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Roland A-800 PRO Control Map Guide PDF
Summary of Content for Roland A-800 PRO Control Map Guide PDF
0 1 *
En g
lis h
A-PRO_g_e.book 1
A-PRO_g_e.book 2
3
En g
lis h
s no ontrol map for the software or hardware youre using,
land ee whether a suitable control map might be available.
site .rola upport/
ontr ilable, you can download it and transmit it to the A-PRO.
nsmi ol Map to the A-PRO within Using A-PRO Editor in the
ual.
o sw control maps.
PLA ee Performing (Play mode) in the owners l.)
he [ n or [ ] button to move the cursor to CTRL n th
lay s mber of the currently selected control map.
e [V b to select the desired control map number.
stick nd to control map number16, GM2.
, affix locations shown below.
201 ORPORATION serve of this publication may be reproduced in any form writ ion of ROLAND CORPORATION.
A-PRO_g_e.book 3
t contain a c
website to s
ndus.com/s
ol map is ava
tting a Contr
itch between
Y mode (s
] butto e display. hows the nu
ALUE] kno
ers correspo
them in the
0 ROLAND C d. No part
ten permiss
Control Map Guide
When shipped from the factory, the A-300PRO/500PRO/800PRO (referred to simply as
the A-PRO in the following) contains 19 control maps. By making use of these control
maps, you can easily set up the A-PRO to control your software or hardware.
(*1) Depending on the software you use, the content of a control map may be altered.
If this list doe
check the Ro
Roland web http://www
If a suitable c
Refer to Tra
owners man
Heres how t
1 Choose manua
2 Press t MAP i The disp
3 Turn th
The supplied
As necessary
Copyright All rights re without the
Control map number Corresponding software/hardware
1 Cubase SOLO
2 Cubase MUTE
3 Cubase RECORD
4 Logic SOLO
5 Logic MUTE
6 Logic RECORD
7 Logic GLOBAL
8 Logic INITIALIZE
9 DP (Digital Performer) SOLO
10 DP MUTE
11 DP RECORD
12 Live SOLO
13 Live MUTE
14 Live RECORD
15 GarageBand
16 GM2
17 SD-50
18 Generic MIDI Controller
19 (*1) NO ASSIGN
4
nt version.
r pan, change even though you didnt adjust
R1][R9] are in the center position.
igned to Knobs [R1][R9]. If knobs [R1][R9] are not at the center
ges will continue to be transmitted from the A-PRO.
or STOP, but not Volume or Pan
set to channel 1.
n or [B2] button will switch the tracks that are assigned to sliders
][R8]. It is not necessarily the case that [R1] and [S1] are
to the Controllers
A-PRO_g_e.book 4
Control Map Guide
If youre using Cubase, make the following settings.
The explanation here uses the Mac OS X version of Cubase 5 as an example. The procedure might differ if youre using a differe
1 Choose PLAY mode (see Performing (Play mode) in the owners manual.)
2 Press the [ ] button or [ ] button to move the cursor to CTRL MAP in the display. The display shows the number of the currently selected control map.
3 Turn the [VALUE] knob to select number 1.
4 Start up Cubase 5.
5 In the [Devices] menu, click [Device Setup...].
6 At the upper left of the dialog box, click the [+] button, and choose [Mackie Control] from the pull-down menu.
7 As the MIDI input, choose [A-PRO 2], and then click [Apply]. Then click [OK].
Refer to p. 9.
Values, such as that fo
them
Make sure that knobs [
Encoder Simulate is ass
position, control messa
You can control PLAY
Check the track that is
Pressing the [B1] butto
[S1][S8] and knobs [R1
assigned to track 1.
Cubase
Operation of the A-PRO
Operation of the A-PRO
Operation of the A-PRO
Functions Assigned
Troubleshooting
5
Control Map Guide
En g
lis h
r pan, change even though you didnt adjust
R1][R9] are in the center position.
igned to Knobs [R1][R9]. If knobs [R1][R9] are not at the center
ges will continue to be transmitted from the A-PRO.
or STOP, but not Volume or Pan
set to channel 1.
n or [B2] button will switch the tracks that are assigned to sliders
][R8]. It is not necessarily the case that [R1] and [S1] are
he channels in the same order as the tracks, turn the GLOBAL
OBAL VIEW is ON, youll be controlling the group specified by
AL VIEW status, leave the Track Mixer open in Logic.
ch GLOBAL VIEW or change GLOBAL, use control map 7.
to the Controllers
A-PRO_g_e.book 5
If youre using Logic Pro, make the following settings.
The explanation here uses Logic Pro 9 as an example. The procedure might differ if youre using a different version.
1 Start up Logic Pro 9.
2 Choose PLAY mode (see Performing (Play mode) in the owners manual.)
3 Press the [ ] button or [ ] button to move the cursor to CTRL MAP in the display. The display shows the number of the currently selected control map.
4 Turn the [VALUE] knob to select number 8.
5 Press the [B1] button, then the [B2] button, and then the [B3] button. Now you can control Logic Pro 9 from the A-PRO.
6 Close the setup window thats open in Logic Pro 9.
Refer to p. 9 and p. 10.
Values, such as that fo
them
Make sure that knobs [
Encoder Simulate is ass
position, control messa
You can control PLAY
Check the track that is
Pressing the [B1] butto
[S1][S8] and knobs [R1
assigned to track 1.
If you want to control t
VIEW setting OFF. If GL
GLOBAL.
* To check the GLOB
* If you want to swit
Logic Pro
Operation of the A-PRO
Operation of the A-PRO
Operation of the A-PRO
Operation of the A-PRO
Functions Assigned
Troubleshooting
6
r pan, change even though you didnt adjust
R1][R9] are in the center position.
igned to Knobs [R1][R9]. If knobs [R1][R9] are not at the center
ges will continue to be transmitted from the A-PRO.
or STOP, but not Volume or Pan
set to channel 1.
n or [B2] button will switch the tracks that are assigned to sliders
][R8]. It is not necessarily the case that [R1] and [S1] are
to the Controllers
A-PRO_g_e.book 6
Control Map Guide
If youre using Digital Performer, make the following settings.
The explanation here uses Digital Performer 7 as an example. The procedure might differ if youre using a different version.
1 Choose PLAY mode (see Performing (Play mode) in the owners manual.)
2 Press the [ ] button or [ ] button to move the cursor to CTRL MAP in the display. The display shows the number of the currently selected control map.
3 Turn the [VALUE] knob to select number 9.
4 Start up Digital Performer 7.
5 In the [Setup] menu, click [Control Surface Setup...].
6 In the Control Surface dialog box, click the [+] box, and make the following settings.
Refer to p. 10.
Values, such as that fo
them
Make sure that knobs [
Encoder Simulate is ass
position, control messa
You can control PLAY
Check the track that is
Pressing the [B1] butto
[S1][S8] and knobs [R1
assigned to track 1.
Digital Performer
Driver Mackie Control
Unit Mackie Control
MIDI A-PRO 2-1
Operation of the A-PRO
Operation of the A-PRO
Operation of the A-PRO
Functions Assigned
Troubleshooting
7
Control Map Guide
En g
lis h
r pan, change even though you didnt adjust
R1][R9] are in the center position.
igned to Knobs [R1][R9]. If knobs [R1][R9] are not at the center
ges will continue to be transmitted from the A-PRO.
or STOP, but not Volume or Pan
set to channel 1.
n or [B2] button will switch the tracks that are assigned to sliders
][R8]. It is not necessarily the case that [R1] and [S1] are
to the Controllers
A-PRO_g_e.book 7
If youre using Live, make the following settings.
The explanation here uses Live 8 as an example. The procedure might differ if youre using a different version.
1 Choose PLAY mode (see Performing (Play mode) in the owners manual.)
2 Press the [ ] button or [ ] button to move the cursor to CTRL MAP in the display. The display shows the number of the currently selected control map.
3 Turn the [VALUE] knob to select number 12.
4 Start up Live 8.
5 Open the Preferences dialog box. Windows users In the [Options] menu, click [Preferences...]. Mac OS X users In the [Live] menu, click [Preferences...].
6 In the left side of the Preferences dialog box, click the [MIDI Sync] tab, and make the following settings.
7 Close the Preferences dialog box.
Refer to p. 11.
Values, such as that fo
them
Make sure that knobs [
Encoder Simulate is ass
position, control messa
You can control PLAY
Check the track that is
Pressing the [B1] butto
[S1][S8] and knobs [R1
assigned to track 1.
Live
Control Surface Input
1 Mackie Control A-PRO (A-PRO 2)
Operation of the A-PRO
Operation of the A-PRO
Operation of the A-PRO
Functions Assigned
Troubleshooting
8
r was not correctly installed. Proceed as follows to check this.
nd.
IDI devices other than the A-PRO from your Mac.
Band.
and] menu, click [Preferences].
/MIDI] tab.
the screen indicates 0 MIDI Input(s) were detected.
to Reinstalling the driver in the Troubleshooting section of
d reinstall the driver.
t output when you press the [L9] ([HOLD]) button
HOLD is assigned to the [L9] button.
transmit a Sustain message, assign the function of the [L9]
ls, refer to L9 FUNCTION in the System settings (EDIT mode)
manual.
to the Controllers
A-PRO_g_e.book 8
Control Map Guide
If youre using GarageBand, make the following settings.
The explanation here uses GarageBand 09 as an example. The procedure might differ if youre using a different version.
1 Choose PLAY mode (see Performing (Play mode) in the owners manual.)
2 Press the [ ] button or [ ] button to move the cursor to CTRL MAP in the display. The display shows the number of the currently selected control map.
3 Turn the [VALUE] knob to select number 15.
4 Start up GarageBand.
Refer to p. 11.
No sound
It may be that the drive
1 Close GarageBa
2 Disconnect all M
3 Start up Garage
4 In the [GarageB
5 Click the [Audio
6 Check whether
If the number is 0, refer
the owners manual, an
Sustain message is no
At the factory settings,
To have the [L9] button
button to L9. For detai
section of the owners
GarageBand
Operation of the A-PRO
Operation of the A-PRO
Operation of the A-PRO
Functions Assigned
Troubleshooting
9
En g
lis h
Co ap #48)
5. M
ogic ORD
7. Logic GLOBAL
8. Logic INITIALIZE
R R 1 NO ASSIGN
R R 2 NO ASSIGN
R R 3 NO ASSIGN
R R 4 NO ASSIGN
R R 5 NO ASSIGN
R R 6 NO ASSIGN
R R 7 NO ASSIGN
R R 8 NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
M ORD 1 GLOBAL -
AUDIO NO ASSIGN
M ORD 2 GLOBAL -
INST NO ASSIGN
M ORD 3 GLOBAL -
AUX NO ASSIGN
M ORD 4 GLOBAL -
BUS NO ASSIGN
A-PRO_g_e.book 9
ntrol M
Logic UTE
6. L REC
OTARY ENCODE
OTARY ENCODE
OTARY ENCODE
OTARY ENCODE
OTARY ENCODE
OTARY ENCODE
OTARY ENCODE
OTARY ENCODE
NO ASSIGN
FADER 1
FADER 2
FADER 3
FADER 4
FADER 5
FADER 6
FADER 7
FADER 8
MASTER FADER
UTE 1 REC
UTE 2 REC
UTE 3 REC
UTE 4 REC
gic Pro (
4. Logic SOLO
R1
R2
R3
R4
R5
R6
R7
R8
R9
S1
S2
S3
S4
S5
S6
S7
Control Map List
Cubase (Control Map #13)
1. Cubase SOLO
2. Cubase MUTE
3. Cubase RECORD
R1 ROTARY ENCODER 1
R2 ROTARY ENCODER 2
R3 ROTARY ENCODER 3
A7 SOLO 7 MUTE 7 RECORD 7
A8 SOLO 8 MUTE 8 RECORD 8
B1 BANK LEFT
1. Cubase SOLO
2. Cubase MUTE
3. Cubase RECORD
Lo
R4 ROTARY ENCODER 4
R5 ROTARY ENCODER 5
R6 ROTARY ENCODER 6
R7 ROTARY ENCODER 7
R8 ROTARY ENCODER 8
R9 NO ASSIGN
S1 FADER 1
S2 FADER 2
S3 FADER 3
S4 FADER 4
S5 FADER 5
S6 FADER 6
S7 FADER 7
B2 BANK RIGHT
B3 MIXER VIEW
B4 FLIP
L1 RETURN TO ZERO
L2 REWIND
L3 FAST FORWARD
L4 NO ASSIGN
L5 STOP
L6 PLAY
L7 NO ASSIGN
L8 RECORD
L9 NO ASSIGN
P1 NO ASSIGN
S8
S9
A1 SOLO 1
A2 SOLO 2
A3 SOLO 3
A4 SOLO 4
S8 FADER 8
S9 MASTER FADER
A1 SOLO 1 MUTE 1 RECORD 1
A2 SOLO 2 MUTE 2 RECORD 2
A3 SOLO 3 MUTE 3 RECORD 3
A4 SOLO 4 MUTE 4 RECORD 4
A5 SOLO 5 MUTE 5 RECORD 5
A6 SOLO 6 MUTE 6 RECORD 6
P2 NO ASSIGN
BEND NO ASSIGN
MOD NO ASSIGN
AFT NO ASSIGN
10
rformer (Control Map #911)
10. DP MUTE
11. DP RECORD
OTARY ENCODER 1
OTARY ENCODER 2
OTARY ENCODER 3
OTARY ENCODER 4
OTARY ENCODER 5
OTARY ENCODER 6
OTARY ENCODER 7
OTARY ENCODER 8
NO ASSIGN
FADER 1
FADER 2
FADER 3
FADER 4
FADER 5
FADER 6
FADER 7
FADER 8
B1 BANK LEFT
B2 BANK RIGHT
B3 NO ASSIGN
B4 FLIP
L1 RETURN TO ZERO
L2 REWIND
L3 FAST FORWARD
L4 NO ASSIGN
L5 STOP
L6 PLAY
L7 NO ASSIGN
L8 RECORD
L9 NO ASSIGN
P1 NO ASSIGN
P2 NO ASSIGN
BEND NO ASSIGN
MOD NO ASSIGN
AFT NO ASSIGN
9. DP SOLO
10. DP MUTE
11. DP RECORD
A-PRO_g_e.book 10
Control Map List
A5 SOLO 5 MUTE 5 RECORD 5 GLOBAL -
INPUT NO ASSIGN
A6 SOLO 6 MUTE 6 RECORD 6 GLOBAL - OUTPUT
NO ASSIGN
A7 SOLO 7 MUTE 7 RECORD 7 GLOBAL -
MIDI NO ASSIGN
A8 SOLO 8 MUTE 8 RECORD 8 GLOBAL
VIEW NO ASSIGN
B1 BANK LEFT Logic
INITIALIZE 1
B2 BANK RIGHT Logic
INITIALIZE 2
B3 GLOBAL VIEW Logic
INITIALIZE 3
B4 FLIP NO ASSIGN
L1 NO ASSIGN NO ASSIGN
L2 REWIND NO ASSIGN
L3 FAST FORWARD NO ASSIGN
L4 NO ASSIGN NO ASSIGN
L5 STOP NO ASSIGN
L6 PLAY NO ASSIGN
L7 NO ASSIGN NO ASSIGN
4. Logic SOLO
5. Logic MUTE
6. Logic RECORD
7. Logic GLOBAL
8. Logic INITIALIZE
.
Digital Pe
9. DP SOLO
R1 R
R2 R
R3 R
R4 R
R5 R
R6 R
R7 R
R8 R
R9
S1
S2
S3
S4
S5
S6
S7
S8
S9
Logic Pro (Control Map #48)
RECORD 1
RECORD 2
RECORD 3
RECORD 4
RECORD 5
RECORD 6
RECORD 7
RECORD 8
MASTER FADER
LO 1 MUTE 1
LO 2 MUTE 2
LO 3 MUTE 3
LO 4 MUTE 4
LO 5 MUTE 5
LO 6 MUTE 6
LO 7 MUTE 7
LO 8 MUTE 8
L8 RECORD NO ASSIGN
L9 NO ASSIGN NO ASSIGN
P1 NO ASSIGN NO ASSIGN
P2 NO ASSIGN NO ASSIGN
BEND NO ASSIGN NO ASSIGN
MOD NO ASSIGN NO ASSIGN
AFT NO ASSIGN NO ASSIGN
A1 SO
A2 SO
A3 SO
A4 SO
A5 SO
A6 SO
A7 SO
A8 SO
Control Map List
En g
lis h
A1
A2
A3
A4
A5
A6
A7
A8
ntrol Map #15)
B1 NO ASSIGN
B2 NO ASSIGN
B3 NO ASSIGN
B4 NO ASSIGN
L1 NO ASSIGN
L2 NO ASSIGN
L3 NO ASSIGN
L4 NO ASSIGN
L5 NO ASSIGN
L6 NO ASSIGN
L7 NO ASSIGN
L8 NO ASSIGN
L9 HOLD
P1 NO ASSIGN
P2 NO ASSIGN
BEND NO ASSIGN
MOD NO ASSIGN
AFT NO ASSIGN
A-PRO_g_e.book 11
Band (Co
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
PAN
MODULATION
PITCH BEND
EXPRESSION
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
VOLUME
KICK (NOTE 36)
SNARE (NOTE 38)
Live (Control Map #1214)
12. Live SOLO
13. Live MUTE
14. Live RECORD
R1 ROTARY ENCODER 1
R2 ROTARY ENCODER 2
R3 ROTARY ENCODER 3
R4 ROTARY ENCODER 4
R5 ROTARY ENCODER 5
R6 ROTARY ENCODER 6
B1 BANK LEFT
B2 BANK RIGHT
B3 ARRANGE/SESSION VIEW SW
B4 FLIP
L1 RETURN TO ZERO
L2 REWIND
12. Live SOLO
13. Live MUTE
14. Live RECORD
Garage
R1
R2
R3
R4
R5
R6
R7
R7 ROTARY ENCODER 7
R8 ROTARY ENCODER 8
R9 NO ASSIGN
S1 FADER 1
S2 FADER 2
S3 FADER 3
S4 FADER 4
S5 FADER 5
S6 FADER 6
S7 FADER 7
S8 FADER 8
S9 MASTER FADER
L3 FAST FORWARD
L4 NO ASSIGN
L5 STOP
L6 PLAY
L7 NO ASSIGN
L8 RECORD
L9 NO ASSIGN
P1 NO ASSIGN
P2 NO ASSIGN
BEND NO ASSIGN
MOD NO ASSIGN
AFT NO ASSIGN
R8
R9
S1
S2
S3
S4
S5
S6
S7
S8
S9
A1
A2
11
LOSED HH (NOTE 42)
OPEN HH (NOTE 46)
OW TOM (NOTE 43)
MID TOM (NOTE 47)
HI TOM (NOTE 50)
SH CYMBAL (NOTE 49)
SOLO 1 MUTE 1 RECORD 1
SOLO 2 MUTE 2 RECORD 2
SOLO 3 MUTE 3 RECORD 3
SOLO 4 MUTE 4 RECORD 4
SOLO 5 MUTE 5 RECORD 5
SOLO 6 MUTE 6 RECORD 6
SOLO 7 MUTE 7 RECORD 7
SOLO 8 MUTE 8 RECORD 8
A3 C
A4
A5 L
A6
A7
A8 CRA
12
Con
GM
R1
R2
R3
R4
R5
R6
R7
A3
A4
A5
A6
A7
A8
ap #17)
B1 VARIATION 1
B2 VARIATION 2
B3 PORTAMENT SW
B4 BENDER MODE
L1 PIANO
L2 SHAKUHACHI
L3 VIOLIN
L4 TROMBONE
L5 ELECTRIC PIANO
L6 STRINGS
L7 SAW LEAD
L8 TRANCE KEYS
L9 HOLD DRUM
P1 NO ASSIGN
P2 NO ASSIGN
BEND NO ASSIGN
MOD NO ASSIGN
AFT NO ASSIGN
A-PRO_g_e.book 12
(Control M
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
PAN
PART LEVEL
REVERB SEND
CHORUS SEND
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
KICK (NOTE 36)
SNARE (NOTE 38)
trol Map List
2 (Control Map #16)
FILTER CUT OFF
FILTER RESONANCE
VIBRATO RATE
VIBRATO DEPTH
VIBRATO DELAY
COARSE TUNE
FINE TUNE
B1 GM2 SYSTEM ON
B2 PORTAMENT
B3 SOFT
B4 SOSTENUTO
L1 PROGRAM CHANGE DEC
L2 PROGRAM CHANGE INC
L3 MONO MODE ON
SD-50
R1
R2
R3
R4
R5
R6
R7
R8 TEMPO
R9 PAN (CHANNEL)
S1 PORTAMENT TIME
S2 ENVELOPE ATTACK
S3 ENVELOPE DECAY
S4 ENVELOPE RELEASE
S5 CHORUS
S6 REVERB
S7 BANK LSB
S8 BANK MSB
S9 VOLUME (CHANNEL)
A1 KICK (NOTE 36)
A2 SNARE (NOTE 38)
L4 POLY MODE ON
L5 STOP
L6 START
L7 CONTINUE
L8 RESET ALL CONTROL
L9 HOLD DRUM
P1 NO ASSIGN
P2 NO ASSIGN
BEND NO ASSIGN
MOD NO ASSIGN
AFT NO ASSIGN
R8
R9
S1
S2
S3
S4
S5
S6
S7
S8
S9
A1
A2
OSED HH (NOTE 42)
PEN HH (NOTE 46)
W TOM (NOTE 43)
ID TOM (NOTE 47)
I TOM (NOTE 50)
H CYMBAL (NOTE 49)
CLOSED HH (NOTE 42)
OPEN HH (NOTE 46)
LOW TOM (NOTE 43)
MID TOM (NOTE 47)
HI TOM (NOTE 50)
CRASH CYMBAL (NOTE 49)
A3 CL
A4 O
A5 LO
A6 M
A7 H
A8 CRAS
13
w.ro /support/
A- -PRO
PLAY
CTRL
E
16GM2
A-PRO_g_j.book 13
land.co.jp
PRO
A-300PRO 500PRO 800PROA-PRO 19
*1
http://ww
A-PRO A
1 PLAY
2 MAP
3 VALU
2010
1 Cubase SOLO
2 Cubase MUTE
3 Cubase RECORD
4 Logic SOLO
5 Logic MUTE
6 Logic RECORD
7 Logic GLOBAL
8 Logic INITIALIZE
9 DPDigital PerformerSOLO
10 DP MUTE
11 DP RECORD
12 Live SOLO
13 Live MUTE
14 Live RECORD
15 GarageBand
16 GM2
17 SD-50
18 MIDI
19*1 NO ASSIGN
14
an 9 9Encoder Simulate 9A-PRO
Volume Pan
S1S8 1
A-PRO_g_j.book 14
Cubase Mac OS X Cubase 5
1 PLAY PLAY
2 CTRLMAP
3 VALUE1
4 Cubase 5
5
6 Mackie Control
fig.cubase1-j.eps
7 MIDI A-PRO 2 OK
fig.cubase2-j.eps
P.19
P R1R R1R R1R
PLAY STOP 1
B1B2 R1R8 R1S1
Cubase
A-PRO
A-PRO
A-PRO
15
an 9
9Encoder Simulate 9A-PRO
Volume Pan
S1S8 1
GLOBAL VIEW OFF OBAL VIEW ONGLOBAL Logic Track Mixer
GLOBAL 7
A-PRO_g_j.book 15
Logic Pro Logic Pro 9
1 Logic Pro 9
2 PLAY PLAY
3 CTRLMAP
4 VALUE8
5 B1B2B3 A-PRO Logic Pro 9
6 Logic Pro 9
P.19 P.20
P R1R
R1R R1R
PLAY STOP 1
B1B2 R1R8 R1S1
GL GLOBAL VIEW
GLOBAL VIEW
Logic Pro
A-PRO
A-PRO
A-PRO
A-PRO
16
an 9 9Encoder Simulate 9A-PRO
Volume Pan
S1S8 1
A-PRO_g_j.book 16
Digital Performer Digital Performer 7
1 PLAY PLAY
2 CTRLMAP
3 VALUE9
4 Digital Performer 7
5
6
P.20
P R1R R1R R1R
PLAY STOP 1
B1B2 R1R8 R1S1
Digital Performer
Mackie Control
Mackie Control
MIDI A-PRO 2-1
A-PRO
A-PRO
A-PRO
17
an 9 9Encoder Simulate 9A-PRO
Volume Pan
S1S8 1
A-PRO_g_j.book 17
Live Live 8
1 PLAY PLAY
2 CTRLMAP
3 VALUE12
4 Live 8
5 Windows
Mac OS X Live
6 MIDI Sync
7
P.21
P R1R R1R R1R
PLAY STOP 1
B1B2 R1R8 R1S1
Live
1 Mackie Control A-PRO (A-PRO 2)
A-PRO
A-PRO
A-PRO
18
MIDI Mac
MIDI
Sustain
HOLD stain L9 L9 FUNCTION
A-PRO_g_j.book 18
GarageBand GarageBand '09
1 PLAY PLAY
2 CTRLMAP
3 VALUE15
4 GarageBand
P.21
1 GarageBand
2 A-PRO
3 GarageBand
4 GarageBand
5
6 0MIDI
0
L9HOLD
L9 L9Su L9 EDIT
GarageBand
A-PRO
A-PRO
A-PRO
19
48
5. M
ogic ORD
7. Logic GLOBAL
8. Logic INITIALIZE
R R 1 NO ASSIGN
R R 2 NO ASSIGN
R R 3 NO ASSIGN
R R 4 NO ASSIGN
R R 5 NO ASSIGN
R R 6 NO ASSIGN
R R 7 NO ASSIGN
R R 8 NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
M ORD 1 GLOBAL -
AUDIO NO ASSIGN
M ORD 2 GLOBAL -
INST NO ASSIGN
M ORD 3 GLOBAL -
AUX NO ASSIGN
M ORD 4 GLOBAL -
BUS NO ASSIGN
A-PRO_g_j.book 19
Logic UTE
6. L REC
OTARY ENCODE
OTARY ENCODE
OTARY ENCODE
OTARY ENCODE
OTARY ENCODE
OTARY ENCODE
OTARY ENCODE
OTARY ENCODE
NO ASSIGN
FADER 1
FADER 2
FADER 3
FADER 4
FADER 5
FADER 6
FADER 7
FADER 8
MASTER FADER
UTE 1 REC
UTE 2 REC
UTE 3 REC
UTE 4 REC
gic Pro
4. Logic SOLO
R1
R2
R3
R4
R5
R6
R7
R8
R9
S1
S2
S3
S4
S5
S6
S7
Cubase1 3
1. Cubase SOLO
2. Cubase MUTE
3. Cubase RECORD
R1 ROTARY ENCODER 1
R2 ROTARY ENCODER 2
R3 ROTARY ENCODER 3
A7 SOLO 7 MUTE 7 RECORD 7
A8 SOLO 8 MUTE 8 RECORD 8
B1 BANK LEFT
1. Cubase SOLO
2. Cubase MUTE
3. Cubase RECORD
Lo
R4 ROTARY ENCODER 4
R5 ROTARY ENCODER 5
R6 ROTARY ENCODER 6
R7 ROTARY ENCODER 7
R8 ROTARY ENCODER 8
R9 NO ASSIGN
S1 FADER 1
S2 FADER 2
S3 FADER 3
S4 FADER 4
S5 FADER 5
S6 FADER 6
S7 FADER 7
B2 BANK RIGHT
B3 MIXER VIEW
B4 FLIP
L1 RETURN TO ZERO
L2 REWIND
L3 FAST FORWARD
L4 NO ASSIGN
L5 STOP
L6 PLAY
L7 NO ASSIGN
L8 RECORD
L9 NO ASSIGN
P1 NO ASSIGN
S8
S9
A1 SOLO 1
A2 SOLO 2
A3 SOLO 3
A4 SOLO 4
S8 FADER 8
S9 MASTER FADER
A1 SOLO 1 MUTE 1 RECORD 1
A2 SOLO 2 MUTE 2 RECORD 2
A3 SOLO 3 MUTE 3 RECORD 3
A4 SOLO 4 MUTE 4 RECORD 4
A5 SOLO 5 MUTE 5 RECORD 5
A6 SOLO 6 MUTE 6 RECORD 6
P2 NO ASSIGN
BEND NO ASSIGN
MOD NO ASSIGN
AFT NO ASSIGN
20
erformer 911
10. DP MUTE
11. DP RECORD
OTARY ENCODER 1
OTARY ENCODER 2
OTARY ENCODER 3
OTARY ENCODER 4
OTARY ENCODER 5
OTARY ENCODER 6
OTARY ENCODER 7
OTARY ENCODER 8
NO ASSIGN
FADER 1
FADER 2
FADER 3
FADER 4
FADER 5
FADER 6
FADER 7
FADER 8
B1 BANK LEFT
B2 BANK RIGHT
B3 NO ASSIGN
B4 FLIP
L1 RETURN TO ZERO
L2 REWIND
L3 FAST FORWARD
L4 NO ASSIGN
L5 STOP
L6 PLAY
L7 NO ASSIGN
L8 RECORD
L9 NO ASSIGN
P1 NO ASSIGN
P2 NO ASSIGN
BEND NO ASSIGN
MOD NO ASSIGN
AFT NO ASSIGN
9. DP SOLO
10. DP MUTE
11. DP RECORD
A-PRO_g_j.book 20
A5 SOLO 5 MUTE 5 RECORD 5 GLOBAL -
INPUT NO ASSIGN
A6 SOLO 6 MUTE 6 RECORD 6 GLOBAL - OUTPUT
NO ASSIGN
A7 SOLO 7 MUTE 7 RECORD 7 GLOBAL -
MIDI NO ASSIGN
A8 SOLO 8 MUTE 8 RECORD 8 GLOBAL
VIEW NO ASSIGN
B1 BANK LEFT Logic
INITIALIZE 1
B2 BANK RIGHT Logic
INITIALIZE 2
B3 GLOBAL VIEW Logic
INITIALIZE 3
B4 FLIP NO ASSIGN
L1 NO ASSIGN NO ASSIGN
L2 REWIND NO ASSIGN
L3 FAST FORWARD NO ASSIGN
L4 NO ASSIGN NO ASSIGN
L5 STOP NO ASSIGN
L6 PLAY NO ASSIGN
L7 NO ASSIGN NO ASSIGN
4. Logic SOLO
5. Logic MUTE
6. Logic RECORD
7. Logic GLOBAL
8. Logic INITIALIZE
.
Digital P
9. DP SOLO
R1 R
R2 R
R3 R
R4 R
R5 R
R6 R
R7 R
R8 R
R9
S1
S2
S3
S4
S5
S6
S7
S8
S9
Logic Pro 48
RECORD 1
RECORD 2
RECORD 3
RECORD 4
RECORD 5
RECORD 6
RECORD 7
RECORD 8
MASTER FADER
LO 1 MUTE 1
LO 2 MUTE 2
LO 3 MUTE 3
LO 4 MUTE 4
LO 5 MUTE 5
LO 6 MUTE 6
LO 7 MUTE 7
LO 8 MUTE 8
L8 RECORD NO ASSIGN
L9 NO ASSIGN NO ASSIGN
P1 NO ASSIGN NO ASSIGN
P2 NO ASSIGN NO ASSIGN
BEND NO ASSIGN NO ASSIGN
MOD NO ASSIGN NO ASSIGN
AFT NO ASSIGN NO ASSIGN
A1 SO
A2 SO
A3 SO
A4 SO
A5 SO
A6 SO
A7 SO
A8 SO
A1
A2
A3
A4
A5
A6
A7
A8
15
B1 NO ASSIGN
B2 NO ASSIGN
B3 NO ASSIGN
B4 NO ASSIGN
L1 NO ASSIGN
L2 NO ASSIGN
L3 NO ASSIGN
L4 NO ASSIGN
L5 NO ASSIGN
L6 NO ASSIGN
L7 NO ASSIGN
L8 NO ASSIGN
L9 HOLD
P1 NO ASSIGN
P2 NO ASSIGN
BEND NO ASSIGN
MOD NO ASSIGN
AFT NO ASSIGN
A-PRO_g_j.book 21
eBand
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
PAN
MODULATION
PITCH BEND
EXPRESSION
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
VOLUME
KICK (NOTE 36)
SNARE (NOTE 38)
Live 12 14
12. Live SOLO
13. Live MUTE
14. Live RECORD
R1 ROTARY ENCODER 1
R2 ROTARY ENCODER 2
R3 ROTARY ENCODER 3
R4 ROTARY ENCODER 4
R5 ROTARY ENCODER 5
R6 ROTARY ENCODER 6
B1 BANK LEFT
B2 BANK RIGHT
B3 ARRANGE/SESSION VIEW SW
B4 FLIP
L1 RETURN TO ZERO
L2 REWIND
12. Live SOLO
13. Live MUTE
14. Live RECORD
Garag
R1
R2
R3
R4
R5
R6
R7
R7 ROTARY ENCODER 7
R8 ROTARY ENCODER 8
R9 NO ASSIGN
S1 FADER 1
S2 FADER 2
S3 FADER 3
S4 FADER 4
S5 FADER 5
S6 FADER 6
S7 FADER 7
S8 FADER 8
S9 MASTER FADER
L3 FAST FORWARD
L4 NO ASSIGN
L5 STOP
L6 PLAY
L7 NO ASSIGN
L8 RECORD
L9 NO ASSIGN
P1 NO ASSIGN
P2 NO ASSIGN
BEND NO ASSIGN
MOD NO ASSIGN
AFT NO ASSIGN
R8
R9
S1
S2
S3
S4
S5
S6
S7
S8
S9
A1
A2
21
LOSED HH (NOTE 42)
OPEN HH (NOTE 46)
OW TOM (NOTE 43)
MID TOM (NOTE 47)
HI TOM (NOTE 50)
SH CYMBAL (NOTE 49)
SOLO 1 MUTE 1 RECORD 1
SOLO 2 MUTE 2 RECORD 2
SOLO 3 MUTE 3 RECORD 3
SOLO 4 MUTE 4 RECORD 4
SOLO 5 MUTE 5 RECORD 5
SOLO 6 MUTE 6 RECORD 6
SOLO 7 MUTE 7 RECORD 7
SOLO 8 MUTE 8 RECORD 8
A3 C
A4
A5 L
A6
A7
A8 CRA
22
GM
R1
R2
R3
R4
R5
R6
R7
A3
A4
A5
A6
A7
A8
17
B1 VARIATION 1
B2 VARIATION 2
B3 PORTAMENT SW
B4 BENDER MODE
L1 PIANO
L2 SHAKUHACHI
L3 VIOLIN
L4 TROMBONE
L5 ELECTRIC PIANO
L6 STRINGS
L7 SAW LEAD
L8 TRANCE KEYS
L9 HOLD DRUM
P1 NO ASSIGN
P2 NO ASSIGN
BEND NO ASSIGN
MOD NO ASSIGN
AFT NO ASSIGN
A-PRO_g_j.book 22
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
PAN
PART LEVEL
REVERB SEND
CHORUS SEND
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
KICK (NOTE 36)
SNARE (NOTE 38)
2 16
FILTER CUT OFF
FILTER RESONANCE
VIBRATO RATE
VIBRATO DEPTH
VIBRATO DELAY
COARSE TUNE
FINE TUNE
B1 GM2 SYSTEM ON
B2 PORTAMENT
B3 SOFT
B4 SOSTENUTO
L1 PROGRAM CHANGE DEC
L2 PROGRAM CHANGE INC
L3 MONO MODE ON
SD-50
R1
R2
R3
R4
R5
R6
R7
R8 TEMPO
R9 PAN (CHANNEL)
S1 PORTAMENT TIME
S2 ENVELOPE ATTACK
S3 ENVELOPE DECAY
S4 ENVELOPE RELEASE
S5 CHORUS
S6 REVERB
S7 BANK LSB
S8 BANK MSB
S9 VOLUME (CHANNEL)
A1 KICK (NOTE 36)
A2 SNARE (NOTE 38)
L4 POLY MODE ON
L5 STOP
L6 START
L7 CONTINUE
L8 RESET ALL CONTROL
L9 HOLD DRUM
P1 NO ASSIGN
P2 NO ASSIGN
BEND NO ASSIGN
MOD NO ASSIGN
AFT NO ASSIGN
R8
R9
S1
S2
S3
S4
S5
S6
S7
S8
S9
A1
A2
OSED HH (NOTE 42)
PEN HH (NOTE 46)
W TOM (NOTE 43)
ID TOM (NOTE 47)
I TOM (NOTE 50)
H CYMBAL (NOTE 49)
CLOSED HH (NOTE 42)
OPEN HH (NOTE 46)
LOW TOM (NOTE 43)
MID TOM (NOTE 47)
HI TOM (NOTE 50)
CRASH CYMBAL (NOTE 49)
A3 CL
A4 O
A5 LO
A6 M
A7 H
A8 CRAS
A-PRO_g_e.book 13
* 5 1 0 0 0 1 6 2 3 4 - 0 1 *
A-PRO_g_e.book 14
Related manuals for Roland A-800 PRO Control Map Guide
Manualsnet FAQs
If you want to find out how the A-800 PRO Roland works, you can view and download the Roland A-800 PRO Control Map Guide on the Manualsnet website.
Yes, we have the Control Map Guide for Roland A-800 PRO as well as other Roland manuals. All you need to do is to use our search bar and find the user manual that you are looking for.
The Control Map Guide should include all the details that are needed to use a Roland A-800 PRO. Full manuals and user guide PDFs can be downloaded from Manualsnet.com.
The best way to navigate the Roland A-800 PRO Control Map Guide is by checking the Table of Contents at the top of the page where available. This allows you to navigate a manual by jumping to the section you are looking for.
This Roland A-800 PRO Control Map Guide consists of sections like Table of Contents, to name a few. For easier navigation, use the Table of Contents in the upper left corner.
You can download Roland A-800 PRO Control Map Guide free of charge simply by clicking the “download” button in the upper right corner of any manuals page. This feature allows you to download any manual in a couple of seconds and is generally in PDF format. You can also save a manual for later by adding it to your saved documents in the user profile.
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