Contents

Boss GP-10 Parameter Guide PDF

1 of 11
1 of 11

Summary of Content for Boss GP-10 Parameter Guide PDF

Parameter Guide

Signal Flow (Simplified Version) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Functions Available for Each Modeling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

Convenient Functions When Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

Alternate Tuning (AltTune: Type) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

FX Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 FX (Fx: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

OD/DS (FxODDS: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 COMPRESSOR (FxComp: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 LIMITER (FxLmtr: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 EQ (FxEQ: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 T . WAH (FxT . Wah: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 PITCH SHIFTER (FxPS: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 HARMONIST (FxHrm: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 PEDAL BEND (FxP . Bnd: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

PHASER (FxPhasr: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 FLANGER (FxFlngr: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 TREMOLO (FxTrml: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 PAN (FxPan: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 ROTARY (FxRot: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 UNI-V (FxUni-V: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 CHORUS (FxChorus: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 DELAY (FxDly: ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Stereo/Mono Support for Each Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Control Function List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

USB Routing (USBAudio: Routing) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Assign Target List (Asgn 18: Target) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Signal Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Functions Available for Each Modeling

MODELING TYPE ALT. TUNE 12Str StrBend NS Str Level Str Pan E. GTR ( ( ( Not available when FRETLESS ( ( ACOUSTIC ( ( ( Not available when NYLON or SITAR ( Available when NYLON, RESO, BANJO, or SITAR E. BASS ( ( ( Not available when FRETLESS ( (

SYNTH GR-300 ( ( OSC SYNTH ( ( WAVE SYNTH ( (

POLYFX

DISTORTION ( ( CRYSTAL ( ( RICH MODULATION ( ( SLOW PAD ( ( TOUCH WAH ( (

Buttons Jump destination

Hold down [K]

and press [EFFECTS] FxChain:

[K] [J] Ctl: CTL1 Func [J] Asgn1: On/Off

Buttons Jump destination

Hold down [K]

and press [SYSTEM] Sys: Patch Extent

[K] [J] SysCtl: CTL1 Func [J] USBAudio: Routing

Convenient Functions When Editing When moving from the Play screen to Effect/System settings, you can jump to a specific parameter by pressing the following buttons simultaneously .

Signal Flow (Simplified Version) GP-10

NS WAH AMP

FX CHO EQ

FV DLY REV

GK IN

Normal PU

Divided PU

GUITAR IN

AUX IN

Modeling Tone (Modeling/Synth/Poly FX)

GR-300/OSC/WAVE

Modeling (E.GTR/ACOUSTIC/

E.BASS)

AltTune/ 12Str/

StrBend

Poly Fx

FX Chain

Normal PU On/O

Modeling On/O Mixer

(Balance) PATCH LEVEL

OUTPUT LEVEL

OUTPUT

GUITAR OUT

PHONES

MULTI EFFECTS (You can change the order in which the effects are connected)

2

Alternate Tuning (AltTune: Type)

The strings of the guitar are tuned as follows depending on the type you select .

Type 6 5 4 3 2 1

OPEN

OPEN D D A D F|G A D OPEN E E B E G|A B E OPEN G D G D G B D OPEN A E A E A C|D E

DROP

DROP D D A D G B E DROP D C|D G|A C|D F|G A|B D|E DROP C C G C F A D DROP B B F|G B E G|A C|D DROP B A|B F A|B D|E G C DROP A A E A D F|G B

D-MODAL D A D G A D NASHVL E (+1 OCT) A (+1 OCT) D (+1 OCT) G (+1 OCT) B E -12 STEP E A D G B E -11 STEP F A|B D|E G|A C F -10 STEP F|G B E A C|D F|G

-9 STEP G C F A|B A|B G -8 STEP G|A C|D F|G B D|E G|A -7 STEP A D G C E A -6 STEP A|B D|E G|A C|D F A|B -5 STEP B E A D F|G B -4 STEP C F A|B D|E G C -3 STEP C|D F|G B E G|A C|D -2 STEP D G C F A D -1 STEP D|E G|A C|D F|G A|B D|E

+1 STEP F A|B D|E G|A C F +2 STEP F|G B E A C|D F|G +3 STEP G C F A|B D G +4 STEP G|A C|D F|G B D|E G|A +5 STEP A D G C E A +6 STEP A|B D|E G|A C|D F A|B +7 STEP B E A D F|G B +8 STEP C F A|B D|E G C +9 STEP C|D F|G B E G|A C|D

+10 STEP D G C F A D +11 STEP D|E G|A C|D F|G A|B D|E +12 STEP E A D G B E

USER -24+24 of the normal tuning

Tuning of the secondary strings when the 12Str: Type is NORMAL (interval from the primary strings)

Type 6 5 4 3 2 1 12STR +12 +12 +12 +12 0 0

Owners Manual p. 8

Copyright 2014 BOSS CORPORATION All rights reserved . No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION .

3

FX Parameter

FX (Fx: )

You can select the effect to be used from the following .

Parameter Explanation On/Off Turns this effect on/off .

Type

Type of FX OD/DS Distorts the sound to create long sustain .

COMPRESSOR Produces a long sustain by evening out the volume level of the input signal . You can also use it as a limiter to suppress only the sound peaks and prevent distortion .

LIMITER Attenuates loud input levels to prevent distortion . EQ Adjusts the tone as a equalizer . T. WAH A wah effect is produced according to your picking dynamics .

PITCH SHIFTER Changes the pitch of the original sound (up or down) within a range of two octaves .

HARMONIST An effect where the amount of shifting is adjusted according to an analysis of the guitar input, allowing you to create harmony based on diatonic scales .

PEDAL BEND Lets you use the pedal to get a pitch bend effect .

PHASER By adding varied-phase portions to the direct sound, the phaser effect gives a whooshing, swirling character to the sound .

FLANGER Gives a twisting, jet-airplane-like character to the sound . TREMOLO Creates a cyclic change in volume .

PAN

With the volume level of the left and right sides alternately changing, when playing sound in stereo, you can get an effect that makes the guitar sound appear to fly back and forth between the speakers .

ROTARY Produces an effect like the sound of a rotary speaker .

UNI-V Models a Uni-Vibe . Although this resembles a phaser effect, it also provides a unique undulation that you cant get with a regular phaser .

CHORUS A slightly detuned sound is added to the original sound to add depth and breadth .

DELAY Adds delayed sound to the direct sound, giving more body to the sound or creating special effects .

OD/DS (FxODDS: ) Parameter Explanation

Type

Type of OD/DS

MID BOOST A booster with unique characteristics in the midrange . Making the connection before the amp produces sound suitable for solos .

CLEAN BOOST This not only functions as a booster, but also produces a clean tone that has punch even when used alone .

TREBLE BOOST This is a booster that has bright characteristics .

CRUNCH A lustrous crunch sound with an added element of amp distortion .

NATURAL OD An overdrive sound that provides distortion with a natural feeling .

WARM OD A warm overdrive . FAT DS A distortion sound with thick distortion .

LEAD DS Produces a distortion sound with both the smoothness of an overdrive along with a deep distortion .

METAL DS A distortion sound that is ideal for performances of heavy riffs . OCT FUZZ A fuzz sound with rich harmonic content .

BLUES OD A crunch sound of the BOSS BD-2 . This produces distortion that faithfully reproduces the nuances of picking .

OD-1 Models the sound of the BOSS OD-1 . Produces sweet, mild distortion .

T-SCREAM Models an Ibanez TS-808 . TURBO OD High-gain overdrive sound of the BOSS OD-2 . DIST Gives a basic, traditional distortion sound . RAT Models a Proco RAT . GUV DS Models a Marshall GUV NOR . DST+ Models a MXR DISTORTION+ .

METAL ZONE Models the sound of the BOSS MT-2 . It produces a wide range of metal sounds, from old style to slash metal .

60S FUZZ Models a Fuzz Face . It produces a fat fuzz sound .

MUFF FUZZ Models an Electro-Harmonix Big Muff . Drive Adjusts the depth of distortion . Tone Adjusts the tone . Level Adjusts the volume of the effect sound . Bottom Adjusts the tone for the low frequency range . D. Level Adjusts the volume of the direct sound . Solo Sw Switches the tone to one suitable for solos . Solo Lv Adjusts the volume level when the Solo Sw is ON .

COMPRESSOR (FxComp: ) Parameter Explanation

Type

BOSS COMP Models a BOSS CS-3 . Hi-BAND A compressor that adds an even stronger effect in the high end . LIGHT A compressor with a light effect . D-COMP Models a MXR DynaComp . ORANGE Modeled on the sound of the Dan Armstrong ORANGE SQUEEZER .

FAT When applied heavily, this compressor effect provides a fat tone with a boosted midrange .

MILD When applied heavily, this compressor effect produces a sweet tone with the high end cut .

STEREO COMP Selects a stereo compressor .

Sustain Adjusts the range (time) over which low-level signals are boosted . Larger values will result in longer sustain .

Attack Adjusts the strength of the picking attack when the strings are played . Higher values result in sharper attack, creating a more clearly defined sound .

Tone Adjusts the volume . Level Adjusts the tone .

LIMITER (FxLmtr: ) Parameter Explanation

Type

BOSS LIMITER Selects a stereo limiter .

RACK 160D Models a dbx 160X . VTG RACK U Models a UREI 1178 .

Attack Adjusts the strength of the picking attack when the strings are played . Higher values result in sharper attack, creating a more clearly defined sound .

Threshold Adjust this as appropriate for the input signal from your guitar . When the input signal level exceeds this threshold level, limiting will be applied .

Ratio Selects the compression ratio used with signals in excess of the threshold level . Release Adjusts the release time . Level Adjusts the volume .

EQ (FxEQ: ) Parameter Explanation Low Gain Adjusts the low frequency range tone . Hi Gain Adjusts the high frequency range tone .

LowMid Freq Specifies the center of the frequency range that will be adjusted by the LowMid Gain .

LowMid Q Adjusts the width of the area affected by the EQ centered at the LowMid Freq . Higher values will narrow the area .

LowMid Gain Adjusts the low-middle frequency range tone .

Hi Mid Freq Specifies the center of the frequency range that will be adjusted by the Hi Mid Gain .

Hi Mid Q Adjusts the width of the area affected by the EQ centered at the Hi Mid Freq . Higher values will narrow the area .

Hi Mid Gain Adjusts the low-middle frequency range tone .

Low Cut Sets the frequency at which the low cut filter begins to take effect . When FLAT is selected, the low cut filter will have no effect .

Hi Cut Sets the frequency at which the high cut filter begins to take effect . When FLAT is selected, the high cut filter will have no effect .

Level Adjusts the overall volume level of the equalizer .

T. WAH (FxT. Wah: ) Parameter Explanation

Mode LPF Creates a wah effect over a wide frequency range . BPF Creates a wah effect in a narrow frequency range .

Polar DOWN The frequency of the filter will fall . UP The frequency of the filter will rise .

Sens

Adjusts the sensitivity at which the filter will change in the direction determined by the polarity setting . Higher values will result in a stronger response . With a setting of 0, the strength of picking will have no effect .

Freq Adjusts the center frequency of the Wah effect .

Peak

Adjusts the way in which the wah effect applies to the area around the center frequency . Higher values will produce a stronger tone which emphasizes the wah effect more . With a value of 50 a standard wah sound will be produced .

E. Level Adjusts the volume of the effect sound . D. Level Adjusts the volume of the direct sound .

For an explanation of the parameters other than the FX parameters, refer to the owners manual .

FX Parameter

4

PITCH SHIFTER (FxPS: ) Parameter Explanation

Voice

1-VOICE One-voice pitch-shifted sound output in monaural . 2-MONO Two-voice pitch-shifted sound (PS1, PS2) output in monaural .

2-STEREO Two-voice pitch-shifted sound (PS1, PS2) output through left and right channels .

Mode1 Mode2 *1

FAST, MEDIUM, SLOW

The response is slower in the order of FAST, MEDIUM and SLOW, but the modulation is lessened in the same order .

MONO MONO is used for inputting single notes .

* You may be unable to produce the intended effect when playing chords (two or more notes played simultaneously) .

Pitch1 Pitch2 *1

Adjusts the amount of pitch shift (the amount of interval) in semitone steps .

Fine1 Fine2 *1

Make fine adjustments to the interval . The amount of the change in the Fine 100 is equivalent to that of the Pitch 1 .

P. Delay1 P. Delay2 *1

Adjusts the time from when the direct sound is heard until the pitch shifted sounds are heard . Normally you can leave this set at 0 ms .

* When set to BPM, the value of each parameter will be set according to the value of the MASTER BPM specified for each patch . This makes it easier to achieve effect sound settings that match the tempo of the song .

* If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time .

F. Back1 Adjusts the feedback amount of the pitch shift sound . E. Level1 E. Level2 *1

Adjusts the volume of the pitch shifter .

D. Level Adjusts the volume of the direct sound .

*1: Setting not available when Voice is set to 1-VOICE .

HARMONIST (FxHrm: ) Parameter Explanation

Voice

1-VOICE One-voice pitch-shifted sound output in monaural . 2-MONO Two-voice pitch-shifted sound (PS1, PS2) output in monaural .

2-STEREO Two-voice pitch-shifted sound (PS1, PS2) output through left and right channels .

Harm1 harm2 *1

Determines the pitch of the sound added to the input sound, when you are making a harmony . It allows you to set it by up to 2 octaves higher or lower than the input sound .

P. Delay1 P. Delay2 *1

Adjusts the time from when the direct sound is heard until the pitch shifted sounds are heard . Normally you can leave this set at 0 ms .

* When set to BPM, the value of each parameter will be set according to the value of the MASTER BPM specified for each patch . This makes it easier to achieve effect sound settings that match the tempo of the song .

* If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time .

F. Back1 Adjusts the feedback amount of the pitch shift sound . E. Level1 E. Level2 *1

Adjusts the volume of the pitch shifter .

MastrKey

The key setting corresponds to the key of the song (#, b) as follows .

Major

Major

Minor

Minor

D. Level Adjusts the volume of the direct sound .

*1: Setting not available when Voice is set to 1-VOICE .

PEDAL BEND (FxP. Bnd: ) Parameter Explanation Pitch Sets the pitch at the point where the EXP Pedal is all the way down .

Position Adjusts the pedal position for pedal bend . This parameter is used after its been assigned to an EXP Pedal or similar controller .

E. Level Adjusts the volume of the pitch bend sound . D. Level Adjusts the volume of the direct sound .

PHASER (FxPhasr: ) Parameter Explanation

Type

4STAGE A four-phase effect . A light phaser effect is obtained . 8STAGE An eight-phase effect . It is a popular phaser effect . 12STAGE A twelve-phase effect . A deep phase effect is obtained . BiPHASE The phaser with two phase shift circuits connected in series .

Rate

Sets the rate of the phaser effect . * When set to BPM, the value of each parameter will be set according to the value

of the MASTER BPM specified for each patch . This makes it easier to achieve effect sound settings that match the tempo of the song .

* If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time .

Depth Determines the depth of the phaser effect . Manual Adjusts the center frequency of the phaser effect .

Reso Determines the amount of resonance (feedback) . Increasing the value will emphasize the effect, creating a more unusual sound .

Step Rate

Sets the cycle of the step function that changes the rate and depth . When it is set to a higher value, the change will be finer . Set this to Off when not using the Step function .

* When set to BPM, the value of each parameter will be set according to the value of the MASTER BPM specified for each patch . This makes it easier to achieve effect sound settings that match the tempo of the song .

* If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time .

E. Level Adjusts the volume of the phaser . D. Level Adjusts the volume of the direct sound .

FLANGER (FxFlngr: ) Parameter Explanation

Rate

Sets the rate of the flanging effect . * When set to BPM, the value of each parameter will be set according to the value

of the MASTER BPM specified for each patch . This makes it easier to achieve effect sound settings that match the tempo of the song .

* If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time .

Depth Determines the depth of the flanging effect . Manual Adjusts the center frequency at which to apply the effect .

Reso Determines the amount of resonance (feedback) . Increasing the value will emphasize the effect, creating a more unusual sound .

Separatn Adjusts the diffusion . The diffusion increases as the value increases .

Low Cut Sets the frequency at which the low cut filter begins to take effect . When Flat is selected, the low cut filter will have no effect .

E. Level Adjusts the volume of the flanger . D. Level Adjusts the volume of the direct sound .

TREMOLO (FxTrml: ) Parameter Explanation Wave Shape Adjusts changes in volume level . A higher value will steepen waves shape .

Rate

Adjusts the frequency (speed) of the change . * When set to BPM, the value of each parameter will be set according to the value

of the MASTER BPM specified for each patch . This makes it easier to achieve effect sound settings that match the tempo of the song .

* If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time .

Depth Adjusts the depth of the effect . E. Level Adjusts the volume .

PAN (FxPan: ) Parameter Explanation

Type AUTO Varies the volume level on the left and right according to the settings

for Wave Shape, Rate, and Depth . MANUAL Output uses the volume balance set with Manual Position .

Wave Shape *1

Adjusts changes in volume level . A higher value will steepen waves shape .

Rate *1

Adjusts the frequency (speed) of the change . * When set to BPM, the value of each parameter will be set according to the value

of the MASTER BPM specified for each patch . This makes it easier to achieve effect sound settings that match the tempo of the song .

* If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time .

Depth Adjusts the depth of the effect . M. Position *2 Adjusts the volume balance between the left and right channels . E. Level Adjusts the volume .

*1: Setting available when Type is set to AUTO . *2: Setting available when Type is set to MANUAL .

FX Parameter

5

ROTARY (FxRot: ) Parameter Explanation SpeedSelct Changes the simulated speakers rotating speed (SLOW or FAST) . Rate Slow Adjusts the Speed Select of rotation when set to SLOW .

Rate Fast

This parameter adjusts the speed select of rotation when set to FAST . * When set to BPM, the value of each parameter will be set according to the value

of the MASTER BPM specified for each patch . This makes it easier to achieve effect sound settings that match the tempo of the song .

* If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time .

Rise Time Adjusts the time it takes for the rotation Speed Select to change when switched from SLOW to FAST .

Fall Time Adjusts the time it takes for the rotation Speed Select to change when switched from FAST to SLOW .

Depth Adjusts the amount of depth in the rotary effect . E. Level Adjusts the volume .

UNI-V (FxUni-V: ) Parameter Explanation

Rate

Adjusts the rate of the UNI-V effect . * When set to BPM, the value of each parameter will be set according to the value

of the MASTER BPM specified for each patch . This makes it easier to achieve effect sound settings that match the tempo of the song .

* If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time .

Depth Adjusts the depth of the UNI-V effect . E. Level Adjusts the volume .

CHORUS (FxChorus: ) Parameter Explanation

Mode

MONO This chorus effect outputs the same sound from both L channel and R channel .

STEREO1 A stereo chorus effect that adds different chorus sounds to L channel and R channel .

STEREO2 This stereo chorus uses spatial synthesis, with the direct sound output in the L channel and the effect sound output in the R channel .

Rate

Adjusts the rate of the chorus effect . * When set to BPM, the value of each parameter will be set according to the value

of the MASTER BPM specified for each patch . This makes it easier to achieve effect sound settings that match the tempo of the song .

* If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time .

Depth Adjusts the depth of the chorus effect .

* To use it for doubling effect, set the value to 0 .

Pre Dly

Adjusts the time needed for the effect sound to be output after the direct sound has been output . By setting a longer pre delay time, you can obtain an effect that sounds like more than one sound is being played at the same time (doubling effect) .

Low Cut Sets the frequency at which the low cut filter begins to take effect . When Flat is selected, the low cut filter will have no effect .

Hi Cut Sets the frequency at which the high cut filter begins to take effect . When Flat is selected, the high cut filter will have no effect .

E. Level Adjusts the volume of the effect sound .

DELAY (FxDly: ) Parameter Explanation

Type MONO A simple monaural delay .

PAN Provides a tap delay effect that divides the delay time between the left and right channels .

Time

Adjusts the delay time . * When set to BPM, the value of each parameter will be set according to the value

of the MASTER BPM specified for each patch . This makes it easier to achieve effect sound settings that match the tempo of the song .

* If, due to the tempo, the time is longer than the range of allowable settings, it is then synchronized to a period either 1/2 or 1/4 of that time .

Feedback Adjusts the volume that is returned to the input . Higher settings will result in more delay repeats .

High Cut Sets the frequency at which the high cut filter begins to take effect . When FLAT is selected, the high cut filter will have no effect .

Pan Tap Time *1

Adjusts the delay time of the left channel delay . This setting adjusts the L channel delay time relative to the R channel delay time (considered as 100%) .

E. Level Adjusts the volume of the delay sound . D. Level Adjusts the volume of the direct sound .

*1: Setting available when Type is set to PAN .

6

Stereo/Mono Support for Each Effect

: This effect sound is mono .

: These effects take a mono input and output it on two channels .

: This effect sound is output with two channels .

Type

AMP (

FX

OD/DS ( COMPRESSOR except STEREO COMP STEREO COMP only LIMITER ( EQ ( T. WAH ( PITCH SHIFTER except 2-STEREO 2-STEREO only HARMONIST except 2-STEREO 2-STEREO only PEDAL BEND ( PHASER ( FLANGER ( TREMOLO ( PAN ( ROTARY ( UNI-V ( CHORUS MONO STEREO 1, STEREO 2 DELAY MONO PAN

WAH ( CHORUS MONO STEREO 1, STEREO 2 DELAY except PAN, STEREO, and DUAL-L/R PAN, STEREO only DUAL-L/R only REVERB ( EQ ( MIXER (

7

In Pedal and Switch Settings for Each Patch (Ctl: ) (Owners Manual p . 11) and System Settings for the Pedals and Switches (SysCtl: ) (Owners Manual p . 13), you can use the EXP 1 off Func, EXP 1 on Func, EXP 2 Func, and GKVOL Func settings to assign the following parameters and control them .

Type Parameter FOOT VOL FV: Level PATCH LEVEL Patch: Level

MODELING VOL

E. GTR EG: Volume ACOUSTIC AC: Volume E. BASS EB: Volume

SYNTH GR-300 GR300: Volume OSC SYNTH OSC: Volume WAVE SYNTH WAVE: Volume

PolyFx

DISTORTION

PolyFx: GtrVol CRYSTAL RICH MODULATION SLOW PAD TOUCH WAH PFxTWah: Volume

NORMAL PU VOL NrmlPU: Volume MIXER BALANCE Mixer: Balance STRING BEND CTL StrBend: Control

MODELING CTL

E. GTR EG: Tone ACOUSTIC AC: Tone E. BASS EB: Tone

SYNTH GR-300 GR300: Cutoff OSC SYNTH OSC: FilterCutoff WAVE SYNTH WAVE: Cutoff

PolyFx

DISTORTION PFxDist: Gain CRYSTAL PFxCrystal: Color RICH MODULATION PFxRichMod: Color SLOW PAD PFxSlowPad: Color TOUCH WAH PFxTWah: Peak

FX CTL

OD/DS FxODDS: Drive COMPRESSOR FxComp: Sustain LIMITER FxLmtr: Threshold EQ FxEQ: Hi Mid Frq T. WAH FxT . Wah: Peak PITCH SHIFTER FxPS: E . Level1 FxPS: E . Level2 HARMONIST FxHrm: E . Level1 FxHrm: E . Level2 PEDAL BEND FxP . Bnd: Position PHASER FxPhasr: Rate FLANGER FxFlngr: Rate TREMOLO FxTrml: Rate PAN FxPan: Rate ROTARY FxRot: SpeedSelct UNI-V FxUni-V: Rate CHORUS FxChorus: E . Level DELAY FxDly: E . Level

AMP GAIN Amp: Gain WAH Wah: Pdl Position CHORUS E. LEVEL Chorus: E . Level DELAY E. LEVEL Delay: E . Level REVERB E. LEVEL Reverb: E . Level EQ HI MID FREQ EQ: Hi Mid Freq

Control Function List

8

USB Routing (USBAudio: Routing)

STANDARD Use this setting if youre playing guitar while playing back a song from your computer . Only the sound of the GP-10 is output to the computer .

PC GK 16 OUT

PC OUT

GK IN

NORMAL PU IN

OUTPUT

GK SETTING

FX CHAIN

PC GK 16 IN

PC IN

USBAudio: IN Lv

USBAudio: OUT Lv

OUTPUT LEVEL

MODELING ALT TUNE

MIX Use this setting if youre playing guitar while playing back a song from your computer . The sound of the GP-10 and the backing from the computer are mixed and output to the computer .

PC GK 16 OUT

PC OUT

GK IN

NORMAL PU IN

OUTPUT

GK SETTING

FX CHAIN

PC GK 16 IN

PC IN

USBAudio: IN Lv

USBAudio: OUT Lv

OUTPUT LEVEL

MODELING ALT TUNE

DRY-GUITAR Use this setting if you want to re-guitar or re-amp your guitar sound after youve recorded it . The original sound of the guitar without modeling or effects is output to the computer . The individual strings are output as six separate channels from the modeling signal route, and the original sound from the normal guitar route is also output .

PC GK 16 OUT

PC OUT

GK IN

NORMAL PU IN

OUTPUT

GK SETTING

FX CHAIN

PC GK 16 IN

PC IN

USBAudio: IN Lv

OUTPUT LEVEL

MODELING ALT TUNE

RE-GUITAR/AMP I Use this setting if you want the original sound of the guitar without modeling or effects to be input to the GP-10 so that you can re-guitar or re-amp .

PC GK 16 OUT

PC OUT

GK IN

NORMAL PU IN

OUTPUT

GK SETTING

FX CHAIN

PC GK 16 IN

PC IN

USBAudio: OUT Lv

OUTPUT LEVEL

MODELING ALT TUNE

RE-GUITAR/AMP II Use this setting to re-guitar along with backing thats played back from your computer .

PC GK 16 OUT

PC OUT

GK IN

NORMAL PU IN

OUTPUT

GK SETTING

FX CHAIN

PC GK 16 IN

PC IN

USBAudio: IN Lv

USBAudio: OUT Lv

OUTPUT LEVEL

MODELING ALT TUNE

DIRECT OFF Use this setting if you want the signal processed by plug-in effects on your DAW to be output to the GP-10s OUTPUT . The output of the GP-10 is output only to your computer .

PC GK 16 OUT

PC OUT

GK IN

NORMAL PU IN

OUTPUT

GK SETTING

FX CHAIN

PC GK 16 IN

PC IN

USBAudio: IN Lv

USBAudio: OUT Lv

OUTPUT LEVEL

MODELING ALT TUNE

What is RE-GUITAR/RE-AMP?

These are techniques in which the original sound of the guitar without modeling or effects is recorded on your DAW so that you can create the final guitar sound afterward . Have you ever experienced either of these regrets or failures after recording an effect-processed guitar?

You played well, but youre not happy with the sound . The guitar sound no longer stands out when combined with other parts in

your DAW software .

As long as you still have the original sound, you can use re-guitaring or re- amping to reshape the sound of your original performance as many times as you like, letting you record a truly satisfactory sound and performance into your DAW . If you want to record the original sound of your guitar without modeling or effects, choose DRY-GUITAR, and then use RE-GUITAR/AMP I or RE-GUITAR/ AMP II to re-record it .

Owners Manual p. 13

9

Assign Target List (Asgn 18: Target)

Category Target

MDL: ON/OFF TYPE

EG:

TYPE CLST PU SEL MDS PU SEL TE PU SEL LP PU SEL P90 PU SEL 335 PU SEL L4 PU SEL RICK PU SEL LIPS PU SEL WIDERNG PUSEL BRGHTHM PUSEL FRTLS T . TYPE FRTLS SENS FRTLS DEPTH FRTLS ATTACK FRTLS RESO FRTLS D . LEVEL VOLUME TONE

AC:

TYPE BODY ATTACK SITR PU SEL SITAR SENS SITAR COLOR SITAR DECAY SITAR BUZZ SITR ATTCK LV BNJ RESONANCE RES RESONANCE RESO SUSTAIN TONE VOLUME

EB:

TYPE JB REAR VOL JB FRONT VOL FRTLSS T . TYPE FRTLSS SENS FRTLSS DEPTH FRTLSS ATTACK FRTLSS RESO FRTLSS DLEVEL VOLUME TONE

SYNTH: TYPE

GR300:

MODE VOLUME COMP SW CUTOFF RESONANCE ENVMODSW ENVMODSENS ENVMODATCK PITCH SW P . SHIFT A P . FINE A P . SHIFT B P . FINE B P . DUET SWEEP SW SWEEP RISE SWEEP FALL VIBRATO SW VIB RATE VIB DEPTH

Category Target

OSC:

MODE VOLUME WAVEFORM1 PITCH1 PITCH FINE1 PW WIDTH1 PW MOD RATE1 P . ENV ATTCK1 P . ENV DECAY1 P . ENV DEPTH1 LEVEL 1 WAVEFORM2 PITCH2 PITCH FINE2 PW WIDTH2 PW MOD RATE2 P . ENV ATTCK2 P . ENV DECAY2 P . ENV DEPTH2 LEVEL 2 FILTER TYPE FILTER SLOPE FILTERCUTOFF FLTRCTOFFFLW FLTRRESO FLTRVELOSENS FLTRENVATTCK FLTRENVDECAY FLTRENVSUSTN FLTRENVRELS FLTRENVDEPTH AMPVELOSENS AMPENVATTCK AMPENVDECAY AMPENVSUSTN AMPENVRELS LFO1 SHAPE LFO1 RATE LFO1PTCHDPT1 LFO1PTCHDPT2 LFO1FLTDEPTH LFO1AMPDEPTH LFO1DLY TIME LFO1FADETIME LFO2 SHAPE LFO2 RATE LFO2PTCHDPT1 LFO2PTCHDPT2 LFO2FLTDEPTH LFO2AMPDEPTH LFO2DLY TIME LFO2FADETIME POLY/MONO CHROMATIC PORTAMENTO PORTA RATE PORTA MODE HOLD MODE LOWVELOCUT

WAVE:

TYPE VOLUME CUTOFF RESONANCE OCTAVE

Category Target

POLYFX:

TYPE GTRVOL PFXDIST: GAIN PFXDIST: GAINBAL PFXDIST: COLOR PFXDIST: TONE PFXDIST: LEVEL PFXCRYSTAL: COLOR PFXCRYSTAL:TONE PFXCRYSTAL: LEVEL PFXRICHMOD: COLOR PFXRICHMOD: TONE PFXRICHMOD: LEVEL PFXSLOWPAD: COLOR PFXSLOWPAD: TONE PFXSLOWPAD: LEVEL PFXTWAH: MODE PFXTWAH: POLAR PFXTWAH: SENS PFXTWAH: FREQ PFXTWAH: DECAY PFXTWAH: PEAK PFXTWAH: TONETYPE PFXTWAH: COMP SW PFXTWAH: COMPSUS PFXTWAH: COMPATK PFXTWAH: VOLUME

ALTTUNE:

ON/OFF TYPE SHIFT 6 SHIFT 5 SHIFT 4 SHIFT 3 SHIFT 2 SHIFT 1 FINE 6 FINE 5 FINE 4 FINE 3 FINE 2 FINE 1

12STR:

ON/OFF TYPE PITCHSHFT6 PITCHSHFT5 PITCHSHFT4 PITCHSHFT3 PITCHSHFT2 PITCHSHFT1 PITCHFINE6 PITCHFINE5 PITCHFINE4 PITCHFINE3 PITCHFINE2 PITCHFINE1 LEVEL 6 LEVEL 5 LEVEL 4 LEVEL 3 LEVEL 2 LEVEL 1 DELAY 6 DELAY 5 DELAY 4 DELAY 3 DELAY 2 DELAY 1

STRBEND:

ON/OFF DEPTH 6 DEPTH 5 DEPTH 4 DEPTH 3 DEPTH 2 DEPTH 1 CONTROL

MDL: NS ON/OFF THRESHLD RELEASE

Owners Manual p. 12

Assign Target List (Asgn 18: Target)

10

Category Target

MDL: STRING LV

6 5 4 3 2 1

MDL: STRING PAN

6 5 4 3 2 1

AMP:

ON/OFF TYPE GAIN LEVEL BASS MIDDLE TREBLE PRESENCE BRIGHT GAIN SW SOLO SW SOLO LEVEL T-COMP SPEAKER TYPE MIC TYPE MIC DISTANCE MIC POSITION MIC LEVEL DIRECT LEVEL

FX: ON/OFF TYPE

FXODDS:

TYPE DRIVE TONE LEVEL BOTTOM D . LEVEL SOLO SW SOLO LV

FXPHASR:

TYPE RATE DEPTH MANUAL RESO STEPRATE E . LEVEL D . LEVEL

FXFLNGR:

RATE DEPTH MANUAL RESO SEPARAT LOW CUT E .LEVEL D . LEVEL

FXTRML:

WAVESHAPE RATE DEPTH E . LEVEL

FXPAN:

TYPE WAVE SHAPE RATE DEPTH M . POSITION E . LEVEL

FXROT:

SPEEDSELCT RATE SLOW RATE FAST RISE TIME FALL TIME DEPTH E . LEVEL

FXUNI-V: RATE DEPTH E . LEVEL

FXCOMP:

TYPE SUSTAIN ATTACK TONE LEVEL

Category Target

FXLMTR:

TYPE ATTACK THRESHOLD RATIO RELEASE LEVEL

FXEQ:

LOW GAIN HI GAIN LOWMID FRQ LOWMID Q LOWMID GAIN HI MID FRQ HI MID Q HI MID GAIN LOW CUT HI CUT LEVEL

FXCHORUS:

MODE RATE DEPTH PRE DLY LOW CUT HI CUT E . LEVEL D . LEVEL

FXPS:

VOICE MODE1 PITCH1 FINE1 P . DELAY1 F . BACK1 E . LEVEL1 MODE2 PITCH2 FINE2 P . DELAY2 E . LEVEL2 D . LEVEL

FXHRM:

VOICE HARM1 P . DELAY1 F . BACK1 E . LEVEL1 HARM2 P . DELAY2 E . LEVEL2 MASTER KEY D . LEVEL

FXDLY:

TYPE TIME FEEDBACK HIGH CUT PANTAPTIME E . LEVEL D . LEVEL

FXT. WAH:

MODE POLAR SENS FREQ PEAK E . LEVEL D . LEVEL

FXP. BND:

PITCH POSITION E . LEVEL D . LEVEL

WAH:

ON/OFF TYPE PDL POSITION PEDAL MIN PEDAL MAX E . LEVEL D . LEVEL

CHORUS:

ON/OFF MODE RATE DEPTH PREDELAY LOW CUT HI CUT E . LEVEL D . LEVEL

Category Target

DELAY:

ON/OFF TYPE TIME FEEDBACK HIGH CUT E . LEVEL D . LEVEL PANTAPTIME D1 TIME D2 TIME D1 F . BACK D2 F . BACK D1 HICUT D2 HICUT D1 E . LEVEL D2 E . LEVEL MOD RATE MOD DEPTH

REVERB

ON/OFF TYPE TIME PRE DELAY LOW CUT HIGH CUT DENSITY SPRINGSNS E . LEVEL D . LEVEL

EQ:

ON/OFF LOW GAIN HI GAIN LOWMID FRQ LOWMID Q LOWMID GAIN HI MID FRQ HI MID Q HI MID GAIN LOW CUT HI CUT LEVEL

NS: ON/OFF THRESHOLD RELEASE

FV:

MIN MAX CURVE LEVEL

NRMLPU: ON/OFF VOLUME CABLE SIM

MIXER: MDL IN LV N . PU IN LV BALANCE

PATCH: LEVEL TEMPO

CTL: TUNER SW

Signal Flow

Audio Control

GP-10

FX Chain

GK IN

Modeling Tone (Modeling/Synth/Poly FX)

Normal PU

Divided PU

GUITAR IN

GK Setting

OUTPUT

GUITAR OUT

Control/ Assign

PHONES

TUNER SW BYPASS EFFECT MUTE

GR-300/OSC/WAVE

EXP2/CTL3, 4

USB MIDI

Guitar to MIDI

TUNER

Normal PU On/O

Modeling (E.GTR/ACOUSTIC/

E.BASS)

AltTune/ 12Str/

StrBend

Poly Fx

NS WAH AMP

FX CHO EQ

FV DLY REV

EXP1/EXP1 SW CTL1, 2, , </

Manualsnet FAQs

If you want to find out how the GP-10 Boss works, you can view and download the Boss GP-10 Parameter Guide on the Manualsnet website.

Yes, we have the Parameter Guide for Boss GP-10 as well as other Boss manuals. All you need to do is to use our search bar and find the user manual that you are looking for.

The Parameter Guide should include all the details that are needed to use a Boss GP-10. Full manuals and user guide PDFs can be downloaded from Manualsnet.com.

The best way to navigate the Boss GP-10 Parameter Guide is by checking the Table of Contents at the top of the page where available. This allows you to navigate a manual by jumping to the section you are looking for.

This Boss GP-10 Parameter Guide consists of sections like Table of Contents, to name a few. For easier navigation, use the Table of Contents in the upper left corner.

You can download Boss GP-10 Parameter Guide free of charge simply by clicking the “download” button in the upper right corner of any manuals page. This feature allows you to download any manual in a couple of seconds and is generally in PDF format. You can also save a manual for later by adding it to your saved documents in the user profile.

To be able to print Boss GP-10 Parameter Guide, simply download the document to your computer. Once downloaded, open the PDF file and print the Boss GP-10 Parameter Guide as you would any other document. This can usually be achieved by clicking on “File” and then “Print” from the menu bar.