KORG KAOSS PAD KP2 Owner's Manual PDF

OWNERS MANUAL

Precautions Location Using the unit in the following locations can result in a malfunction.

In direct sunlight Locations of extreme temperature or humidity Excessively dusty or dirty locations Locations of excessive vibration Close to magnetic fields

Power supply Please connect the designated AC adapter to an AC out- let of the correct voltage. Do not connect it to an AC out- let of voltage other than that for which your unit is in- tended. Interference with other electrical devices Radios and televisions placed nearby may experience re- ception interference. Operate this unit at a suitable dis- tance from radios and televisions.

Handling To avoid breakage, do not apply excessive force to the switches or controls.

Care If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such as benzene or thin- ner, or cleaning compounds or flammable polishes.

Keep this manual After reading this manual, please keep it for later refer- ence.

Keeping foreign matter out of your equipment Never set any container with liquid in it near this equip- ment. If liquid gets into the equipment, it could cause a breakdown, fire, or electrical shock. Be careful not to let metal objects get into the equipment. If something does slip into the equipment, unplug the AC adapter from the wall outlet. Then contact your nearest Korg dealer or the store where the equipment was purchased.

THE FCC REGULATION WARNING (for U.S.A.)

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interfer- ence in a residential installation. This equipment gener- ates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruc- tions, may cause harmful interference to radio commu- nications. However, there is no guarantee that interfer- ence will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turn- ing the equipment off and on, the user is encouraged to try to correct the interference by one or more of the fol- lowing measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and re- ceiver. Connect the equipment into an outlet on a circuit differ- ent from that to which the receiver is connected. Consult the dealer or an experienced radio/TV techni- cian for help. Unauthorized changes or modification to this system can void the users authority to operate this equipment.

CE mark for European Harmonized Standards CE mark which is attached to our companys products of AC mains operated apparatus until December 31, 1996 means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC). And, CE mark which is attached after January 1, 1997 means it conforms to EMC Directive (89/336/EEC), CE mark Directive (93/68/EEC) and Low Voltage Directive (73/23/EEC). Also, CE mark which is attached to our companys prod- ucts of Battery operated apparatus means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC).

IMPORTANT NOTICE TO CONSUMERS This product has been manufactured according to strict specifications and voltage requirements that are appli- cable in the country in which it is intended that this product should be used. If you have purchased this product via the internet, through mail order, and/or via a telephone sale, you must verify that this product is in- tended to be used in the country in which you reside. WARNING: Use of this product in any country other than that for which it is intended could be dangerous and could invalidate the manufacturers or distributor's warranty. Please also retain your receipt as proof of purchase oth- erwise your product may be disqualified from the manufacturers or distributor's warranty.

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12

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5

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7 8

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Introduction Thank you for purchasing the KP2 KAOSS PAD dynamic effect/controller. For trouble-free en- joyment of the KP2s fullest potential, please read this manual carefully and use the product correctly.

Top panel 1. [INPUT SELECT] switch 2. [PEAK] indicator 3. [INPUT VOLUME] knob 4. [FX DEPTH] knob 5. [PROGRAM/BPM] display 6. [PROGRAM/BPM] knob 7. [PROGRAM MEMORY 18] keys 8. [TAP/BPM] key 9. Touch pad 10. [PAD MOTION/MUTE] lever 11. [REC/STOP] key 12. [SAMPLE 1, 2] keys 13. [HOLD] key

Front panel 1. [PHONES VOLUME] knob 2. [PHONES] output jack 3. [MIC TRIM] knob 4. [MIC] input jack

Rear panel 1. [GROUND] connector 2. [PHONO IN] jacks 3. [LINE IN] jacks 4. [LINE OUT] jacks 5. [CONNECTION] switch 6. [MIDI IN], [MIDI OUT] connectors 7. DC 12V jack 8. [POWER] switch

Parts of the KP2 and their functions

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1 3 4

4 3 2 1

5

7

8

6

2

Connections Basic connections Use these connections when you want to apply effects to the sound from a device connected to the KP2s input jacks, and output the processed sound from the Line Out jacks. The KP2 has three types of input jacks. Use the jacks that are appropriate for your situation.

PHONO IN LINE IN

LINE OUT DC12V

MIXER, DJ MIXER

AC

MIC1

BAL OR

UNBAL

LINE IN 1 LOW CUT

75Hz 18dB/OCT

TRIM +10dB -40dB

10 60

U

-10dBV

MIC GAIN

LINE IN 7-8

L

R

BAL OR

UNBAL

MONO

+4 -10

LEVEL

LINE IN 9-10

L

R

BAL OR

UNBAL

MONO

+4 -10

LEVEL

LINE IN 11-12

L

R

BAL OR

UNBAL

MONO

+4 -10

LEVEL

LINE IN 13-14

L

R

BAL OR

UNBAL

MONO

+4 -10

LEVEL

STEREO AUX RETURNS 1

2

1

2

AUX SEND

LEFT(1/MONO) RIGHT ALL BAL/UNBAL

L

R

TAPE INPUT

TAPE OUTPUT

MAIN OUTS L

R

BAL/UNBAL

PHONES

MICRO SERIES 1402-VLZ 14-CHANNEL MIC/LINE MIXER

MIC2

BAL OR

UNBAL

LINE IN 2 LOW CUT

75Hz 18dB/OCT

TRIM +10dB -40dB

10 60

U

-10dBV

MIC GAIN

MIC3

BAL OR

UNBAL

LINE IN 3 LOW CUT

75Hz 18dB/OCT

TRIM +10dB -40dB

10 60

U

-10dBV

MIC GAIN

MIC4

BAL OR

UNBAL

LINE IN 4 LOW CUT

75Hz 18dB/OCT

TRIM +10dB -40dB

10 60

U

-10dBV

MIC GAIN

MIC5

BAL OR

UNBAL

LINE IN 5 LOW CUT

75Hz 18dB/OCT

TRIM +10dB -40dB

10 60

U

-10dBV

MIC GAIN

MIC6

BAL OR

UNBAL

LINE IN 6 LOW CUT

75Hz 18dB/OCT

TRIM +10dB -40dB

10 60

U

-10dBV

MIC GAIN

60

U

+15

U

+15

AUX 1

MON/ EFX

2 EFX

U

+15

U

+12

-15

-12

U

+15-15

PAN

SOLO

1 MUTE A LT 3 4

EQ HI

12kHz

MID 2.5kHz

LOW 80Hz

L R

dB 10

5

U

5

10

20

30

40 50

60

U

+15

U

+15

AUX 1

MON/ EFX

2 EFX

U

+15

U

+12

-15

-12

U

+15-15

PAN

SOLO

2 MUTE A LT 3 4

EQ HI

12kHz

MID 2.5kHz

LOW 80Hz

L R

dB 10

5

U

5

10

20

30

40 50

60

U

+15

U

+15

AUX 1

MON/ EFX

2 EFX

U

+15

U

+12

-15

-12

U

+15-15

PAN

SOLO

3 MUTE A LT 3 4

EQ HI

12kHz

MID 2.5kHz

LOW 80Hz

L R

dB 10

5

U

5

10

20

30

40 50

60

U

+15

U

+15

AUX 1

MON/ EFX

2 EFX

U

+15

U

+12

-15

-12

U

+15-15

PAN

SOLO

4 MUTE A LT 3 4

EQ HI

12kHz

MID 2.5kHz

LOW 80Hz

L R

dB 10

5

U

5

10

20

30

40 50

60

U

+15

U

+15

AUX 1

MON/ EFX

2 EFX

U

+15

U

+12

-15

-12

U

+15-15

PAN

SOLO

5 MUTE A LT 3 4

EQ HI

12kHz

MID 2.5kHz

LOW 80Hz

L R

dB 10

5

U

5

10

20

30

40 50

60

U

+15

U

+15

AUX 1

MON/ EFX

2 EFX

U

+15

U

+12

-15

-12

U

+15-15

PAN

SOLO

6 MUTE A LT 3 4

EQ HI

12kHz

MID 2.5kHz

LOW 80Hz

L R

dB 10

5

U

5

10

20

30

40 50

60

U

+15

U

+15

AUX 1

MON/ EFX

2 EFX

U

+15

U

+12

-15

-12

U

+15-15

PAN

SOLO

78 MUTE A LT 3 4

EQ HI

12kHz

MID 2.5kHz

LOW 80Hz

L R

dB 10

5

U

5

10

20

30

40 50

60

U

+15

U

+15

AUX 1

MON/ EFX

2 EFX

U

+15

U

+12

-15

-12

U

+15-15

PAN

SOLO

910 MUTE A LT 3 4

EQ HI

12kHz

MID 2.5kHz

LOW 80Hz

L R

dB 10

5

U

5

10

20

30

40 50

60

U

+15

U

+15

AUX 1

MON/ EFX

2 EFX

U

+15

U

+12

-15

-12

U

+15-15

PAN

SOLO

1112 MUTE A LT 3 4

EQ HI

12kHz

MID 2.5kHz

LOW 80Hz

L R

dB 10

5

U

5

10

20

30

40 50

60

U

+15

U

+15

AUX 1

MON/ EFX

2 EFX

U

+15

U

+12

-15

-12

U

+15-15

PAN

SOLO

1314 MUTE A LT 3 4

EQ HI

12kHz

MID 2.5kHz

LOW 80Hz

L R

dB 10

5

U

5

10

20

30

40 50

60

dB 10

5

U

5

10

20

30

40 50

60

dB 10

5

U

5

10

20

30

40 50

U

+10

U

+20

U

+20

1

2 AUX 1 MASTER

PRE POST

NORMALLED

AUX 1 SELECT

EFX TO MONITOR

AUX RETURNS

SOURCE

MAIN MIX

LEFT RIGHT

CLIP+28

+10

+7

+4

+2

0

-2

-4

-7

-10

-20

-30

0dB=0dBu

RUDE SOLO LIGHT

ALT 3-4

TAPE

ASSIGN TO MAIN MIX

NORMAL(AFL) LEVEL SET(PFL)

SOLO MODE

PHANTOM POWER

CONTROL ROOM / PHONES MAIN MIX

TURNTABLE

CD PLAYER

AC ADAPTER

Care of the touch pad Never press the touch pad with excessive force, or place heavy objects on it. It may crack or break if handled roughly. Press the touch pad only with your finger, since rub- bing or pressing the touch pad with a sharp object will scratch it. To clean the touch pad, wipe it lightly with a soft dry cloth. Do not use solvents such as thinner, since this may cause deformation.

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DJ mixer connections To use the KP2 as an external effect processor, connect the effect send jack of your DJ mixer etc. to the Line In jacks of the KP2, and connect the Line Out jacks of the KP2 to the effect return jacks of your mixer.

When using a connection via the effect send/return jacks Set theKP2s Connection switch to FX LOOP. With this setting, the output signal from the KP2s Line Out jacks will consist only of the sound processed by the KP2, and will not include the original sound that is being input to the KP2. If you want to use the KP2s FX/Depth knob to adjust the effect depth during use, set this switch to the DIRECT position.

LINE IN

LINE OUT

CONNECTION LINE OUT

DIRECT FX LOOP

TURNTABLE TURNTABLEDJ MIXER

SEND

RETURN

MIDI connections Use these connections when you want to connect MIDI devices to the KP2 and use it along with sequence data.

LINE IN MIDI INMIDI OUTOUTPUT

KORG EM-1

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Operation 1. Turning on the power (1) Connect the KP2 to your other equip- ment as shown in the diagram, and connect the AC adapter to an electrical outlet. (2) Press the Power switch to turn it on. The Program/BPM display will light. To turn off the power, press the Power switch once again to turn it off.

2. Inputting audio (1) Use the Input Select switch to select the input jacks of the connected device to which you want to apply an effect.

MIC: The effect will be applied to the mic input. PHONO: The effect will be applied to the phono inputs. LINE: The effect will be applied to the line inputs.

3. Adjusting the volume (1) Adjust the input level. While outputting audio from the connected device, use the Input Volume knob to adjust the input level so that the peak indicator does not light red. If you are using the mic jack, adjust the MIC Trim knob as appropriate for the sensi- tivity of the mic, so that the sound is not dis- torted. (2) If you are using headphones, use the Phones Volume knob to adjust the level.

4. Selecting a program (1) The Program/BPM display will indicate the number of the currently selected pro- gram. Use the Program/BPM knob to select a pro- gram (0099). (2) Use the FX/Depth knob to adjust the depth of the effect. No effect will be applied if the knob is

turned to the far left, and the maximum ef- fect will be applied if the knob is turned to the far right.

About the Program/BPM display This display shows the number of the cur- rently selected program, the specified BPM, and the point (position) at which you are touching the touch pad. While you are operating the touch pad: The display will indicate the position at which you are touching the pad (1.19.9; 5.5 is the center).

Horizontal position (19) Vertical position (19)

When selecting programs: The display will show the program number (0099). When setting the BPM: When you are pressing the Tap/BPM key to set the BPM, the display will indicate the BPM value. In Auto BPM mode, three dots will light. MIDI Edit mode: The display will show the MIDI channel or control number, etc.

5. Operating the touch pad (1) Control the sound by rubbing your fin- ger across the touch pad or tapping it.

Use the included protective sheet. (2) If you turn on the Hold key while oper- ating the touch pad, the KP2 will hold the effect sound as it was the moment before you took your finger away from the pad.

6. The Mute function If you move the Pad Motion/Mute lever to MUTE (toward yourself), the input signal, sample sound, or synth/drum sound will be silenced. When using delay or reverb, this lets you output only the effect sound (i.e., the delayed sound or reverberation).

transformer By using the Pad Motion/Mute lever to rapidly switch MUTE on/off, you can create rhythms using a sustained input sound. This is a DJ tech- nique known as transformer.

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7. Pad motion The KP2 lets you record your touch pad op- erations, and move the the Pad Motion/ Mute lever to the PAD MOTION position to play back these operations.

Recording Recording will begin when you hold the the Pad Motion/Mute lever in the PAD MO- TION position and touch the touch pad. Even when you take your finger away from the touch pad, this state will continue to be recorded as part of your operation. This means that you can also record operations that include tapping on the touch pad. Re- cording will end when you move thethe Pad Motion/Mute lever back to its original position. Recording will also end when you reach the maximum recording time (ap- proximately 3.2 seconds).

Playback If you have recorded a pad motion, move the the Pad Motion/Mute lever to the PAD MOTION position, and the recorded mo- tion will play back. As long as you leave the the Pad Motion/Mute lever in the PAD MOTION position, the same motion will be played back repeatedly as long as you do not touch the touch pad.

If you touch the touch pad during playback, recording will begin. Recording will be reset if you change programs.

The Hold key on/off state is not recorded as part of the pad motion. Also, if you turn on the Hold key and play back a pad motion, the motion will be held at the point where you stopped play- back.

8. Specifying the BPM If you specify the BPM, you will be able to apply effects in synchronization to the BPM when an effect program from the BPM FX/ PTN group is selected. For details on the effect parameter to which this effect will be applied, refer to the effect program list (separate sheet).

What is BPM? BPM (Beats Per Minute) is the tempo of the song expressed as the number of beats (quarter notes) that occur in one minute. A higher BPM value means a faster tempo.

To set the BPM If you know the BPM, press the Tap/BPM key and use the Program/BPM knob to set the value. The normal display will reappear if ten seconds pass without any operation being performed.

Tap Tempo function If you do not know the BPM, press the Tap/ BPM key twice or more in rhythm with the beat of the song. The beat will be detected, and the BPM will appear in the Program/ BPM display.

Auto BPM function If you press and hold down the Tap/BPM key for an extended time, three dots will ap- pear in the Program/BPM display, and the beat of the audio input will be detected au- tomatically. (Auto BPM mode) While the Program/BPM display is blink- ing, the BPM is being detected. Press the Tap/BPM key once again to end automatic detection.

You can set the BPM in a range of 80160.

MIDI Sync function The BPM of the KP2 can be specified by MIDI Timing Clock messages from an exter- nal MIDI device. Connect the [MIDI IN] connector of the KP2 to the [MIDI OUT] connector of the external MIDI device (such as a sequencer) that is transmitting the tim- ing clock messages.

This function does not synchronize se- quence data with the KP2's rhythm pattern pro- grams. If you want to synchronize to sequence data, you will either have to insert a Touch Pad On message into the beginning of each measure of your sequence data, or touch the touch pad at the beginning of each KP2 phrase to start the pattern.

If you want the KP2 to receive Timing Clock and Touch Pad On messages, go to MIDI

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Edit mode ( p.8), and make MIDI message transmission/reception settings ( p.8) so that these messages will be received.

You can not use the Tap Tempo or Auto BPM functions while the KP2 is receiving Tim- ing Clock from an external MIDI device

9. Storing settings in the Program Memory key The current state of the KAOSS PAD can be stored in one of the Program Memory 18 keys, so that it can be instantly recalled whenever you want.

Stored contents Effect program On/off state of the Hold key and the held position (coordinates) FX/Depth knob setting For the BPM FX/PTN group, the speci- fied BPM value For the SAMPLE/PLAY group, the Sample 1, 2 key used

Effect programs 60 and 9099 do not store the state of the Hold key.

To store settings (1) Press the Program Memory 18 key that you want to assign. (2) Use the Program/BPM knob to select the effect program that you want to assign.

If you want to store the setting of the Hold key, select the program and then turn on the Hold key and touch the touch pad to specify the position. If you want to store other settings, make them at this time. (3) Press and hold down the Program Memory 18 key you selected in step (1) for approximately two seconds, and the set- tings will be stored. When the settings have been stored, the Program/BPM display will stop blinking.

To recall settings (1) Press a Program Memory 18 key, and the settings stored in that key will be re- called.

10. Sampling and playing back a phrase A phrase from the audio input can be re- corded into one of the Sample 1, 2 keys. Then when you have selected a program from the SAMPLE/PLAY group (pro- grams 9099), you can play back the sample while using the touch pad to control the playback speed or reverse-playback. If you have selected a program from other than the SAMPLE/PLAY group, pressing the Sample 1, 2 keys will play back the phrase that was recorded in that key. You can record for approximately six sec- onds in each of the two keys.

The recorded phrases will be lost when the power is turned off. It is not possible to save the recorded phrases.

Recording (1) Press the Rec/Stop key, and the Rec/ Stop key LED will blink to indicate that you are in record-ready mode. (2) Press the Sample 1, 2 key into which you want to record. At this time, you will not hear the playback sound. (3) When you press the Rec/Stop key, the Rec/Stop key LED will light, and recording will begin. Recording will stop when you press the Rec/Stop key once again.

Recording will stop automatically when you reach the maximum recording time.

For programs of other than the SAMPLE/ PLAY group, you can operate the touch pad while you record, and the sound processed by the effect will be recorded.

Auto recording (AUTO REC) You can cause recording to begin automati- cally when audio is input. This is conve- nient when recording voice from a mic. (1) In step (2) of the Recording procedure, hold down the Sample 1, 2 key to which you want to record, and press the Rec/Stop key. The Rec/Stop key and Sample 1, 2 key LEDs will blink simultaneously, indicating that you are in record-ready mode. (2) Recording will begin automatically

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when audio is input. Recording will stop when you press the Rec/Stop key once again.

Playback The playback method will differ depending on the effect program that you have se- lected.

For a program from the SAMPLE/ PLAY group (1) Select a program from the SAMPLE/ PLAY group (9099). (2) Press the Sample 1, 2 key that you want to play. The playback will not yet be output at this time. (3) When you touch the touch pad, the sound will play back according to the posi- tion that you touch. The way in which the phrase plays will de- pend on the program. (separate sheet: Ef- fect program list) (4) Use the FX Depth knob to adjust the playback volume. When the FX Depth knob is positioned in the center, the playback sound and the in- put sound will be output in a 1:1 propor- tion. When the knob is at the maximum po- sition, only the sample sound will be output during playback, and you will not hear the input sound.

For a program from other than the SAMPLE/PLAY group (1) Select a program from other than the SAMPLE/PLAY group. (2) Press a Sample 1, 2 key, and the recorded phrase will play at normal speed. If you continue pressing the key, the phrase will play back as a loop. To adjust the volume, continue pressing the Sample 1, 2 key and use the FX Depth knob to make adjustments.

You can apply effects to the playback by op- erating the touch pad while the sound plays back.

If you press the Hold key while pressing the Sample 1, 2 key, the playback will be held. Hold will be cancelled when you press the Sample 1, 2 key once again.

MIDI functions What is MIDI? MIDI stands for Musical Instrument Digital Interface, and is a world-wide standard for ex- changing a variety of performance-related infor- mation between electronic musical instruments and computers.

MIDI connections Commercially available MIDI cables are used to transmit and receive MIDI messages. Con- nect these cables between the MIDI connec- tors of the KP2 and the MIDI connectors of the external MIDI device with which you want to transfer data. MIDI IN connector: This connector re- ceives MIDI messages from another MIDI device. Connect it to the MIDI OUT connec- tor of the external device. MIDI OUT connector: This connector transmits messages from the KP2. Connect it to the MIDI IN connector of the external device.

Using MIDI In addition to using the KP2 as an effect pro- cessor, you can transmit MIDI messages from the KP2 to use it as a realtime control- ler for a synthesizer or other external MIDI device. You can also connect the KP2 to a MIDI se- quencer, and record the MIDI messages that are transmitted when you operate the touch pad. By playing back the recorded MIDI messages you can reproduce your touch pad operations.

About MIDI channels In order to independently transmit informa- tion to multiple MIDI devices over a single MIDI cable, MIDI uses sixteen channels (1 16). If the transmitting device is set to MIDI channel 1, the MIDI messages will not be received unless the receiving device is also set to MIDI channel 1.

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About the MIDI implementation chart The owners manual of each MIDI device in- cludes a MIDI implementation chart. This chart lets you check the types of MIDI mes- sage that can be transmitted or received. When you use two (or more) MIDI devices to- gether, compare their MIDI implementation charts to see which types of MIDI message they are able to transmit and receive between themselves. * Details on the MIDI functionality are provided in the separate MIDI implementation. To obtain the MIDI implementation, please contact Korg distributor.

MIDI Edit mode Hold down the Tap/BPM key and press the Rec/Stop key. After approximately one sec- ond, you will enter MIDI Edit mode, and the MIDI channel will be displayed blinking in the Program/BPM display.

Setting the MIDI channel In MIDI Edit mode, the Program/BPM dis- play will show the MIDI channel. At this time you can use the Program/BPM knob to change the MIDI channel.

MIDI message transmission/ reception settings Transmission and reception of each type of MIDI message can be turned on/off by pressing one of the keys listed below. Trans- mission and reception are enabled when the corresponding LED is lit. Transmission and reception are disabled when the LED is dark.(p.9: Messages that can be transmitted and received)

Some parameters can only be transmitted, and others can only be received.

Changing the control number By holding down one of the Program Memory 38 keys and turning the Pro- gram/BPM knob, you can change the con- trol number setting. Although it is possible to select a control number that is already in use, it is not possible to simultaneously turn on transmission and reception for MIDI

messages of the same control number. The MIDI messages transmitted and received

by the KP2 can be changed in the range of CC#1 CC#31 and CC#64CC#95.

To store the settings you modified In MIDI Edit mode, press and hold the Rec/ Stop key for one second or longer, and the MIDI settings you modified will be stored. If you turn off the power without storing the modified settings, they will revert to their previous state.

To exit MIDI Edit mode You will return to the normal state if you touch the touch pad or leave the KP2 for ten seconds without performing any operation.

Saving your settings You can save the contents of program memory and the control number settings of MIDI edit mode by transmitting them as ex- clusive messages, and saving them on an external MIDI device. For details on the exclusive messages that the KP2 can transmit and receive, refer to the separate MIDI implementation.

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Messages that can be transmitted and received With the factory settings, the following MIDI messages can be transmitted and received. Data operations transmitted MIDI messages transmitted ON/OFF key settings transmitted

Touch pad X-axis Effect control 1 (CC#12) *1, *2 Program Memory 4 Touch pad Y-axis Modulation depth 1 (CC#1) Y=59 Program Memory 1

Modulation depth 2 (CC#2) Y=51 Program Memory 2 Effect control 2 (CC#13) *1, *2 Program Memory 5

Touch pad X+Y-axis Effect depth 3 (CC#93) *1 Program Memory 3 Touch pad on/off Effect depth 2 (CC#92) *1, *2 Program Memory 6 FX DEPTH Effect depth 4 (CC# 94) *1, *2 Program Memory 7 MUTE Effect depth 5 (CC# 95) *1, *2 Program Memory 8 Program change Program change (0099) *2 Hold

Data operations received MIDI messages received ON/OFF key settings received

Touch pad X-axis Effect control 1 (CC#12) *1, *2 Program Memory 4 Touch pad Y-axis Effect control 2 (CC#13) *1, *2 Program Memory 5 Touch pad on/off Effect depth 2 (CC#92) *1, *2 Program Memory 6 FX DEPTH Effect depth 4 (CC# 94) *1, *2 Program Memory 7 MUTE Effect depth 5 (CC# 95) *1, *2 Program Memory 8 Program change Program change (0099) *2 Hold BPM Timing clock Sample 1

*1: The MIDI messages transmitted and received can be changed in a range of CC#1CC#31, CC#64CC#95, and PITCH BEND. ( ) is the factory setting. *2: Ena/Dis and CC# settings are the same for both transmission and reception.

The control changes for touch pad Y-axis Y-59 and Y-51, and for touch pad X+Y axis can be trans- mitted but not received. For this reason when you record control changes into a sequencer, use MIDI Edit mode to turn PROGRAM MEMORY 13 off, so that unnecessary MIDI messages are not transmitted.

Previously-specified control numbers cannot be specified again elsewhere.

Specifications Number of programs: 100 Input: Mic input jack / monaural phone jack, Phono input jacks / RCA phono jacks, Line input jacks / RCA phono jacks Output: Line output jacks / RCA phono jacks, Headphone jack / stereo phone jack MIDI: IN, OUT Power supply: DC 12V, 700 mA Included items: AC adapter, touch pad protection sheet Weight: 1.1kg Dimensions: 204(W) X 207(D) X 48(H)mm

Appearance and specifications are subject to change without notice for improvement.

[Dynamic effect/controller] KP2

116 116

116

**************

099

**************

116

3

099

099

2002.4.1

1 31, 6495 121

Function Transmitted Recognized Remarks

Basic Channel:

Default

Changed

Default Messages Altered

Mode

Note Number: True Voice

Velocity: Note On

Note Off

Aftertouch: Keys

Channel

Pitch Bend

Control Change

Program Change: Variable Range

System Exclusive

System Common:

Song Position Song Select Tune Request

System Real Time:

Clock

Commands

Local On/Off All Notes Off Active Sensing System Reset

Aux Messages:

Memorized

MIDI Implementation Chart

Remarks Transmitted/received when control numbers or pitch bend are selected, and are enabled. Transmitted/received when program changes are enabled. Received when timing clock is enabled.

Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO : Yes Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO : No

Reset All Controllers As control source

As control source

Consult your local Korg distributor for more information on MIDI Implementation. Veuillez vous adresser votre revendeur Korg pour une copie de lquipement MIDI. Weitere Informationen ber die MIDI IMPLEMENTATION erhalten Sie bei Ihrem Korg-Vertrieb.

KORG INC. 15-12, Shimotakaido 1-chome, Suginami-ku, Tokyo, Japan 2002 KORG INC.

N o.

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A b

ou t th

e effect p rogram

s

W ith program

s 6284, you can prod uce sound

sim ply by

operating the touch pad , even if no aud

io is being input from

the input jacks.

T he V

O C

O D

E R

of program s 8589 is an effect that

changes a hum an voice into a robot-like character. In

general, w e recom

m end

that you use a m ic to input a hum

an voice w

hen using these program s.

60.B

P M

L O

O P

E R

: If the B PM

is 59 or low er, 2B

E A

T

location w ill change to 1B

E A

T .

88.A

u to T

u n

in g P

en taton

ic: T he effect at the position

w here you first pressed

the touch pad w

ill be m aintained

, and

touch pad operations w

ill not change the effect.

In form

ation en

zu d

en E

ffek tp

rogram m

en

B ei d

en Program m

en 6284 knnen Sie K lnge auch d

ann erzeugen, w

enn kein A ud

iosignal an d en E

ingangsbuchsen anliegt, ind

em Sie einfach d

as T ouch Pad

bed ienen.

D

er V O

C O

D E

R d

er Program m

e 8589 ist ein E ffekt, d

er d ie

m enschliche Stim

m e in eine roboterartige Stim

m e verw

and elt.

G enerell em

pfehlen w ir, ein M

ikrofon fr d ie E

ingabe einer Stim

m e zu verw

end en, w

enn Sie d iese Program

m e benutzen.

60. B

P M

L O

O P

E R

: W enn B

PM 59 od

er w eniger ist, nd

ert sich 2B

E A

T zu 1B

E A

T .

88. A

u to T

u n

in g P

en taton

ic: D ie W

irkung an der Position, an der Sie zuerst das Touch Pad berhrt haben, w

ird beibehalten, und der Effekt w

ird durch Bettigung des Touch Pad nicht gendert.

A p

rop os d

es p rogram

m es d

effets

L es program

m es 62 84 perm

ettent d e prod

uire d es sons

sim plem

ent en touchant le panneau sensible, m m

e si aucune d

onne aud io nest transm

ise par les bornes d entre.

L

e V O

C O

D E

U R

d es program

m es 85 89 est un effet qui

transform e une voix hum

aine en une voix sem blable celle d

un robot. E

n gnral, nous conseillons d 'utiliser un m

icro pour entrer d

es d onnes d

e voix hum aine en utilisant ces program

m es.

60.B

P M

L O

O P

E R

: Si B PM

est 59 ou infri