with the EQ.

EQ MdGAIN -12 0 +12 (dB) Adjusts the gain of the mid band to be adjusted with the EQ.

EQ HiGAIN -12 0 +12 (dB) Adjusts the gain of the high band to be adjusted with the EQ.

EQ Freq

EQ LowFreq 32Hz2.0kHz Adjusts the frequency of the low band to be adjusted with the EQ.

EQ MidFreq 100Hz10kHz Adjusts the frequency of the mid band to be adjusted with the EQ.

EQ HiFreq 500Hz16kHz Adjusts the frequency of the high band to be adjusted with the EQ.

EQ MidWidth 0.112.0 Adjusts the width of the mid band.

Transient

TranAttack -50 0 +50 Adjusts the attack.

TranRelease -50 0 +50 Adjusts the release.

TranSens Low, LowMid, HighMid, High

Sets how the transient effect is applied.

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Comp

CompType Thru, Kick 1, Kick 2, Snare 1, Snare 2, Tom 1, Tom 2, Cymbal, Limiter

Sets the Comp type.

By changing this parameter, CompAttack, CompRelease, CompThres, and CompRa- tio are set to optimal values. You can adjust each of those parameters as necessary.

CompAttack 1.0ms40.0ms Sets the duration until the Comp effect reaches its peak.

CompRelease 10ms680ms Sets the duration until the Comp effect fades away.

CompThres -48dB -6dB Sets the input level at which Comp starts being applied.

CompRatio 1.020.0 Sets the compression ratio of the Comp effect.

OutputLevel -18.0dB 0.0dB +18.0dB

Sets the output level.

Insertion

These parameters cannot be set for Pad3, Pad5, Pad7 or Pad13.

InsertionType Effect Type (page 145)

Selects the type of insertion effect.

InsertionDepth 0127 Adjusts the depth of insertion effect to be applied.

Screen Parameter Settings Description

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Voice The Voice parameters shown with A, B, C, or D in the upper right of the screen are for layers, while the voice parameters shown without are for input sources.

MENU/Kit Edit/Voice

Screen Parameter Settings Description

Category Refer to the Data List (PDF)

Specifies the voice category.

VoiceNumber Refer to the Data List (PDF)

Specifies the voice number.

Import Wav Imports audio files. When you press the button below ENTER ([F3]), the IMPORT screen appears.

VoiceTune -24.0 0.0 +24.0 (0.1=10 cents)

Sets the tuning of the voice assigned. 0.1 cor- responds to 10 cents.

VoiceDecay -64 0 Sets the decay (the time it takes for the sound to fade away to silence) for the voice assigned. The smaller the value, the crisper the sound produced becomes.

VoicePan L63CR63 Sets the stereo pan of the voice.

VoiceFilter -64 0 +63 Sets the filter cutoff frequency for the voice assigned. Negative values produce a darker sound, while positive values produce a brighter sound.

VoiceQ -64 0 +63 Sets the Q (filter resonance) for the filter of the voice assigned. Increases the signal near the Filter Cutoff Frequency adding character to the sound.

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VoiceLayerSw Sets how the voices assigned to the trigger input source are played.

stack Plays voices registered to layers simultane- ously.

alt Plays voices registered to layers in sequential order.

VoiceHoldMode Sets the hold mode for the voice.

on When User is selected for the voice category, striking the pad plays the sounds repeatedly in a loop, and striking the pad again stops the sound. MIDI Key On and Key Off messages are sent alternately each time the pad is struck.

off With this setting, the pad plays one-shot sounds. A MIDI Note On message is sent when a pad is struck, and the corresponding Note Off mes- sage is sent automatically after the gate time has elapsed.

MessageType Sets the type of MIDI message to be sent when the pad is struck.

Any setting other than note does not produce a sound when the pad is struck.

note Sends a MIDI note. Use this parameter to set the pad to produce a sound when struck. You can assign a MIDI note to each layer to send up to four MIDI notes at once.

Note.14 off, 1(C# -2) 127(G8)

Sets the MIDI note number that is sent when- ever a trigger signal is received at the selected trigger input source. Settings are displayed as Note number / Note name. You can use the [F3] button to select Note1 to Note4 in order.

MIDI Ch 116 Sets which MIDI channel to use for sending out the MIDI message to play the Trigger Input Source.

GateTime 0.0s9.9s Sets the gate time (the time that passes between the output of MIDI Key On and Key Off messages) for the trigger input.

Screen Parameter Settings Description

NOTE

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VelLo 0126 Sets the velocity range for the layer.

VelHi 1127

TrgVel Use this parameter to control the velocity value of MIDI notes sent when the current pad is struck.

variable MIDI velocity values will reflect the strength with which the pad is struck.

1127 MIDI notes are sent with this fixed velocity value, regardless of how hard or soft the pad is struck.

AMBI Controls the amount of Ambience (knob) according to how hard the pad is struck. No sound is produced when the pad is struck.

MinValue 0127 Sets the amount of Ambience (minimum value) applied when the pad is struck lightly.

MaxValue 0127 Sets the amount of Ambience (maximum value) applied when the pad is struck strongly.

COMP Controls the amount of Comp (knob) according to how hard the pad is struck. No sound is pro- duced when the pad is struck.

MinValue 0127 Sets the amount of Comp (minimum value) applied when the pad is struck lightly.

MaxValue 0127 Sets the amount of Comp (maximum value) applied when the pad is struck strongly.

EFFECT Controls the amount of Effect (knob) according to how hard the pad is struck. No sound is pro- duced when the pad is struck.

MinValue 0127 Sets the amount of Effect (minimum value) applied when the pad is struck lightly.

MaxValue 0127 Sets the amount of Effect (maximum value) applied when the pad is struck strongly.

CC01CC95 Sends a Control Change message according to how hard the pad is struck. No sound is pro- duced when the pad is struck.

MinValue 0127 Sets the minimum value when the pad is struck lightly.

MaxValue 0127 Sets the maximum value when the pad is struck strongly.

MIDI Ch 116 Sets the MIDI channel for sending the specified MIDI messages.

Screen Parameter Settings Description

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Volume

Other

MENU/Kit Edit/Volume

Screen Parameter Settings Description Kit Volume 0127 Sets the overall volume for the kit. Adjust the

balance between kits.

Inst Volume 0127 Sets the volume of the Inst. Adjust the balance between Inst sounds within the same kit.

Voice Volume 0127 Sets the volume of the voice assigned to a layer. Use this parameter to adjust the balance between zones in the same Inst, and the bal- ance between layers.

MENU/Kit Edit/Other

Screen Parameter Settings Description Tempo off, 30300 Sets the metronome tempo for the selected kit.

When set to off, the tempo stays the same when the kit has been changed. For using the metronome to check the tempo during live performance or for using tempo sync effects, use the tempo set to the kit.

Note that this parameter is not applied to Live Sets on the DTX-PROX. If you wish to change the kit tempo by switching to the next step, use the tempo parameter.

TrgSetupLink off, U01U10 Use the [][+] controllers to select a trigger

setup for the selected kit. When set to off, the trigger setup stays the same when the kit has been changed.

PROX

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Trigger (PRO) TRIGGER/SETTING (PROX) Trigger (DTX-PRO) TRIGGGER/SETTING (DTX-PROX)

This section explains the Trigger settings in the menu on the DTX-PRO and the Trigger mode of the DTX-PROX. The characteristics of the trigger signals output from pads when they are played depend on a range of different pad design factors. The Trigger settings allow you to optimize trigger signals for each pad for processing by the PRO series modules. Select the appropriate pad type when you add or change pads. When you connect the pad to the [!2KICK/!32] jack, [yTOM3/u] jack, [rTOM2/t] jack or [wTOM1/e] jack, make sure to change the input mode. With the DTX-PROX, you can change the trigger settings using the button below SETTING ([F3]). Settings need to be stored after being changed.

In this section, the screen examples are from the DTX-PRO.

TRIGGER/SETTING/Input Mode

Input Mode Sets how to use the mono 2 input jack. Select paired when using a Drum Trigger (DT50S) or similar device.

MENU/Trigger

MENU/Trigger/Input Mode

Screen Parameter Settings Description

Tom1/Pad3 paired, separate

Sets the [wTOM1/e] jack to use wTOM1 and e trigger inputs as a set or separately.

Tom2/Pad5 Sets the [rTOM2/t] jack to use rTOM2 and t trigger inputs as a set or separately.

Tom3/Pad7 Sets the [yTOM3/u] jack to use yTOM3 and u trigger inputs as a set or separately.

Kick/Pad13 Sets the [!2KICK/!3] jack to use !2KICK and !3 trigger inputs as a set or separately.

TRIGGER TRIGGER/SETTING

PRO PROX

Input Mode

Curve

Pad Type

Crosstalk

PresetPROX

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Curve

MENU/Trigger/Curve

Screen Parameter Settings Description

Velocity Curve

Selects a velocity curve for the selected pad. A velocity curve determines how the velocity of the sound is affected by how hard you strike the pad.

loud2, loud1, norm, hard1, hard2

fix1fix5

spl11spl15

norm lo

ud1

har d1

har d2

lo ud2

V el

oc ity

Trigger input level

fix1

fix2

fix3

fix4

fix5

V el

oc ity

Trigger input level

spl15

spl13

spl12

spl11

spl14V el

oc ity

Trigger input level

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spl21spl25

ofs1ofs5

Screen Parameter Settings Description

spl25

spl24

spl23

spl22

spl21

V el

oc ity

Trigger input level

ofs3

ofs4

ofs5

ofs2 ofs1

V el

oc ity

Trigger input level

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Pad Type

What is a Pad Type? In order to ensure that you get the best sound from each and every pad, we have prepared a full range of optimized trigger parameters (i.e., var- ious values related to pad input signals and the like), and named them accordingly. These groupings of parameters are referred to as pad types. Given that pads come in many different varieties, such as kicks, snares, toms, cymbals, and drum triggers, it follows that pad character- istics vary widely. The PRO series modules come preloaded with pad types for each different set of characteristics, allowing you to use them to their maximum potential.

MENU/Trigger/Pad Type

Screen Parameter Settings Description

PadType MENU/Trigger/Pad Type/PadType Sets the pad type.

OFF --

KK KP128, KP125W/125, KP100, KP90, KP65, KU100

SN XP125SD-X, XP125SD-M, XP120/100, XP80, TP70S/70

TM XP125T-X, XP125T-M, XP105T-X, XP105T-M, XP120/100, XP80, XP70, TP70S/70

CY PCY175, PCY155, PCY135, PCY100, PCY95, PCY90

Select PCY95 for the crash cymbal pad included in the DTX6K-X kit.

HH RHH135, PCY100, PCY95, PCY90

For pads other than RHH135, HH65 (sold sepa- rately) must be used as the hi-hat controller.

DT 50S SN, 50S tomH, 50S tomL, 50K, 50S SN-M, 50S tomH-M, 50S tomL-M, 50K-M

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Gain 1127 Sets the gain (amplification) of the input signal for when hitting the pad selected in Pad Type.

With a high setting, all input signals above a certain level will be amplified to the same level (i.e., the maxi- mum level). This means that variation in the softness or hardness with which the pad is struck can be smoothed out. Meanwhile, when a low setting is used, the softness or hardness of playing will be reflected to a much greater degree in the output trigger signal, allowing for more expressive performances.

Sensitivity 113 Sets sensitivity for when the pad is stuck lightly.

Using a value that is too low may result in no sound when struck too lightly or when playing a fast roll. Using a value that is too large may result in crosstalk. If you must make an adjustment, try to do so in a way that does not hinder your performances.

MENU/Trigger/Pad Type/RejectTimeTRIGGER/SETTING/Pad Type/RejectTime RejectTime 4ms500ms Trigger signals that occur within the time set here are regarded as double triggers and will not produce any sound. Larger values increase the amount of time that no sound is produced.

In the following case, a sound is output with the sec- ond input even though it occurs within the reject time.

When Trigger Level of the second strike within the RejectTime is at least twice as strong as that of the first.

MinLevel 099 These parameters set the range of Trigger Input signals that convert to velocity values from mini- mum (%) to maximum (%). Trigger signals that are below the minimum level set here will not produce any sound. Meanwhile, the Trigger signals above the maximum level will be set as a Maximum Velocity, as explained in MinVelocity/MaxVelocity shown below.

MaxLevel 1100

MinVelocity 0126 These parameters set the minimum and maxi- mum velocities corresponding to the MinLevel/ MaxLevel parameters above. Sound will be pro- duced between the velocities set here.

MaxVelocity 1127

Screen Parameter Settings Description

NOTE

NOTE

NOTE

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WaitTime 164 (msec) Sets the time until the target pad detects a trig- ger signal. Adjust the setting so that the trigger signal is detected at its peak and that the strength for striking the pad corresponds to the volume of the sound produced.

RimGain 1127 Sets the rim gain level of a multi-piezo pad con- nected to a multi-piezo supported jack. When using a mono 2 input jack, this parame- ter is effective only in the paired input mode.

H/R Balance H49H1, 0, R1R49 Sets the balance between the head and rim of a multi piezo pad. If the head sound is produced when the rim is struck, increase the R value to make the rim sound louder. If the rim sound is produced when the head is struck, press the [] button to increase the H value to make the head sound louder. When using a mono 2 input jack, this parameter is effective only when the input mode is set to paired.

Screen Parameter Settings Description

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Crosstalk The term crosstalk refers to the output of trigger signals from an electronic drum pad (including an acoustic drum with a drum trigger attached) other than the one that was struck as a result of vibrations or interference between pads. Crosstalk is prevented by suppressing any trigger signal sound that is lower than the specified value.

TRIGGER/SETTING/Crosstalk

MENU/Trigger/Crosstalk

Screen Parameter Settings Description

All Reject Lvl 099 Resolves crosstalk between the pad that is dis- played at the upper right of the screen and all other pads. While higher values are better at preventing crosstalk, they can also make it diffi- cult to play other sounds at the same time.

Specified rejection level from P1 to P14

Level: --(0), 199

Source Pad: 1 Snare 2 Tom1 3 Pad3 4 Tom2 5 Pad5 6 Tom3 7 Pad7 8 Ride 9 Crash1 10 Crash2 11 HiHat 12 Kick 13 Pad13 14 Pad14

Resolves crosstalk between the pad that is dis- played at the upper right of the screen and other individual pads. For example, in a case where the Snare mistakenly produces a sound when the Kick is struck, hit the snare pad and set Snare to be displayed in the upper right of the screen, move the cursor to 12 (Kick), and then raise the Reject Lvl. While higher values are better at preventing crosstalk, they can also make it more difficult to play other pads at the same time.

When the Input Mode is set to paired, Pad3, Pad5, Pad7, or Pad13 will not be set as a Source Pad even when the Level is set.

NOTE

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Preset

MENU/Trigger/Preset

Screen Parameter Settings Description

This copies a preset trigger setup to the user trigger setup currently being edited. Store your settings to save changes.

1. Use the [][+] controllers to select a pre- set trigger setup.

2. Press OK ([F3]) to copy the trigger set- tings to the user trigger setup currently being edited.

3. Press [EXIT] to return to the TRIGGER screen.

4. Press the [STORE] button to save the set- tings.

PROX

Procedure

Training (PROX)Training (DTX-PROX)

The training menu can be accessed from the [TRAINING] button on the DTX-PRO, or by selecting Training in the DTX-PROX menu. For more information, see Practicing with the Training Feature (page 101).

TrainingPROX

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This section explains the Utility settings in the menu. General settings, pad settings, output gain and I/O settings are configured here. For the DTX-PROX, you can configure individual output settings here.

In this section, the screen examples are from the DTX-PROX.

General

MENU/Utility

MENU/Utility/General

Screen Parameter Settings Description AutoPowerOff off, 5, 10, 15, 30,

60, 120 (min) Sets the time that elapses until the power is turned off by the Auto Power-Off func- tion. Set this parameter to off to disable the Auto Power Off function.

NOTICE The time setting for the Auto Power-Off function is approximate. Unsaved data is lost when the PRO series modules are turned off by the Auto Power- Off function. Make sure to store data before the power is automatically turned off.

LCD Contrast 063 Adjusts the contrast on the screen.

L&R Vol variable (works with the [MASTER VOLUME] knob), 1127 (fixed value)

Sets the volume of the OUTPUT jacks.

In live situations, for example, set the out- put volume to a fixed value, so that you can adjust only the Headphone volume with the [MASTER VOLUME] knob. Set to variable to adjust the Headphone volume and the volume of the OUTPUT jacks with the [MASTER VOLUME] knob.

Utility

General

Pad

Output Gain

Input Output

Indiv OutPROX

PRO

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Pad

MIDI LocalCtrl off, on Enables (on) or disables (off) the internal tone generator when performing with pads. This is normally set to on. When set to off, the trigger input section and tone generator section are discon- nected within the PRO series module, so no sound is produced when the pads are struck. However, regardless of this setting, per- formance information on the PRO series module is transmitted as MIDI data, and MIDI messages received from external devices are processed by the PRO series module. An off setting is useful when you want to record your drum performance as MIDI data to a sequencer or DAW software.

Humanize on, off Sets whether to create a natural variation in sounds (on) or not (off) to prevent each note to be too uniform when striking the same pad repeatedly.

AUX In Volume 0127 Sets the volume for the [AUX IN] jack.

USB In Volume 0127 Sets the volume for the USB audio input.

Rec Volume 0127 Sets the volume of recorder playback.

Song Volume 0127 Sets the volume of training songs.

Bluetooth Vol 0127 Sets the volume of Bluetooth audio.

MENU/Utility/Pad

Screen Parameter Settings Description PadFunction Specifies an operational function to be performed,

such as changing the kit number or tempo, instead of playing a sound when the pad is struck. Either strike the pad you want to set, or press the TRG ([F3]) button to select the pad, and then select the function you want to assign.

off Pad produces sound as normally expected.

Screen Parameter Settings Description

PROX-with-Bluetooth

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inc kit Increases the kit number by 1.

dec kit Decreases the kit number by 1.

select kit Selects the kit.

Kit number

toggle kit Switches between kits. Every time the pad is struck, the setting changes between two kits.

Kit number 1 Kit number 2

inc tempo Increases the tempo value by 1.

dec tempo Decreases the tempo value by 1.

tap tempo Sets the tap tempo.

click start/ stop

Starts or stops the click.

Screen Parameter Settings Description

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xstick on/off Turns cross stick sounds on or off.

live play/stop Starts or stops the audio file playback or click sound during a live performance using the Live Set mode.

inc liveStep Increases the step in Live Set mode by 1.

dec liveStep Decreases the step in Live Set mode by 1.

sound off Mutes the sound.

ambience Controls the amount of Ambience ([AMBIENCE] knob value) according to how hard the pad is struck.

MinValue: The minimum amount of Ambience to be applied when the pad is struck lightly

MaxValue: The maximum amount of Ambience to be applied when the pad is struck strongly

comp Controls the amount of Comp ([COMP] knob value) according to how hard the pad is struck.

MinValue: The minimum amount of Comp applied when the pad is struck lightly

MaxValue: The maximum amount of Comp applied when the pad is struck strongly

Screen Parameter Settings Description

PROX

PROX

PROX

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effect Controls the amount of Effect ([EFFECT] knob value) according to how hard the pad is struck.

MinValue: The minimum amount of Effect to be applied when the pad is struck lightly

MaxValue: The maximum amount of Effect to be applied when the pad is struck strongly

CC01CC95 Sends a Control Change message according to how hard the pad is struck.

MinValue: Minimum value when the pad is struck lightly

MaxValue: Maximum value when the pad is struck strongly

MIDI Ch: MIDI Channel

Xstick Adjust 1127 Sets the strength for switching the cross sticking to or from the open rim shots when hitting the rim of the multi piezo pad connected to the [qSNARE] jack. Increasing this value makes it easier to produce the cross-stick sound when the pad is struck strongly. Conversely, reducing this value makes it easier to produce the open rim shot when the pad is struck lightly. Turn the cross stick setting off to always play the open rim shot sound.

Note that this parameter is not effective when a sin- gle-piezo pad is connected.

Snare Position off, on Switches the position sensor on the snare pad on or off. Turn the snare position on for creating tonal changes according to the location within a zone that is struck.

To use this function, you will need to connect a pad with a position sensor to the [qSNARE] jack. You will also need to select an Inst or a voice that supports position sensing. For more information, refer to the Data List.

Ride Position off, on Switches the position sensor for the bow of the ride cymbal on or off. Turn the ride position on for creating tonal changes based on location of the pad that is struck.

To use this function, you will need to connect a pad with position sensing to the [iRIDE] jack. You will also need to select an Inst or a voice that supports position sensing. For more information, refer to the Data List.

Screen Parameter Settings Description

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Output Gain

FootClosePos -32 0 Use this parameter to adjust the position at which the hi-hat switches from open to closed when the hi-hat controller or the hi-hat pedal is operated. The lower the value, the smaller the virtual opening between the top and bottom hi-hats.

FootSplashSens off, 1127 Use this parameter to set the degree of sensitivity for detecting hi-hat foot splashes. The higher the value, the easier it will be to produce a foot-splash sound with a hi-hat controller. High values may, however, result in splash sounds being unintentionally produced when, for example, you depress the hi-hat controller or the hi-hat pedal lightly as you keep time. It is a good idea to set this parameter to off if you do not want to play foot splashes.

MENU/Utility/Output Gain

Screen Parameter Settings Description L&R -18dB, -12dB,

-6dB, 0dB, +6dB, +12dB, +18dB

Sets the output gain for the L&R jacks.

Phones Sets the output gain for the Phones jack.

USB Audio Sets the output gain for the USB Audio Out.

Indiv 1&2 -18dB, -12dB, -6dB, 0dB, +6dB, +12dB, +18dB

Sets the output gain for Indiv Out 1&2.

Indiv 3&4 Sets the output gain for Indiv Out 3&4.

Indiv 5&6 Sets the output gain for Indiv Out 5&6.

Indiv 7&8 Sets the output gain for Indiv Out 7&8.

Screen Parameter Settings Description

PROX

PROX

PROX

PROX

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Input Output

MENU/Utility/Input Output

Screen Parameter Settings Description

AUX In

USB Audio In

Bluetooth In Input Mode Sets the output destination for the audio source

input from AUX In ( ), USB audio ( ), or

Bluetooth audio( ).

For settings other than PA-HP, the output desti- nation switch is set to on. Note that the output destination cannot be switched on or off for L guide, R guide, or PA-HP.

stereo Outputs the audio source in stereo. L mono Outputs the audio source only from the L chan-

nel in the center pan position.

R mono Outputs the audio source only from the R chan- nel in the center pan position.

L+Rmono Mixes the audio source from the L and R chan- nels and outputs in the center pan position.

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L guide Select these settings for the audio input in which the guide (click) sound and accompaniment sound are separated into L and R channels. The guide (click) sound and accompaniment sound are output from Phones in the center pan position, and the accompaniment sound is out- put from Output and USB Audio in the center pan position. When using the headphones, you can adjust the volume of the guide (click) sound with the [CLICK] knob (or slider), and the accompani- ment sound with the [AUDIO] knob (or slider).

You can change the volume of the accompani- ment sound output from the Output jack and USB Audio Out by moving the cursor with ([F2]), and then changing the settings with the [][+] controllers (this is separate from Phones volume settings).

R guide

PA-HP Uses only the L channel to output exclusively to Phones in the center pan position. (AUX IN only)

This is useful in live performance situations when connecting a PA system, such as a mixer, to the AUX IN jack to receive the audio signals (mono audio).

Phones off ( ) on ( )

When the Input Mode is set to stereo, L mono, R mono or L+Rmono, use this parameter to turn the output destination on or off.

Output

USB Audio

Backing Output Level

0127 When the Input Mode is set to L guide or R guide, use this parameter to adjust the volume of the accompaniment sound output through the Output jack and USB Audio Out.

AUX In Gain AUX In Gain 0dB, +6dB,

+12dB Sets the gain for the AUX In.

Screen Parameter Settings Description

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Indiv Out Configures advanced settings for the [INDIVIDUAL OUTPUT] jacks. Select the pad or audio source with the and ([F1] and [F2]) buttons, and then choose how to connect the L and R signals to the jacks using the [][+] controllers. The Kit Modifier (excluding RealAmbi) and MasterEQ parameters are not applied to Indiv Out.

Use the button ([F1]) to select ALL to configure settings for all pads. Use the button below PRESET ([F1]) to select a preset, and then confirm the selection with the button below SET ([F3]).

There are four presets available for the ALL setting.

PRESET1 Uses eight Indiv Out signal paths to output Kick, Snare, Tom, and Cymbal+HH in stereo.

PRESET2 Uses eight Indiv Out signal paths to output Kick, Snare, HH, and Ride in mono, and Tom and Crash in stereo.

PRESET3 Uses four Indiv Out (1, 3, 5, and 7) signal paths to output Kick, Snare, Tom, and Cymbal+HH in mono.

PRESET4 Uses three Indiv Out (1, 3, and 5) signal paths to output Kick, Snare, and Tom+Cymbal in mono.

PROX

Pad:

Display ALL KK SN T1 T2 T3 HH C1 C2 RD P3 P5 P7 P13 P14

Pad All Kick Snare Tom1 Tom2 Tom3 Hi-Hat Cymbal1 Cymbal2 Ride Pad3 Pad5 Pad7 Pad13 Pad14

Audio source:

Display CLK AUX USB REC

Audio source Metronome AUX IN USB audio Recorder Bluetooth audio

1/2: INDIVIDUAL OUTPUT [1/2] jack 3/4: [3/4] jack 5/6: [5/6] jack 7/8: [7/8] jack

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MENU/Utility/Indiv Out

Screen Parameter Settings Description

Pad Output/Click Assign

Off, L1+R2, L3+R4, L5+R6, L7+R8, L1, R2, L3, R4, L5, R6, L7, R8, (L+R)1, (L+R)2, (L+R)3, (L+R)4, (L+R)5, (L+R)6, (L+R)7, (L+R)8

Use the buttons below the and ([F1] and [F2]) to select the pad or audio source (click, AUX IN, USB audio, recorder, or Bluetooth audio) for output desti- nation. Outputting in mono eliminates the sense of spaciousness in the sound, but provides greater routing flexibility.

Other Output Assign off, L1+R2, L3+R4, L5+R6, L7+R8, L(1+2), R(1+2), L(3+4), R(3+4), L(5+6), R(5+6), L(7+8), R(7+8), L1, R2, L3, R4, L5, R6, L7, R8, (L+R)1, (L+R)2, (L+R)3, (L+R)4, (L+R)5, (L+R)6, (L+R)7, (L+R)8

ROUTING ([F3])

TransCompInsByps off, on Choose whether to bypass the Transient, Comp, or Insertion of the Inst effects to output to Indi- vOut.

MixerBypass off, on Choose whether to bypass the mixer settings to output to Indiv Out.

VOLUME ([F3])

Click Volume var (works with the [AUX IN], [AUDIO], or [CLICK] slider), 1127

Sets the volume of each audio source to output to Indiv Out.AUX In Volume

USB In Volume

Rec Volume

Bluetooth Vol PROX-with-Bluetooth

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Parameters in this section are used for adjusting the tone of the entire kit. Master EQ settings are applied to the entire kit (your performances and training songs) and HP Out/Output. Master EQ settings are not applied to auxiliary input, recorder sounds, click sounds or output to Indiv Out on the DTX-PROX.

In specific terms, this five-band master EQ allows the signal level to be freely boosted or cut around a center frequency specified for each of the bands. In addition, the low and high frequency bands can be set to either shelving or peaking type equalization.

With the DTX-PROX, you can quickly adjust the master EQ gain by setting the fader select to CUSTM and using the LED rotary faders.

MENU/Master EQ

Master EQ

Frequency

HighHighMidMidLowMidLowFive EQ bands

QGain

MEQ Gain

MEQ Freq

MEQ Q

MEQ Shape

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MENU/Master EQ

Screen Parameter Settings Description

MEQ Gain

Lo -12 +0 +12 Use these parameters to boost or cut the center- frequency levels of the Lo, LoMid, Mid, HiMid, and Hi MEQ Freq settings, respectively.

With the DTX-PROX, set the fader select to CUSTM (MEQ Gain) and use the LED rotary fad- ers to adjust settings.

LoMid

Mid

HiMid

Hi

MEQ Freq

Low 32Hz2.0kHz Use these parameters to set the center frequen- cies of the Low, LowMid, Mid, HighMid, and High frequency bands, respectively.

LowMid 100Hz10kHz

Mid 100Hz10kHz

HighMid 100Hz10kHz

High 500Hz16kHz

MEQ Q

Low 0.112.0 Use these parameters to change widths for the Low, LowMid, Mid, HighMid, and High fre- quency bands, respectively. The greater the value the narrower the frequency range becomes, resulting in sudden changes in tone. The smaller the value the broader the frequency range becomes, resulting in smoother changes in tone.

If the MEQ Shape value has been set to shelving, the Q setting will be displayed as ---- and will be unavail- able.

LowMid

Mid

HighMid

High

Center frequency

Frequency (Hz)

Q=12.0

Q=0.1

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MEQ Shape

Low Use these parameters to set EQ types for the low and high frequency bands, respectively.

shelving Signals at frequencies below or above a specific frequency will be boosted or cut.

peaking Signals at frequencies in the vicinity of the center frequency will be boosted or cut.

High

shelving Signals at frequencies below or above a specific frequency will be boosted or cut.

peaking Signals at frequencies in the vicinity of the center frequency will be boosted or cut.

Screen Parameter Settings Description

EQ low

Gain

Center frequency

Frequency (Hz)

Gain

Center frequency

Frequency (Hz)

EQ high Gain

Center frequency

Frequency (Hz)

Gain

Center frequency

Frequency (Hz)

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Parameters in this section are used for adjusting the tone of all sounds played through the headphones.

In specific terms, this four-band headphone EQ allows the signal level to be freely boosted or cut around a center frequency specified for each of the bands. In addition, the Low and High frequency bands can be set to either shelving or peaking type equalization.

Although results may vary depending on the headphones you use, boost the Lo setting when low sounds such as kick are too quiet to hear. Cut the Hi setting when cymbals are too loud.

With the DTX-PROX, you can quickly adjust the Phones EQ gain by setting the fader select to CUSTM and using the LED rotary faders.

MENU/Phones EQ

Phones EQ

Gain Q

Frequency (Hz)

Low HighMid LowMid High

Four EQ bands

HPEQ Gain

HPEQ Freq

HPEQ Q

HPEQ Shape

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MENU/Phones EQ

Screen Parameter Settings Description

HPEQ Gain Lo -12 +0 +12 Use these parameters to boost or cut the center-

frequency levels of the Lo, LoMid, HiMid, and Hi HPEQ Freq settings, respectively.

With the DTX-PROX, set the fader select to CUSTM (HPEQ Gain) and use the LED rotary faders to adjust settings.

LoMid

HiMid

Hi

HPEQ Freq Low 16.0Hz24.4kHz Use these parameters to set the center frequen-

cies of the Low, LowMid, HighMid, and High frequency bands, respectively.

LowMid

HighMid

High

HPEQ Q Low 0.112.0 Use these parameters to change widths for the

Low, LowMid, HighMid, and High frequency bands, respectively. The greater the value the narrower the frequency range becomes, resulting in sudden changes in tone. The smaller the value the broader the frequency range becomes, resulting in smoother changes in tone.

If the HPEQ Shape value has been set to shelving, the Q setting will be displayed as ---- and will be unavailable.

LowMid

HighMid

High

Center frequency

Frequency (Hz)

Q=12.0

Q=0.1

NOTE

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HPEQ Shape Low Use these parameters to set EQ types for the low

and high frequency bands, respectively.

shelving Signals at frequencies below or above a specific frequency will be boosted or cut.

peaking Signals at frequencies in the vicinity of the center frequency will be boosted or cut.

High

shelving Signals at frequencies below or above a specific frequency will be boosted or cut.

peaking Signals at frequencies in the vicinity of the center frequency will be boosted or cut.

Screen Parameter Settings Description

EQ low

Gain

Center frequency

Frequency (Hz)

Gain

Center frequency

Frequency (Hz)

EQ high Gain

Center frequency

Frequency (Hz)

Gain

Center frequency

Frequency (Hz)

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The Job menu includes parameters related to kits, triggers, click sets, user voices, Training, the recorder, and Live Sets.

Kit Only the user kit settings can be changed from the kit settings (Job/Kit). Preset kits cannot be changed.

MENU/Job

MENU/Job/Kit

Screen Parameter Description

MENU/Job/Kit/Recall

Recall Changes to the kit will be lost if you select another kit before saving (stor- ing) the settings. However, edits are retained in recall memory, so changes can be recalled using the Recall Kit function.

The edited kit number and kit name are displayed. If there is no recall data, No data. is displayed for the kit name.

1. Press the RECALL button ([F3]) and the confirmation screen appears.

2. Press the YES button ([F1]) to recall the data. Press the NO button ([F3]) to cancel the data recall and return to the screen in step 1. Completed. appears when Recall is complete and the screen returns to the Recall screen.

Job

Kit

Trigger

Click

User Voice

Training

Recorder

LiveSetPROX

NOTE

Procedure

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Sort Sorts the order of user kits.

1. Use the and buttons ([F1] and [F2]) to move the cursor.

2. Press the SELECT button ([F3]) to select the kit that you want to move.

3. Use the and buttons ([F1] and [F2]), and the [][+] controllers to move the selected kit.

4. After moving the kit to the position where you want it, press the INSERT button ([F3]).

Pressing the INSERT button ([F3]) sets the rearranged order and changes the kit numbers accordingly.

Exchange Swaps the order of the two kits.

1. Select the two kits that you want to swap.

2. Press the EXCHANGE button ([F3]) and the confirmation screen appears.

3. Press the YES button ([F1]) to change the order of the two kits. Press the NO button ([F3]) to cancel the swap and return to the screen in step 1. Completed. appears when the Exchange is complete, and the screen returns to the Exchange screen.

Screen Parameter Description

Procedure

Procedure

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Trigger

Clear Initializes the kit.

1. Use the [][+] controllers to select the kit you want to initial- ize.

2. Press the CLEAR button ([F3]) and the confirmation screen appears.

3. Press the YES button ([F1]) to initialize the selected kit. Press the NO button ([F3]) to cancel initialization and return to the screen in step 1. Completed. appears when the Initialization is complete, and the screen returns to the Clear screen.

MENU/Job/Trigger

Screen Parameter Description

Trigger Setup Sets the sensitivity of all pads.

1. Use the [][+] controllers to select a drum kit (trigger setup).

2. Press the OK button ([F3]).

With the DTX-PROX, the trigger setup for the drum kit you have selected will be copied to U01 to U10. The trigger setup name for U01 will be changed to the name of the drum kit you have selected. (U02 to U10 are labeled as UserTrig).

Screen Parameter Description

Procedure

Procedure

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Click

MENU/Job/Click

Screen Parameter Description

Sort Sorts the order of user click sets.

1. Use the and buttons ([F1] and [F2]) to move the cursor.

2. Press the SELECT button ([F3]) to select the click set that you want to move.

3. Use the and buttons ([F1] and [F2]), and the [][+] controllers to move the selected click set.

4. After moving the click set to the position where you want it, press the INSERT button ([F3]).

Pressing the INSERT button ([F3]) sets the rearranged order and changes the click numbers accordingly.

Clear Initializes the selected click set.

1. Use the [][+] controllers to select the click you want to ini- tialize.

2. Press the CLEAR button ([F3]) and the confirmation screen appears.

3. Press the YES button ([F1]) to initialize the selected click set. Press the NO button ([F3]) to cancel initialization and return to the screen in step 1. Completed. appears when the Initialization is complete, and the screen returns to the Clear screen.

Procedure

Procedure

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User Voice

MENU/Job/User Voice

Screen Parameter Description

Voice Edit This edits user voices. Here you can add audio files, delete waves, change the name of user voices, initialize user voices, and set the velocity range for each wave.

Each user voice has 10 wave banks.

If you wish to add an audio file, connect the USB flash drive containing the audio file into the [USB TO DEVICE] terminal.

Editing user voices If the cursor is on the wave bank number, press BANK ([F1]) as many times as necessary to move to the user voice number. User voices without imported audio files cannot be edited.

1. Use the [][+] controllers to select the user voice you want to edit.

2. Press the FUNC button ([F2]) to choose the type of edit- ing you want to perform.

User voice number and user voice names

Wave bank number and wave names

Procedure

DELETE Initialize user voice (Delete all waves)

NAME Save under a new name

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3. Start editing.

Editing wave banks If the cursor is on the wave bank number, press BANK ([F1]) multiple times to move to the user voice number. User voices that do not have any imported any audio files cannot be edited.

1. Use the [][+] controllers to select the user voice you want to edit.

2. Press the BANK button ([F1]) to choose a wave bank. You can audition sounds when a wave bank with waves is selected.

3. Press the FUNC button ([F2]) to choose the type of edit- ing you want to perform.

4. Press the [F3] button. You can audition a sound by using (Audition).

Screen Parameter Description

DELETE When the confirmation screen appears, press the YES button ([F1]). Press the NO button ([F3]) to cancel changes.

NAME Use the [][+] controllers to select a character, and then use the and buttons ([F1] and [F3]) to move the cursor to the next character position. A user voice name of up to 16 characters can be assigned.

When you are finished entering all characters, press the OK button ([F2]).

Audition sounds

IMPORT Add

DELETE Delete

LO/HI Specify the upper and lower end of the velocity range for each wave

SPLIT Automatically split the wave velocity range according to the number of waves assigned to the voice. When there are waves on multiple wave banks, use this setting to split the velocity range into equal sizes accord- ing to the number of waves, and assign a wave to each range starting from the lowest number.

NAME Save under a new name

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5. Start editing.

If a wave has already been loaded to the selected bank, or if a file with the same file name already exists, the overwrite confirmation screen will appear.

If you do not want to overwrite, press the NO button ([F3]) to return to the previous screen.

Screen Parameter Description

IMPORT Select a file in the confirmation screen and press the YES button ([F1]). Press the NO button ([F3]) to cancel changes.

DELETE In the confirmation screen, press the YES button ([F1]). Press the NO button ([F3]) to cancel changes.

LO/HI Select the target for editing (Low or High) with [F3], and then set the value with the [][+] controllers. You can also use with the [COMP] knob to set the lowest value, and the [EFFECT] knob to set the highest value.

SPLIT When the confirmation screen appears, press the YES button ([F1]). Press the NO button ([F3]) to cancel changes.

NAME Use the [][+] controllers to select a character, and then use the and buttons ([F1] and [F3]) to move the cursor to the next character position. A wave name of up to 16 characters can be assigned.

When you are finished entering all characters, press the OK button ([F2]).

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Sort Wave Sorts the order of waves within a user voice.

1. Use the and buttons ([F1] and [F2]) to move the cursor.

2. Press the SELECT button ([F3]) to select the wave that you want to move. The SELECT button ([F3]) appears when a wave bank with waves is selected.

3. Use the and buttons ([F1] and [F2]) to move the selected wave.

4. After moving the wave to the position where you want it, press the INSERT button ([F3]).

Pressing the INSERT button ([F3]) sets the rearranged order and changes the wave bank numbers accordingly.

Additionally, while a voice or a wave is selected, you can use the [] button to delete it or the [+] button to import an audio file.

Screen Parameter Description

Procedure

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Import All Imports all audio files saved in the root directory of the USB flash drive into the wave memory of the PRO series module.

1. Press the IMP TYPE button ([F1]) to select the import type.

2. Preset before importing.

Screen Parameter Description

Procedure

TO EMPTY Imports each audio file to the lowest numbered available user voice.

TO 1VCE Imports a maximum of 10 audio files to the selected user voice.

BY NAME Imports audio files using the file name for specifying the destination.

SEL FILE Imports a selected file by specifying the destination. Multiple files can be imported.

TO EMPTY

TO 1VCE Use the [][+] controllers to select a user voice to import.

BY NAME Prepare a file with the user voice number (001100) and wave bank number (0110) added to the beginning of the file name and save it on a USB flash drive.

Example: Importing DTX.wav to user voice 5 at wave bank 3

00503DTX.wav

SEL FILE 1. Use the [][+] controllers to select a file to import.

2. Press the CHECK button ([F2]) to place a check mark next to Import.

3. Use the [][+] controllers to select a user voice to import.

4. Use the button ([F2]) to move the cursor.

5. Use the [][+] controllers to select a wave bank to import. Sounds will play when a wave bank with waves is selected.

6. Use the button ([F2]) to move the cursor.

If a check mark is placed next to the file selected in step 1, you can press the UNCHECK button ([F2]) to remove the check mark.

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7DTX-PRO DTX-PROX Reference Manual

3. Press the IMPORT button ([F3]) and the confirmation screen appears.

4. Press the YES button ([F1]) to import. Press the NO button ([F3]) to cancel the Import and the screen returns to Step 1. Press the CANCEL button ([F3]) during Import to stop the Import and the screen returns to Step 1.

Completed. appears when the Import is complete, and the screen returns to the Import All screen.

Not all files may be imported depending on the condition or the number of audio files.

Delete All Deletes all waves from the internal wave memory of the PRO series module.

1. Press the DELETE button ([F3]) and the confirmation screen appears.

2. Press the YES button ([F1]) to delete all waves. Press the NO button ([F3]) to cancel deletion and the screen returns to Step 1. Completed. appears when the deletion is complete, and the screen returns to the Delete All screen.

Optimize Wave Optimizes the wave memory of the PRO series module. Optimization reorganizes the memory content to make more efficient and effective use of memory space. Optimizing memory can increase the amount of free contiguous memory space.

1. Press the OPTIMIZE button ([F3]) and the confirmation screen appears.

2. Press the YES button ([F1]) to optimize the memory. Press the NO button ([F3]) to cancel optimization and the screen returns to Step 1. Completed. appears when Optimization is complete, and the screen returns to the Optimize screen.

Screen Parameter Description

NOTE

Procedure

Procedure

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7DTX-PRO DTX-PROX Reference Manual

Wave Info Displays the usage of the wave memory of the PRO series module.

Total: Total Memory Size (MB) Displays the total memory size in units of MB (megabytes).

Free: Free memory space (MB) (free memory space (%)) Free space is displayed in units of MB (megabytes). Also, the free space for the entire memory is displayed as a percentage (%). Fragmented memory may prevent importing of audio files even when there is sufficient space. In such cases, using Opti- mize Wave for memory optimization can resolve the issue.

Units used to denote capacity may change according to memory size (KB: kilo- byte, MB: megabyte).

Screen Parameter Description

The screen example here is from the DTX-PRO.

NOTE

MENU Button

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7DTX-PRO DTX-PROX Reference Manual

Training

MENU/Job/Training

Screen Parameter Description

Import SMF Imports a user song (SMF file).

1. Select the SMF file you want to import.

2. Use the and buttons ([F1] and [F2]) to select a file to import.

3. Press the IMPORT button ([F3]) to start importing. Select training song number 1 to start playing the imported song. (However, the imported song cannot be used for Song Part Gate or Song Score Gate.)

Clear Initializes a user song.

Press the CLEAR button ([F3]) to initialize the user song.

Procedure

Procedure

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7DTX-PRO DTX-PROX Reference Manual

Recorder

MENU/Job/Recorder

Screen Parameter Description MENU/Job/Recorder/Export Audio

Export Audio Saves the audio data recorded in the internal recorder to a USB flash drive.

1. If you want to add a name to the file, press the NAME button ([F2]) and enter a name.

2. Press the EXPORT button ([F3]) and the confirma- tion screen appears.

3. Press the YES button ([F1]) to export. Press the NO button ([F3]) to cancel the export and the screen returns to Step 1. Completed. appears when the export is complete, and the screen returns to the Export screen.

NOTICE Recorded data will be lost when the power is turned off or

when the factory reset operation is carried out.

Audio data is not backed up in All files.

Procedure

Entering the File Name

1. Use the [][+] controllers to select a character, and then use the and buttons ([F1] and [F3]) to move the cursor to the next char- acter position. A file name of up to 16 charac- ters can be assigned.

2. When you are finished entering all characters, press the OK button ([F2]).

MENU Button

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7DTX-PRO DTX-PROX Reference Manual

LiveSet

MENU/Job/LiveSet

Screen Parameter Description

Sort Sorts the order of User Live Sets.

1. Use the and buttons ([F1] and [F2]) to move the cursor.

2. Press the SELECT button ([F3]) to select the Live Set that you want to move.

3. Use the and buttons ([F1] and [F2]), and the [][+] controllers to move the selected Live Set.

4. After moving the Live Set to the position where you want it, press the INSERT button ([F3]).

Pressing the INSERT button ([F3]) sets the rearranged order and changes the Live Set numbers accordingly.

Clear Initializes the selected Live Set.

1. Use the [][+] controllers to select the Live Set you want to initialize.

2. Press the CLEAR button ([F3]) and the confirmation screen appears.

3. Press the YES button ([F1]) to initialize the selected Live Set. Press the NO button ([F3]) to cancel initialization and the screen returns to step 1. Completed. appears when the Initialization is complete, and the screen returns to the Clear screen.

PROX

Procedure

Procedure

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7DTX-PRO DTX-PROX Reference Manual

A knowledge of terms is required to understand the functions and operations of the Menu/File section. This section explains the terminology used in the MENU/File section.

File The term file is used to define a set of data saved on a USB flash drive. Data exchanged between the PRO series modules and a USB flash drive is carried out in the form of files.

File name The name given to the file is called a file name. Files names are important for distinguishing files, and the same file name cannot be used in the same directory. While computers can handle long names, and even include non-English characters, the PRO series modules can only use alphanumeric characters.

Extensions The period + three letters, such as .wav at the end of the file name, is referred to as a file extension. The extension indicates the type of file. Files that the PRO series modules use have a .bin extension, which is not displayed on the PRO series modules screen.

File size This refers to the size of the file. The file size is determined by the amount of data saved in the file. File size is measured in units indicated with a B (byte). Large files and also the memory capacity of devices are represented using units of KB (kilobytes), MB (megabytes), and GB (gigabytes). 1KB=1024B, 1MB=1024KB, and 1GB=1024MB.

Format Initializing the USB flash drive is known as formatting. Formatting a USB flash drive using the PRO series modules will erase all files and directories (folders).

Save, load Save refers to the writing of data to a USB flash drive, while load refers to the reading of files from a USB flash drive.

The PRO series modules can handle a maximum of 1,000 .wav files, and 1,000 .bin files.

The DTX-PRO files saved on a USB flash drive the can be loaded to the DTX-PROX, but the reproduction of the saved settings may not be completely accurate.

MENU/File

File

NOTE

Save

Load

Rename

Delete

Format

Memory Info

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7DTX-PRO DTX-PROX Reference Manual

Save

Saves the file to a USB flash drive.

1. Connect a USB flash drive to the [USB TO DEVICE] terminal.

2. Navigate to MENU/File/Save. The following screen appears.

(Type) 3. Select the Type (file type).

3-1. Use the [][+] controllers to select the file type for the file you want to save.

3-2. For OneKit, select the kit you want to save. Press the button ([F1]) to move the cursor to the kit number, and then use the [][+] controllers to select the kit you want to save. If the kit contains user waves, the user waves are also saved.

MENU/File/Save

Description

Setting

All All data (all user kits, all waves, trigger settings, utility data)

AllKit All user kit data, waves used for all kits

OneKit Selected user kit data, waves used for the selected kit

Trigger Trigger Settings

NOTICE Songs recorded with the recorder (internal memory) are not saved in All files. Use MENU/Job/Recorder/Export Audio to

save data recorded by the recorder as a file.

As all four file types are saved as files using the same extension (.bin), do not use the same file name when saving, even if you change the file type. Using the same file name may result in overwriting the other file.

Procedure

MENU Button

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7DTX-PRO DTX-PROX Reference Manual

(File)4. Enter a name for the file to be saved.

4-1. Press the button ([F1]) to move the cursor to the file name.

4-2. If you wish to save the file under a new name, press the NAME button ([F2]).

The NAME screen appears.

If you wish to overwrite the file, press the button ([F1]) to move the cursor to the file name, and then use the [][+] control- lers to select the file you want to overwrite.

Entering the File Name

1. Use the [][+] controllers to select a character, and then use the and buttons ([F1] and [F3]) to move the cursor to the next character position. A file name of up to 16 characters can be assigned.

2. When you are finished entering all characters, press the OK button ([F2]).

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7DTX-PRO DTX-PROX Reference Manual

5. Save the file.

5-1. Press the SAVE button ([F3]).

The Save confirmation screen appears.

5-2. If you wish to save the file, press the YES button ([F1]) If you wish to save under a different name, press the NO button ([F3]) and the screen returns to step 2.

If a file with the same file name already exists, the overwrite confirmation screen, as shown below, appears.

If you wish to save the file under a different name, press the NO button ([F3]) and the screen returns to step 2.

6. Press the YES button ([F1]) to save.

A message shown below appears during the Save process.

Pressing the CANCEL button ([F3]) during the Save process stops the process and the screen returns to step 2.

Completed. appears when the Save process is complete, and the screen returns to step 2.

NOTICE Do not disconnect the USB flash drive from the [USB TO DEVICE] terminal or turn off the power to the PRO series modules while the file is being saved. Doing so may cause the PRO series modules to malfunction, or corrupt memory in the USB flash drive.

MENU Button

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8DTX-PRO DTX-PROX Reference Manual

Load

Loads (imports) a file saved onto a USB flash drive to the PRO series module.

When you have moved files to a computer for file management, make sure to move the files back to the root directory of the USB flash drive.

1. Connect the USB flash drive containing the files saved with the PRO series modules into the [USB TO DEVICE] terminal.

2. Navigate to MENU/File/Load. The following screen appears.

(Type) 3. Select the Type (file type).

3-1. Use the [][+] controllers to select the file type for the file you wish to load.

MENU/File/Load

Description

The PRO series modules cannot load the file if it is in a sub directory (folder).

Setting

All All data (all user kits, all waves, trigger settings, utility data)

AllKit All user kit data, waves used for all kits

OneKit Selected user kit data, waves used for the selected kit

Trigger Trigger settings

NOTE

Procedure

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8DTX-PRO DTX-PROX Reference Manual

(File)4. Select the file you want to load.

4-1. Use the and buttons ([F1] and [F2]) to move the cursor to File, and then use the [][+] controllers to select the file you want to load. Only those files matching your selected file type will be available for loading.

4-2. For OneKit, select the kit you want OneKit to load to. Use the and buttons ([F1] and [F2]) to move the cursor to the kit number, and then use the [][+] controllers to select the file you want to load. When the kit contains user waves, the user waves are also loaded.

5. Press the LOAD button ([F3]).

The Load confirmation screen appears.

6. Press the YES button ([F1]) to load. The message shown below appears during the Load process.

Press the CANCEL button ([F3]) during the Load process and the screen returns to step 2.

Completed. appears when the Load process is complete, and the screen returns to step 2.

NOTICE Do not disconnect the USB flash drive from the [USB TO DEVICE] terminal or turn off the power to the PRO series modules while the file is being loaded. Doing so may cause the PRO series modules to malfunction, or corrupt memory in the USB flash drive.

MENU Button

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8DTX-PRO DTX-PROX Reference Manual

Rename

Renames the file saved on a USB flash drive.

1. Connect the USB flash drive into the [USB TO DEVICE] terminal.

2. Navigate to MENU/File/Rename. The following screen appears.

(Type) 3. Select the file type (Type) of the file that you want to rename.

3-1. Use the [][+] controllers to select the file type of the file you want to rename.

(File)4. Select the file to be renamed.

4-1. Press the button ([F2]) to move the cursor to File.

4-2. Use the [][+] controllers to select the file you want to rename.

MENU/File/Rename

Description

Setting

All All data (all user kits, all waves, trigger settings, utility data)

AllKit All user kit data, waves used for all kits

OneKit Selected user kit data, waves used for the selected kit

Trigger Trigger settings

Wav Waves

Procedure

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8DTX-PRO DTX-PROX Reference Manual

(Name)5. Set a new name for the file. Press the button ([F2]) to move the cursor to the bottom of the screen. Press the Name button ([F2]) to display the NAME screen.

6. Press the RENAME button ([F3]).

The Rename confirmation screen appears.

7. Press the YES button ([F1]) to change the name.

Completed. appears when the Rename process is complete, and the screen returns to step 2.

Entering the file name

1. Use the [][+] controllers to select a character, and then use the and buttons ([F1] and [F3]) to move the cursor to the next character position. A file name of up to 16 characters can be assigned.

2. After entering all characters, press the OK button ([F2]).

NOTICE Do not disconnect the USB flash drive from the [USB TO DEVICE] terminal or turn off the power to the PRO series modules while the file is being renamed. Doing so may cause the PRO series modules to malfunction, or corrupt memory in the USB flash drive.

MENU Button

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8DTX-PRO DTX-PROX Reference Manual

Delete

This operation deletes a file in the USB flash drive.

1. Connect the USB flash drive containing the files you want to delete with the PRO series modules into the [USB TO DEVICE] terminal.

2. Navigate to MENU/File/Delete. The following screen appears.

(Type) 3. Select the file type (Type) of the file you wish to delete.

3-1. Use the and buttons ([F1] and [F2]) to move the cursor to Type.

3-2. Use the [][+] controllers to select the file type.

(File)4. Use the and buttons ([F1] and [F2]) to move the cursor to File.

5. Use the [][+] controllers to select the file you want to delete. Depending on the files selected in step 3, only the files you can delete are presented.

MENU/File/Delete

Description

Setting

All All data (all user kits, all waves, trigger settings, utility data)

AllKit All user kit data, waves used for all kits

OneKit Selected user kit data, waves used for the selected kit

Trigger Trigger settings

Wav Waves

Procedure

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8DTX-PRO DTX-PROX Reference Manual

6. Press the DELETE button ([F3]).

The Delete confirmation screen appears.

7. Press the YES button ([F1]) to delete the file.

Completed. appears when the Delete process is complete, and the screen returns to step 2.

NOTICE Do not disconnect the USB flash drive from the [USB TO DEVICE] terminal or turn off the power to the PRO series modules while the file is being deleted. Doing so may cause the PRO series modules to malfunction, or corrupt memory in the USB flash drive.

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Format

Sometimes the USB flash drives are not usable as they are. In such cases, format the drive by following the procedures shown below.

1. Connect the USB flash drive into the [USB TO DEVICE] terminal.

2. Navigate to MENU/File/Format. The following screen appears.

3. Press the FORMAT button ([F3]).

The Format USB flash drive confirmation screen appears.

MENU/File/Format

Description

NOTICE Formatting erases all data in the USB flash drive. Before formatting, ensure that the USB flash drive does not contain any important data.

Procedure

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4. Press the YES button ([F1]) to format.

Completed. appears when the Format process is complete, and the screen returns to step 2.

Memory Info

Shows the memory usage of the USB flash drive.

Free: Free memory space (MB) (free memory space (%)) Free space is displayed in units of MB (megabytes). Also, the free space for the entire memory is displayed as a percentage (%).

Total: Total memory size (MB) Displays the total memory size in units of MB (megabytes).

NOTICE Do not disconnect the USB flash drive from the [USB TO DEVICE] terminal or turn off the power to the PRO series modules while the USB flash drive is being formatted. Doing so may cause the PRO series modules to malfunction, or corrupt memory in the USB flash drive.

MENU/File/Memory Info

Description

Units used to denote capacity change according to memory size (KB: kilobyte, MB: megabyte, GB: gigabyte).

NOTE

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Bluetooth (DTX-PROX)

MENU/Bluetooth

Configures Bluetooth settings.

Pairing Press PAIRING ([F3]). On the smart device, select DTX-PROX AUDIO as the name of the device to be connected to.

Once pairing is complete, a Bluetooth icon ( ) will appear on the top screen for each mode, and on the upper right of the MENU/Bluetooth screen.

If pairing failed, first remove the registered DTX-PROX AUDIO entry on the connected device such as a smartphone, and then try pairing the devices again.

Turning the Bluetooth function on or off Use the [][+] controllers to turn Bluetooth on or off.

Once the setting is complete, press [EXIT] to return to the top screen for MENU.

MENU/Bluetooth

Description

You can also pair devices by holding down the [MENU] button.

BluetoothPROX-with-Bluetooth

NOTE

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8DTX-PRO DTX-PROX Reference Manual

Restores all data in the user settings (user kits, trigger settings, waves, utility, recorder internal memory) back to their factory default settings.

MENU/Factory Reset

Screen Parameter Description

Factory Reset NOTICE A factory reset erases all data in the user settings restoring them to the factory default settings. Be sure to save any important data to a USB flash drive beforehand (page 77).

1. Navigate to MENU/Factory Reset. The following screen appears.

2. Press the RESET button ([F3]).

The Factory Reset confirmation screen appears.

Factory Reset

Restoring defaults

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9DTX-PRO DTX-PROX Reference Manual

3. Press the YES button ([F1]) to carry out the factory reset. If you do not want to carry out the factory reset, press the NO button ([F3]).

The following message appears during the operation.

When the factory settings have been restored, the trigger setup wizard will be displayed.

Screen Parameter Description

MENU Button

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9DTX-PRO DTX-PROX Reference Manual

MENU/Version

Screen Description

Displays the firmware version.

Version

KIT Mode

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9DTX-PRO DTX-PROX Reference Manual

You can import an audio file to play as an Inst.

Select an audio file saved on a USB flash drive to import into the PRO series modules.

1. Save the audio file from the computer to the root directory on a USB flash drive.

2. Connect a USB flash drive to the [USB TO DEVICE] terminal on the rear panel.

Audio file conditions: wav format

Note that some wav format audio files may not be imported.

The PRO series modules do not recognize the audio file if it is in a folder.

You can also import an audio file as a voice. When doing so, you can play a different wave for each zone.

In MENU/Job/User voice, you can import multiple audio files into a single user voice to play different waves in response to the velocity.

3. Press the button below INST ([F1]).

The Inst Selection screen appears.

3. Set the fader select knob to INST.

The INST screen appears.

Playing imported audio files as Inst sounds

NOTE

PRO PROX

KIT Mode

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9DTX-PRO DTX-PROX Reference Manual

4. Strike the drum pad to which you wish to import an audio file.

Make sure that the name of the pad you struck is shown on the Inst selection screen.

5. Press the button below IMPORT ([F3] on the DTX-PRO, or [F1] on the DTX-PROX).

The IMPORT screen appears.

6. Use the [][+] controllers to select a file to import.

You can change the pad selection by pressing the TRG button ([F2]), or by striking the pad.

PRO PROX

PRO PROX

Name of the audio file to be imported

Pad to be assigned

or

KIT Mode

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7. Press the button under IMPORT ([F3]).

The Import confirmation screen appears.

8. Press the YES button ([F1]) to import. Press the NO button ([F3]) to cancel the import and the screen returns to step 5. Press the CANCEL button ([F3]) during import to stop the import and the screen returns to step 5.

Completed. appears when the Import is complete, and on the DTX-PRO the screen returns to the import screen, and on the DTX-PROX the screen returns to the one shown before using the fader select knob. After importing, make sure to store the settings.

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With the button below SETTING ([F3]), you can change other settings such as beat, timer settings, click sound type, and output destinations.

SETTING ([F3]) Function List

CLICK

[F1] TAP [F2] VOLUME [F3] SETTING

SoundSet Beat Timer

ClickOut L&R ClickOut Phones ClickOut USB ClickCountOff

Voice Category VoiceNumber Tuning Import Wav

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[F3] SETTING

CLICK/SETTING

Screen Parameter Settings Description

SoundSet Metronome1, Metronome2, Claves, Cowbell, Shaker, Stick

Changes click sounds (Acc and beats) as a set.

Beat 1/416/4, 1/816/8, 1/1616/16

Chooses a time signature for the click.

Timer OFF, 00:3060:00 (30 second incre- ments)

Use this parameter to set the timer.

The timer status is displayed on the CLICK screen.

To start the timer. press the [START/STOP] button on the DTX-PRO, or press the [CLICK] button on the DTX-PROX. The remaining time will be displayed while the timer is in use.

Press the button below +30 SEC ([F3]) while the timer is in use to extend the timer by 30 seconds.

ClickOut This sets whether to output click sounds to each jack (on) or not (off).

L&RClickOut L&R on, off Switches the output to the OUTPUT [R] and [L/MONO] jacks.

PhonesClickOut Phones

Switches the output to the Phones jack.

USBClickOut USB Switches the output to the [USB TO HOST] terminal.

ClickCountOff off, 1, 2 Set the click sound to stop after one mea- sure or for two measures. When set to off, the click sound continues to play.

SETTING ([F3]) Parameter Descriptions

CLICK Mode

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9DTX-PRO DTX-PROX Reference Manual

If Acc... or other names appears on the lower right of the screen, press the button below it ([F3]) to select the click timing you want to set. The selected click timing will be shown in the top right corner of the display.

You can set a different voice or change the tuning of each click timing (Acc and beats). You can also import an audio file to use as click sound.

CategoryVoice Category Kick1, Kick2, Snare1, Snare2, Tom1, Tom2, Cymbal1, Cymbal2, HiHat1, HiHat2, Perc, Effect, User

Select the voice category of the click sound.

VoiceNumber 0 (No Assign) Value depends on the voice category. (Refer to the Data List)

Select the voice number for the click.

Tuning -24.0 0.0 +24.0 Set the tuning for the voice selected for the click. 0.1 corresponds to 10 cents.

Import Wav See Playing imported audio files as Click sounds.

Screen Parameter Settings Description

CLICK Mode

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9DTX-PRO DTX-PROX Reference Manual

You can load audio files (.wav) from a USB flash drive to play them as click sounds for the click timing you like.

1. Save the audio file from the computer to the root directory on a USB flash drive.

2. Connect a USB flash drive to the [USB TO DEVICE] terminal on the rear panel.

3. On the Click/SETTING/Import Wav screen, press the ENTER button ([F3]).

4. Use the [][+] controllers to select the audio file you want to import, and then press the button below Acc. or other names ([F2]) to choose the rhythm you want to use the audio file for.

5. Press the button below IMPORT ([F3]).

6. When the confirmation screen appears, press the YES button ([F1]). If you do not want to import, press the NO button ([F3]) to return to the previous screen.

Audio file conditions: wav format

Note that some wav format audio files may not be imported.

The PRO series modules do not recognize the audio file if it is in a folder.

Playing imported audio files as Click sounds

Procedure

NOTE

[CLICK] button SETTING([F3]) Import Wav

Mode select CLICK SETTING([F3]) Import Wav

PRO

PROX

RECORDER Mode

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9DTX-PRO DTX-PROX Reference Manual

You can use the button below SETTING ([F3]) to change other settings such as the playback speed and recording source.

SETTING ([F3]) Function List

Recorder (Select audio)

[F1] Record/Stop [F2] Play/Stop [F3] SETTING

Speed RecGain

RecordingSource Click RecordingSource AUX In RecordingSource USB Audio RecordingSource Bluetooth (PROX)

PlayMode

RECORDER Mode

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1DTX-PRO DTX-PROX Reference Manual

[F3] SETTING

RECORDER/SETTING

Screen Parameter Settings Description

Speed 0.50x1.50x Sets the playback speed.

RecGain -18dB, -12dB, -6dB, 0dB, +6dB, +12dB, +18dB

Sets the input gain for recording.

RecordingSource Selects the recording source.

Use the and buttons ([F1] and [F2]) to move the cursor, and then use the [][+] controllers to turn the set- ting on (place a check mark) or off.

ClickRecordingSource Click off, on

AUX In RecordingSource AUX In

USB Audio RecordingSource USB Audio

Bluetooth

RecordingSource Bluetooth (PROX)

PlayMode Selects settings for playing back audio files.

stereo Use this setting for normal stereo files.

L guide Select these settings for the audio file in which the guide (click) sound and accompaniment sound are separated into L and R channels. Outputs the guide (click) sound and accompaniment sound from Phones in the center pan position, and the accompaniment sound from OUTPUT/ USB Audio in the center pan position. For the output from Phones, you can adjust the volume of the guide (click) sound with the [CLICK] knob (slider), and the volume of the accompaniment sound with the [AUDIO] knob (slider).

For the output from Output and USB Audio Out, you can set the volume of the accompaniment sound by moving the cursor with ([F2]) and using the [][+] controllers. (Different from Phones volume settings).

R guide

Recorder Backing Output Level

0127 Sets the Backing Output Level when PlayMode is set to L guide or R guide.

SETTING ([F3]) Parameter Descriptions

PROX-with-Bluetooth

Practicing with the Training Feature

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1DTX-PRO DTX-PROX Reference Manual

Training is a feature you can use for effectively mastering various drumming skills. There are ten training types avail- able on the PRO series modules. You can use the internal training songs and click for the practice.

Training Types

* With SONG PART GATE and SONG SCORE GATE, only training songs 1 to 10 can be used. Training songs 1 to 10 are the same as the ones included in the DTX402 series. The drum scores (PDF) are available at the following site.

https://download.yamaha.com/

Learning to Play Various Songs

1. TRAINING SONG Play along with various music categories and phrases.

2. PART MUTE Practice phrases with one instrument or one part at a time.

3. SONG PART GATE Learn to play specific parts or sections of the training song independently.

4. SONG SCORE GATE Check how well youve mastered the performance

Learning to Play Rhythms Precisely

5. RHYTHM GATE Learn to play in perfect time.

6. RHYTHM GATE TRIPLET Learn to play in perfect time with triplets.

7. DYNAMIC GATE Learn to control the strength of each hit.

8. MEASURE BREAK Learn to keep strict tempo during rests and fill-ins.

9. CHANGE UP Learn to play various phrases with rhythm changes in mid-song.

Build up Your Stamina Needed for Drumming

10. FAST BLAST

Practicing with the Training Feature

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1DTX-PRO DTX-PROX Reference Manual

For information on how to use Training on the DTX-PRO, refer to the Owners Manual. These instructions use the DTX-PROX in the examples.

1. Press the [MENU] button.

2. Use the buttons below and ([F1] and [F2]) to select Training, and then press the button below Enter ([F3]).

The TRAINING screen appears.

3. Use the [][+] controllers to select a training type.

For more information on the training types, see Details on Training Types (page 104). For other settings, such as training song selection, the duration of the training (timer setting) or the difficulty level, press the button below SETTING ([F3]).

Starting and Ending Training

or

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4. Press the button below START ([F1]) or STANDBY ([F1]).

5. Play the drums. Strike the pads according to the instruction given for the selected training type. For more information on what you can do during training, see Details on Training Types (page 104).

To change the tempo of the training song, turn the [TEMPO] knob. To change the volume of the training song, use the [AUDIO] slider.

6. To end the training, press the button below STOP ([F1]). SONG SCORE GATE and FAST BLAST stop automatically.

The results or the grades of your training appears after the exercise.

To restart the training, press the button below RETRY ([F1]), and to end the training, press the button below OK ([F3]).

Training results are not shown at the end of TRAINING SONG and PART MUTE. With SONG PART GATE and MEASURE BREAK, the training result appears at the end before the repeat starts.

Training results do not appear at the end of the exercise.

7. To close the TRAINING screen, press the [EXIT] button.

An example of the training result (for 5. RHYTHM GATE)

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The following ten training types are available on the PRO series modules.

1. TRAINING SONG

You can play along various music categories and phrases.

What you can do during training:

1. Use the [][+] controllers to select a training song.

2. Play the drums along with the training song.

Details on Training Types

or

Drum Mute Mute the drum part of the training song. Press the button to turn the setting on or off.

Drum part on Drum part off

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2. PART MUTE

Part Mute is an exercise which you can mute any or all of the drum parts (such as snare and kick) and the backing parts (non-drum parts) from a training song. Part Mute can be useful in many waysfor example, for practicing only the snare part of the training song, or for tightening up your rhythm section skills by practicing only with a bass guitar sound. Keep in mind that this exercise is not scored.

What you can do during training:

To select a part to mute:

Use the buttons below and ([F2] and [F3]) to move the cursor, then use the [] [+] controllers to select a part.

BACKING BASS: Bass part OTHER: Parts other than bass

DRUMS: Drum part in the training song HH: Hi-hat SNR: Snare KICK: Kick TOM: Tom CYM: Cymbal

Training song

Play sounds

Mute sounds

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3. SONG PART GATE

Song Part Gate is a practical exercise for practicing one part or one section of the training song at a time. You can select a part for working intensively on a specific phrase or to work on independent hand/foot coordination, for example, in order to learn the essential part of the training song. Practice your drumming skills with other training exercises before trying Song Part Gate. Then try Song Score Gate (page 107) to play through all sections of the training song. The score (PDF) is available at the Yamaha website:

https://download.yamaha.com/

After accessing the Support website (and clicking on Manual Library), enter the appropriate model name.

What you can do during training:

To change the training song or the part to practice:

Use the buttons below and ([F2] and [F3]) to move the cursor, then use the [] [+] controllers to select a training song or a section. Here, you can only use training songs 1 to 10.

The score is shown at the end of the phrase before it repeats.

Training song

Part to practice

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4. SONG SCORE GATE

Song Score Gate is a final exercise for playing through all parts or sections of an entire training song. We recommend that you first master Song Part Gate (page 106) before working on Song Score Gate. The score (PDF) is available at the Yamaha website:

https://download.yamaha.com/

After accessing the Support website (and clicking on Manual Library), enter the appropriate model name.

What you can do during training:

To change the training song

Use the [] [+] controllers to select a training song. Here, you can only use training songs 1 to 10.

The score is shown when you reach the end of the training song.

Training song

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5. RHYTHM GATE

6. RHYTHM GATE TRIPLET

Rhythm Gate is an exercise for striking pads along with the click at proper timing. Rhythm Gate is an exercise for practicing with sixteenth notes, while Rhythm Gate Triplets is for triplet notes. When you strike too early or too late, no sound is produced.

What you can do during training:

To change the difficulty level (gate width) Set a narrower gate width to increase the difficulty level.

Use the [] [+] controllers to adjust the gate width.

To change the direction of the timing indicator The direction of FAST to SLOW can be switched to SLOW to FAST.

Press the button below FAST/SLOW ([F3]).

Difficulty level (gate width); determines the time range within which sound is produced.

Actual strike

Accurate timing

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7. DYNAMIC GATE

Dynamic Gate is an exercise for playing pads with proper dynamics. Your aim is to control three levels: Weak, Normal and Strong. When you strike with the wrong dynamics, it will not produce any sound. How accurately you strike with the proper dynamics is evaluated at the end of the exercise. Once you master Dynamic Gate, you will be a skillful drummer at controlling dynamics depending on the situation.

What you can do during training:

To set the pad sounds to be muted for specific dynamics For example, you can set the pad sound to be produced only when the pad is struck within the NORM range. In such case, disable WEAK and STRONG.

Use the buttons below and ([F2] and [F3]) to move the cursor ( ), then use the [] [+] control- lers to select a square to show (with sounds) or not to show (without sounds). You can also change the cursor position by striking the pad.

Pad names HI-HAT SNARE KICK TOM RIDE CRASH

Strength WEAK, NORM (normal), STRONG

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8. MEASURE BREAK

Measure Break is an exercise for keeping a steady tempo without the metronome. How accurately you strike the first beat of the measure after the break is evaluated. Once you master Measure Break, you can keep a steady tempo even after breaks or fill ins.

What you can do during training:

To set a specific number of measures to play the click or the total number of measures

Use the buttons below and ([F2] and [F3]) to move the cursor, then use [] [+] to set the number of measures.

Measure to play click Measure to disable click

Total number of measures

Number of the measures to play the click

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9. CHANGE UP

Change Up is an exercise for playing seven different rhythms that change every two measures. How well you maintain good timing along with the rhythms is evaluated. Try your best to keep a steady tempoeven when the rhythms change.

*: The seven practice rhythm patterns:

What you can do during training:

To select which rhythm to practice

Use the button below ([F3]) to move the cursor, then use the [] [+] controllers to change the setting.

The number of measures can be changed from SETTING.

Current Rhythm

Rhythm Mute Mute the rhythm guidance. Press the button to turn the setting on or off.

Rhythm guidance on Rhythm guidance off

Rhythm to practice

Rhythm to skip practicing

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10. FAST BLAST

Fast Blast is an exercise for building up the stamina needed for drumming. Strike the pads as many times as possible within a time limit.

Strike the pads as many times as possible within the time limit. The timer starts counting when you start striking the pads.

The result appears on the screen. To see the count for each pad, press the button shown below ([F2]).

Timer (min: sec)

Best score (times)

Remaining time

Counter

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TRAINING/SETTING

1. TRAINING SONG

2. PART MUTE

Screen Parameter Settings Description

SongNumber 137 Selects a training song. Training songs 1 to 10 are the same as the ones included in the DTX402 series. The drum scores (PDF) are available at the following site.

https://download.yamaha.com/

Screen Parameter Settings Description

AutoMute on, off Turns the auto mute function on or off. When on, striking a pad will mute the drum part. If the auto muted part is not struck for certain period of time, it will be automatically unmuted.

SongNumber 137 Selects a training song. Training songs 1 to 10 are the same as the ones included in the DTX402 series. The drum scores (PDF) are available at the following site.

https://download.yamaha.com/

Mute ON/OFF on (Plays sounds)

off (Mutes sounds)

Selects which of the drum parts or backing parts in the training song you want to mute.

These settings appear on the PART MUTE screen.

Hi-Hat

Snare

Kick

Tom

Cymbal

Bass

Other

SETTING ([F3]) Parameter Descriptions

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3. SONG PART GATE

Screen Parameter Settings Description

Timer OFF (infinite), 30 sec, 1 min 00 sec, 1 min 30 sec, 2 min 00 sec, 2 min 30 sec, 3 min 00 sec, 5 min 00 sec, 8 min 00 sec, 10 min 00 sec

Sets the timer for training. When the timer reaches the set time, the training ends automati- cally.

When this parameter is set to a time other than off, the remaining time appears on the upper right of the screen shown during training.

Level 1 (Easy) 5 (Hard)

Sets the difficulty level.

AutoMute off, on Turns the auto mute function on or off. When on, striking a pad will mute the drum part. If the auto muted part is not struck for certain period of time, it will be automatically unmuted.

SongNumber 110 Selects a training song. Training songs 1 to 10 are the same as the ones included in the DTX402 series. The drum scores (PDF) are available at the following site.

https://download.yamaha.com/

PartNumber Depends on the training song (refer to the Drum Score for the DTX402 series)

Selects the part number to practice. The part numbers correspond to the lessons in the Lesson Phrases sections of the Drum Score for the DTX402 series.

Ignore Timing off, on Use this parameter to select which of the pads to produce sounds when timing is off.Hi-Hat

Snare

Kick

Tom

Cymbal

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4. SONG SCORE GATE

Screen Parameter Settings Description

Level 1 (Easy) 5 (Hard)

Sets the difficulty level.

AutoMute off, on Turns the auto mute function on or off. When on, striking a pad will mute the drum part. If the auto muted part is not struck for certain period of time, it will be automatically unmuted.

SongNumber 110 Selects a training song. Training songs 1 to 10 are the same as the ones included in the DTX402 series. The drum scores (PDF) are available at the following site.

https://download.yamaha.com/

Ignore Timing off, on Use this parameter to select which of the pads to produce sounds when timing is off.Hi-Hat

Snare

Kick

Tom

Cymbal

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5. RHYTHM GATE 6. RHYTHM GATE TRIPLET

Screen Parameter Settings Description

Timer OFF (infinite), 30 sec, 1 min 00 sec, 1 min 30 sec, 2 min 00 sec, 2 min 30 sec, 3 min 00 sec, 5 min 00 sec, 8 min 00 sec, 10 min 00 sec

Sets the timer for training. When the timer reaches the set time, the training ends automati- cally.

When this parameter is set to a time other than off, the remaining time appears on the upper right of the screen shown during training.

Level 1 (Easy) 4 (Hard)

Sets the difficulty level (gate width).

Indicator normal (FAST is on the left, SLOW is on the right), reverse (SLOW is on the left, FAST is on the right)

You can change the direction of the timing indica- tor.

On the screen shown during training, you can change the setting by pressing the button below FAST/SLOW ([F3]).

Ignore Timing off, on Use this parameter to select which of the pads to produce sounds when timing is off.Hi-Hat

Snare

Kick

Tom

Cymbal

Click/Song Click, Song Selects whether to play the click sound or training song.

(Only available when Click/Song is set to Song) SongNumber

137 Selects a training song. Training songs 1 to 10 are the same as the ones included in the DTX402 series. The drum scores (PDF) are available at the following site.

https://download.yamaha.com/

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7. DYNAMIC GATE

8. MEASURE BREAK

Screen Parameter Settings Description

Timer OFF (infinite), 30 sec, 1 min 00 sec, 1 min 30 sec, 2 min 00 sec, 2 min 30 sec, 3 min 00 sec, 5 min 00 sec, 8 min 00 sec, 10 min 00 sec

Sets the timer for training. When the timer reaches the set time, the training ends automatically.

When this parameter is set to a time other than off, the remaining time appears on the upper right of the screen shown during training.

Low Limit 299 Sets the threshold between light stroke and medium stroke.

High Limit 299 Sets the threshold between medium stroke and heavy stroke.

SelectLevel WEAK, NORM, STRONG

(Plays sounds),

(Mutes sounds)

Selects the strength for striking each pad.

While on the screen shown during training, use or ([F2] or [F3]) to move the cursor, and then use the [][+] controllers to change the setting.

HI-HAT

SNARE

KICK

TOM

RIDE

CRASH

Screen Parameter Settings Description

Timer OFF (infinite), 30 sec, 1 min 00 sec, 1 min 30 sec, 2 min 00 sec, 2 min 30 sec, 3 min 00 sec, 5 min 00 sec, 8 min 00 sec, 10 min 00 sec

Sets the timer for training. When the timer reaches the set time, the training song will end automatically.

When this parameter is set to a time other than off, the remaining time appears on the upper right of the screen during training.

Level 1 (Easy) 5 (Hard)

Sets the difficulty level.

Meas with Click

19 Sets the number of measures for the click to play.

Total Meas 210 Sets the total number of measures.

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9. CHANGE UP

Screen Parameter Settings Description

Timer OFF (infinite), 30 sec, 1 min 00 sec, 1 min 30 sec, 2 min 00 sec, 2 min 30 sec, 3 min 00 sec, 5 min 00 sec, 8 min 00 sec, 10 min 00 sec

Sets the timer for training. When the timer reaches the set time, the training ends auto- matically.

When this parameter is set to a time other than off, the remaining time appears on the upper right of the screen shown during train- ing.

Level 1 (Easy) 5 (Hard)

Sets the difficulty level.

LoopMeas 1, 2, 4 Sets the number of measures to loop.

Select Rhythm (Practice),

(Not practice)

Selects a rhythm to practice. Use the buttons below and ([F1] and [F2]) to move the cursor, and then use the [][+] controllers to change the settings.

While on the screen shown during training, use the button below ([F3]) to move the cursor, and then use the [][+] controllers to change the settings.

Half notes

Quarter notes

Quarter note triplets

Eighth notes

Eighth note triplets

Sixteenth notes

Sixteenth note triplets

Ignore Timing off, on Use this parameter to select which of the pads to produce sounds when timing is off.Hi-Hat

Snare

Kick

Tom

Cymbal

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10. FAST BLAST

Screen Parameter Settings Description

FastBlastTimer off, 10 sec, 30 sec, 1 min 00 sec, 1 min 30 sec, 2 min 00 sec, 3 min 00 sec, 5 min 00 sec, 8 min 00 sec, 10 min 00 sec

Sets the timer. The setting is shown on the FAST BLAST screen.

When a time is selected, the remaining time will be shown on the screen. The timer starts when you start striking the pads. The training ends automatically when the timer reaches 0:00, and the total number of strikes and the best score will be shown on the screen.

When off is selected, the elapsed time will be shown on the upper right of the screen. By press- ing the STOP button ([F1]) to end the training, the total number of strikes and the best score will be shown on the screen.

Fader Select FXPROX

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You can set the amount of effect to be applied to each Inst.

1. Use the fader select knob to select a parameter.

Screen Parameter Settings Description FX1 SEND 0127 Sets the send level for the Inst to be

sent to Effect1.

FX2 SEND 0127 Sets the send level for the Inst to be sent to Effect2.

TranAtk -50 0 +50 Adjusts the attack of the Transient effect.

TranRls -50 0 +50 Adjust the release of the Transient effect.

InsType Effect Type (page 145)

(Cannot be set to Pad3, Pad5, Pad7, or Pad13)

Selects the type of insertion effect.

Changing the Amount of Effect Applied To Each Inst

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2. Use the LED rotary faders [q(KICK)] to [u(MISC)] to adjust the settings.

3. When there are multiple pads within a pad group, press the [PAD SELECT] button to select the pad you want to use.

InsDepth 0127 (Cannot be set to Pad3, Pad5, Pad7, or Pad13)

Sets the depth of Insertion effect to be applied.

Shown on the panel KICK SNARE TOM HI-HAT CRASH RIDE MISC

Pad Kick Snare Tom1 Tom2 Tom3

Hi-Hat Crash1 Crash2

Ride Others

Screen Parameter Settings Description

Fader Select CUSTMPROX

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The settings shown below can be customized. (Master EQ, Phones EQ gain, volume of each click timings, and send settings on MIDI control change)

1. Use the fader select knob to select a parameter.

2. Use the LED rotary faders [1] to [7] to adjust the settings. Use [1] to [5] for MEQ, [1] to [4] for HPEQ, [1] to [6] for ClickVol and [1] to [7] for MIDI CC.

Screen Parameter Settings Description MEQ Gain -12 0 +12 Use this parameter to boost or cut the center-fre-

quency levels of the Lo, LoMid, Mid, HiMid, and Hi MEQ Freq settings.

MEQ parameters other than Gain can be adjusted in MENU/Master EQ.

HPEQ Gain -12.0 0.0 +12.0

Use this parameter to boost or cut the center-fre- quency levels of the Lo, LoMid, HiMid, and Hi HPEQ Freq settings.

HPEQ parameters other than Gain can be adjusted in MENU/Phones EQ.

CLICK Vol 010 Adjusts the volumes of each click timing.

([F1]) Switches between Human voice 1 and 2. These two use different counting methods.

MIDI CC Set the MIDI Control Change to send with the LED rotary faders.

SETTING ([F1])

CC No. CC01CC95 Use this parameter to set the Control Change num- ber.

MinValue 0127 Sets the minimum value.

MaxValue 0127 Sets the maximum value.

MIDI Ch 116 Sets the MIDI channel to output to.

Configuring Custom Settings

LIVE SET ModePROX

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A Live Set is a combination of the Kit, tempo, audio files and other settings sequenced in the order you like. For example, you can create a chain of Kits in the order of a performance set list when playing live, or arrange a series of audio files in the order of difficulty level for use in your daily practice. With the DTX-PROX, you can save up to 10 Live Sets, and use them anytime during your performance.

LIVE SET

Live Set 1 Live Set 10

Up to 20 steps

etc.

Up to 20 steps

etc.

Kit

Tempo

Audio file

Step1

Kit

Tempo

Audio file

Step1

LIVE SET Function List

Select Live Set (PROX)

[F1] LIVE [F1] PLAY/STOP [F2] XSTICK [F3] DISPLAY

[F3] SETTING [F1] EDIT [F2] DELETE [F3] SORT

LIVE SET Mode

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[F1] LIVE

[F3] SETTING

You can register settings for each step to create a Live Set.

Selecting the Step You Want to Edit from LIVE SET

1. Set the Mode Select knob to LIVE SET.

LIVE SET/LIVE

Screen Button Description

PLAY/STOP ([F1])[F1] PLAY/STOP Starts or stops audio file playback and click sounds. This button does not appear when both tempo settings and file selection are set to off.

XSTICK ([F2])[F2] XSTICK This is the same as the cross stick setting on the KIT screen.

DISPLAY ([F3])[F3] DISPLAY Switches the display.

LIVE SET/SETTING

Screen Button Description

EDIT ([F1])[F1] EDIT Edits the Live Set.

DELETE ([F2])[F2] DELETE Deletes the Live Set.

SORT ([F3])[F3] SORT Sorts the Live Set.

LIVE ([F1]) Function Description

SETTING ([F3]) Function Description

Editing Live Sets

LIVE SET Mode

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The LIVE SET screen appears.

2. Use the [][+] controllers to select a Live Set.

3. Press the button below SETTING ([F3]).

The LIVE SET EDIT screen appears.

4. Use the [][+] controllers to select a step.

Live Set number and Live Set name

Step nameStep number

or

LIVE SET Mode

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Registering Steps

1. With the step you want to register selected, press the button below EDIT ([F1]).

The EDIT STEP screen appears.

2. Use the buttons below and ([F1] and [F2]) to move the cursor, and use the [][+] controllers to select a setting.

Parameters that can be registered for each step are as follows.

Screen Parameter Settings Description

Step Name Use the [][+] controllers to select a character, and then use the and buttons ([F1] and [F3]) to move the cursor to the next char- acter position. A step name of up to 12 characters can be assigned.

When you are finished entering all characters, press the OK button ([F2]).

or

LIVE SET Mode

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(Kit) off, kit number Register the kit for the step. The kit does not change when this setting is off.

(Tempo)tempo off, 30.0300.0 Register the tempo for the step. When off, the click sound will not play even when you press the PLAY button. If the audio file is also off, the PLAY button will not be shown.

(Click) PreCount

off, 1, 2 (number of measures)

Sets the number of PreCount measures. When the audio file and the click sound are set to be played simultaneously, PreCount is added before the song starts.

CountOff off, 1, 2, stop Sets the click sound to be played for one mea- sure or for two measures. When set to off, the click sound continues to play. When set to stop, the click will stop when the PreCount ends.

(Audio file) off, 0011000 Prepare an audio file and save to a USB flash drive as described in Preparing an Accompa- niment Song (Audio File) under Overdub Recording Your Performance onto an Accom- paniment Song in the DTX-PROX Owners Manual.

Wav&Click Sync

off, on When on, pressing the PLAY button starts the audio file and click sound in sync. Set Tempo to a value that matches the tempo of the audio file, set Offset Time to adjust the timing for starting the playback, and set Pre- Count.

Offset Time 0 ms 99sec999ms (1 ms increments)

Use this parameter to set the offset time.

Adjust this setting when the audio file playback and the click sound are out of sync. To fix this problem, first find the time length from the beginning of the audio file to the first beat of the song, and then set the time length value to this parameter.

The offset timing determines the timing of the first beat of the click, as well as the timing for the PreCount.

Screen Parameter Settings Description

LIVE SET Mode

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3. To register the next step, first return to the LIVE SET EDIT screen or STEP EDIT screen, and then use the [][+] controllers to select a step.

4. Once all steps have been registered, save the Live Set. See Saving a Customized Live Set under a New Name. (page 130)

Matching Click to the Tempo of the Audio File If the song in the audio file has a fixed tempo, you can sync the click to the audio file.

1. Select the audio file.

2. Find the click tempo that matches to the song tempo.

3. Check the time length from the beginning of the audio file to the first beat of the song and set the time as the Offset Time.

3-1. With the audio file selected, move the cursor to Offset Time.

3-2. Press the PLAY button ([F3]) to start the playback of the audio file, and then press the STOP button ([F3]) at the first beat of the song. The elapsed time for the audio playback will appear on the upper right of the screen.

3-3. Set the time shown here as the Offset Time. Note that the time shown on the screen may be different from the actual time of the first beat, due to a slight delay caused by press- ing the button. Setting the Offset Time to around 100 ms shorter than the time shown on the screen makes it easier to set the offset timing. You can also use a DAW software, such as Cubase AI that comes included with the PRO series module, to open the audio file and zoom in for a closer look at the wave to find the starting time of the first beat.

4. Set Wav&Click Sync to on, and then press PLAY ([F3]). The click will start after the set Offset Time. If the Offset Time is set correctly, the click will start at the same time as the first beat of the song. If the click and the first beat are still off, readjust the Offset Time.

To add a pre-count before a song playback starts, set the desired number of measures to PreCount. To stop the click after the pre-count, set CountOff to stop.

or

LIVE SET EDIT screen STEP EDIT screen

LIVE SET Mode

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Deleting Steps

1. With the step you want to delete selected, press the button below DELETE ([F2]).

The DELETE STEP confirmation screen appears.

2. Press the button below YES ([F1]) to delete the step.

Press the NO button ([F3]) to cancel deletion and the screen returns to step 1.

Completed. appears when the Delete is complete, and the screen returns to step 1.

LIVE SET Mode

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Sorting Steps

1. With the step you want to sort selected, press the button below SORT ([F3]).

2. Use the and buttons ([F1] and [F2]) to move the step where you want it to go.

3. Press the INSERT button ([F3]).

Pressing the INSERT button ([F3]) sets the rearranged order and changes the step numbers accordingly.

Saving a Customized Live Set under a New Name The Live Set settings you have customized can be saved in the same way as saving a kit. For more information, refer to Saving a Customized Kit under a New Name of the DTX-PROX Owners Manual.

LIVE SET Mode

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To use an audio file for the Live Set, first insert the USB flash drive containing the audio file into the [USB TO DEVICE] terminal on the rear panel.

1. Set the Mode Select knob to LIVE SET.

The LIVE SET screen appears.

2. Use the [][+] controllers to select a Live Set.

3. Press the button below LIVE ([F1]).

The LIVE SET PLAY screen appears.

Using the stored Live Sets

or

When the step name has not been entered, only the step number appears in the step name field.

LIVE SET Mode

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4. If you wish to playback an audio file or click sound, press the button below PLAY ([F1]).

5. Play the drums.

6. To proceed to the next step, press the [+] button.

7. To finish, press the [EXIT] button. This will return you to the LIVE SET screen.

Settings for live performances

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The settings and functions that are useful for live performances are shown below.

Settings

AutoPowerOff For live performances, it is recommended to disable the Auto Power-Off function.

Auto Power-Off Quick Cancel (refer to the Owners Manual), MENU/Utility/General/AutoPowerOff

Click (ClickOut L&R) Turn click output to the Output jacks off.

CLICK/SETTING/ClickOut L&R

Individual Output Choose output destinations for each pad. You can use presets to change the individual pad settings at once. Presets are provided for eight, four, and three signal paths to choose from depending on the number of mixer inputs at the venue, or the use of Y-cables.

MENU/Utility/Indiv Out

Bypass the panel controls from the sounds that are output from Individual Output (Preventing sounds from being affected when the values are changed from the panel)

MENU/Utility/Indiv Out/Routing/TranCompInsByps MENU/Utility/Indiv Out/Routing/MixerBypass

Output Gain (L&R, IndivOut) You can adjust the gain when the output level for each output jack and the settings on the connected device are different.

MENU/Utility/Output Gain

Aux In Input Mode At the live venue, you can monitor the audio signals (mono audio) from the PA system only through the headphones simply by connecting the mixer to the AUX IN jack.

In MENU/Utility/Input Output/AUX In/Input Mode, select PA-HP

To monitor the stereo audio signals from the PA, set the Input Mode to stereo, and set output to the OUTPUT jacks to off.

Routing function for audio files that have the guide (click) sound and accompaniment sound separated into L and R channels Allows the input and playback of audio files with the guide (click) sound and accompaniment sound separated into L and R channels.

Balance between the guide (click) sound and accompaniment sound in headphones can be easily adjusted with the [VOLUME] knobs. Balance between the guide (click) sound and accompaniment sound in headphones can be easily adjusted with the sliders.

Select L guide or R guide in MENU/Utility/Input Output/.../InputMode Select L guide or R guide in RECORDER/SETTING/PlayMode

Setting

Setting

PROX

Setting

Setting

PROX

Setting

Setting

PRO

PROX

Setting

Settings for live performances

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Functions

Pad Function

During a live performance, you can strike a pad to switch to another kit or to start or stop the click sound. During the live performance, you can strike a pad to proceed to the next step in a Live Set, or to start or stop the audio playback or click sound.

MENU/Utility/Pad/Pad Function

Live Set (audio songs, click settings, etc.) You can use the internal click to add pre-counts, or play click sounds (at a fixed tempo) for playing back audio files.

LIVE SET/SETTING/EDIT/Offset Time, PreCount, CountOff, Wav&Click Sync

LED Rotary Faders (FX, MIDI CC, etc.) You can set an Insertion Effect type for each pad and control the amount of effect in real-time.

Fader select FX/InsType, FX/InsDepth

You can control external devices and DAW software in live performance situations by sending MIDI Control Change messages.

Fader select CUSTM/MIDI CC

Triggers (multiple trigger setup) The conditions for the crosstalk occurring may vary depending on the venue. You can quickly change the crosstalk settings right at the venue, and store the settings as a user trigger, while keeping the original set of trigger settings unchanged.

Change settings in TRIGGER/SETTING Store Switch trigger settings on the top screen for the TRIGGER mode

You can change the trigger setup for each kit.

MENU/Kit Edit/Other/TrgSetupLink

Click (Count Off and Click Out) For checking the tempo of the song before the performance, you can set the click to be automatically turned off after playing one or two measures.

CLICK/SETTING/ClickCountOff The same setting is available for steps in Live Sets.

The click sounds can also be output to Indiv Out.

Fourth page on MENU/Utility/Indiv Out

Importing sampled sounds You can assign up to 10 sampled audio files to a user voice and set each of them to be played at different velocities.

MENU/Job/User Voice

By using four layers, you can use up to 40 sampled audio files and set each of them to be played at different velocities.

MENU/Kit Edit/Voice

PRO

PROX

Setting

PROX

Setting

PROX

Setting

Setting

PROX

Setting

Setting

Setting PROX

PROX

Setting

Setting

Setting

Connecting a Computer

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1DTX-PRO DTX-PROX Reference Manual

Connecting the PRO series module to a computer using a USB cable lets you send and receive audio or MIDI data. This section explains how to connect the PRO series module to a computer.

USB cable is not included. To connect your computer to the PRO series module, use a USB A-B type cable of no more than 3 meters.

Precautions when using the [USB TO HOST] terminal When connecting the computer to the [USB TO HOST] terminal, make sure to observe the following points to avoid freezing the com- puter and corrupting or losing the data. If the computer or the instrument freezes, restart the application software or the computer OS, or turn the power to the instrument off then on again.

Computer

[USB] terminal

[USB TO HOST] terminal (rear panel)

USB cable PRO series module

NOTE

NOTICE Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.

Execute the following before turning the power to the instrument on/off or plugging/unplugging the USB cable to/from the [USB TO HOST] terminal.

- Quit any open application software on the computer.

- Make sure that data is not being transmitted from the instrument.

While the computer is connected to the instrument, you should wait for six seconds or more between these operations: (1) when turning the power of the instrument off then on again, or (2) when alternately connecting/disconnecting the USB cable.

Connecting a Computer

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To use audio data with a Windows computer, you need to install the Yamaha Steinberg USB Driver.

1. Download the latest Yamaha Steinberg USB Driver from the following URL. https://download.yamaha.com/ Press the [(driver name) ] button, download and open the file.

2. Install the Yamaha Steinberg USB Driver on your computer. For more information, please refer to the Yamaha Steinberg USB Driver Installation Guide.

For more information on recording or audio playback, please refer to the Owners Manual for your DAW software.

When you use a macOS computer or when you use a Windows computer only to handle MIDI data, installation of the Yamaha Steinberg USB Driver is not required.

Information on system requirements is provided on the above web page.

For improvement, the Yamaha Steinberg USB Driver may be upgraded without notice. For details and the most up-to-date information, please visit the above website.

MIDI-related Reference Information related to MIDI and creating music with a computer, is provided in the Data List (PDF). The Data List (PDF) is available for download at the following web page.

https://download.yamaha.com/

* Yamaha Corporation reserves the right to modify this URL at any time without prior notice.

Installing the Yamaha Steinberg USB Driver

NOTE

NOTE

Using DAW Software

Troubleshooting

Symptom Possible cause Solution

DTX-PRO DTX-PROX

No sound

Out of balance

No sound The cable is not prop- erly connected

Ensure that the PRO series module is properly connected to headphones or an external audio system, such as an amplifier and/or speakers.

Ensure that the cables you are using are in good condition.

Pad settings have not been properly config- ured

Turn the PadFunction setting in MENU/Utility/Pad off.

Trigger settings are improper

Check the Pad Type parameter from MENU/Trigger/Pad Type or TRIGGER/SETTING/Pad Type.

Check the Velocity Curve parameter from MENU/Trigger/ Curve or TRIGGER/SETTING/Curve, and the Gain parameter from MENU/Trigger/Pad Type or TRIGGER/SETTING/Pad Type.

Ensure that the Minimum Level parameter from MENU/Trig- ger/Pad Type or TRIGGER/SETTING/Pad Type has not been set too high, as this can prevent sound from being output.

Check the settings in MENU/Trigger/Input Mode or TRIGGER/ SETTING/Input Mode.

Filter and decay set- tings have not been properly configured

If using filters, re-adjust your VoiceFilter settings as they often prevent sound from being output.

Check the VoiceFilter and VoiceDecay settings in MENU/Kit Edit/Voice.

MIDI settings have not been properly config- ured

Ensure that the MessageType parameter from MENU/Kit Edit/ Kit Modifier/Voice is set to note.

When the MessageType parameter from MENU/Kit Edit/Kit Modifier/Voice is set to note, the sound will not play if the Voice Number parameter from MENU/Kit Edit/Kit Modifier/ Voice is set to no assign.

Ensure that the VelLo parameter from MENU/Kit Edit/Kit Mod- ifier/Voice/MessageType is not set too high. Pads will produce sound only when struck harder than the value set here.

Ensure that the TrgVel parameter from MENU/Kit Edit/Kit Mod- ifier/Voice/MessageType is not set too low. Low trigger velocities result in low output volumes.

Ensure that the MIDI LocalCtrl parameter from MENU/Utility/ General is set to on.

The volume or level set- tings are improper

The headphone volume is not turned up

The metronome volume is not turned up

Check the following: Volume controllers on amplifiers and/or speakers connected to

the PRO series module. MENU/Kit Edit/Volume The trigger output level of any pads with a dial allowing this to be

adjusted.

The [MASTER VOLUME] knob on the DTX-PRO front panel.

The sliders on the MIXER screen.

Volume for the metronome (Click). ([CLICK VOLUME] knob)

Sliders ([OUTPUT] and [PHONES]) on the DTX- PROX top panel.

LED rotary faders Volume for the metronome

(Click) ([CLICK] slider).

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Troubleshooting

Poor volume balance Poor volume balance between each of the pads

Ensure that the sliders on the MIXER screen have been set appropriately.

Ensure that the LED rotary fad- ers have been set appropri- ately.

Poor volume balance between the external audio device and the PRO series module

Individually adjust the output volumes of the PRO series module and the external audio devices.

Adjust settings in MENU/Utility/Input Output/AUX In Gain.

Adjust the volume with the [AUDIO VOLUME] knob.

Adjust the volume with the [AUDIO] slider.

Poor EQ balance Poor EQ balance Adjust the Phones EQ and the Master EQ.

Pads with position sensing do not pro- duce sounds properly

Ensure that the Pad Type parameter has been set correctly. Check the orientation of the cymbal pad. When this is not set

properly, the cymbal pad may not be fully functional. Make sure to connect the pad to the proper jack that supports

position sensing.

Headphone volume is too low

Kick volume is too low in headphones

Adjust the values in MENU/Utility/Output Gain. Adjust the PhonesEQ. Use high quality headphones.

Use one headphone at a time. Using two at once may reduce the output level.

Having difficulties during perfo- mance

Cymbal/Hi-hat sounds are too soft

The PRO series mod- ule produces sound but the sensitivity (i.e., vol- ume) is too low.

Orientation of the cym- bal pad is incorrect

Shaft on the Hi-hat pad is loose

Extra felt is attached

The pad type or trigger parameter setting is incorrect

Slider is set to the mini- mum (DTX-PRO)

LED rotary fader is set at the minimum level (DTX-PROX)

The level settings for the pad are improper

The cymbal edge switch has not been detected

Check the orientation of the cymbal pad. If this is set improperly, the cymbal pad may not be fully functional.

The shaft on the hi-hat stand may come loose during use and cause the hi-hat pad to rotate. If this happens, the pad may not function properly. To avoid the problem, we recommend that you tighten the shaft and check the position of the hi-hat pad on a regular basis.

Putting extra felt under the cymbal pad may result in lower vol- ume.

Ensure that the Pad Type and trigger parameters are set cor- rectly. Is the pad type shown by the Pad Type parameter in MENU/Trigger/Pad Type or TRIGGER/SETTING/Pad Type cor- rect? (Select the proper pad type for the cymbal pad connected to the PRO series module.)

The trigger output level of any pads with a dial allow this to be adjusted.

Ensure that slider on the MIXER screen or the LED rotary fader for the pad for which a sound is not being produced is set high enough.

Ensure that the drumstick is parallel to the pad surface when striking the pad. The edge sensor switch on the cymbal pad may not react properly when the pad is struck completely from the side.

Double triggers are being produced

Ensure that trigger setups have been configured correctly. If the pad or drum trigger in question features a controller for

adjusting output or sensitivity, turn it down. Ensure that the Gain parameter from MENU/Trigger/Pad Type

or TRIGGER/SETTING/Pad Type is not set too high.

Sound is produced without striking the pad Sound is produced by a pad that was not struck (Crosstalk is occurring)

Ensure that trigger setups have been configured correctly. Set the Reject Lvl parameter from the MENU/Trigger/Cross-

talk or TRIGGER/SETTING/Crosstalk to an appropriate level. If using a separately-sold pad featuring a level adjuster, ensure

that the level has been set appropriately. Ensure that the Minimum Level parameter from MENU/Trig-

ger/Pad Type or TRIGGER/SETTING/Pad Type has been set appropriately.

Symptom Possible cause Solution

DTX-PRO DTX-PROX

138DTX-PRO DTX-PROX Reference Manual

Troubleshooting

Only one Inst is played when two pads are struck simultaneously

Ensure that trigger setups have been configured correctly. From MENU/Trigger/Pad Type/Pad Type or TRIGGER/SETTING/

Pad Type/Pad Type, select the pad that is not producing sound, and raise the value of its Gain parameter.

From MENU/Trigger/Pad Type/Pad Type or TRIGGER/SETTING/ Pad Type/Pad Type, select the pad that is not producing sound, and lower the value of its MinLevel parameter.

Sounds are skipped during rolls and flams

Reduce the Reject Time parameter from MENU/Trigger/Pad Type/Pad Type or TRIGGER/SETTING/Pad Type.

Cannot choke

Cannot mute

Check the Pad Type parameter from MENU/Trigger/Pad Type or TRIGGER/SETTING/Pad Type.

Check the orientation of the cymbal pad. If the orientation of the pad is set improperly, the cymbal pad may not function fully.

Foot closed hi-hat sounds cannot be played

It is difficult to produce closed hi-hat sounds

Shaft on the Hi-hat pad is loose

Extra felt is attached

LED rotary fader is set at the minimum level (DTX-PROX)

The level settings for the pad are improper

Make sure that you are fully and firmly operating the hi-hat con- troller or the hi-hat pedal.

Lower the setting of the FootClosePos parameter in MENU/ Utility/Pad.

Is the pad type shown by the Pad Type parameter in MENU/ Trigger/Pad Type or TRIGGER/SETTING/Pad Type correct?

Ensure that hi-hat pad or the hi-hat controller is correctly con- nected to the [CONTROL] jack of the PRO series module.

Putting extra felt under the cymbal pad may result in lower vol- ume.

Ensure that slider on the MIXER screen or the LED rotary fader for the pad for which a sound is not being produced is set high enough.

Hi-hat splash sounds are not produced as intended

Adjust the FootSplashSens parameter from MENU/Utility/Pad. Hi-hat splash sounds will not be produced if off has been set here.

Pads with position sensing do not pro- duce sounds properly

Check the Pad Type parameter from MENU/Trigger/Pad Type or TRIGGER/SETTING/Pad Type.

Check the orientation of the cymbal pad. When this is not set properly, the cymbal pad may not be fully functional.

Make sure to connect the pad to the proper jack that supports position sensing.

Select an Inst or a voice that is compatible with position sensing. For more information, refer to the Data List (PDF).

Reliable trigger signals cannot be produced (when using a drum trigger attached to an acoustic drum)

Check the Pad Type parameter from MENU/Trigger/Pad Type or TRIGGER/SETTING/Pad Type.

Ensure that the Gain parameter from MENU/Trigger/Pad Type or TRIGGER/SETTING/Pad Type is not set too high.

Ensure that you are using only the recommended Yamaha drum triggers (trigger sensors) or pads. Products from other manufac- turers can output excessively large signals, which in turn can result in double triggering.

Ensure that the heads are not vibrating in an irregular manner, and mute them if so required.

Ensure that drum triggers have been installed properly. Increase the Reject Time parameter from MENU/Trigger/Pad

Type or TRIGGER/SETTING/Pad Type. Avoid setting too large a reject time, as this can make it impossible to accurately detect flams, rolls, and the like.

The longer the bass drum sound, the easier it is to cause double triggers. Adjust the drum so that it produces a shorter sound. Try muting/tuning the head/changing the head.

Symptom Possible cause Solution

DTX-PRO DTX-PROX

139DTX-PRO DTX-PROX Reference Manual

Troubleshooting

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1DTX-PRO DTX-PROX Reference Manual

Pads are only produc- ing sounds at very high volumes (i.e., high velocities)

Ensure that the Gain parameter from MENU/Trigger/Pad Type or TRIGGER/SETTING/Pad Type is not set too high.

Adjust the Velocity Curve parameter from MENU/Trigger/ Curve or TRIGGER/SETTING/Curve.

Check the TrgVel setting in MENU/Kit Edit/Kit Modifier/Voice/ MessageType. For example, if this parameter is set to 127, the maximum velocity will be produced even when the pad is struck lightly.

Ensure that you are using only the recommended Yamaha pads. Products from other manufacturers can output excessively large signals.

Pads produce unintended sounds

Ensure that trigger setups have been configured correctly. If an external MIDI device played from the PRO series module

does not produce the expected sounds, review its voice settings for the MIDI channel on which the PRO series module is sending data, and ensure that they are appropriate for the MIDI data being sent.

Voices assigned to layers B, C, or D may cause unintended sounds.

In some cases where unexpected sounds are produced when you have connected a two or three-zone pad to any of the [wTOM1/e], [rTOM2/t], [yTOM3/u], [!2KICK/!3], [qSNARE] or [!4] jacks. If so, with Pad 3, Pad 5, Pad 7 or Pad 13, set the Pad Type parameter to off in MENU/Trigger/Pad Type or TRIGGER/SETTING/Pad Type. With Pad 1 or Pad 14, select the proper pad type in MENU/Trigger/Pad Type or TRIG- GER/SETTING/Pad Type.

Check the crosstalk setting, min level setting and sensitivity set- ting.

Sounds are distorted Ensure that effects have been set appropriately. Sound can be distorted with certain combinations of effect type and parameter settings.

Ensure that the VoiceFilter parameter in MENU/Kit Edit/Voice is configured properly. Depending on the VoiceQ settings (filter resonance), distortion can be caused.

Lower the PRO series modules master volume.

Sounds play endlessly and do not stop

Ensure that the hold function is not turned on. Press [EXIT] while on the kit screen (top screen) to stop the KIT sounds.

Effects cannot be applied

Ensure that the [EFFECT] knob is not turned down to minimum. Ensure that the effect type is not set to THRU or NO EFFECT. Ensure that the InstSend value is high enough for Effect 1 or

Effect 2.

Effects may not be applied to the output via Indiv Out. Master effects will not be applied. Insertion effects may not be applied depending on the set- tings.

The wave tempo does not change

Wave tempo cannot be changed. It will always play at the original tempo of the imported file regardless of kit tempo and other set- tings.

Pad controller does not work

Pad controllers are not supported.

By pressing the [REC] button, only one song can be recorded. The previous recording is overwritten

Only one song can be recorded to the PRO series modules.

My training scores are strange

Crosstalk is occurring See the section on Crosstalk.

Symptom Possible cause Solution

DTX-PRO DTX-PROX

Troubleshooting

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1DTX-PRO DTX-PROX Reference Manual

Settings The PRO series mod- ule does not store its settings

The PRO series module automatically stores its system settings whenever you turn it off using the [ ] (Standby/On) button.

Do not turn off the PRO series module by unplugging the AC adaptor. This will prevent it from storing the system settings.

User settings for kits, click sets, and triggers must be stored manually.

User settings for kits, click sets, triggers, and live sets must be stored manually.

Data cannot be saved on a USB flash drive

USB 1.1 compatible flash drives cannot be used on the PRO series modules.

Ensure that the USB flash drive has been formatted using the PRO series module.

Ensure that the USB flash drive has not been write-protected. Ensure that there is sufficient free space on the USB flash drive

to save the data. Check the free space from Memory Info in MENU/File.

Cannot load audio files from a USB flash drive

Cannot load standard MIDI files from a USB flash drive

USB 1.1 compatible flash drives cannot be used on the PRO series modules.

Ensure that there is sufficient free space on the PRO series mod- ule.

Format the USB flash drive with the PRO series module. Ensure that the file to be read is located within the root directory

of the USB flash drive (that is, not within any folder).

Cannot send data to or from the smart device

Check the connection. For more information, refer to the iPhone/ iPad Connection Manual or Smart Device Connection Manual for Android.

The Bluetooth- equipped smart device cannot be paired with nor connected to the PRO series modules.

Check the Bluetooth function of the smart device is acti- vated. To connect the smart device and the PRO series modules via Bluetooth, both devices need to be functional.

The smart device and the PRO series module need to be paired (page 88).

In case there is a device (microwave oven, wireless LAN device, etc.) that outputs signals in the 2.4 GHz fre- quency band nearby, move the PRO series modules away from the device that is emitting radio-frequency sig- nals.

Wave does not play The wave has been deleted

For a user voice with an audio file imported into it, the sound no longer plays if the wave has been deleted.

Symptom Possible cause Solution

DTX-PRO DTX-PROX

Troubleshooting

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1DTX-PRO DTX-PROX Reference Manual

Connected external device does not pro- duce sound

The device is not con- nected properly

The MIDI channels do not match

A function has been assigned to the pad

The pad volume is low

Ensure that the MIDI cable has been correctly connected. Ensure that the MIDI channels match. For more information on

MIDI settings, see page 35. When using a USB MIDI connection, ensure that USB cables

have been correctly connected. Pads that have been assigned a function will not play sound

even when struck. Set the Pad Function in MENU/Utility/Pad to off.

Ensure that the MessageType parameter from MENU/Kit Edit/ Voice is set to note. Sounds will not be produced if this is not set to note.

Ensure that the VelLo parameter from MENU/Kit Edit/Voice/ MessageType is not set too high. Pads will produce sound only when struck harder than the value set here.

Ensure that the Minimum Level parameter from MENU/Trig- ger/Pad Type or TRIGGER/SETTING/Pad Type has not been set too high, as this can prevent sound from being output.

Cannot exchange data with DAW applications

When the Auto Power-Off function activates to turn off the PRO series module, any connection with DAW software will be lost. To restore this connection, close the DAW application, turn the PRO series module back on, and then launch the application once again. It is advisable to disable the Auto Power-Off function when exchanging data with a computer.

A driver is required to send audio data in Windows. (page 136) Ensure that the USB cable has been correctly connected.

Power turns off unex- pectedly

Disable the Auto Power-Off function.

The PRO series mod- ule does not receive any switch or trigger signals at all

I want to reset the PRO series module to the factory default

Use the Factory Reset to restore the settings to the factory defaults.

Symptom Possible cause Solution

DTX-PRO DTX-PROX

Reference

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1DTX-PRO DTX-PROX Reference Manual

Ambi Type

Name Description

No Effect Bypass without applying an effect.

Hall 1

Reverb emulating the acoustics of a concert hall. Hall 2

Hall 3

Hall 4

Room 1

Reverb emulating the acoustics of a room.

Room 2

Room 3

Room 4

Room 5

Plate 1 Reverb emulating a metal plate.

Plate 2

Stage Reverb emulating the acoustics of a stage.

Space Simulator Effect emulating the reverberating sound in a large space like a tunnel, a cave, and so on.

Reverb+Gate Effect that combines a Gated Reverb and Reverb effect.

Reverb+Chorus Effect that combines a Chorus and Reverb effect.

Reverb+Phaser Effect that combines a Phaser and Reverb effect.

Reverb+Flanger Effect that combines a Flanger and Reverb effect.

Reverb+Harmonic Effect that combines a Harmonic Enhancer and Reverb effect.

Reverb+RingMod Effect that combines a Ring Modulator and Reverb effect.

Effect Type

Reference

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1DTX-PRO DTX-PROX Reference Manual

Effect Type

Fx1 Type Fx2 Type

(*) The effect changes according to the tempo setting of the module.

Name Description

No Effect Bypass without applying an effect.

Gated Reverb Simulation of gated reverb.

Reverse Reverb Simulation of reverse playback of gated reverb.

Early Ref 1

This effect isolates only the early reflection components of the Reverb.

Early Ref 2

Early Ref 3

Early Ref 4

Early Ref 5

Tempo Delay 8th The effect synchronizes the delay length to an eighth note tempo. (*)

Tempo Delay Tri The effect synchronizes the delay length to a quarter note triplet tempo. (*)

Tempo Delay Dot The effect synchronizes the delay length to a dotted eighth note tempo. (*)

G Chorus A Chorus Effect that produces a richer and more complex modulation than normal chorus.

2 Modulator A Chorus Effect consisting of pitch modulation and amplitude modulation.

SPX Chorus An effect which uses a 3-phase LFO to add modulation and spaciousness to the sound.

Symphonic A 3-phase Chorus which uses a complex LFO wave.

Ensemble Detune Chorus effect without modulation, created by adding a slightly pitch-shifted sound.

VCM Flanger These effects emulate the characteristics of an analog flanger used in the 1970s, recreating a warm, high-qual- ity flanger effect.

Classic Flanger Conventional type of flanger.

Tempo Flanger Tempo-synchronized flanger. (*)

Dynamic Flanger Dynamically controlled flanger.

AmbienceFlanger A flanger that adds early reflections.

VCM Phaser This effect emulates the characteristics of analog phasers used in the 1970s, recreating a warm, high-quality phaser effect. This is a stereo phaser with VCM technology for producing a vintage sound.

Tempo Phaser Tempo-synchronized phaser. (*)

Dynamic Phaser Dynamically controlled phase shifter.

VCM Auto Wah Modulates the tone via LFO.

VCM Touch Wah Modulates the tone via Amplitude.

Ring Modulator An effect that modifies the pitch by applying Amplitude Modulation to the frequency of the input.

Dynamic RingMod Dynamically controlled Ring Modulator.

Auto Synth 1

Processes the input signal into a synthesizer-type sound.Auto Synth 2

Auto Synth 3

TempoSpiralizerP Spiralizer with tempo-synchronized LFO. (*)

Tech Modulation Adds a unique feeling of modulation similar to ring modulation.

Pitch Change 1 Changes the pitch of the input signal.

Pitch Change 2

Reference

45

1DTX-PRO DTX-PROX Reference Manual

Effect Type

MFX Type InsertionType

(*) The effect changes according to the tempo setting of the module.

Name Description

Thru No Effect.

Analog Delay 1 Analog delay driven by bucket-brigade device (BBD) chips with short delay setting.

Analog Delay 2 Analog delay driven by bucket-brigade device (BBD) chips with long delay setting.

G Chorus A Chorus Effect that produces a richer and more complex modulation than normal chorus.

2 Modulator A Chorus Effect consisting of pitch modulation and amplitude modulation.

SPX Chorus An effect which uses a 3-phase LFO to add modulation and spaciousness to the sound.

Symphonic A 3-phase Chorus which uses a complex LFO wave.

VCM Flanger These effects emulate the characteristics of an analog flanger used in the 1970s, recreating a warm, high-qual- ity flanger effect.

Dynamic Flanger Dynamically controlled flanger.

VCM Phaser This effect emulates the characteristics of analog phasers used in the 1970s, recreating a warm, high-quality phaser effect. This is a stereo phaser with VCM technology for producing a vintage sound.

Dynamic Phaser Dynamically controlled phase shifter.

Overdrive Stereo distortion.

Compressor Conventional compressor.

Lo-Fi Degrades the audio quality of the input signal to get a lo-fi sound.

Noisy Adds noise to the current sound.

Turntable Simulates the noise of an analog record.

Bit Crusher Produces distortion by reducing the resolution or bandwidth of the digital sound.

Dynamic RingMod Dynamically controlled Ring Modulator.

Dynamic Filter Dynamically controlled filter.

TempoSpiralizrF Spiralizer with tempo-synchronized LFO. (*)

Tech Modulation Adds a unique feeling of modulation similar to ring modulation.

Control Filter Manually controlled filter.

Ring Modulator An effect that modifies the pitch by applying Amplitude Modulation to the frequency of the input.

Presence Effect for bringing out the hidden presence in the input sounds.

Harmo Enhancer Layers additional harmonics to the input signal to make the sound stand out.

Pitch Change Changes the pitch of the input signal.

4Tap Delay 8th Four separate Delay effects are synchronized to an eighth note tempo. (*)

4Tap Delay 16th Four separate Delay effects are synchronized to a sixteenth note tempo. (*)

4Tap Delay 32nd Four separate Delay effects are synchronized to a thirty-second note tempo. (*)

High Gain An overdrive effect variation.

Modern An overdrive ef

Manualsnet FAQs

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