Fender 215s 071-1320-000 Subwoofer Owner's Manual PDF

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Summary of Content for Fender 215s 071-1320-000 Subwoofer Owner's Manual PDF

TOUR SERIES

From Fender Pro Audio

Owner's Manual for 215s, 215sc ELECTRONICS

LOUDSPEAKER SYSTEMS

P/N 050554

Fender Musical Instruments 7975 North Hayden Road, Scottsdale, Arizona 85258 U.S.A.

Fender knows the importance of sound reinforcement. From the simple box-top mixer to today's professional touring concert systems, the need to communicate, to make the connection between the performer and the audience is foremost in Fender's mind.

Perhaps no other single piece of gear can make or break your band's sound.You see, your sound system is more than just a combination of dials, wires and speakers. It is an integral part of the audio chain and should be treated with special care and attention to detail.

At Fender, we know what building quality musical instruments and sound reinforcement equipment is all about. In fact, many of the world's best sounding electric musical instruments and sound reinforcement equipment proudly wear the Fender name.

Whether you need a simple box top powered mixer for your Saturday afternoon jam, or a professional full-size concert system, Fender has the sound reinforcement equipment to meet your needs.

Wishing you years of enjoyment and a heartfelt thank you,

Bill Schultz Chairman Fender Musical Instruments Corporation

Bill Schultz

2

13-Ply Baltic Birch Cabinet

1600W Program Power Handling

35 Hz to 170 Hz Frequency Response

101 dB Sensitivity @ 1W / 1m

Two 15 Woofers with 4 Voice Coils and 110 Ounce Magnets

4-pole Speakon Connectors and High Current 1/4 Phone Jacks

Thank you for purchasing a Tour Series 215s or 215sc Professional Subwoofer from Fender Pro Audio. We are sure you will find it both a unique and effective sound reinforcement product, providing years of trouble-free service.

Designed for the most demanding concert sound and sound contracting requirements, the cabinets multiple cavities and internal wood bracing helps eliminate side wall movement. This design results in low distortion, very high power handling and very high SPL output. Likewise, large ports on the 215s and 215sc cabinets prevent compression at high SPL due to large exit velocities.

After moisture sealing, the 215s cabinet is painted with a environmentally friendly tough black finish for longer life and lasting looks. The 215sc is covered in a rugged black carpet with the addition of metal cor- ners and feet. Also, a pole mount adapter is avail- able for placing a mid or high range enclosure over the 215s or 215sc.

-Only use Fender Mounting Pole (P/N 071-1359- 000) to support the full range cabinets.

CAUTION: -Almost all speakers produce strong magnetic fields which may interfere with the normal operation of nearby electronic devices, includ- ing televisions and computer video monitors. To reduce or eliminate interference, increase the distance between this product and other nearby electronic devices.

INTRODUCTION

TOUR SERIES 215s / 215sc PROFESSIONAL SUBWOOFER

LOUDSPEAKERS

3

The two 4-Pole Speakon connectors and the two 1/4" phone jacks are wired in full parallel so that any one of the connectors may be used as an input and the other connectors as an output to another sub- woofer. This allows the multiple, cabinets to be "daisy chained", eliminating the need for several long runs of speaker cable.

Note: A single 215s / 215sc subwoofer represents a 4 load to the amplifier. Daisy chaining two of them in parallel will represent a 2 load to the amplifier. Only amplifiers rated for 2 output should be used in this configuration.

The following polarity convention should be used when making connections to the 215s / 215sc:

Polarity Phone Jack Speakon

Positive (+) Tip 1+ and/or 2+ Negative (-) Sleeve 1- and/or 2-

The 215s / 215sc is designed to augment the low frequency performance of the main P.A. speakers using bi-amplification. By reproducing very high lev- els of the low bass frequencies, the 215s / 215sc relieve the smaller main speakers from having to supply this energy.

In order to split frequencies and send certain fre- quencies to one type of speaker and other frequen- cies to another type, a line-level electronic crossover, such as a Fender PCN-2 or PCN-4, is required.

Two different configurations are shown on pages 5 and 6, demonstrating how easy it is to add a sub- woofer to a system. Figure 3, on page 7, shows a more extensive configuration for those set-ups requiring additional power.

The placement of any speaker can dramatically affect its sound. Thus, there are three primary con- siderations to review when placing subwoofers.

The first is time alignment. The mid/high racks should be as close as possible to the subwoofer so the sound from the subwoofer reaches the audience at the same time as the sound from the mid/high packs. If the subwoofer is placed too far from the mid/high packs, a slight smearing of the lower bass frequencies may occur. While ideal placement for this consideration would involve stacking the mid/high pack on top of the subwoofer, this effect is quite subtle and an obvious effect may not be heard until the separation between the two cabinets is large enough to cause an audible time delay.

The second consideration is to try to obtain as much bass as possible from the subwoofer. A subwoofer hinging in free air is referred to as operating in "full space" since the subwoofer is free to radiate in all directions (omnidirectionally). A speaker in the mid- dle of the floor or up in the air with its back against a wall is referred to as operating in "half space".

The 215s/215sc is designed for a "half space" con- figuration. Full space operation will result in about a 3 dB decrease in output as compared to half space. In order to compensate for the decrease in output using a full space configuration, the power amplifier may need to be turned up. Placing a speaker near a large, flat wall and on the floor (quarter space) will boost the bass performance by about 3 dB as com- pared to half space. The more surfaces the sub- woofer is placed against, the fewer the number of subwoofer enclosures are needed to achieve a desired SPL.

The third consideration is convenience and the visual aspect of the speaker array. For temporary installa- tions, the subwoofer can be used as a support for a mid/high pack mounted either directly on top of the subwoofer or supported by the optional pole mount assembly (Fender P/N 071-1359-000) and using the subwoofer as a base. In permanent installations, the 215s/215sc, for example, can be placed under a stage or table. For each particular situation, a com- promise among these three factors should yield the best solution possible.

CONNECTIONS

USING THE 215s/215sc IN A SYSTEM

SETUP SUGGESTIONS

4

215sc

MONITOR OUT

MAIN OUT

MON. AMP IN

MAIN AMP IN

MAIN OUT

POWERED MIXER

PCN-2 ELECTRONIC CROSSOVER

INPUT HIGH OUT

LOW OUT

FULL RANGE INPUT

2912c

MOUNTING POLE

5

After the speaker system has been placed, the crossover point needs to be set for maximum bene- fit. While the 15" drivers in the 215s/215sc are fully capable of accurately reproducing frequencies above 350 Hz, the bandpass enclosure has been designed to acoustically roll off frequencies above 170 Hz. This decreases distortion levels and boosts frequencies below 170 Hz. Thus, the crossover point should be set lower than 130 Hz to ensure that all frequencies are reproduced. Setting the crossover point too low (below 80 Hz) will not take full advantage of the subwoofer because it places too high of a demand on the mid/high packs. For these reasons, a crossover point of ranging between 80 and 130 Hz is recommended depending upon the placement of the speakers.

The output level of the subwoofer(s) should be matched by ear to the output level of the full range cabinets by adjusting the level control at the crossover (if it has one) or at the power amplifiers. Normally, the output of the full range cabinets is subjectively higher than that of the subwoofers so a balance can be achieved by turning down the mid/high frequency signal at or before the power amplifiers.

CROSSOVER SUGGESTIONS

FIGURE 1

2912c 2912c

215sc

MONITOR OUT

MAIN OUT

UNPOWERED MIXER

SPA-13000 A IN B IN

A OUT B OUT

M-500 MONITOR AMPLIFIER

IN

OUT OUT

SPL 1285 MK-II MONITOR SPEAKER

FULL RANGE INPUT

FULL RANGE INPUT

PCN-2 ELECTRONIC CROSSOVER

INPUT LOW OUT

HIGH OUT

SPL 1285 MK-II MONITOR SPEAKER

ST-75

6

FIGURE 2

MONITOR OUT

MAIN OUT

UNPOWERED MIXER

SPA-13000

IN

A Out B Out M-500

MONITOR AMPLIFIER

IN

OUT OUT

SPL 1285 MK-II MONITOR SPEAKER

SPL 1285 MK-II MONITOR SPEAKER

(Dual mono operation)

IN

A Out B Out (Dual mono operation)

2915c2915c2915c2915c

SUBWOOFERS

215sc215sc

PCN-2 ELECTRONIC CROSSOVER

INPUT LOW OUT

HIGH OUT

ST-75

SPA-13000

7

FIGURE 3

PART NUMBER 071-1320-000 215s 071-1320-100 215sc

POWER BANDWIDTH 20 Hz to 50 kHz, 500W +0, -3 dB into 2

MAXIMUM dB SPL OUTPUT LONG TERM 130 dB

DRIVERS Two 15" (38.1cm) cast frame woofers 4" (10.2 cm) voice coils 110 ounce (3.1 kg) magnets

CABINET 3/4" 13-ply Baltic birch Black paint (215s) Black carpet (215sc)

FREQUENCY RESPONSE

Axial +/- 3 dB: 45 Hz to 170 Hz LF Limit +/- 3 dB: 45 Hz LF Limit +/- 3 dB: 37 Hz

AXIAL SENSITIVITY

SPL @ 1W/1m: 101 dB 1/2 Space Efficiency: 4.50%

POWER HANDLING

E.I.A. RS 426-B Noise: 800W, for 8 hours Program: 1600W Peak: 3200W Nominal Impedance: 4

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