Denon AVR-486S Operating Instructions PDF
Summary of Content for Denon AVR-486S Operating Instructions PDF
AV SURROUND RECEIVER
AVR-486 OPERATING INSTRUCTIONS
MODE DEMPLOI
FCC INFORMATION (For US customers)
ENGLISHFRANCAIS
2 SAFETY PRECAUTIONS
1. PRODUCT This product complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this product may not cause harmful interference, and (2) this product must accept any interference received, including interference that may cause undesired operation.
2. IMPORTANT NOTICE: DO NOT MODIFY THIS PRODUCT This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modification not expressly approved by DENON may void your authority, granted by the FCC, to use the product.
3. NOTE This product has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This product generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this product does cause harmful interference to radio or television reception, which can be determined by turning the product OFF and ON, the user is encouraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the product into an outlet on a circuit different from that
to which the receiver is connected. Consult the local retailer authorized to distribute this type of
product or an experienced radio/TV technician for help.
CAUTION RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.
1. Read Instructions All the safety and operating instructions should be read before the product is operated.
2. Retain Instructions The safety and operating instructions should be retained for future reference.
3. Heed Warnings All warnings on the product and in the operating instructions should be adhered to.
4. Follow Instructions All operating and use instructions should be followed.
5. Cleaning Unplug this product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners.
6. Attachments Do not use attachments not recommended by the product manufacturer as they may cause hazards.
7. Water and Moisture Do not use this product near water for example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in a wet basement; or near a swimming pool; and the like.
8. Accessories Do not place this product on an unstable cart, stand, tripod, bracket, or table. The product may fall, causing serious injury to a child or adult, and serious damage to the product. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product. Any mounting of the product should follow the manufacturers instructions, and should use a mounting accessory recommended by the manufacturer.
9. A product and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the product and cart combination to overturn.
10. Ventilation Slots and openings in the cabinet are provided for ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturers instructions have been adhered to.
11. Power Sources This product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your product dealer or local power company. For products intended to operate from battery power, or other sources, refer to the operating instructions.
12. Grounding or Polarization This product may be equipped with a polarized alternating-current line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug.
13. Power-Cord Protection Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the product.
15. Outdoor Antenna Grounding If an outside antenna or cable system is connected to the product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna-discharge unit, connection to grounding electrodes, and requirements for the grounding electrode. See Figure A.
16. Lightning For added protection for this product during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the product due to lightning and power-line surges.
17. Power Lines An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal.
18. Overloading Do not overload wall outlets, extension cords, or integral convenience receptacles as this can result in a risk of fire or electric shock.
19. Object and Liquid Entry Never push objects of any kind into this product through openings as they may touch dangerous voltage points or short-out parts that could result in a fire or electric shock. Never spill liquid of any kind on the product.
20. Servicing Do not attempt to service this product yourself as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all servicing to qualified service personnel.
21. Damage Requiring Service Unplug this product from the wall outlet and refer servicing to qualified service personnel under the following conditions: a) When the power-supply cord or plug is damaged, b) If liquid has been spilled, or objects have fallen into the product, c) If the product has been exposed to rain or water, d) If the product does not operate normally by following the operating
instructions. Adjust only those controls that are covered by the operating instructions as an improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the product to its normal operation,
e) If the product has been dropped or damaged in any way, and f) When the product exhibits a distinct change in performance this
indicates a need for service. 22. Replacement Parts When replacement parts are required, be sure
the service technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock, or other hazards.
23. Safety Check Upon completion of any service or repairs to this product, ask the service technician to perform safety checks to determine that the product is in proper operating condition.
24. Wall or Ceiling Mounting The product should be mounted to a wall or ceiling only as recommended by the manufacturer.
25. Heat The product should be situated away from heat sources such as radiators, heat registers, stoves, or other products (including amplifiers) that produce heat.
SAFETY INSTRUCTIONS
FIGURE A EXAMPLE OF ANTENNA GROUNDING
AS PER NATIONAL ELECTRICAL CODE
ANTENNA LEAD IN WIRE
GROUND CLAMP
ELECTRIC SERVICE EQUIPMENT
ANTENNA DISCHARGE UNIT (NEC SECTION 810-20)
GROUNDING CONDUCTORS (NEC SECTION 810-21)
GROUND CLAMPS
POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250, PART H) NEC NATIONAL ELECTRICAL CODE
ENGLISH FRANCAIS
2System setup / Configuration systme
*Front Large
*Center Small
*Surr. Small
*S.Back Small
*S.Back 2sp>
*Subwoofer Yes
Speaker Configuration Subwoofer Mode Crossover Frequency
*Subwoofer Yes
Delay Time
*Front L 12ft
*Front R 12ft
*Center 12ft
*Surr.L 10ft
*Surr.R 10ft
*S.Back L 10ft
*S.Back R 10ft
W 12ft
Digital In Assignment
*SW Mode Norm
*Cr.Over 80Hz
Test Tone
*TEST TONE Yes<
*COAX1 CD
*COAX2 AUX
*OPT DVD
Auto Surround Mode
*Auto Surr. ON
Ext. In Subwoofer Level
Power Amp Assignment
*Ext.In SW+15dB
*P.Amp S.Back
page 12, 13
page 13, 14
page 14
page 15
page 16
page 16
page 16
page 16
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1
Getting Started
ENGLISH
Contents
Getting Started
Accessories 2 Before using2 Cautions on installation 2 Cautions on handling2 Preparing the remote control unit 2 Inserting the batteries 3 Operating range of the remote control unit 3 Part names and functions
Front panel3 Remote control unit4
Speaker system layout 4 Speaker connections 5 Connecting a DVD player and monitor TV6 Connecting the power supply cord6 Turning on the power 7 Playing a DVD with surround sound 7
Cable indications8 Connecting a TV/DBS tuner 9 Connecting a video camera or video game9 Connecting the external inputs (EXT. IN) terminals9 Connecting a CD player9 Connecting a VCR 10 Connecting a tape deck, CD recorder or MD recorder 10 Connecting the antenna terminals 10, 11 Connecting the MULTI ZONE terminals
ZONE2 speaker out connections11
System Setup
Front display12 Setting the Speaker Configuration 12, 13 Setting the Delay Time13, 14 Setting the Subwoofer Mode and
Crossover Frequency 14 Setting the Test Tone 15 Setting the Digital In Assignment16 Setting the Auto Surround Mode 16 Setting the Ext. In Subwoofer Level16 Setting the Power Amp Assignment 16 System setup items and default values 17
Troubleshooting 37
Additional information38~43
Specifications 44
Thank you for choosing the DENON AVR-486 A/V Surround Receiver. This remarkable component has been engineered to provide superb surround sound listening with home theater sources, such as DVD, as well as providing outstanding high fidelity reproduction of your favorite music sources. As this product is provided we recommend with an immense array of features, before you begin hookup and operation that you review the contents of this manual before proceeding.
List of preset codes End of this manual
Getting Started
Easy Operation
Connecting Other Sources
Advanced Operation
Remote control unit
Operating DENON audio components 31 Preset memory32 Operating a component stored in the preset memory32~34 Punch through 34
Multi zone music entertainment system 35 Remote control unit operations during multi-source playback35, 36
Other functions
Recording the program source (recording the source currently being monitored) 36 Last function memory 36 Initialization of the microprocessor36
Playback
Playing the input source 18 Playback using the external input (EXT. IN) terminals 18 Turning the sound off temporarily (MUTING) 18 Listening over headphones 19 Combining the currently playing sound with the desired image (VIDEO SELECT) 19 Selecting the front speakers 19 Checking the currently playing program source19 Input mode 19, 20
Surround
Playing audio sources (CDs and DVDs) 2-channel playback modes 20 Dolby Pro Logic IIx (Pro Logic II) mode 21, 22 DTS NEO:6 mode23, 24 Dolby Digital mode and DTS surround 24 Night mode25
Basic Operation
DENON original surround modes
Surround modes and their features26 DSP surround simulation27, 28 Tone control setting
Adjusting the sound quality 28 Tone defeat mode 28
Channel Level 29 Listening to the radio
Auto preset memory 29 Auto tuning 30 Manual tuning30 Preset stations30 Recalling preset stations 30
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2
Getting Started Getting Started
Accessories
Check that the following parts are included in addition to the main unit:
q Operating instructions ............................1 w Warranty .................................................1 e Service station list ..................................1 r Remote control unit (RC-1001) ...............1
r t y u
t R6P/AA batteries ....................................2 y AM loop antenna ....................................1 u FM indoor antenna .................................1
Before using
Pay attention to the following before using this unit:
Moving the unit
To prevent short-circuits or damaged wires in the connection cables, always unplug the power supply cord and disconnect the connection cables between all other audio components when moving the unit.
Before turning the power switch on
Check once again that all connections are correct and that there are not problems with the connection cables. Always set the power switch to the standby position before connecting and disconnecting connection cables.
Store these instructions in a safe place.
After reading, store this instructions along with the warranty card in a safe place.
Note that the illustrations in these
instructions may differ from the actual unit
for explanation purposes.
V. AUX terminals
The AVR-486s front panel is equipped with V. AUX terminals. Remove the cap covering the terminals when you want to use them.
Cautions on installation
Noise or disturbance of the picture may be generated if this unit or any other electronic equipment using microprocessors is used near a tuner or TV. If this happens, take the following steps: Install this unit as far away as possible
from the tuner or TV. Run the antenna wires from the tuner or
TV away from this units power supply cord and input/output connection cables.
Noise or disturbance tends to occur particularly when using indoor antennas or 300 /ohm feeder wires. We recommend
using outdoor antennas and 75 /ohm
coaxial cables.
Wall
Note
Cautions on handling
Switching the input source when input terminals are not connected.
A clicking noise may be produced if the input source is switched when nothing is connected to the input terminals. If this happens, either turn down the MASTER VOLUME control knob or connect components to the input terminals.
Muting of PRE OUT terminals, PHONES jack and SPEAKER terminals.
The PRE OUT terminals, PHONES jack and SPEAKER terminals include a muting circuit. Because of this, the output signals are greatly attenuated for several seconds after the power switch is turned on or the input source, surround mode or any other set-up is changed. If the volume is turned up during this time, the output will be very high after the muting circuit stops functioning. Always wait until the muting circuit turns off before adjusting the volume.
Whenever the power switch is in the STANDBY state, the unit is still connected to AC line
voltage.
Please be sure to turn off the power switch or unplug the cord when you leave home for,
say, a vacation.
Preparing the remote control unit
The included remote control unit (RC-1001) can be used to operate not only the AVR-486 but other remote control compatible DENON components as well. In addition, the memory contains control signals for other remote control units, so it can be used to operate non-DENON remote control compatible products.
Note:
For heat dispersal, do not install this unit in a confined space such as a bookcase or similar
enclosure.
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3 ENGLISH
Getting Started Getting Started
Operating range of the remote control unit
30 30
Approx. 23 feet
Point the remote control unit at the remote sensor on the main unit as shown in the diagram. The remote control unit can be used from a straight distance of approximately 23 feet from the
main unit, but this distance will be shorter if there are obstacles in the way or if the remote control unit is not pointed directly at the remote sensor.
The remote control unit can be operated at a horizontal angle of up to 30 degrees with respect to the remote sensor.
NOTE:
It may be difficult to operate the remote control unit if the remote sensor is exposed to direct sunlight or strong artificial light.
Do not press buttons on the main unit and remote control unit simultaneously. Doing so may result in malfunction.
Neon signs or other devices emitting pulse- type noise nearby may result in malfunction, so keep the set as far away from such devices as possible.
Part names and functions
Front panel
For details on the functions of these parts, refer to the pages given in parentheses ( ).
#2 #0 @8#1 @9 @5@7 @4@3 @0 !8@2 @1 !9@6
r y i !0 !2 !4 !5 !6!7q w t
e u o !1 !3
q Power ON/STANDBY switch (7)
w Power indicator(7)
e Power switch (7, 36)
r Headphones jack (PHONES) (19)
t ANALOG button(20)
y SPEAKER A/B buttons (19, 36)
u ZONE2 button (35)
i Preset station select buttons (29, 30)
o STANDARD/NIGHT button (21~25)
!0 5CH/7CH STEREO button (26)
!1 DIRECT/STEREO button(20)
!2 V. AUX INPUT terminals (9)
!3 SURROUND MODE button (18)
!4 SURROUND PARAMETER
button (21)
!5 SELECT knob(18, 21, 28)
!6 TONE DEFEAT button(28)
!7 TONE CONTROL button (28)
!8 MASTER VOLUME control knob (18)
!9 TUNING (up)/ (down) buttons (29)
@0 STATUS button (19, 25)
@1 DIMMER button (19)
@2 VIDEO SELECT button(19)
@3 OUTPUT indicator(24)
@4 Master volume indicator (18)
@5 Display
@6 INPUT mode indicator (20)
@7 SIGNAL indicator (20)
@8 BAND button (29)
@9 EXT. IN button(18)
#0 Remote control sensor (3)
#1 INPUT MODE button (19)
#2 INPUT SELECTOR knob(18)
Inserting the batteries
q Remove the remote control units rear cover.
w Set two R6P/AA batteries in the battery compartment in the indicated direction.
e Put the rear cover back on.
Notes on batteries:
Replace the batteries with new ones if the set does not operate even when the remote control unit is operated nearby the unit. (The included batteries are only for verifying operation.)
When inserting the batteries, be sure to do so in the proper direction, following the < and > marks in the battery compartment.
To prevent damage or leakage of battery fluid: Do not use a new battery together with an
old one. Do not use two different types of batteries. Do not short-circuit, disassemble, heat or
dispose of batteries in flames. If the battery fluid should leak, carefully wipe
the fluid off the inside of the battery compartment and insert new batteries.
When replacing the batteries, have the new batteries ready and insert them as quickly as possible.
ENGLISH
4 ENGLISH
Getting Started
Remote control unit
For details on the functions of these parts, refer to the pages given in parentheses ( ).
SURROUND MODE buttons(18, 27)
Indicator (32, 34)
Input source selector buttons(18, 32)
System buttons (31~34)
SYSTEM SETUP/SETUP button(12, 33)
Cursor buttons (21, 33)
STATUS/DISPLAY button (19, 25, 33)
TEST TONE button (15)
VIDEO SELECT button (19)
Remote control signal transmitter (3)
Power buttons (7, 33)
Tuner system/System buttons(29, 34)
MUTING button (18)
Master volume control buttons(18, 35)
Mode selector switches (7, 31)
CH SELECT/ENTER button (22, 29)
SURROUND PARAMETER/System button(21, 33)
SPEAKER button (7, 19)
SURROUND BACK/ RETURN button(24, 33)
Input mode selector buttons (18~20) DIMMER button
(19)
ZONE2 buttons(34, 35) MAIN buttons (4, 34)
The Dolby Surround Pro Logic II(x) Cinema or Music mode can be chosen directly by pressing the CINEMA or MUSIC button on the remote control unit during playback in the Dolby Surround Pro Logic II(x) mode.
The DTS NEO:6 Cinema or Music mode can be chosen directly by pressing the CINEMA or MUSIC button on the remote control unit during playback in the DTS NEO:6 mode.
The main zone output can be turned on and off with the MAIN button.
MEMO
Easy Operation
Speaker system layout
2 Basic system layout The following is an example of the basic layout for a system consisting of eight speaker systems and a television monitor:
Subwoofer Center speaker system
Surround speaker systems
Surround back speaker systems
Front speaker systems
Set these at the sides of the TV or screen with their front surfaces as flush with the front of the screen as possible.
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Easy Operation Easy Operation
5
Speaker connections
Connect the speaker terminals with the speakers making sure that like polarities are matched (< with <, > with >). Mismatching of polarities will result in weak central sound, unclear orientation of the various instruments, and the stereo image being impaired.
When making connections, take care that none of the individual conductors of the speaker cable come in contact with adjacent terminals, with other speaker cable conductors, or with the rear panel.
2 Speaker impedance When speaker systems A and B are used
separately, speakers with an impedance of 6 to 16 /ohms can be connected for use as front speakers.
Be careful when using two pairs of front speakers (A + B) at the same time, since speakers with an impedance of 12 to 16 /ohms in this case must be used.
Speakers with an impedance of 6 to 16 /ohms can be connected for use as center and surround and surround back speakers.
The protector circuit may be activated if the unit is operated for long periods of time at high volumes when speakers with an impedance lower than the specified impedance are connected.
Protector circuit
This unit is equipped with a high-speed protection circuit. The purpose of this circuit is to protect the speakers under circumstances such as when the output of the power amplifier is inadvertently short-circuited and a large current flows, when the temperature surrounding the unit becomes unusually high, or when the unit is used at high output over a long period which results in an extreme temperature rise. When the protection circuit is activated, the speaker output is cut off and the power supply indicator flashes. Should this occur, please follow these steps: be sure to switch off the power of this unit, check whether there are any faults with the wiring of the speaker cables or input cables, and wait for the unit to cool down if it is very hot. Improve the ventilation condition around the unit and switch the power back on. If the protection circuit is activated again even though there are no problems with the wiring or the ventilation around the unit, switch off the power and contact a DENON service center.
Note on speaker impedance
The protector circuit may be activated if the unit is operated for long periods of time at high volumes when speakers with an impedance lower than the specified impedance (for example speakers with an impedance of less than 4 /ohms) are connected. If the protector circuit is activated, the speaker output is cut off. Turn off the units power, wait for the unit to cool down, improve the ventilation around the unit, then turn the power back on.
NOTE:
NEVER touch the speaker terminals
when the power is on. Doing so could
result in electric shocks.
Connecting the speaker cables
1. Loosen by turning counterclockwise.
2. Insert the cable.
3. Tighten by turning clockwise.
Connecting banana plugs
Turn clockwise to tighten, then insert the banana plug.
Banana plug
> << >> << >
> <
> < > <
> < > <
IN
(L) (R)
(L) (R)
(L) (R) (L) (R)
2 Connections When making connections, also refer to the operating instructions of the other components.
Connection terminal for a subwoofer with built-in amplifier.
Surround speaker systems
Subwoofer
Front speaker systems (B)
Precautions when connecting speakers:
If a speaker is placed near a TV or video monitor, the colors on the screen may be disturbed by the speakers magnetism. If this should happen, move the speaker away to a position where it does not cause this effect.
NOTE:
When using only one surround back speaker, connect it to the left channel.
Front speaker systems (A)
Center speaker
Surround back speaker systems
To achieve Dolby Digital playback effect, use a unit that can sufficiently reproduce frequencies of under 80 Hz.
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6 ENGLISH
Easy Operation Easy Operation
Connecting a DVD player and monitor TV
To connect the digital audio output from the DVD player, you can choose from either the coaxial or optical connections. If you choose to use the coaxial connection, it needs to be assigned. For more information about Digital Input Assignment ( page 16).
Connect a non-DVD video disc player (such as a laser disc, VCD/SVCD, or future high definition disc player) to the DVD/VDP terminals in the same way.
Precaution when using S-terminals
This units S-terminals (input and output) and video pin terminals (input and output) have independent circuit structures, so that video signals input from the S-terminals are only output from the S-terminal outputs and video signals input from the pin terminals are only output from the pin terminal outputs. When connecting this unit with equipment that is equipped with S-terminals, keep the above point in mind and make connections according to the equipments instruction manuals.
Audio signal flow is shown with white arrows; video signal flow is shown with gray arrows.
DVD player
S VIDEO OUT
R
L
AUDIO OUT
VIDEO OUT
COMPONENT VIDEO OUT
Y
PB
PR
OPTICAL OUT
F
H
G
D
R
L
R
L
A
S VIDEO IN
VIDEO IN
Monitor TV
COMPONENT VIDEO IN
Y
PB
PR
F
H
G
For best picture quality (especially with progressive DVD and other high definition sources), choose the component video connection to your monitor TV. S-Video and composite video outputs are also provided if your TV does not have component video inputs.
The signals input to the color difference (component) video terminals are not output from the VIDEO output terminal (yellow) or the S-Video output terminal.
NOTE:
The component video input and/or output terminals may be labeled differently on some TVs, monitors or video components (Y, PB, PR; Y, CB, CR; Y, B-Y, R-Y). Check the owners manuals for the other components for further information.
Connecting the power supply cord
AC 120 V, 60 Hz
AC outlet (Wall)
NOTE:
Only use the AC OUTLETS for connecting audio equipment. Never use it for hair driers, TVs or other electrical appliances.
AC OUTLETS
SWITCHED (total capacity 120 W (1 A.)) The power to this outlet is turned on and off in conjunction with the POWER switch on the main unit, and when the power is switched between on and standby from the remote control unit. No power is supplied from this outlet when this units power is at standby. Never connect equipment whose total power consumption exceeds 120 W (1 A.).
Easy Operation Easy Operation
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7
4 Press the ON/STANDBY switch on the main unit or ON/SOURCE button on the remote control unit. Turn on the power.
5 Press the SPEAKER A button to turn the speakers on.
3 Press the POWER switch.
OFF:
The power turns off and the indicator is off. In this position, the power cannot be turned on and off from the remote control unit.
ON:
The power turns on and the indicator lights. Set the POWER switch to this position to turn the power on and off from the included remote control unit.
1 Turn on your subwoofer.
Turn on your monitor (TV).
Turning on the power
6 Set the MODE 1 switch to AUDIO (only when operating with the remote control unit).
2
MODE 1
INPUT SELECTOR
ON/SOURCE
SURROUND MODE
SPEAKER
VOLUME
ON/STANDBY SURROUND MODE POWER SELECT
INPUT SELECTOR MASTER VOLUMESPEAKER A
Playing the input source
1 Select the input source to be played.
Example: DVD
(Main unit) (Remote control unit)
4 Adjust the volume.
(Main unit) (Remote control unit)
The volume level is displayed on the master volume level display.
3 Start playback on the selected component.
2 Select the play (surround) mode.
Example: STANDARD
(Main unit) (Remote control unit)
SELECT
To select the surround mode while adjusting the surround parameters, tone defeat or tone control, press the SURROUND MODE button and then operate the selector.
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Connecting Other Sources
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8
Cable indications
Signal direction
The hookup diagrams on the subsequent pages assume the use of the following optional connection cables (not supplied).
Video cableAudio cable
NOTE:
Do not plug in the power supply cord until all connections have been completed. When making connections, also refer to the operating instructions of the other components. Be sure to connect the left and right channels properly (left with left, right with right). Note that binding pin-plug cables together with power supply cords or placing them near a power transformer will result in hum
or other noise.
Analog terminal (Stereo)A
R
L
R
L
(Orange)
Pin-plug cable
Analog terminal (Monaural, for subwoofer)B
Pin-plug cable
Digital terminal (Coaxial)C
Coaxial cable (75 /ohm pin-plug cable)
Digital terminal (Optical)D
Optical cable (Optical fiber cable)
Speaker terminalE
Speaker cable
Video terminalF
Video cable (75 /ohm video pin-plug cable)
S-Video terminalG
S-Video cable
(Yellow)
Audio signal
Video signal
(White)
(Red)
Component video terminalH
Component video cable
(Y)
(PB/CB)
(PR/CR)
(Green)
(Blue)
(Red)
IN OUT OUT IN
IN OUT OUT IN
Connecting Other Sources
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Connecting Other Sources Connecting Other Sources
ENGLISH
9
Connecting a TV/DBS tuner
F
G
A
TV
S VIDEO OUT
R
L
AUDIO OUT
VIDEO OUT
COMPONENT VIDEO OUT
Y
PB
PR
OPTICAL OUT
R
L
R
L
H
D
To connect the digital audio output from the TV or DBS tuner, you can choose from either the coaxial or optical connections. If you choose to use the coaxial connection, it needs to be assigned. For more information about Digital Input Assignment ( page 16).
Precaution when using S-terminals
This units S-terminals (input and output) and video pin terminals (input and output) have independent circuit structures, so that video signals input from the S-terminals are only output from the S-terminal outputs and video signals input from the pin terminals are only output from the pin terminal outputs. When connecting this unit with equipment that is equipped with S-terminals, keep the above point in mind and make connections according to the equipments instruction manuals.
The signals input to the color difference (component) video terminals are not output from the VIDEO output terminal (yellow) or the S-Video output terminal.
Connecting a video camera or video game
Video camera / Video game
R
L
AUDIO OUT
VIDEO OUT
R
L
R
L
A
F
Connecting the external inputs (EXT. IN) terminals
DVD Audio-Video / Super Audio CD player /
External decoder
R
FRONT L
5.1ch AUDIO OUT
CENTER
R
SURROUND L
SUB- WOOFER
L
R
L
R
B
A
B
R
L
R
L
A
These terminals are for inputting multi-channel audio signals from an external decoder, or a component with a different type of multi-channel decoder, such as a DVD Audio player, a multi- channel Super Audio CD player, or another future multi-channel sound format decoder.
The video signal connection is the same as that for a DVD player. For instructions on playback using the external input (EXT. IN) terminals ( page 18).
With discs on which special copyright protection measures have been taken, the digital signals may not be output from the DVD player. In this case, connect the DVD players analog multi- channel output to the AVR-486s EXT. IN terminals for playback. Also refer to your DVD players operating instructions.
Connecting a CD player
R
L
AUDIO OUT
CD player
COAXIAL OUT
R
L
R
L
A
C
To connect the digital audio output from the CD player, you can choose either coaxial or optical connection. If you choose to use the optical connection, it needs to be assigned. For more information about Digital Input Assignment ( page 16).
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10 ENGLISH
Connecting Other Sources Connecting Other Sources
Connecting a tape deck, CD recorder or MD recorder
R
L
AUDIO OUT
R
L
AUDIO IN
Tape deck / CD recorder / MD recorder
R
L
R
L
A
R
L
R
L
A
If humming noise is generated, move the tape deck further away from the source of such noise.
Connecting a VCR
Video deck
S VIDEO OUT
S VIDEO IN
R
L
AUDIO IN
R
L
AUDIO OUT
VIDEO OUT
VIDEO IN
R
L
R
L
F
F
G
G
A
R
L
R
L
A
COMPONENT VIDEO OUT
Y
PB
PR
H
If you wish to perform analog dubbing from a digital source, such as a DVD recorder to an analog recorder such as a cassette deck, you will need to connect the analog inputs and outputs as shown below, in addition to the digital audio connections.
Precaution when using S-terminals
This units S-terminals (input and output) and video pin terminals (input and output) have independent circuit structures, so that video signals input from the S-terminals are only output from the S-terminal outputs and video signals input from the pin terminals are only output from the pin terminal outputs. When connecting this unit with equipment that is equipped with S-terminals, keep the above point in mind and make connections according to the equipments instruction manuals.
The signals input to the color difference (component) video terminals are not output from the VIDEO output terminal (yellow) or the S-Video output terminal.
NOTE:
When recording to a VCR recorder, it is necessary that the type of cable used with the playback source equipment be the same type that is connected to the AVR-486 VCR OUTPUT terminal.
Example: VCR IN S-Video cable : VCR OUT S-Video cable VCR IN Video cable : VCR OUT Video cable
NOTE:
Do not connect two FM antennas simultaneously.
Even if an external AM antenna is used, do not disconnect the AM loop antenna.
Make sure the AM loop antenna lead terminals do not touch metal parts of the panel.
Note to CATV system installer:
This reminder is provided to call the CATV system installers attention to Article 820-40 of the NEC which provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical.
Direction of broadcasting station
75 /ohm COAXIAL cable
FM antenna
FM indoor antenna (Supplied)
AM loop antenna
(Supplied)
AM outdoor antennaGround
An FM antenna cable plug can be connected directly to the unit.
Connecting the antenna terminals
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11 ENGLISH
Connecting Other Sources Connecting Other Sources
1
4
2 3
2 AM loop antenna assembly
Connect to the AM antenna terminals.
Remove the vinyl tie and take out the connection line.
Bend in the reverse direction.
a. Antenna placed on a stable surface.
b. Hanging the antenna on a wall.
Mount
Use the installation hole to secure the antenna to a wall, etc.
Connection of AM antennas
1. Push the lever.
2. Insert the conductor.
3. Return the lever.
For instructions on operations using the MULTI ZONE functions ( page 35, 36).
Connecting the MULTI ZONE terminals
When the power amplifier is assigned to the ZONE2 output channel at Power Amp Assignment, the surround back speaker terminals can be used as the ZONE2 speaker out terminals ( page 35).
The connections diagram below is an example for when the surround back speaker is assigned to the ZONE2 stereo 2 channel. In this case, surround back speaker out can not be used for MAIN ZONE.
ZONE2 speaker out connections
> << >> << >
> <
> < > <
> < > <
IN
(L) (R)
(L) (R)
(L) (R) (L) (R)
Connection terminal for subwoofer with built-in amplifier (subwoofer), etc.
Surround speaker systems
Subwoofer
Front speaker systems (B)
Front speaker systems (A)
Center speaker
ZONE2 speaker systems
NOTE:
The settings must be changed to use this speaker for ZONE2 ( page 16).
System Setup
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12
Use System Setup to customize a variety of settings to suit your listening environment. For the contents of a system menu and the initial setting of this unit ( page 17).
You can change the settings using the buttons on the remote control unit. The AVR-486 is equipped with an alpha numeric front panel display that can also be used to check and adjust settings. Some
representative front display examples are shown below.
CURSOR
MODE 1
SETUP ENTER
Front display
System Setup
No.
*TEST TONE Yes<
Press the CURSOR F button to execute.
Currently selected line
*COAX1 CD
Current settingCurrently selected line
1 Set the MODE 1 switch to AUDIO.
2 Press the SETUP button to enter the setting.
4 Press the ENTER or CURSOR H button to confirm the new settings.
*System Setup
3 Press the ENTER or CURSOR H button to select the setting, then press the CURSOR F or G button to select the parameter.
*Front Large
Large Small
*Center Small
Large Small None
5 Press the SETUP button to finish system set up.
[ Display ]
Setting the Speaker Configuration
1 Press the CURSOR F or G button to select your front speaker type, then press the ENTER or CURSOR H button to switch to the center speaker setting.
*Front Large
Large Small
2 Press the CURSOR F or G button to select your center speaker type, then press the ENTER or CURSOR H button to switch to the surround speaker setting.
*Center Small
Large Small None
When Small has been selected for the front speakers, Large cannot be selected for the center speaker.
3 Press the CURSOR F or G button to select your surround speaker type, then press the ENTER or CURSOR H button to switch to the surround back speaker setting.
*Surr. Small
Large Small None
When Small has been selected for the front speakers, Large cannot be selected for the surround speakers.
The composition of the signals output to each channel and the frequency response are adjusted automatically according to the combination of speakers actually being used.
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13
System Setup System Setup
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4 Press the CURSOR F or G button to select your surround back speaker type, then press the ENTER or CURSOR H button to switch to the number of surround back speaker setting.
*S.Back Small
Large Small None
5 Press the CURSOR F or G button to set the number of speakers to be used for the surround back channel, then press the ENTER or CURSOR H button to switch to the subwoofer setting.
*S.Back 2sp>
2sp> <1sp
6 Press the CURSOR F or G button to select your subwoofer setting, then press the ENTER or CURSOR H button to enter the settings and switch to the Delay Time setting.
*Subwoofer Yes
Yes No
When Small has been selected for the surround speakers, Large cannot be selected for the surround back speakers.
2 Parameters
Large:
Select this when using speakers that have sufficient ability to reproduce bass sound below the frequency set for the crossover frequency mode.
Yes / No:
Select Yes when a subwoofer is installed, No when a subwoofer is not installed.
Small:
Select this when using speakers that do not have sufficient ability to reproduce bass sound below the frequency set for the crossover frequency mode. When this is set, bass sound with a frequency below the frequency set for the crossover frequency mode is sent to the subwoofer.
None:
Select this when no speakers are installed.
2sp / 1sp:
Set the number of speakers to be used for the surround back channel.
If the subwoofer has sufficient low frequency playback capacity, good sound can be achieved even when Small is set for the front, center and surround speakers.
Select Large or Small not according to the actual size of the speaker but according to the speakers capacity for playing low frequency (bass sound below the frequency set for the Crossover Frequency) signals. If you are unsure, try comparing the sound at both settings (setting the volume to a level low enough so as not to damage the speakers) to determine the proper setting.
Setting the Delay Time
Input the distance between the listening position and each speaker to set the delay time for the surround playback.
Preparations:
Measure the distances between the listening position and the speakers.
Center FRFL
Subwoofer
Listening position
SL SR
SBL SBR
1 Press the CURSOR F or G button to set the distance from the front L speaker to the listening position, then press the ENTER or CURSOR H button to switch to the front R speaker setting.
*Front L 12ft
2 Press the CURSOR F or G button to set the distance from the front R speaker to the listening position, then press the ENTER or CURSOR H button to switch to the center speaker setting.
3 Press the CURSOR F or G button to set the distance from the center speaker to the listening position, then press the ENTER or CURSOR H button to switch to the surround L speakers setting.
4 Press the CURSOR F or G button to set the distance from the surround L speakers to the listening position, then press the ENTER or CURSOR H button to switch to the surround R speaker setting.
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14
System Setup System Setup
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5 Press the CURSOR F or G button to set the distance from the surround R speakers to the listening position, then press the ENTER or CURSOR H button to switch to the surround back L speaker setting.
6 Press the CURSOR F or G button to set the distance from the surround back L speakers to the listening position, then press the ENTER or CURSOR H button to switch to the surround back R speaker setting.
7 Press the CURSOR F or G button to set the distance from the surround back R speakers to the listening position, then press the ENTER or CURSOR H button to switch to the subwoofer setting.
8 Press the CURSOR F or G button to set the distance from the subwoofer to the listening position, then press the ENTER or CURSOR H button to enter the setting and switch to the Subwoofer Mode setting.
The number changes in units of 1 foot each time one of the buttons is pressed. Select the value closest to the measured distance.
The difference in distance for the various speaker settings
must not be greater than 20 ft.
Setting the Subwoofer Mode and
Crossover Frequency
1 Press the CURSOR F or G button to select the subwoofer mode, then press the ENTER or CURSOR H button to enter the setting and switch to the crossover frequency setting.
*SW Mode Norm
Norm +Main
2 Press the CURSOR F or G button to select the crossover frequency, then press the ENTER or CURSOR H button to enter the setting and switch to the Test Tone setting.
*Cr.Over 80Hz
60Hz 80Hz
200Hz 180Hz 150Hz
100Hz 120Hz 135Hz
Set the subwoofer mode and crossover frequency mode according to the speaker system being used.
2 Assignment of low frequency signal range The signals produced from the subwoofer channel are LFE signals (during playback of Dolby Digital or DTS signals) and the low frequency signal range of channels set to SMALL in the setup. The low frequency signal range of channels set to LARGE are produced from those channels.
2 Crossover Frequency When Subwoofer is set to Yes at the Speaker
Configuration setting, set the frequency (Hz) below which the bass sound of the various speakers is to be output from the subwoofer (the crossover frequency).
For speakers set to Small, sound with a frequency below the crossover frequency is cut, and the cut bass sound is output from the subwoofer instead.
( When Subwoofer is set to No, the bass sound is output from the speakers set as Large.)
NOTE:
For ordinary speaker systems, we recommend setting the crossover frequency to 80 Hz. When using small speakers, however, setting the crossover frequency to a higher frequency may improve frequency response for frequencies near the crossover frequency.
2 Subwoofer Mode The subwoofer mode setting is only valid when Large is set
for the front speakers and Yes is set for the subwoofer in Setting the Speaker Configuration ( page 12, 13).
When the LFE+MAIN playback mode is selected, the low frequency signal range of channels set to Large is produced simultaneously from those channels and the subwoofer channel. In this playback mode, the low frequency range expands more uniformly through the room, but depending on the size and shape of the room, interference may result in a decrease of the actual volume of the low frequency range.
Selection of the LFE play mode will play the low frequency signal range of the channel selected with Large from that channel only. Therefore, the low frequency signal range that is played from the subwoofer channel is only the low frequency signal range of LFE (only during Dolby Digital or DTS signal playback) and the channels specified as Small in the setup menu.
Select the play mode that offers the fullest bass. When the subwoofer is set to Yes, bass sound is output from
the subwoofer regardless of the subwoofer mode setting in surround modes other than Dolby/DTS.
In surround modes other than Dolby Digital and DTS, if the subwoofer is set to Yes, the low frequency portion is always output to the subwoofer channel. For details, refer to Surround modes and parameters ( page 43).
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15
System Setup System Setup
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4 Press the CURSOR F or G button to set the center channel level, then press the CURSOR H button to switch to the front R channel level (manual mode).
5 Press the CURSOR F or G button to set the front R channel level, then press the CURSOR H button to switch to the surround R channel level (manual mode).
6 Press the CURSOR F or G button to set the surround R channel level, then press the CURSOR H button to switch to the surround back R channel level (manual mode).
7 Press the CURSOR F or G button to set the surround back R channel level, then press the CURSOR H button to switch to the surround back L channel level (manual mode).
Setting the Test Tone
1 Press the CURSOR F button to switch the test tone mode.
Press the ENTER or CURSOR H button to switch to the digital input (COAXIAL) setting.
2 Press the CURSOR F or G button to select the test tone mode, then press the CURSOR H button to start test tone.
T.TONE Auto >
Auto Manual
Use this setting to adjust to that the playback level between the different channel is equal.
From the listening position, listen to the test tones produced from the speakers to adjust the level.
The level can also be adjusted directly from the remote control unit.
Auto:
Adjust the level while listening to the test tones produced automatically from the different speakers.
Manual:
Select the speaker from which you want to produce the test tone to adjust the level.
3 Press the CURSOR F or G button to set the front L channel level, then press the CURSOR H button to switch to the center channel level (manual mode).
AUTO-FL
FL VOL 0dB
-12dB 0dB +12dB
*TEST TONE Yes<
8 Press the CURSOR F or G button to set the surround back L channel level, then press the CURSOR H button to switch to the surround L channel level (manual mode).
9 Press the CURSOR F or G button to set the surround L channel level, then press the CURSOR H button to switch to the subwoofer channel level (manual mode).
10 Press the CURSOR F or G button to set the subwoofer channel level, then press the ENTER button to finish the test tone.
11 Press the ENTER or CURSOR H button to switch the Digital In Assignment (COAXIAL) setting.
When adjusting the level of an active subwoofer system, you may also need to adjust the subwoofers own volume control.
When you adjust the channel levels while in the system setup channel level mode, the channel level adjustments made will affect all surround modes. Consider this mode a master channel level adjustment mode.
After you have completed the system setup channel level adjustments, you can then activate the individual surround modes and adjust channel levels that will be remembered for each of those modes. Then, whenever you activate a particular surround sound mode, your preferred channel level adjustments for just that mode will be recalled. Check the instructions for adjusting channel levels within each surround mode ( page 29).
2 Adjusting the test tone Before playing with the surround function, be sure to use the
test tones to adjust the playback level from the different speakers. This adjustment can be performed with the system setup or from the remote control unit, as described below.
Adjusting with the remote control unit using the test tones is only possible in the Auto mode and only effective in the STANDARD (DOLBY/DTS SURROUND) modes. The adjusted levels for the different modes are automatically stored in the memory.
2 Press the TEST TONE button. Test tones are output from the different speakers.
3 Press the CURSOR F or G button to adjust so that the volume of the test tones is the same for all the speakers.
4 After completing the adjustment, press the TEST TONE button again.
1 Press the STANDARD button to select the STANDARD (DOLBY/DTS SURROUND) modes.
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16
System Setup System Setup
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This setting assigns the digital input terminals of the AVR-486 for the different input sources.
Setting the Digital In Assignment
1 Press the CURSOR F or G button to assign the input function connected to the COAXIAL 1 input terminal, then press the ENTER or CURSOR H button to switch the COAXIAL 2 input setting.
*COAX1 CD
CD AUX DVD TV VCR CDR OFF
2 Press the CURSOR F or G button to assign the input function connected to the COAXIAL 2 input terminal, then press the ENTER or CURSOR H button to switch the OPTICAL input setting.
*COAX2 AUX
CD AUX DVD TV VCR CDR OFF
3 Press the CURSOR F or G button to assign the input function connected to the OPTICAL input terminal, then press the ENTER or CURSOR H button to switch the Auto Surround Mode setting.
*OPT DVD
CD AUX DVD TV VCR CDR OFF
Select OFF if nothing is connected. TUNER and V. AUX cannot be selected.
The surround mode used last for the three types of input signals shown below is stored in the memory, and the signal is automatically played with that surround mode the next time it is input. Note that the surround mode setting is also stored separately for the different input sources. q Analog and PCM 2-channel signals (STEREO) w 2-channel signals in the Dolby Digital, DTS or another multi-
channel format (DOLBY PLIIx Cinema) e Multi-channel signals in the Dolby Digital, DTS or another multi-
channel format (DOLBY/DTS SURROUND) Default settings are indicated in ( ).
Setting the Auto Surround Mode
Press the CURSOR F or G button to select the Auto Surround mode, then press the ENTER or CURSOR H button to switch the Ext. In Subwoofer Level setting.
*Auto Surr. ON
ON OFF
Set the method of playback of the analog input signal connected to the EXT. IN terminal.
Setting the Ext. In Subwoofer Level
Press the CURSOR F or G button to select the ext. in subwoofer channel level playback, then press the ENTER or CURSOR H button to switch the Power Amp Assignment setting.
*Ext.In SW+15dB
+0dB +5dB +10dB +15dB
Make this setting to switch the power amplifier for the surround back channel to ZONE2.
Setting the Power Amp Assignment
Press the CURSOR F or G button to select S. Back or ZONE2, then press the ENTER or CURSOR H button if you want to start the settings over from the beginning.
*P.Amp S.Back
S.Back ZONE2
MAIN ZONE Surround back 7.1ch system ZONE2 5.1ch system
Power Amp Assign. ZONE2
2ch system
SPEAKER OUT
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17
System Setup System Setup
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PageDefault settingsSystem Setup
System setup items and default values (set upon shipment from the factory)
1 Speaker Configuration
Input the combination of speakers in your system and their corresponding sizes (SMALL for regular speakers, LARGE for full-size, full-range) to automatically set the composition of the signals output from the speakers and the frequency response.
Front Sp.
Large
Center Sp. Surround Sp. Subwoofer
Small SmallYes
Surround Back Sp.
Small / 2sp
Subwoofer Mode
This selects the subwoofer speaker for playing deep bass signals.3 Subwoofer mode = Normal
12, 13
2 Delay Time This parameter is for optimizing the timing with which the audio signals are produced from the speakers and subwoofer according to the listening position.
14
Front L & R Center Surround
L & RSubwoofer
12 ft 12 ft 10 ft12 ft
Surround Back L & R
10 ft 13, 14
16Digital In Assignment
This assigns the digital input terminals for the different input sources.
Input source
Digital Inputs
CD AUX DVD / VDP
COAXIAL1 COAXIAL2 OPTICAL 6
Crossover Frequency
Sets the frequency (Hz) below which the bass sound of the various speakers is to be output from the subwoofer.4 80 Hz 14
5 Test Tone This adjusts the volume of the signals output from the speakers and subwoofer for the different channels in order to obtain optimum effects.
Front L & R Center Surround
L & RSubwoofer
0 dB 0 dB 0 dB0 dB
Surround Back L & R
0 dB 15
Power Amp Assignment
Sets this to switch the surround back channels power amplifier for ZONE2 use. Surround Back 169
7 Auto Surround Mode
Auto surround mode function setting. Auto Surround Mode = ON 16
Ext. In SW Level
Sets the Ext. In Subwoofer channel playback level. Ext. In SW Level = +15 dB 168
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18
Basic Operation
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Playing the input source
1 Select the input source to be played.
Example: CD
(Main unit) (Remote control unit)
2 Select the play (surround) mode.
Example: STEREO
4 Adjust the volume.
The volume can be adjusted within the range of 70 to 0 to 18 dB, in steps of 1 dB. However, when the channel level is set as described ( page 29), if the volume for any channel is set at +1 dB or greater, the volume cannot be adjusted up to 18 dB. (In this case the maximum volume is adjusted to 18 dB (Maximum value of channel level).)
(Main unit) (Remote control unit)
The volume level is displayed on the master volume level display.
Basic Operation
Playback
(Main unit) (Remote control unit)
SELECT
To select the surround mode while adjusting the surround parameters, tone defeat or tone control, press the SURROUND MODE button and then operate the selector.
Playback using the external input (EXT. IN)
terminals
Press the EXT. IN button to select the external input.
NOTE:
When the input mode is set to the external input (EXT. IN), the play mode (DIRECT, VIRTUAL SURROUND, STEREO, STANDARD (DOLBY/DTS SURROUND), 5CH/7CH STEREO or DSP SIMULATION) cannot be selected.
In play modes other than the external input mode, the signals connected to the EXT. IN terminals cannot be reproduced. In addition, signals cannot be output from channels not connected to the input terminals.
Cancelling the external input mode: Press the INPUT MODE or ANALOG button to switch to the desired input mode ( page 19, 20).
The external input mode can be set for any input source. To watch video while listening to sound, select the input source to which the video signal is connected, then set this mode.
If the subwoofer output level is too high, set the SW ATT. surround parameter to ON.
The signals being input to the external decoder input terminals are played without passing through the surround circuitry.
SELECTSURROUND MODE EXT. IN
INPUT SELECTOR
MASTER VOLUMEANALOGINPUT MODE
VOLUME
EXT. IN
MUTING
SURROUND MODE
ANALOG
INPUT SELECTOR
INPUT MODE
3 Start playback on the selected component.
For operating instructions, refer to the components manual. Press the MUTING button.
Turning the sound off temporarily (MUTING)
Use this to turn off the audio output temporarily.
Canceling the MUTING mode: q Press the MUTING button again. w Press the VOLUME button on the remote control unit, or
adjust the volume up or down via the front panel MASTER VOLUME knob.
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Basic Operation Basic Operation
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19
Press the VIDEO SELECT button repeatedly until the desired source appears on the display.
Combining the currently playing sound with
the desired image (VIDEO SELECT)
Use this switch to monitor a video source other than the audio source.
IN=V SOURCE
Canceling simulcast playback: q Select SOURCE by pressing the VIDEO SELECT button. w Switch the program source to the component connected to
the video input terminals.
Press the SPEAKER A or B button to turn the corresponding speaker pair on.
The front speaker A, B setting can be also be changed with the SPEAKER button on the remote control unit.
Selecting the front speakers
Connect the headphones to the PHONES jack. The speaker output is automatically turned off when headphones
are connected.
NOTE:
To prevent hearing loss, do not raise the volume level excessively when using headphones.
Listening over headphones
Checking the currently playing program
source
2 Front panel display
Press the STATUS button.
Descriptions of the units operations are also displayed on the front panel display. In addition, the display can be switched to check the units operating status while playing a source.
2 Using the dimmer function
Press the DIMMER button.
The display brightness changes in four steps (bright, medium, dim and off).
AUTO (auto mode): In this mode, the types of signals being input to the digital and analog input terminals for the selected input source are detected and the program in the AVR-486s surround decoder is selected automatically upon playback. This mode can be selected for all input sources other than TUNER. The presence or absence of digital signals is detected, the signals input to the digital input terminals are identified and decoding and playback are performed automatically with the DTS, Dolby Digital or PCM (2 channel stereo) format. If no digital signal is being input, the analog input terminals are selected. Use this mode to play Dolby Digital signals.
DTS (exclusive DTS signal playback mode): Decoding and playback are only performed when DTS signals are being input.
PCM (exclusive PCM signal playback mode): Decoding and playback are only performed when PCM signals are being input. Note that noise may be generated when using this mode to play signals other than PCM signals.
AUTO PCM DTS
Press the INPUT MODE button.
The mode switches as shown below each time the INPUT MODE button is pressed:
Input mode
The AVR-486 has an AUTO signal detection mode that automatically identifies the type of incoming audio signals, but is also equipped with a manual mode that can be switched according to the type of input audio signals.
2 Selecting the AUTO, PCM and DTS modes
PHONES VIDEO SELECT DIRECT/STEREO
MASTER VOLUME
STATUSDIMMER
SPEAKER
ANALOGINPUT MODE
SPEAKER DIMMER
ANALOGINPUT MODE VIDEO SELECT
STATUS
DIRECT STEREO
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Basic Operation Basic Operation
2 Input mode display
In the AUTO mode
In the DIGITAL PCM mode
In the DIGITAL DTS mode
In the ANALOG mode
Depending on the input signal.
2 Input signal display
DOLBY DIGITAL
DTS
PCM
The DIGITAL indicator lights when digital signals are being input properly. If the DIGITAL indicator does not light, check whether the Digital In Assignment setup ( page 16) and connections are correct and whether the components power is turned on.
NOTE:
The DIGITAL indicator will light when playing CD-ROMs containing data other than audio signals, but no sound will be heard.
Press the ANALOG button to switch to the analog input.
2 Selecting the analog mode
ANALOG (exclusive analog audio signal playback mode): The signals input to the analog input terminals are decoded and played.
NOTE:
Input mode when playing DTS sources: Noise will be output if DTS-compatible CDs or LDs are played in the ANALOG or PCM mode. When playing DTS-compatible sources, be sure to connect the source component to the digital input terminals (OPTICAL/COAXIAL) and set the input mode to DTS.
Playing audio sources (CDs and DVDs)
2-channel playback modes
The AVR-486 is equipped with 2-channel playback modes exclusively for music.
Select the mode to suit your tastes.
Press the DIRECT/STEREO button on the main unit or the DIRECT button on the remote control unit to select the DIRECT mode.
2 DIRECT mode Use this mode to achieve good quality 2-channel sound while watching images. In this mode, the audio signals bypass such circuits as the tone circuit and are transmitted directly, resulting in good quality sound.
Press the DIRECT/STEREO button on the main unit or the STEREO button on the remote control unit to select the STEREO mode.
2 STEREO mode Use this mode to adjust the tone and achieve the desired sound while watching images.
Surround
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21
Basic Operation Basic Operation
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Dolby Pro Logic IIx (Pro Logic II) mode
To play in the PLIIx mode, set S. BackSp at the Speaker Configuration setting to 1sp or 2sp.
To play in the PLIIx mode, set Surround Back at the Power Amp Assign. setting.
1 Press the STANDARD button to select the Dolby Pro Logic IIx mode. The Dolby Pro Logic II indicator lights.
Lights
2 Play a program source.
For operating instructions, refer to the manuals of the respective components.
SELECTSURROUND PARAMETER
STANDARD
ENTER
STANDARD
SURROUND PARAMETER
CURSOR F CURSOR G
The mode switches as shown below each time the button is pressed.
DTS NEO:6DOLBY PLIIx
5 Press the SURROUND PARAMETER button to select the various parameters.
The mode switches as shown below each time the button is pressed.
When the Cinema mode:
MODE CINEMA CINEMA EQ
DEFAULT SURROUND BACK
TONE DEFEAT
3 Press the SURROUND PARAMETER button to select the surround parameter mode.
MODE MUSIC TONE DEFEAT
DIMENSION PANORAMA
SURROUND BACK
DEFAULT CENTER WIDTH
When the Music mode:
MODE GAME TONE DEFEAT
DEFAULT SURROUND BACK
When the Game mode:
4 Turn the SELECT knob, and press the CURSOR F or G button to select the optimum mode for the source.
When the SURROUND BACK parameter is set to ON. (Set S. Back at system setup to Small or Large.)
(Pro Logic IIx Cinema mode)
(Pro Logic IIx Music mode)
(Pro Logic IIx Game mode)
When the SURROUND BACK parameter is set to OFF. (Set S. Back at system setup to None.)
(Pro Logic II Cinema mode)
(Pro Logic II Music mode)
(Pro Logic II Game mode)
(Dolby Pro Logic mode)
MODE DOLBY PL
DEFAULT SURROUND BACK
CINEMA EQ TONE DEFEAT
If you do want the bass and treble to be adjusted, turn off the tone defeat mode.
When the Dolby Pro Logic mode:
6 Turn the SELECT knob, and press the CURSOR F or G button to set the various surround parameters.
When the surround parameters are set using the buttons on the main unit, stop operating the buttons after completing the settings. The settings are automatically finalized and the normal display reappears after several seconds.
Cinema EQ setting:
CINEMA EQ OFF
ON OFF
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22
Basic Operation Basic Operation
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When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and the setting will be completed.
DIMENSION setting
DIMENSION 3
0 3 6
CENTER WIDTH setting
CENTER WIDTH 3
0 4 7
D. COMP. setting
D.COMP. OFF
OFF LOW MID HIGH
DEFAULT Y/N
YES Y/N NO
This parameter is displayed during DOLBY DIGITAL playback.
DEFAULT setting
Select YES to reset to the factory defaults.
7 Press the ENTER button to finish the surround parameter mode.
2 Surround parameters q
Pro Logic IIx and Pro Logic II Mode:
The Cinema mode is for use with stereo television shows and all programs encoded in Dolby Surround. The Music mode is recommended for stereo music and surround-encoded stereo music sources. The Pro Logic mode offers the same robust surround processing as original Pro Logic in case the source content is not of optimum quality. The Game mode is for playing games. The game mode can only be used with 2-channel audio sources. Select one of the modes (Cinema, Music, Pro Logic or Game). Panorama Control:
This mode extends the front stereo image to include the surround speakers for an exciting wraparound effect with side wall imaging. Select OFF or ON.
Dimension Control:
This control gradually adjusts the soundfield either towards the front or towards the rear. The control can be set in 7 steps from 0 to 6.
Center Width Control:
This control adjusts the center image so it may be heard only from the center speaker; only from the left/right speakers as a phantom image; or from all three front speakers to varying degrees. The control can be set in 8 steps from 0 to 7.
SURROUND BACK SPEAKER setting
SB : ON
ON OFF
TONE DEFEAT setting
TONE DEF. ON
ON OFF
PANORAMA setting
PANORAMA OFF
ON OFF
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23
Basic Operation Basic Operation
STANDARD INPUT SELECTOR SURROUND PARAMETER
INPUT MODE SELECT
ENTER
STANDARD
INPUT MODE
SURROUND BACK
SURROUND PARAMETER
INPUT SELECTOR
CURSOR F CURSOR G
DTS NEO:6 mode
1 Press the STANDARD button to select the DTS NEO:6 mode.
The mode switches as shown below each time the button is pressed.
DTS NEO:6DOLBY PLIIx
Play a program source.2
5 Press the SURROUND PARAMETER button to select the various parameters.
The mode switches as shown below each time the button is pressed.
When the Cinema mode:
If you do want the bass and treble to be adjusted, turn off the tone defeat mode.
MODE CINEMA CINEMA EQ
DEFAULT SURROUND BACK
TONE DEFEAT
MODE MUSIC CENTER IMAGE
SURROUND BACK
TONE DEFEAT
DEFAULT
When the Music mode:
6 Turn the SELECT knob, and press the CURSOR F or G button to set the various surround parameters.
When the surround parameters are set using the buttons on the main unit, stop operating the buttons after completing the settings. The settings are automatically finalized and the normal display reappears after several seconds.
TONE DEFEAT setting
TONE DEF. ON
ON OFF
SURROUND BACK SPEAKER setting
SB : ON
ON OFF
D. COMP. setting
D.COMP. OFF
OFF LOW MID HIGH
DEFAULT Y/N
YES Y/N NO
This parameter is displayed during DOLBY DIGITAL playback.
DEFAULT setting
Select YES to reset to the factory defaults.
7 Press the ENTER button to finish the surround parameter mode.
CENTER IMAGE setting
C.IMAGE 0.3
0.0 0.3 1.0
4 Turn the SELECT knob, and press the CURSOR F or G button to select the optimum mode for the source.
MODE cinema
MODE music
3 Press the SURROUND PARAMETER button to select the surround parameter mode.
MODE cinema
CINEMA EQ setting:
CINEMA EQ OFF
ON OFF
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Basic Operation Basic Operation
Play a program source with the or symbol. The Dolby Digital indicator lights
when playing Dolby Digital sources.
The DTS indicator lights when playing DTS sources.
Operate the SURROUND BACK button to switch Surround Back CH ON/OFF. The SURROUND BACK indicator
lights when the SURROUND BACK button is on.
Lights
Lights
4
Lights
2 Surround parameters w
DTS NEO:6 Mode:
Cinema:
This mode is optimum for playing movies. Decoding is performed with emphasis on separation performance to achieve the same atmosphere with 2-channel sources as with 6.1-channel sources. This mode is effective for playing sources recorded in conventional surround formats as well, because the in-phase component is assigned mainly to the center channel (C) and the reversed phase component to the surround (SL, SR and SB channels).
Music:
This mode is suited mainly for playing music. The front channel (FL and FR) signals bypass the decoder and are played directly so there is no loss of sound quality, and the effect of the surround signals output from the center (C) and surround (SL, SR and SB) channels add a natural sense of expansion to the sound field.
CENTER IMAGE (0.0 to 1.0: default 0.3): The center image parameter for adjusting the expansion of the center channel in the DTS NEO:6 MUSIC mode has been added.
TONE DEFEAT setting
5 Press the SURROUND PARAMETER button to select the various parameters.
The parameter switches as shown below each time the button is pressed.
CINEMA EQ D.COMP.
SURROUND BACK
LFE TONE DEFEAT
DEFAULT
If you do want the bass and treble to be adjusted, turn off the tone defeat mode.
TONE DEF. ON
ON OFF
SURROUND BACK SPEAKER setting
SB : MTRX ON
MTRX ON NON MTRX OFF
This parameter is displayed during DOLBY DIGITAL playback.
DEFAULT setting
Dolby Digital mode and DTS surround
(only with digital input)
1 Select an input source set to digital (COAXIAL/ OPTICAL) ( page 16).
Example: DVD
(Main unit) (Remote control unit)
6 Turn the SELECT knob, and press the CURSOR F or G button to set the various surround parameters.
The mode switches as shown below each time the button is pressed.
CINEMA EQ setting:
CINEMA EQ OFF
ON OFF
7 Press the ENTER button to finish the surround parameter mode.
When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and the setting will be completed.
DEFAULT Y/N
YES Y/N NO
Select YES to reset to the factory defaults.
LFE 0dB
-10dB -5dB 0dB
D. COMP. setting
D.COMP. OFF
OFF LOW MID HIGH
This parameter is displayed during DOLBY DIGITAL playback.
LFE setting
3 Press the STANDARD button to select the STANDARD (Dolby/DTS Surround) mode.
2 Press the INPUT MODE button to set the input mode to AUTO or DTS. When making parameter settings, the display will return to the
regular condition several seconds after the last button was pressed and the setting will be completed.
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Basic Operation Basic Operation
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2 Surround parameters e
CINEMA EQ. (Cinema Equalizer): The Cinema EQ function gently decreases the level of the extreme high frequencies, compensating for overly-bright sounding motion picture soundtracks. Select this function if the sound from the front speakers is too bright. This function only works in the Dolby Pro Logic IIx, Dolby Digital, DTS Surround and DTS NEO:6 modes. (The same contents are set for all operating modes.)
D.COMP. (Dynamic Range Compression): Motion picture soundtracks have tremendous dynamic range (the contrast between very soft and very loud sounds). For listening late at night, or whenever the maximum sound level is lower than usual, the Dynamic Range Compression allows you to hear all of the sounds in the soundtrack (but with reduced dynamic range). (This only works when playing program sources recorded in Dolby Digital or DTS). Select one of the four parameters (OFF, LOW, MID (middle) or HIGH). Set to OFF for normal listening.
SB CH OUT (Surround Back):
(1) Multi-channel source OFF:
Playback is conducted without using the surround back speaker.
NON MTRX:
The same signals as those of the surround channels are output from the surround back channels.
MTRX ON:
The surround back channel is reproduced using digital matrix processing.
ES MTRX:
When playing DTS signals, the surround back signals undergo digital matrix processing for playback.
ES DSCRT:
When a signal identifying the source as a discrete 6.1-channel source is included in the DTS signals, the surround back signals included in the source are played.
PLIIx Cinema:
Processing is performed with the Cinema mode of the PLIIx decoder and the surround back channel is reproduced.
PLIIx Music:
Processing is performed with the Music mode of the PLIIx decoder and the surround back channel is reproduced.
(2) 2ch source OFF:
Playback is conducted without using the surround back speaker. ON:
Playback is conducted using the surround back speaker.
TONE:
This enables tone control. This can be set individually for the separate surround modes other than DIRECT mode.
LFE (Low Frequency Effect): This sets the level of the LFE (Low Frequency Effect) sounds included in the source when playing program sources recorded in Dolby Digital or DTS. If the sound produced from the subwoofer sounds distorted due to the LFE signals when playing Dolby Digital or DTS sources when the peak limiter is turned off with the subwoofer peak limit level setting, adjust the level as necessary. Program source and adjustment range:
1. Dolby Digital: 10 dB to 0 dB 2. DTS Surround: 10 dB to 0 dB When DTS encoded movie software is played, it is
recommended that the LFE LEVEL be set to 0 dB for
correct DTS playback.
When DTS encoded music software is played, it is
recommended that the LFE LEVEL be set to 10 dB for
correct DTS playback.
Night mode
When listening at night or at lower volumes, the night mode improves listenability.
Press and hold the NIGHT button for several seconds to enter the night mode.
Canceling night mode: Press and hold the NIGHT button again.
The night mode only works when playing program sources recorded in Dolby Digital or DTS.
2 Dialogue normalization The dialog normalization function is activated automatically when playing Dolby Digital program sources. Dialog normalization is a basic function of Dolby Digital which automatically normalizes the dialog level (standard level) of the signals which are recorded at different levels for different program sources, such as DVD, DTV and other future formats that will use Dolby Digital. These contents can be verified with the STATUS button.
OFFSET - 4dB
The number indicates the normalization level when the currently playing program is normalized to the standard level.
STANDARD/NIGHT
STATUS
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Basic Operation Basic Operation
VIRTUAL
5CH/7CH STEREO
DENON original surround modes
This unit is equipped with a high performance DSP (Digital Signal Processor) which uses digital signal processing to synthetically recreate the sound field. One of 7 preset surround modes can be selected according to the program source and the parameters can be adjusted according to the conditions in the listening room to achieve a more realistic, powerful sound.
Surround modes and their features
2 Personal memory plus This set is equipped with a personal memorize function that automatically memorizes the surround modes and input modes selected for the different sources. When the input source is switched, the modes set for that source last time it was used are automatically recalled.
The surround parameters, tone control settings and playback level balance for the different output channels are memorized for each surround mode.
MONO MOVIE
(NOTE)
ROCK ARENA
JAZZ CLUB
VIDEO GAME
MATRIX
Depending on the program source being played, the effect may not be very noticeable. In this case, try other surround modes, without worrying about their names, to create a sound field suited to your tastes.
NOTE: When playing sources recorded in monaural, the sound will be one-sided if signals are only input to one channel (left or right), so input signals to both channels. If you have a source component with only one audio output (monophonic camcorder, etc.) obtain a Y adapter cable to split the mono output to two outputs, and connect to the L and R inputs.
The front left channel signals are output to the surround and surround back left channels, the front right channel signals are output to the surround and surround back right channels, and the in-phase component of the left and right channels is output to the center channel. Use this mode to enjoy stereo sound.
Select this when watching monaural movies for a greater sense of expansion.
Use this mode to achieve the feeling of a live concert in an arena with reflected sounds coming from all directions.
This mode creates the sound field of a live house with a low ceiling and hard walls. This mode gives jazz a very vivid realism.
Use this to enjoy video game sources.
Select this to emphasize the sense of expansion for music sources recorded in stereo. Signals consisting of the component difference of the input signals (the component that provides the sense of expansion) processed for delay are output from the surround channel.
Select this mode to enjoy a virtual sound field, produced from the front 2-channel speakers or headphones.7
6
5
4
3
2
1
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Basic Operation Basic Operation
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LFE 0dB
-10dB -5dB 0dB
This parameter is displayed during DOLBY DIGITAL and DTS playback.
TONE DEFEAT setting
TONE DEF. ON
ON OFF
When the MONO MOVIE, ROCK ARENA, JAZZ CLUB
and VIDEO GAME mode:
ROOM SIZE EFFECT LEVEL
DEFAULT SURROUND BACK
TONE DEFEAT
TONE DEFEAT DEFAULT
When the VIRTUAL mode:
If you do want the bass and treble to be adjusted, turn off the tone defeat mode.
DELAY
DEFAULT SURROUND BACK
TONE DEFEAT
When the MATRIX mode:
4 Press the CURSOR F or G button to set the various parameters.
ROOM SIZE setting:
ROOM SIZE MED
SMALL MED-S MED MED-L LARGE
EFFECT LEVEL setting
EFFECT LEVEL 10
1 10 15
DELAY TIME setting
DELAY 30ms
30ms0ms 110ms
D. COMP. setting
D.COMP. OFF
OFF LOW MID HIGH
This parameter is displayed during DOLBY DIGITAL playback.
LFE setting
When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and the setting will be completed.
5 Press the ENTER button to finish the surround parameter mode.
SURROUND BACK SPEAKER setting
SB : ON
ON OFF
This parameter is displayed during DOLBY DIGITAL playback.
DEFAULT setting
DEFAULT Y/N
YES Y/N NO
Select YES to reset to the factory defaults.
SURROUND MODE
ENTER
CURSOR F CURSOR G
SURROUND PARAMETER
DSP surround simulation
2 To operate the surround mode and the surround
parameters from the remote control unit
1 Select the surround mode for the input channel.
(Remote control unit)
The surround mode switches in the following order each time the DSP SIMULATION button is pressed:
MONO MOVIE ROCK ARENA
JAZZ CLUBMATRIX VIDEO GAME
2 Press the SURROUND PARAMETER button to enter the surround parameter setting mode.
The surround parameter switches in the following order each time the SURROUND PARAMETER button is pressed for the different surround modes.
3 Press the SURROUND PARAMETER button to select the various parameters.
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Basic Operation Basic Operation
2 Operating the surround mode and the surround
parameters from the main units panel
1 Turn the SELECT knob to select the surround mode.
When turned clockwise:
DIRECT STEREO
MONO MOVIE DTS NEO:65CH/7CH STEREO
MATRIXVIRTUAL SURROUND
DOLBY PRO LOGIC IIx
ROCK ARENA JAZZ CLUB VIDEO GAME
2 Press and hold in the SURROUND PARAMETER button to select the parameter you want to set.
The parameters which can be set differ for the different surround modes are displayed. (Refer to Surround modes and parameters ( page 43).)
When turned counterclockwise:
DIRECT STEREO
MONO MOVIE DTS NEO:65CH/7CH STEREO
MATRIXVIRTUAL SURROUND
DOLBY PRO LOGIC IIx
ROCK ARENA JAZZ CLUB VIDEO GAME
To select the surround mode while adjusting the surround parameters, tone defeat or tone control, press the SURROUND MODE button, then operate the selector.
2 Surround parameters r
ROOM SIZE:
This sets the size of the sound field. There are five settings: small, med.s (medium-small), medium, med.l (medium-large) and large. small recreates a small sound field, large a large sound field.
EFFECT LEVEL:
This sets the strength of the surround effect. The level can be set in 15 steps from 1 to 15. Lower the level if the sound seems distorted.
DELAY TIME:
The delay time can be set within the range of 0 to 110 ms only in the matrix mode.
TONE CONTROL:
This can be set individually for each surround mode except DIRECT.
3 Display the parameter you want to adjust, then turn the SELECT knob to set it.
When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and the setting will be completed.
SURROUND PARAMETER TONE DEFEAT
TONE CONTROL SURROUND MODE SELECT
Tone control setting
2 Adjusting the sound quality (tone) The tone control function will not work in the DIRECT mode.
1 Press the TONE CONTROL button.
The tone switches as follows each time the TONE CONTROL button is pressed.
TREBLEBASS
2 Turn the SELECT knob to adjust the level of the bass or treble.
To increase the bass or treble: Turn the control clockwise. (The bass or treble sound can be increased up to +12 dB in steps of 2 dB.) To decrease the bass or treble: Turn the control counterclockwise. (The bass or treble sound can be decreased down to 12 dB in steps of 2 dB.)
2 Tone defeat mode If you do not want the bass and treble to be adjusted, turn on the tone defeat mode.
Press the TONE DEFEAT button.
The signals do not pass through the bass and treble adjustment circuits, thus resulting in higher quality sound.
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Basic Operation Basic Operation
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Channel Level
You can adjust the channel level either according to the playback sources or to suit your taste, as described below.
1 Press the CH SELECT button to select the speaker whose level you want to adjust.
The channel switches as shown below each time the button is pressed.
FL C FR SR
SW SL SBL SBR
2 Press the CURSOR F or G button to adjust the level of the selected speaker.
The default setting of the channel level is 0 dB. The level of the selected speaker can be adjusted within the range of +12 to 12 dB by pressing the CURSOR buttons. The SW channel level can be turned off by decreasing it one step from 12 dB.
OFF 12 dB +12 dB
When the surround back speaker setting is set to 1sp for Speaker Configuration, this is set to SB. SB appears only when the Power Amp Assign. setting is the surround back mode.
Auto tuner presets
Listening to the radio
Auto preset memory
Hold the PRESET button and press the POWER switch on the main unit. The unit automatically begins searching for FM broadcast
stations.
When the first FM broadcast station is found, that station is stored in the preset memory at channel A1. Subsequent stations are automatically stored in order at preset channels A1 to A8, B1 to B8, C1 to C8, D1 to D8, E1 to E8, F1 to F8 and G1 to G8 for a maximum of 56 stations. Channel A1 is tuned in after the auto preset memory operation is completed.
This unit is equipped with a function for automatically searching for FM broadcast stations and storing them in the preset memory.
If an FM station cannot be preset automatically due to poor reception, use the Manual tuning operation to tune in the station, then preset it using the manual Preset memory operation.
To interrupt this function, press the ON/STANDBY switch.
2 DEFAULT SETTINGS
A1 ~ A8 87.5 / 89.1 / 98.1 / 107.9 / 90.1 / 90.1 / 90.1 / 90.1 MHz
B1 ~ B8 520 / 600 / 1000 / 1400 / 1500 / 1710 kHz, 90.1 / 90.1 MHz
C1 ~ C8 90.1 MHz D1 ~ D8 90.1 MHz E1 ~ E8 90.1 MHz F1 ~ F8 90.1 MHz G1 ~ G8 90.1 MHz
ON/STANDBY TUNINGBAND POWER SHIFT
INPUT SELECTOR PRESET
TUNING
BAND SHIFT
TUNER
MODE MEMORY
PRESET
CH SELECT
CURSOR F CURSOR G
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Basic Operation Basic Operation
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1 Set the input source to TUNER.
(Main unit) (Remote control unit)
2 Watching the display, press the BAND button to select the desired band (AM or FM).
Auto tuning
When in the auto tuning mode on the FM band, the STEREO indicator lights on the display when a stereo broadcast is tuned in. At open frequencies, the noise is muted and the TUNED and STEREO indicators turn off.
4 Press the TUNING (+) or () button.
Automatic searching begins, then stops when a station is tuned in.
3 Press the MODE button to set the auto tuning mode.
A1 FM 87.50MHz
Lights
Manual tuning
1 Set the input source to TUNER.
3 Press the MODE button to set the manual tuning mode.
Check that the displays AUTO indicator turns off.
2 Watching the display, press the BAND button to select the desired band (AM or FM).
4 Press the TUNING (+) or () button to tune in the desired station.
The frequency changes continuously when the button is held in.
When the manual tuning mode is set, FM stereo broadcasts are received in monaural and the STEREO indicator turns off.
Recalling preset stations
1 Watching the display, press the SHIFT button to select the preset memory block.
2 Watching the display, press the PRESET (+) or () button to select the desired preset channel.
Preset stations
1 Use the Auto tuning or Manual tuning operation to tune in the station to be preset in the memory.
3 Press the SHIFT button and select the desired memory block (A to G).
2 Press the MEMORY button.
4 Press the PRESET (+) or () button to select the desired preset channel (1 to 8).
To preset other channels, repeat steps 1 to 4. A total of 56 broadcast stations can be preset 8 stations (channels 1 to 8) in each of blocks A to G.
5 Press the MEMORY button again. Store the station in the preset memory.
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31
Advanced Operation
Remote control unit
Operating DENON audio components
Advanced Operation
1 Set the MODE 1 switch to AUDIO.
2 Set the MODE 2 switch to the position for the component to be operated (CD, CDR/MD or TAPE).
3 Operate the audio component.
For details, refer to the components operating instructions. While this remote control is compatible with a wide range of infrared controlled components, it may be the case that some component models cannot be operated with this remote control.
MODE 2
ON/SOURCE
MODE 1
NUMBER
OFF 1. CD player (CD), CD recorder and MD recorder (CDR/MD)
system buttons
6, 7 : Manual search (forward and reverse) 2 : Stop 1 : Play
8, 9 : Auto search (cue) 3 : Pause
DISC SKIP + : Switch discs (for CD changers only)
2. Tape deck (TAPE) system buttons
6 : Rewind 7 : Fast-forward 2 : Stop 1 : Forward play 0 : Reverse play
A/B : Switch between decks A and B
3. Tuner system buttons
SHIFT : Switch preset channel range CHANNEL +, : Preset channel up/down TUNING +, : Frequency up/down
BAND : Switch between the AM and FM bands MODE : Switch between auto and mono
MEMORY : Preset memory
TUNER can be operated when the switch is at AUDIO position.
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Advanced Operation Advanced Operation
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Preset memory
1 Set the MODE 1 switch to AUDIO or VIDEO.
2 Set the MODE 2 switch to the component to be registered.
3 Press the ON/SOURCE and OFF button at the same time. The indicator starts flashing.
DENON and other makes of components can be operated by setting the preset memory.
This remote control unit can be used to operate components of other manufacturers without using the learning function by registering the manufacturer of the component as shown in the list of preset codes ( End of this manual).
Operation is not possible for some models.
Set to the AUDIO side for the CD, TAPE or CDR/MD position, and to the VIDEO side for the DVD/VDP, DBS/CABLE, VCR or TV position.
The signals for the pressed buttons are emitted while setting the preset memory. To avoid accidental operation, cover the remote control units transmitting window while setting the preset memory.
Depending on the model and year of manufacture, this function cannot be used for some models, even if they are of makes listed in the list of preset codes.
Some manufacturers use more than one type of remote control code. Refer to the included list of preset codes to change the number and verify correct operation.
The preset memory can be set for one component only among the following: CDR/MD, DVD/VDP and DBS/CABLE.
2 The preset codes are as follows upon shipment from the factory and after resetting: TV, VCR .........................................HITACHI CD, TAPE.......................................DENON CDR/MD........................................DENON (CDR) DVD/VDP.......................................DENON (DVD) DBS/CABLE...................................ABC (CABLE)
4 Referring to the included list of preset codes, press the NUMBER buttons to input the preset code (a 3-digit number) for the manufacturer of the component whose signals you want to store in the memory.
5 To store the codes of another component in the memory, repeat steps 1 to 4.
Operating a component stored in the preset
memory
1 Set the MODE 1 switch to AUDIO or VIDEO.
2 Set the MODE 2 switch to the component you want to operate.
Set to the AUDIO side for the CD, TAPE or CDR/MD position, and to the VIDEO side for the DVD/VDP, DBS/CABLE, VCR or TV position.
3 Operate the component.
For details, refer to the components operating instructions. Some models cannot be operated with this remote control unit.
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Advanced Operation Advanced Operation
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1. Digital video disc player (DVD) system buttons
ON/SOURCE : Power on/standby OFF : DENON DVD power off
6, 7 : Manual search (forward and reverse) 2 : Stop 1 : Play
8, 9 : Auto search (to beginning of track) 3 : Pause
0 ~ 9, +10 : Number DISC SKIP + : Disc skip (for DVD changer only)
DISPLAY : Switch display MENU : Menu
RETURN : Return SETUP : Setup
, , 0, 1 : Cursor up, down, left and right ENTER : Enter setting
Some manufacturers use different names for the DVD remote control buttons, so also refer to the instructions on remote control for that component.
2. Video disc player (VDP) system buttons
ON/SOURCE : Power on/standby 6, 7 : Manual search (forward and reverse)
2 : Stop 1 : Play
8, 9 : Auto search (cue) 3 : Pause
0 ~ 9, +10 : Number
3. Video deck (VCR) system buttons
ON/SOURCE : Power on/standby 6, 7 : Manual search (forward and reverse)
2 : Stop 1 : Play 3 : Pause
Channel +, : Channel up/down
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Advanced Operation Advanced Operation
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4. Digital broadcast satellite (DBS) tuner and
cable (CABLE) system buttons
ON/SOURCE : Power on/standby MENU : Menu
RETURN : Return , , 0, 1 : Cursor up, down, left and right
ENTER : Enter CHANNEL +, : Channel up/down
0 ~ 9, +10 : Channels DISPLAY : Switch display VOL +, : Volume up/down
5. Monitor TV (TV) system buttons
ON/SOURCE : Power on/standby MENU : Menu
RETURN : Return , , 0, 1 : Cursor up, down, left and right
ENTER : Enter CHANNEL +, : Channel up/down
0 ~ 9, +10 : Channels DISPLAY : Switch display TV/VCR : Switch between TV and video player VOL +, : Volume up/down
For CD, CDR, MD and TAPE components, the buttons can be operated in the same way as for DENON audio components ( page 31).
A TV can be operated when the switch is at the DVD/VDP, VCR, TV position.
Punch through
Punch Through is a function allowing you to operate the PLAY, STOP, MANUAL SEARCH and AUTO SEARCH buttons on CD, TAPE, CDR/MD, DVD/VDP or VCR components when in the DBS/CABLE or TV mode. By default, nothing is set.
MODE 2MODE 1
MAIN ONZONE2 OFF
NUMBER
1 Set the MODE 1 switch to VIDEO.
2 Set the MODE 2 switch to the component to be registered (DBS/CABLE or TV).
3 Press the ZONE2 OFF and MAIN ON buttons at the same time. The indicator starts flashing.
No.
4 Input the number of the component you want to set.
CD 1 TAPE 2 CDR/MD 3 DVD/VDP 4 VCR 5 No setting 0
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Advanced Operation
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Advanced Operation
Multi zone music entertainment system
ZONE2 speaker out can be used when ZONE2 is selected at Power Amp Assignment. In this case, surround back speaker out cannot be used for MAIN ZONE.
For instructions on installation and operation of separately sold devices, refer to the devices operating instructions.
2 When using the SURR.BACK/ZONE2 amplifier as the ZONE2 To use the ZONE2, turn on the ZONE2 button. The output of the ZONE2 SPEAKER OUT terminals can be adjusted with the remote control units ZONE2 VOLUME button. The input source selected with the INPUT SELECTOR knob is output for the ZONE2 speaker output.
[System configuration and connections example]
Using this units internal amplifier as the ZONE2.
This unitDVD player
Input
Monitor
MAIN ZONE 5.1-channel systems
ZONE2 SPEAKER OUT
SYSTEM REMOTE CONTROL UNIT RC-1001
C
FL FR
SL
SW
SR
B
ZONE2
: SPEAKER cable
Refer to Connections ( page 11).
Remote control unit operations during
multi-source playback (selecting the source)
1 Set the MODE 1 switch to the AUDIO.
2 Set the MODE 2 switch to the ZONE2.
3 Press the ZONE2 ON button.
To cancel the ZONE2 mode: Press the ZONE2 OFF button.
MODE 2MODE 1
ZONE2 ONZONE2 OFF
VOLUME
CHANNEL
4 The output level of the ZONE2 SPEAKER OUT terminals can be controlled pressing the VOLUME button on the remote control unit.
Default setting (ZONE2 VOLUME LEVEL): dB (MINIMUM)
This is only possible when the main unit in the ZONE2 mode
( page 16).
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Advanced Operation Advanced Operation
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5 When the input source is set to TUNER, the preset channel can be selected pressing the CHANNEL button on the remote control unit.
The input source selected with the INPUT SELECTOR knob is
output for the ZONE2 speaker output.
Initialization of the microprocessor
If the indication on the display is not normal or if the operation of the unit is not correct, then the microprocessor should be reset by the following procedure.
1 Switch off the unit using the main units POWER switch.
2 Keep both SPEAKER A and B buttons depressed and turn on the unit by pressing the main units POWER switch.
3 Check that the entire display is flashing at 1- second intervals and release the buttons. The microprocessor will be initialized.
If step 3 does not work, start over from step 1. If the microprocessor has been reset, all the button settings are
reset to the default values (the values set upon shipment from the factory).
Other functions
Last function memory
This unit is equipped with a last function memory which stores the input and output setting conditions as they were immediately before the power is switched off. This function eliminates the need to perform complicated resettings when the power is switched on.
The unit is also equipped with a back-up memory. This function provides approximately one week of memory storage when the main units POWER switch is off and the power supply cord disconnected. POWER SPEAKER
INPUT SELECTOR
Recording the program source (recording the
source currently being monitored)
1 Select the input source to be played.
3 Start recording on the tape or video deck.
For instructions, refer to the components operating instructions.
2 Select the input mode and play (surround) mode.
The AUDIO INs signal selected with the INPUT SELECTOR knob are output to the CDR/TAPE and VCR AUDIO OUT terminals.
2 Simultaneous recording The signals of the source selected with the INPUT SELECTOR knob are output simultaneously to the CDR/TAPE and VCR REC OUT terminals. If a total of two tape and/or video decks are connected and set to the recording mode, the same source can be recorded simultaneously on every decks.
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Troubleshooting
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37
PageMeasuresCauseSymptom
Troubleshooting
If a problem should arise,first check the following.
1. Are the connections correct?
2. Have you operated the receiver according to the operating instructions?
3. Are the speakers, turntable and other components operating property?
If this unit is not operating properly, check the items listed in the table below. Should the problem persist, there may be a malfunction. Disconnect the power immediately and contact your store of purchase.
Display not lit and sound not produced when POWER switch set to on.
Power supply cord not plugged in securely.
Check the insertion of the power supply cord plug.
Turn the power on with the remote control unit after turning the POWER switch on.
6
7
Display lit but sound not produced.
Speaker cables not securely connected.
Improper setting of the INPUT SELECTOR knob.
Volume control set to minimum. MUTING is on. Digital signals not input. Digital input
selected.
Connect securely.
Set to a suitable position.
Turn volume up to suitable level. Switch off MUTING. Input digital signals or select input
terminals to which digital signals are being input.
5
18
18 18 20
Display not lit and power indicator is flashing rapidly.
Speaker terminals are short- circuited.
The ventilation holes of the set are blocked.
The unit is operating at continuous high power conditions and/or with inadequate ventilation.
Switch power off, connect speakers properly, then switch power back on.
Turn off the sets power, then ventilate it well and allow it to cool down. Once the set has cooled down, turn the power back on.
Turn off the sets power, then ventilate it well and allow it to cool down. Once the set has cooled down, turn the power back on.
5
2, 5
2, 5
Sound produced only from one channel.
Incomplete connection of speaker cables.
Incomplete connection of input/ output cables.
Connect securely.
Connect securely.
5
5, 6, 9~11
Positions of instruments reversed during stereo playback.
Reverse connections of left and right speakers or left and right input/output cables.
Check left and right connections. 5
PageMeasuresCauseSymptom
Sound is distorted. Stylus pressure too weak. Dust or dirt on stylus.
Apply proper stylus pressure. Check stylus.
This unit does not operate properly when remote control unit is used.
Batteries dead. Remote control unit too far from
this unit. Obstacle between this unit and
remote control unit. Different button is being pressed. < and > ends of batteries inserted
in reverse.
Replace with new batteries. Move closer.
Remove obstacle.
Press the proper button. Insert batteries properly.
3 3
3
3
2 NOTE ON USE
Howling noise produced when volume is high.
Speaker systems too close together.
Floor is unstable and vibrates easily.
Separate as much as possible.
Use cushions to absorb speaker vibrations transmitted by floor.
NOTE:
For ordinary speaker systems, we recommend setting the crossover frequency to 80 Hz. When using small speakers, however, setting the crossover frequency to a high frequency may improve frequency response for frequencies near the crossover frequency.
Avoid high temperatures. Allow for sufficient heat dispersion when installed in a rack.
Handle the power cord carefully. Hold the plug when unplugging the cord.
Keep the apparatus free from moisture, water, and dust.
Unplug the power cord when not using the apparatus for long periods of time.
* (For apparatuses with ventilation holes)
Do not obstruct the ventilation holes.
Do not let foreign objects into the apparatus.
Do not let insecticides, benzene, and thinner come in contact with the apparatus.
Never disassemble or modify the apparatus in any way.
Additional Information
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38
Other types of audio:
These signals are designed to recreate a 360 sound field using three to five speakers.
In this case the speakers should surround the listener from all sides to create a uniform sound field from 360. Ideally the surround speakers should function as point sound sources in the same way as the front speakers.
These two types of sources thus have different properties, and different speaker settings, particularly for the surround speakers, are required in order to achieve the ideal sound.
FL CSW FR
SL SR
Optimum surround sound for different
sources
There are currently various types of multi-channel signals (signals or formats with more than two channels).
2 Types of multi-channel signals Dolby Digital, Dolby Pro Logic, DTS, high definition 3-1 signals (Japan MUSE Hi-Vision audio), DVD-Audio, Super Audio CD, MPEG multi-channel audio, etc.
Source here does not refer to the type of signal (format) but the recorded content. Sources can be divided into two major categories.
2 Types of sources Movie audio:
Signals created to be played in movie theaters. In general sound is recorded to be played in movie theaters equipped with multiple surround speakers, regardless of the format (Dolby Digital, DTS, etc.).
FL CSW FR
FL CSW FRSL SR
SB
SL SR
SB
Multiple surround speakers (For 6.1-channel system)
Movie theater sound field
Listening room sound field
In this case it is important to achieve the same sense of expansion as in a movie theater with the surround channels. To do so, in some cases the number of surround speakers is increased (to four or eight) or speakers with bipolar or dipolar properties are used.
SL : Surround L channel SR : Surround R channel SB : Surround back channel (1 speaker or 2 speakers)
Additional Information Surround back speakers
A 6.1-channel system is a conventional 5.1-channel system to which the surround back (SB) channel has been added. This makes it easy to achieve sound positioned directly behind the listener, something that was previously difficult with sources designed for conventional multi surround speakers. In addition, the acoustic image extending between the sides and the rear is narrowed, thus greatly improving the expression of the surround signals for sounds moving from the sides to the back and from the front to the point directly behind the listening position.
FL CSW FR
SR chSL ch
Change of positioning and acoustic image with 5.1-channel systems
Movement of acoustic image from SR to SL
FL CSW FR
SL ch SR ch
SB ch
Change of positioning and acoustic image with 6.1-channel systems
Movement of acoustic image from SR to SB to SL
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39
Additional Information Additional Information
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Speaker setting examples
Here we describe a number of speaker settings for different purposes. Use these examples as guides to set up your system according to the type of speakers used and the main usage purpose.
[1] DTS-ES compatible system
(using surround back speakers)
q Basic setting for primarily watching movies This is recommended when mainly playing movies and using regular single way or 2-way speakers for the surround speakers.
Set the front speakers with their front surfaces as flush with the TV or monitor screen as possible. Set the center speaker between the front left and right speakers and no further from the listening position than the front speakers.
Consult the owners manual for your subwoofer for advice on placing the subwoofer within the listening room.
If the surround speakers are direct-radiating (monopolar), then place them slightly behind and at an angle to the listening position and parallel to the walls at a position 2 to 3 feet above ear level at the prime listening position.
When using two surround back speakers, place them at the back facing the front at a narrower distance than the front left and right speakers. When using one surround back speaker, place it at the rear center facing the front at a slightly higher position 0 to 0.7 feet than the surround speakers.
We recommend installing the surround back speaker(s) at a slightly downward facing angle. This effectively prevents the surround back channel signals from reflecting off the monitor or screen at the front center, resulting in interference and making the sense of movement from the front to the back less sharp.
w Setting for primarily watching movies using
diffusion type speakers for the surround
speakers For the greatest sense of surround sound envelopment, diffuse radiation speakers such as bipolar types, or dipolar types, provide a wider dispersion than is possible to obtain from a direct radiating speaker (monopolar). Place these speakers at either side of the prime listening position, mounted above ear level.
Subwoofer
Surround back speakers
Front speakers
60
Monitor
Center speaker
[ As seen from above ]
Surround speakers
Surround speaker
Front speaker
2 to 3 feet
[ As seen from the side ]
Surround back speaker
Point slightly downwards
60
Surround back speakers
[ As seen from above ]
Surround speakers
Surround speaker
Front speaker
2 to 3 feet
[ As seen from the side ]
Surround back speaker
Point slightly downwards
Path of the surround sound from the
speakers to the listening position
60
With this set, speaker(s) for 1 or 2 channels are required to achieve a 6.1-channel system (DTS-ES, etc.). Adding these speakers, however, increases the surround effect not only with sources recorded in 6.1 channels but also with conventional 2- to 5.1-channel sources. Furthermore, all the DENON original surround modes ( page 26) are compatible with 7.1-channel playback, so you can enjoy 7.1-channel sound with any signal source.
2 Number of surround back speakers Though the surround back channel only consists of 1 channel of playback signals for 6.1-channel sources (DTS-ES, etc.), we recommend using two speakers. When using speakers with dipolar characteristics in particular, it is essential to use two speakers. Using two speakers results in a smoother blend with the sound of the surround channels and better sound positioning of the surround back channel when listening from a position other than the center.
2 Placement of the surround left and right
channels when using surround back speakers Using surround back speakers greatly improves the positioning of the sound at the rear. Because of this, the surround left and right channels play an important role in achieving a smooth transition of the acoustic image from the front to the back. As shown in the diagram above, in a movie theater the surround signals are also produced from diagonally in front of the listeners, creating an acoustic image as if the sound were floating in space. To achieve these effects, we recommend placing the speakers for the surround left and right channels slightly more towards the front than with conventional surround systems. Doing so sometimes increases the surround effect when playing conventional 5.1-channel sources in the 6.1 surround or DTS-ES Matrix 6.1 mode. Check the surround effects of the various modes before selecting the surround mode.
Set the front speakers, center speaker and subwoofer in the same positions as in example (1).
It is best to place the surround speakers directly at the side or slightly to the front of the viewing position, and 2 to 3 feet above the ears.
Same as surround back speaker installation method (1). Using dipolar speakers for the surround back speakers as well is more effective.
The signals from the surround channels reflect off the walls as shown in the diagram above, creating an enveloping and realistic surround sound presentation.
Additional Information Additional Information
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40
Playback method
(reference page)
Dolby Digital output
terminals Media
Dolby Pro LogicDolby Digital Comparison of home
surround systems
[2] When not using surround back speakers
Set the front speakers with their front surfaces as flush with the TV or monitor screen as possible. Set the center speaker between the front left and right speakers and no further from the listening position than the front speakers.
Consult the owners manual for your subwoofer for advice on placing the subwoofer within the listening room.
If the surround speakers are direct-radiating (monopolar), then place them slightly behind and at an angle to the listening position and parallel to the walls at a position 2 to 3 feet above ear level at the prime listening position.
Surround
The AVR-486 is equipped with a digital signal processing circuit that lets you play program sources in the surround mode to achieve the same sense of presence as in a movie theater.
[1] Dolby Surround
q Dolby Digital Dolby Digital is the multi-channel digital signal format developed by Dolby Laboratories. Dolby Digital consists of up to 5.1 channels front left, front right, center, surround left, surround right, and an additional channel exclusively reserved for additional deep bass sound effects (the Low Frequency Effects LFE channel, also called the .1 channel, containing bass frequencies of up to 120 Hz). Unlike the analog Dolby Pro Logic format, Dolby Digitals main channels can all contain full range sound information, from the lowest bass, up to the highest frequencies 22 kHz. The signals within each channel are distinct from the others, allowing pinpoint sound imaging, and Dolby Digital offers tremendous dynamic range from the most powerful sound effects to the quietest, softest sounds, free from noise and distortion.
2 Dolby Digital and Dolby Pro Logic
No. of recorded channels (elements)
No. of playback channels
Playback channels (max.)
Audio processing
High frequency playback limit of surround channel
5.1 ch
5.1 ch
L, R, C, SL, SR, SW
Digital discrete processing Dolby Digital encoding /
decoding
20 kHz
2 ch
4 ch
L, R, C, S (SW recommended)
Analog matrix processing Dolby
Surround
7 kHz
2 Dolby Digital compatible media and playback
methods Symbol indicating Dolby Digital compatibility:
The following are general examples. Also refer to the players operating instructions.
1: Please use a commercially available adapter when connecting the Dolby Digital RF output terminal of the LD player to the digital input terminal. Please refer to the instruction manual of the adapter when making connection.
2: Some DVD digital outputs have the function of switching the Dolby Digital signal output method between bit stream and (convert to) PCM. When playing in Dolby Digital surround on the AVR-486, switch the DVD players output mode to bit stream. In some cases players are equipped with both bit stream + PCM and PCM only digital outputs. In this case connect the bit stream + PCM terminals to the AVR-486.
w Dolby Pro Logic II Dolby Pro Logic II is a new multi-channel playback format
developed by Dolby Laboratories using feedback logic steering technology and offering improvements over conventional Dolby Pro Logic circuits.
Dolby Pro Logic II can be used to decode not only sources recorded in Dolby Surround ( ) but also regular stereo sources into five channels (front left, front right, center, surround left and surround right) to achieve surround sound.
Subwoofer
Surround speakers
Front speakers
60
Monitor
Center speaker
[ As seen from above ]
Front speaker
2 to 3 feet
[ As seen from the side ]
Surround speaker
120
LD (VDP)
DVD
Others (satellite broadcasts,
CATV, etc.)
Coaxial Dolby Digital RF output terminal
1
Optical or coaxial digital output
(same as for PCM) 2
Optical or coaxial digital output
(same as for PCM)
Set the input mode to AUTO
( page 19, 20).
Set the input mode to AUTO
( page 19, 20).
Set the input mode to AUTO
( page 19, 20).
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41
Additional Information
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Additional Information
[2] DTS Digital Surround Digital Theater Surround (also called simply DTS) is a multi- channel digital signal format developed by Digital Theater Systems. DTS offers the same 5.1 playback channels as Dolby Digital (front left, front right, center, surround left and surround right) as well as the stereo 2-channel mode. The signals for the different channels are fully independent, eliminating the risk of deterioration of sound quality due to interference between signals, crosstalk, etc. DTS features a relatively higher bit rate as compared to Dolby Digital (1234 kbps for CDs and LDs, 1536 kbps for DVDs) so it operates with a relatively low compression rate. Because of this the amount of data is great, and when DTS playback is used in movie theaters, a separate CD-ROM synchronized with the film is played. With LDs and DVDs, there is of course no need for an extra disc; the pictures and sound can be recorded simultaneously on the same disc, so the discs can be handled in the same way as discs with other formats. There are also music CDs recorded in DTS. These CDs include 5.1-channel surround signals (compared to two channels on current CDs). They do not include picture data, but they offer surround playback on CD players that are equipped with digital outputs (PCM type digital output required). DTS surround track playback offers the same intricate, grand sound as in a movie theater, right in your own listening room.
2 DTS compatible media and playback methods
Symbols indicating DTS compatibility: and
The following are general examples. Also refer to the players operating instructions.
1: DTS signals are recorded in the same way on CDs and LDs as PCM signals. Because of this, the un-decoded DTS signals are output as random hissing noise from the CD or LD players analog outputs. If this noise is played with the amplifier set at a very high volume, it may possibly cause damage to the speakers. To avoid this, be sure to switch the input mode to AUTO or DTS before playing CDs or LDs recorded in DTS. Also, never switch the input mode to ANALOG or PCM during playback. The same holds true when playing CDs or LDs on a DVD player or LD/DVD compatible player. For DVDs, the DTS signals are recorded in a special way so this problem does not occur.
2: The signals provided at the digital outputs of a CD or LD player may undergo some sort of internal signal processing (output level adjustment, sampling frequency conversion, etc.). In this case the DTS-encoded signals may be processed erroneously, in which case they cannot be decoded by the AVR-486, or may only produce noise. Before playing DTS signals for the first time, turn down the master volume to a low level, start playing the DTS disc, then check whether the DTS indicator on the AVR-486 ( page 25) lights before turning up the master volume.
3: A DVD player with DTS-compatible digital output is required to play DTS DVDs. A DTS Digital Output logo is featured on the front panel of compatible DVD players. Recent DENON DVD player models feature DTS-compatible digital output consult the players owners manual for information on configuring the digital output for DTS playback of DTS- encoded DVDs.
Manufactured under license from Dolby Laboratories. Dolby, Pro Logic and the double-D symbol are trademarks of Dolby Laboratories.
Whereas with conventional Dolby Pro Logic the surround channel playback frequency band was limited, Dolby Pro Logic II offers a wider band range (20 Hz to 20 kHz or greater). In addition, the surround channels were monaural (the surround left and right channels were the same) with previous Dolby Pro Logic, but with Dolby Pro Logic II they are played as stereo signals.
Various parameters can be set according to the type of source and the contents, so it is possible to achieve optimum decoding ( page 43).
e Dolby Pro Logic IIx Dolby Pro Logic IIx furthers the matrix decoding technology of Dolby Pro Logic II to decode audio signals recorded on two channels into up to 7.1 playback channels, including the surround back channel. Dolby Pro Logic IIx also allows 5.1-channel sources to be played in up to 7.1 channels. The mode can be selected according to the source. The Music mode is best suited for playing music, the Cinema mode for playing movies, and the Game mode for playing games. The Game mode can only be used with 2-channel audio sources.
Sources recorded in Dolby Surround
These are sources in which three or more channels of surround have been recorded as two channels of signals using Dolby Surround encoding technology.
Dolby Surround is used for the sound tracks of movies recorded on DVDs, LDs and video cassette tapes, as well as for stereo broadcast signals from FM radio, TV, satellite broadcasts and cable TV.
Decoding these signals with Dolby Pro Logic II makes it possible to achieve multi-channel surround playback. The signals can also be played on ordinary stereo equipment, in which case they provide normal stereo sound.
There are two types of DVD Dolby surround recording signals. q 2-channel PCM stereo signals w 2-channel Dolby Digital signals
When either of these signals is input to the AVR-486, the surround mode is automatically set to Dolby Pro Logic II when the DOLBY/DTS SURROUND mode is selected.
2 Sources recorded in Dolby Surround are
indicated with the logo symbol shown below
Dolby Surround logo symbol:
MANUFACTURED UNDER LICENSE FROM DIGITAL THEATER SYSTEMS, INC. U.S. PAT. NOS. 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535 AND OTHER U.S. AND WORLDWIDE PATENTS ISSUED AND PENDING. DTS, DTSES, Neo:6, AND DTS 96/24 ARE TRADEMARKS OF DIGITAL THEATER SYSTEMS, INC. 1996, 2003 DIGITAL THEATER SYSTEMS, INC. ALL RIGHTS RESERVED.
Playback method
(reference page)
Dolby Digital output
terminals Media
CD
LD (VDP)
DVD
Optical or coaxial digital output
(same as for PCM) 2
Optical or coaxial digital output
(same as for PCM) 2
Optical or coaxial digital output
(same as for PCM) 3
Set the input mode to AUTO or DTS ( page 19, 20).
Never set the mode to ANALOG or PCM.
1
Set the input mode to AUTO or DTS ( page 19, 20).
Never set the mode to ANALOG or PCM.
1
Set the input mode to AUTO or DTS ( page 19, 20).
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42
Additional Information Additional Information
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When DTS-ES Discrete 6.1 or Matrix 6.1 encoded sources are decoded with a DTS-ES decoder, the format is automatically detected upon decoding and the optimum playing mode is selected. However, some Matrix 6.1 sources may be detected as having a 5.1-channel format, so the DTS-ES Matrix 6.1 mode must be set manually to play these sources. (For instructions on selecting the surround mode ( page 25).) The DTS-ES decoder includes another function, the DTS Neo:6 surround mode for 6.1-channel playback of digital PCM and analog signal sources.
2 DTS Neo:6 surround This mode applies conventional 2-channel signals to the high precision digital matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1-channel surround playback. High precision input signal detection and matrix processing enable full band reproduction (frequency response of 20 Hz to 20 kHz or greater) for all 6.1 channels, and separation between the different channels is improved to the same level as that of a digital discrete system. DTS Neo:6 surround includes two modes for selecting the optimum decoding for the signal source.
DTS Neo:6 Cinema
This mode is optimum for playing movies. Decoding is performed with emphasis on separation performance to achieve the same atmosphere with 2-channel sources as with 6.1-channel sources. This mode is effective for playing sources recorded in conventional surround formats as well, because the in-phase component is assigned mainly to the center channel (C) and the reversed phase component to the surround (SL, SR and SB) channels.
DTS Neo:6 Music
This mode is suited mainly for playing music. Changes in the sound quality are reduced by decoding with emphasis on the front channel signals (FL and FR), and a natural sense of expansion is given to the sound field by the effect of the surround signals output from the center (C) and surround (SL, SR and SB) channels.
[4] DTS 96/24 The sampling frequency, number of bits and number of channels used for recording of music, etc., in studios have been increasing in recent years, and there are a growing number of high quality signal sources, including 96 kHz/24-bit 5.1-channel sources. For example, there are high picture/sound quality DVD video sources with 96 kHz/24-bit stereo PCM audio tracks. However, because the data rate for these audio tracks is extremely high, there are limits to recording them on two channels only, and since the quality of the pictures must be restricted it is common to only include still pictures. In addition, 96 kHz/24-bit 5.1-channel surround is possible with DVD audio sources, but DVD audio players are required to play them with this high quality. DTS 96/24 is a multi-channel digital signal format developed by Digital Theater Systems Inc. in order to deal with this situation. Conventional surround formats used sampling frequencies of 48 or 44.1 kHz, so 20 kHz was about the maximum playback signal frequency. With DTS 96/24, the sampling frequency is increased to 96 or 88.2 kHz to achieve a wide frequency range of over 40 kHz. In addition, DTS 96/24 has a resolution of 24-bits, resulting in the same frequency band and dynamic range as 96 kHz/24-bit PCM. As with conventional DTS Surround, DTS 96/24 is compatible with a maximum of 5.1 channels, so sources recorded using DTS 96/24 can be played in high sampling frequency, multiple channel audio with such normal media as DVD videos and CDs. Thus, with DTS 96/24, the same 96 kHz/24-bit multi-channel surround sound as with DVD-Audio can be achieved while viewing DVD-Video images on a conventional DVD-Video player ( 1). Furthermore, with DTS 96/24 compatible CDs, 88.2 kHz/24-bit multi-channel surround can be achieved using normal CD/LD players ( 1). Even with the high quality multi-channel signals, the recording time is the same as with conventional DTS surround sources. Whats more, DTS 96/24 is fully compatible with the conventional DTS surround format, so DTS 96/24 signal sources can be played with a sampling frequency of 48 kHz or 44.1 kHz on conventional DTS or DTS-ES surround decoders ( 2).
1 A DVD player with DTS digital output capabilities (for CD/LD players, a player with digital outputs for conventional DTS CDs/LDs) and a disc recorded in DTS 96/24 are required.
2 The resolution is 24 or 20 bits, depending on the decoder.
[3] DTS-ES Extended Surround DTS-ES Extended Surround is a new multi-channel digital signal format developed by Digital Theater Systems Inc. While offering high compatibility with the conventional DTS Digital Surround format, DTS-ES Extended Surround greatly improves the 360- degree surround impression and space expression thanks to further expanded surround signals. This format has been used professionally in movie theaters since 1999. In addition to the 5.1 surround channels (FL, FR, C, SL, SR and LFE), DTS-ES Extended Surround also offers the SB (Surround Back, sometimes also referred to as surround center) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different surround signal recording methods, as described below.
2 DTS-ES Discrete 6.1 DTS-ES Discrete 6.1 is the newest recording format. With it, all 6.1 channels (including the SB channel) are recorded independently using a digital discrete system. The main feature of this format is that because the SL, SR and SB channels are fully independent, the sound can be designed with total freedom and it is possible to achieve a sense that the acoustic images are moving about freely among the background sounds surrounding the listener from 360 degrees. Though maximum performance is achieved when sound tracks recorded with this system are played using a DTS-ES decoder, when played with a conventional DTS decoder the SB channel signals are automatically down-mixed to the SL and SR channels, so none of the signal components are lost.
2 DTS-ES Matrix 6.1 With this format, the additional SB channel signals undergo matrix encoding and are input to the SL and SR channels beforehand. Upon playback they are decoded to the SL, SR and SB channels. The performance of the encoder used at the time of recording can be fully matched using a high precision digital matrix decoder developed by DTS, thereby achieving surround sound more faithful to the producers sound design aims than with conventional 5.1- or 6.1-channel systems. In addition, the bit stream format is 100% compatible with conventional DTS signals, so the effect of the Matrix 6.1 format can be achieved even with 5.1-channel signal sources. Of course it is also possible to play DTS-ES Matrix 6.1 encoded sources with a DTS 5.1-channel decoder.
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Additional Information Additional Information
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Surround modes and parameters
C (0 dB) C (0 dB)
E C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB)
C (OFF) C (OFF)
E C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF) C (OFF)
C C C C C C E E C C C C C C C
C C E C C C E E C C C C C C C
C C E C * C * C * E C C C C C C C C
C C E C * C * C * C E C C C C C C C
B B B B B B B B B B B B B B B
E E E B B B B B B B B B B B E
E E B B B B B B B B B B B B E
C C C C C C C C C C C C C C C
Mode
SURROUND L/R
Signals and adjustability in the different modes
Channel output When playing Dolby Digital and DTS signals
SUBWOOFER When playing Dolby Digital
signals
When playing DTS signals
When playing PCM signals
When playing ANALOG signals D. COMP. LFE
E E B B B B B B B B B B B B E
DIRECT STEREO EXTERNAL INPUT DOLBY PRO LOGIC II DOLBY PRO LOGIC IIx DTS NEO:6 DOLBY DIGITAL DTS SURROUND 5CH/7CH STEREO ROCK ARENA JAZZ CLUB VIDEO GAME MONO MOVIE MATRIX VIRTUAL
FRONT L/R CENTER SURROUND BACK L/R
C : Signal / Adjustable E : No signal B : Turned on or off by speaker configuration setting
C : Able E : Unable * : Only for 2 ch contents
C : Able E : Unable
Surround parameter
E E C E E E E E E E E E E E E
E E E E E
C (0.3) E E E E E E E E E
E E E
C (3) C (3)
E E E E E E E E E E
E E E
C (3) C (3)
E E E E E E E E E E
E E E
C (OFF) C (OFF)
E E E E E E E E E E
C (OFF) E E E E E E E E E E E E E E
E E E E E E E E E E E E E
C (30 msec) E
E E E E E E E E E
C (Medium) C (Medium) C (Medium) C (Medium)
E E
E E E C C C E E E E E E E E E
Mode
EFFECT LEVEL
Signals and adjustability in the different modes
NEO:6 MUSIC
SUBWOOFER ON/OFF
PANORAMA DIMENSION CENTER WIDTH
CENTER IMAGE SW ATT
E E E E E E E E E
C (10) C (10) C (10) C (10)
E E
DIRECT STEREO EXTERNAL INPUT DOLBY PRO LOGIC II DOLBY PRO LOGIC IIx DTS NEO:6 DOLBY DIGITAL DTS SURROUND 5CH/7CH STEREO ROCK ARENA JAZZ CLUB VIDEO GAME MONO MOVIE MATRIX VIRTUAL
MODE ROOM SIZE DELAY TIME
PRO LOGIC II / IIx only EXT. IN
TONE CONTROL
E C (0 dB)
E C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB) C (0 dB)
E
CINEMA EQ.
E E E
C (OFF) C (OFF) C (OFF) C (OFF) C (OFF)
E E E E E E E
C : Adjustable E : Not adjustable
E E E C C C C C C C C C C C E
SB CH OUT (MODE)
ENGLISH
Specifications
ENGLISH
44
2 Audio section Power amplifier
Rated output: Front: 75 W +75 W (8 /ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.) 110 W + 110 W (6 /ohms, 1 kHz with 0.7% T.H.D.)
Center: 75 W (8 /ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.) 110W (6 /ohms, 1 kHz with 0.7% T.H.D.)
Surround: 75 W + 75 W (8 /ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.) 110 W + 110 W (6 /ohms, 1 kHz with 0.7% T.H.D.)
Surround Back: 75 W + 75 W (8 /ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.) 110 W + 110 W (6 /ohms, 1 kHz with 0.7% T.H.D.)
Output terminals: Front: A or B 16 ~ 16 /ohms A + B 12 ~ 16 /ohms
Center, Surround, Surr.Back: 16 ~ 16 /ohms Analog
Input sensitivity /
input impedance: 200 mV / 47 k/kohms Frequency response: 10 Hz ~ 100 kHz: +1, 3 dB (TONE DEFEAT ON) S/N: 98 dB (IHF-A weighted) (TONE DEFEAT ON)
2 Video section Standard video terminals
Input / output level
and impedance: 1 Vp-p, 75 /ohms Frequency response: 5 Hz ~ 10 MHz +1, 3 dB
S-Video terminals
Input / output level
and impedance: Y (brightness) signal 1 Vp-p, 75 /ohms C (color) signal 0.286 Vp-p, 75 /ohms
Frequency response: 5 Hz ~ 10 MHz +1, 3 dB Color component video terminal
Input / output level
and impedance: Y (brightness) signal 1 Vp-p, 75 /ohms PB/CB (blue) signal 0.7 Vp-p, 75 /ohms PR/CR (red) signal 0.7 Vp-p, 75 /ohms
Frequency response: 5 Hz ~ 30 MHz 0, 3 dB
2 Tuner section [FM] (note: V at 75 /ohms, [AM]
0 dBf=1 x 1015 W) Receiving Range: 87.50 MHz ~ 107.90 MHz 520 kHz ~ 1710 kHz Usable Sensitivity: 1.0 V (11.2 dBf) 18 V 50 dB Quieting
Sensitivity: MONO 1.6 V (15.3 dBf) STEREO 23 V (38.5 dBf)
S/N (IHF-A): MONO 77 dB (IHF-A weighted) STEREO 72 dB (IHF-A weighted)
Total Harmonic Distortion
(at 1 kHz): MONO 0.15 % (1 kHz) STEREO 0.3 % (1 kHz)
2 General Power supply: AC 120 V, 60 Hz Power consumption: 4.3 A
1 W Max. (Standby) Maximum external
dimensions: 434 (W) x 147 (H) x 417 (D) mm (17-3/32 x 5-25/32 x 16-27/64)
Mass: 11.1 kg (24 lbs 8 oz)
2 Remote control unit (RC-1001) Batteries: R6P/AA Type (two batteries) External dimensions: 55 (W) x 225 (H) x 34.5 (D) mm
(2-11/64 x 8-55/64 x 1-9/64) Mass: 165 g (Approx. 5.8 oz) (including batteries)
* For purposes of improvement, specifications and design are subject to change without notice.
Specifications
2 List of preset codes / Liste de codes prrgls
JC Penny 004, 005, 007, 023, 028, 049, 062, 085,
087, 088
Jensen 013, 026
JVC 004, 005, 006, 026, 029, 043, 044, 045,
046, 085
Kenwood 004, 005, 006, 026, 029, 033, 045, 085,
090
Kodak 088
Lloyd 009, 094
LXI 088
Magnavox 015, 016, 042, 049, 063, 106
Magnin 087
Marantz 004, 005, 006, 015, 042, 049, 085, 090
Marta 088
MEI 049
Memorex 009, 033, 049, 053, 060, 081, 087, 088,
091, 094, 115
Metz 123, 124, 125, 126, 127, 128
MGA 001, 017, 027, 041, 097
MGN Technology 087
Midland 011
Minolta 013, 023
Mitsubishi 001, 003, 008, 013, 014, 017, 027, 029,
039, 040, 041, 045, 097
Motorola 081
Montgomery Ward 001, 002, 007, 009, 049, 063, 081, 115,
117
MTC 009, 087, 094
Multitech 007, 009, 011, 087, 090, 094
NAD 038
NEC 004, 005, 006, 018, 026, 029, 045, 061,
062, 085
Nikko 088
Noblex 087
Optimus 081, 088
DVD
Denon 014, *[111]
Aiwa 009
Hitachi 010
JVC 006, 011
Konka 012, 013
Magnavox 005
Mitsubishi 004
Panasonic 014
Philips 005, 015, 016, 017
Pioneer 003, 008
Sanyo 018
Sony 002, 019, 020
Toshiba 001, 021, 022
Zenith 023
VDP
Denon 028, 029, 112
Magnavox 026
Mitsubishi 028
Panasonic 029, 030
Philips 026
Pioneer 028, 031
RCA 032
Sony 033, 034, 035, 036
VCR
Admiral 081
Aiko 095
Aiwa 009
Akai 026, 027, 070, 072, 082, 083, 084
Alba 055
Amstrad 009
ASA 042
Asha 087
Audio Dynamic 005, 085
Audiovox 088
Beaumark 087
Broksonic 086, 093
Calix 088
Candle 006, 087, 088, 089, 090
Canon 049, 057
Capehart 025, 055, 056, 071
Carver 015
CCE 095
Citizen 006, 007, 087, 088, 089, 090, 095
Craig 007, 087, 088, 091, 115
Curtis Mathes 006, 049, 073, 080, 087, 090, 092
Cybernex 087
Daewoo 025, 055, 059, 074, 089, 093, 095, 096
Daytron 025, 055
DBX 005, 085
Dumont 053
Dynatech 009
Electrohome 001, 088, 097
Electrophonic 088
Emerson 001, 009, 017, 027, 086, 088, 089, 092,
093, 097, 100, 101, 102, 103, 104, 117
Fisher 009, 028, 031, 053, 054, 091, 099, 115
GE 007, 011, 049, 050, 051, 052, 073, 080,
087
Go Video 047, 048
Goldstar 000, 006, 012, 062, 088
Gradiente 094
Grundig 042
Harley Davidson 094
Harman Kardon 040, 062
Hi-Q 091
Hitachi 009, 013, 023, 026, 058, *[108], 109,
110, 111
ENGLISH FRANCAIS
Optonica 021
Panasonic 024, 049, 064, 066, 067, 068, 069, 107
Perdio 009
Pentax 009, 013, 023, 058, 090
Philco 015, 016, 049
Philips 015, 021, 042, 049, 105
Pilot 088
Pioneer 005, 013, 029, 036, 037, 038, 045, 085
Portland 025, 055, 090
Proscan 063, 080
Pulsar 060
Quartz 033
Quasar 034, 035, 049
Radio Shack 001, 002, 021, 081, 087, 088, 091, 094,
097, 098, 115
Radix 088
Randex 088
RCA 007, 013, 019, 023, 058, 063, 064, 065,
073, 080, 082, 087
Realistic 009, 021, 031, 033, 049, 053, 081, 087,
088, 091, 094, 097, 098
Ricoh 055
Salora 033, 041
Samsung 007, 011, 051, 059, 070, 083, 087, 089,
113
Sanky 081
Sansui 005, 026, 029, 045, 061, 085, 114
Sanyo 032, 033, 053, 087, 091, 115, 116
SBR 042
Scott 017, 020, 086, 089, 093, 117
Sears 013, 023, 028, 031, 033, 053, 054, 088,
091, 098, 099, 115
Sentra 055
Sharp 001, 002, 021, 097
Shogun 087
Sony 075, 076, 077, 078, 079, 121, 122
STS 023
Sylvania 009, 015, 016, 017, 041, 049, 094
Symphonic 009, 094
Tandy 009
Tashiko 009, 088
Tatung 004, 026, 030
Teac 004, 009, 026, 094
Technics 024, 049
Teknika 009, 010, 022, 049, 088, 094
TMK 087, 092
Toshiba 013, 017, 020, 041, 059, 089, 098, 099,
117
Totevision 007, 087, 088
Unirech 087
Vecrtor Research 005, 062, 085, 089, 090
Victor 005, 045, 046, 085
Video Concepts 005, 027, 085, 089, 090
Videosonic 007, 087
Wards 013, 021, 023, 087, 088, 089, 091, 094,
097, 118, 119, 120
XR-1000 094
Yamaha 004, 005, 006, 026, 062, 085
Zenith 060, 078, 079
TV
Admiral 045, 121
Adventura 122
Aiko 054
Akai 016, 027, 046
Alleron 062
A-Mark 007
Amtron 061
Anam 006, 007, 036
Anam National 061, 147
AOC 003, 007, 033, 038, 039, 047, 048, 049,
133
Archer 007
Audiovox 007, 061
Bauer 155
Belcor 047
Bell & Howell 045, 118
Bradford 061
Brockwood 003, 047
Candle 003, 030, 031, 032, 038, 047, 049, 050,
122
Capehart 003
Celebrity 046
Circuit City 003
Citizen 029, 030, 031, 032, 034, 038, 047, 049,
050, 054, 061, 095, 122, 123
Concerto 031, 047, 049
Colortyme 003, 047, 049, 135
Contec 013, 051, 052, 061
Cony 051, 052, 061
Craig 004, 061
Crown 029
Curtis Mathes 029, 034, 038, 044, 047, 049, 053, 095,
118
Daewoo 027, 029, 039, 048, 049, 054, 055, 106,
107, 137
Daytron 003, 049
Dimensia 044
Dixi 007, 015, 027
Electroband 046
Electrohome 029, 056, 057, 058, 147
Elta 027
Emerson 029, 051, 059, 060, 061, 062, 118, 123,
124, 139, 148
Envision 038
Etron 027
Fisher 014, 021, 063, 064, 065, 118
Formenti 155
Fortress 012
Fujitsu 004, 062
Funai 004, 062
ENGLISHFRANCAIS
Futuretech 004
GE 020, 036, 037, 040, 044, 058, 066, 088,
119, 120, 125, 147
Goldstar 000, 015, 029, 031, 039, 048, 051, 056,
057, 067, 068, 069, 116
Grundy 062
Hitachi 029, 031, 051, 052, 070, 111, 112, 113,
124, *[134]
Hitachi Pay TV 151
Infinity 017, 071
Janeil 122
JBL 017, 071
JC Penny 020, 034, 039, 040, 041, 044, 048, 050,
058, 066, 069, 076, 088, 090, 095, 125,
136, 159
JCB 046
JVC 019, 051, 052, 072, 073, 091, 117, 126
Kawasho 018, 046
Kenwood 038, 056, 057
Kloss 010, 032
Kloss Novabeam 005, 122, 127, 131
KTV 074, 123
Loewe 071
Logik 144
Luxman 031
LXI 008, 014, 017, 024, 040, 044, 063, 071,
075, 076, 077, 118, 125
Magnavox 005, 010, 017, 030, 033, 038, 050, 056,
071, 078, 079, 085, 089, 108, 109, 110,
127, 131, 132, 145
Marantz 015, 017, 071, 080
Matsui 027
Memorex 014, 027, 045, 083, 118, 144
Metz 160, 161, 162, 163
MGA 001, 039, 048, 056, 057, 058, 065, 081,
083
Midland 125
Minutz 066
Mitsubishi 001, 016, 039, 048, 056, 057, 058, 065,
081, 082, 083, 105
Montgomery Ward 011, 020, 144, 145, 146
Motorola 121, 147
MTC 031, 034, 039, 048, 095
NAD 008, 075, 076, 128
National 002, 036, 061, 147
National Quenties 002
NEC 031, 038, 039, 048, 057, 084, 086, 135,
147
Nikko 054
NTC 054
Optimus 128
Optonica 011, 012, 093, 121
Orion 004, 139
Panasonic 002, 009, 017, 036, 037, 071, 141, 143,
147
Philco 005, 010, 030, 050, 051, 056, 079, 085,
127, 131, 132, 145, 147
Philips 005, 015, 017, 050, 051, 056, 078, 087,
088, 089, 131, 132, 147
Pioneer 124, 128, 142
Portland 054
Price Club 095
Proscan 040, 044, 125
Proton 035, 051, 092, 129
Pulsar 042
Quasar 036, 037, 074, 141
Radio Shack 011, 044, 063, 093, 118
RCA 040, 044, 125, 130, 137, 151, 152
Realistic 014, 063, 093, 118
Saisho 027
Samsung 003, 015, 034, 053, 055, 057, 094, 095,
136, 153
Sansui 139
Sanyo 013, 014, 021, 022, 063, 064, 081, 096
SBR 015
Schneider 015
Scott 062
Sears 008, 014, 021, 022, 023, 024, 025, 040,
052, 057, 062, 063, 064, 065, 073, 075,
076, 097, 098, 125, 159
Sharp 011, 012, 013, 026, 093, 099, 100, 104,
121
Siemens 013
Signature 045, 144
Simpson 050
Sony 043, 046, 138, 146, 150
Soundesign 030, 050, 062
Spectricon 007, 033
Squareview 004
Supre-Macy 032, 122
Supreme 046
Sylvania 005, 010, 017, 030, 078, 079, 085, 089,
101, 127, 131, 132, 145, 155
Symphonic 004, 148
Tandy 012, 121
Tatung 036, 124
Technics 037
Teknika 001, 030, 032, 034, 052, 054, 078, 083,
095, 144, 156, 157
Tera 035, 129
Toshiba 008, 014, 034, 063, 075, 076, 095, 097,
136, 158, 159
Universal 020, 066, 088
Victor 019, 073, 126
Video Concepts 016
Viking 032, 122
Wards 005, 045, 066, 078, 085, 088, 089, 093,
102, 103, 131, 132, 148
Zenith 042, 114, 115, 140, 144, 149
Zonda 007
ENGLISH FRANCAIS
CABLE
ABC 006, *[007], 008, 009
Archer 010, 011
Century 011
Citizen 011
Colour Voice 012, 013
Comtronic 014
Eastern 015
Garrard 011
Gemini 030, 033, 034
General Instrument 030, 031, 032
Hytex 006
Jasco 011
Jerrold 009, 016, 017, 026, 032
Magnavox 018
Movie Time 019
NSC 019
Oak 000, 006, 020
Panasonic 001, 005
Philips 011, 012, 013, 018, 021
Pioneer 002, 003, 022
RCA 029
Regency 015
Samsung 014, 023
Scientific Atlanta 004, 024, 025
Signal 014
SL Marx 014
Starcom 009
Stargate 014
Teleview 014
Tocom 007, 016
TV86 019
Unika 011
United Artists 006
Universal 010, 011
Viewstar 018, 019
Zenith 027, 028
DBS (SATELLITE)
Alphastar 054
Chaparral 035, 036
Dishnet 053
Drake 037, 038
Echostar Dish 062, 066
GE 048, 055, 056
General Instruments 039, 040, 041
Grundig 070, 071, 072, 073
Hitachi 058, 059
Hughes Network 063, 064, 065, 069
JVC 057
Kathrein 074, 075, 076, 083
Magnavox 060
Nokia 070, 080, 084, 085, 086
Philips 060
Primestar 051
Proscan 048, 055, 056
RCA 048, 055, 056, 068
Realistic 042
Sierra I 036
Sierra II 036
Sierra III 036
Sony 049, 067
STS1 043
STS2 044
STS3 045
SRS4 046
Technisat 077, 078, 079, 081, 082
Toshiba 047, 050
Uniden 061
CD
Denon *[111]
Aiwa 001, 035, 043
Burmster 002
Carver 003, 035
Emerson 004, 005, 006, 007
Fisher 003, 008, 009, 010
JVC 018, 019
Kenwood 011, 012, 013, 014, 017
Magnavox 006, 015, 035
Marantz 016, 028, 035
MCS 016, 024
Onkyo 025, 027
Optimus 017, 020, 021, 022, 023
Philips 014, 032, 033, 035
Pioneer 006, 022, 030
Sears 006
Sony 023, 031
Teac 002, 009, 028
Technics 016, 029, 036
Wards 035, 037
Yamaha 038, 039, 040, 041
Zenith 042
CDR
Denon *[111], 112
Philips 112
MD
Denon 113
Kenwood 003, 004
Onkyo 007
Sharp 005
Sony 006
TAPE
Denon *[111]
Aiwa 001, 002
Carver 002
Harman/Kardon 002, 003
JVC 004, 005
Kenwood 006
ENGLISHFRANCAIS
Magnavox 002
Marantz 002
Onkyo 016, 018
Optimus 007, 008
Panasonic 012
Philips 002
Pioneer 007, 008, 009
Sony 013, 014, 015
Technics 012
Victor 004
Wards 007
Yamaha 010, 011
*[ ] : Preset codes set upon shipment from the factory.
*[ ] : Les codes prrgls diffrent en fonctiom des livraison de lusine.
DVD preset codes
Codes prrgls DVD 111 014
B
Model No. Modle numro
DVD-555 DVD-755 DVD-900 DVD-910 DVD-955 DVD-1000 DVD-1200 DVD-1500 DVD-1710 DVD-1910 DVD-2200 DVD-2800 DVD-2800II DVD-2900 DVD-2910 DVD-3800 DVD-3910 DVD-5900 DVD-5910 DVD-9000 DVM-715 DVM-1800 DVM-1805 DVM-1815 DVM-2815 DVM-4800
DVD-800 DVD-1600 DVD-2000 DVD-2500 DVD-3000 DVD-3300
ENGLISH FRANCAIS
Denon Brand Company, D&M Holdings Inc. Printed in China 00D 511 4319 006
TOKYO, J
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